Garvescope

The business of indie filmmaking, decoded. 🎬 Funding, distribution, & insights for filmmakers, investors, and buyers. Let’s talk cinema & strategy.

Garvescopegarvescope
2025-05-03

How Tariffs Hurt Toy-Based Movies | Ben Garves discusses the significant impact of licensing cash on major studios, particularly those focused on high or existing IP projects. He highlights the challenges posed by the production of toys, which are not made in the U.S. and would be costly if they were. >>

Garvescopegarvescope
2025-05-02

Hollywood accounting is so rigged that ‘Return of the Jedi’ never made a profit on paper. Yep, one of the biggest movies ever. Drop ‘SHOW ME’ in the comments & I’ll break it down.

Garvescopegarvescope
2025-05-02

Your PA disappeared for two hours and came back with a goat. Is this the weirdest thing to happen on your set?

Garvescopegarvescope
2025-05-01

Video Game Movies Still Suck—Mathematically |

Garvescopegarvescope
2025-05-01

Equity crowdfunding is reshaping film investing. Crowdfunding isn’t just about perks anymore. Explore whether equity-based film investing is a good opportunity or a risky bet.

garvescope.com/blog/how-equity

Garvescopegarvescope
2025-05-01

Still Bad: The Video Game Movie Epidemic | Ben Garves discussed an analysis of over 10,000 audience reviews from major platforms, focusing on those rating 5 or less. Common criticisms of video game adaptations included poor plot development, underdeveloped characters, and unengaging acting. Issues such as commercial focus over quality, lack of offensive content, and genre confusion were less frequently mentioned. >>

Garvescopegarvescope
2025-04-30

Are Critics Too Harsh on Game Movies? | Ben Garves discusses the common perception that video game adaptations are rated poorly compared to other genres, such as those based on religious stories. He suggests that the bias against video game movies is a significant factor in their poor ratings. >>

Garvescopegarvescope
2025-04-30

You’ve got a great movie and one shot to get the world’s attention. Do you aim for a festival slot... or do you cut the world’s best trailer and drop it like a Beyoncé album?

Garvescopegarvescope
2025-04-30

@scyzoryk YIKES.

Garvescopegarvescope
2025-04-30

@julianmaiz this is to say if your project isn't perfectly aligned with the grant and the grantor's cause, and you're confident that you'd be the top 1% of applicants. Most applicants to grants are terrible fits and it wastes the filmmaker's time, when they could be working hard to self-fund, crowdfund, reach out to friends and family, or network with potential investors.

Garvescopegarvescope
2025-04-30
Garvescopegarvescope
2025-04-29

If a Film Investor Asks You to Put Up Cash, Walk Away
So it's hard to find investors, but if an investor doesn't understand that you need money, and that's why you're asking for money, and they ask you to put something up, to match or to go along with it, or to unlock something, I would I would move on immediately.

Garvescopegarvescope
2025-04-29

Hedge funds are entering the indie film world—but how do they work, and what do they want? The pros, cons, and how to attract their interest. From slate financing to tax-backed loans, hedge funds are quietly shaping indie film.

garvescope.com/blog/hedge-fund

Garvescopegarvescope
2025-04-28

A Studio Cut 30 Minutes From Her Film—Now She’s Fighting Back

Garvescopegarvescope
2025-04-28

What’s the biggest financial risk in indie filmmaking?

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