Educator, instructional technologist, tinkerer, musicmaker, hauler of bootstraps
“On watching the movie WarGames I saw all of the on-screen text terminal
displays and thought to myself that there is sufficient information present on-
screen to produce a replica font on my computer.” #wargames #font https://mw.rat.bz/wgterm/
"rather than insulating Bluesky's management from their own future selves' impulse to do wrong, a binding arbitration waiver permanently insulates #bluesky from consequences if (when) they yield the temptation to harm their users." #federation #decentralization https://pluralistic.net/2026/03/05/executive-dysfunction/#upcoming
explore 30 years of internet history and reflect on how the web once felt https://www.web-rewind.com
Artist using a frozen lake in Alberta as a canvas #art #winter https://www.instagram.com/david_popa_art/reel/DVOrEqLCCsf/
It’s true! @drmarendeepwell and I will be on the airwaves on #ds106radio this Sunday morning at 9am PDT for an #OEweek26 edition of the Sunday Special.
Don't—don't—don't—don't—look at what's in front of you.
(Boots—boots—boots—boots—movin' up an' down again);
Men—men—men—men—men go mad with watchin' 'em,
An' there's no discharge in the war!
https://wfmu.org/archiveplayer/?show=161613&archive=284303&starttime=1%3A32%3A26
“It’s important to not treat your lifeboat like a yacht.” #bandcamp https://daily.bandcamp.com/album-of-the-day/bill-callahan-my-days-of-58-review
VA Urgh! A Music War (1980) .. the entire film streaming at https://youtu.be/SgBhZPBp-WI?si=Q5YucpxAWczobLCk
@cogdog just for a month!
“Reframing Hendrix as an engineer doesn’t diminish the art. It explains how one person, in under four years as a bandleader, could pull the electric guitar toward its full potential by systematically augmenting the instrument’s shortcomings for maximum expression.” https://spectrum.ieee.org/jimi-hendrix-systems-engineer
https://www.instagram.com/lizweststudio/p/DVJnG4RiBea/ To create “Our Colour,” Liz West covered hundreds of existing lights in the Cabot Circus Car Park with pigmented theatre gels. Without its usual traffic, the space instead becomes an open canvas for the artist’s interest in experiencing color in a more direct and physical way.
I got some red pills and a bottle
I got black and blue ones too
All the pills are all the same
The illusion is you choose