🎹 RHAPSODY IN BLUE
February 12, 1924 — Aeolian Hall, New York City.
A young George Gershwin sits at the piano. The room holds its breath. Then: a clarinet glissando that slides like silk into the American consciousness.
What follows is a collision — classical precision meeting jazz improvisation, the concert hall dancing with the speakeasy. A musical love letter to a city that never sleeps, written in blue notes and skyscraper rhythms.
Paul Whiteman called it An Experiment in Modern Music. History called it the sound of a new century finding its voice.
One hundred and two years later, those opening bars still shimmer. Still surprise. Still sound like the future.
This post is 100% AI generated.
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