#ANGELMAKER

2025-12-05

We got home from the #Whitechapel, #bodysnatcher, #Angelmaker, and #disembodiedtyrant concert about 30 minutes ago. Holy fuck, it was so fucking amazing! I got so many compliments on my outfit and my visible #bodymods that I lost count. Each band played at least one or two of my favorite songs of theirs, and goddamn, it was a loud, and well done show. I am so glad I had my high fidelity concert Loop earplugs with me. I am sore physically, my mind is scattered, but hot damn, I feel euphoric.

A person with a distinctive appearance, including prominent facial piercings and styled facial hair, is standing in front of a dark blue curtain. They wear a black graphic t-shirt featuring a detailed design that says GhostBath at the top and Rose Thorn Necklace on the bottom with an illustration of lacerated bloody hands and arms in the middle, a black peacoat, and brown denim pants. Their hands have red, black, and blue pawprint tattoos, and they are wearing black sneakers.A person stands against a backdrop of dark curtains, wearing a black peacoat over a black graphic t-shirt featuring red artwork. They have a prominent mustache and facial piercings, paired with brown denim pants and black sneakers.
2025-12-04

My fit for the #whitechapel, #Angelmaker, #bodysnatcher, and #disembodiedtyrant show tonight. Decided it was a perfect occasion to put my black niobium labret spikes in too. Gonna finish this fit with black on black with yellow stitching Chuck Taylors.

A person with a shaved head and a beard stands confidently in front of a dark curtain. They wear a black double-breasted jacket over a graphic t-shirt, paired with brown pants. Visible tattoos are on their hands, and they have multiple facial piercings.A bald individual with a distinctive style features multiple facial piercings, including a septum ring and metal labret spikes. They are wearing a black jacket over a graphic t-shirt, and a chain necklace. The background is dark.
2025-12-03

My queerplatonic partner and I will be going to this show tomorrow night! We haven’t seen Whitechapel in around 16 years, and last time we saw them was when we lived in Alaska. Hymns in Dissonance is my AOTY, and I can’t wait to experience it live.

Bodysnatcher, AngelMaker, and Disembodied Tyrant are all bands I have wanted to see for ages, especially AngelMaker. This is gonna be a fucking helluva show!

#deathcore #livemusic #concert #Whitechapel #bodysnatcher #Angelmaker #disembodiedtyrant

A promotional graphic for Whitechapel’s "Rituals of Hate Tour" featuring a dark, artistic design. It lists the date (December 4), venue (Vinyl Music Hall, Pensacola, FL), and supporting acts: Bodysnatcher, AngelMaker, and Disembodied Tyrant.
El Pregoner del Metallpregonermetall
2025-11-20

ANGELMAKER (Canadà) presenta nou Ă lbum: "This Used to Be Heaven"

Hell yeah #AngelMaker is good stuff and having Ben Duerr from #ShadowOfIntent on the song makes this a banger. youtube.com/watch?v=bBGEpiJyKgk

#Metal

El Pregoner del Metallpregonermetall
2025-10-16

ANGELMAKER (Canadà) presenta nou single: "The Omen Part II: Acquiesce"

El Pregoner del Metallpregonermetall
2025-07-30

ANGELMAKER (Canadà) presenta nou single: "Silken Hands"

2025-04-16

Crypts of Despair – We Belong in the Grave Review

By Kenstrosity

When Lithuanian death metal outfit Crypts of Despair dropped All Light Swallowed back in 2021, I was impressed with their destructive riffs, dynamic songwriting, and oppressive tone. The record boasted a never-ending assault of killer passages and memorable atmosphere that, in time, only grew in depth. Unsurprisingly, I felt great excitement at the prospect of a new Crypts of Despair when Transcending Obscurity announced third LP We Belong in the Grave late last year. By that same coin, you can imagine my utter disappointment at what arose from this crypt.

What was once easily categorized as a brutal take on the blackened death metal blueprint now lies in ashes. Today, Crypts of Despair plays a thankfully still brutal take on deathcore. So stark is the difference that at first, I was certain I had mixed up my bands when I picked this up. I was shocked to learn I had not. How this happened, I am uncertain, as only their second guitarist changed between 2021 and 2025. Nonetheless, the ripping tremolos and buttery-smooth songwriting of All Light Swallowed are a thing of the past. In its place, chugging ruts, Deathcore Standard Eerie Background Melodies (DSEBM for short), monotonous guttural roars backed by stereotypical scathing rasps, and what sounds to these ears like a total lack of songwriting identity. I could easily pick Crypts of Despair out of a lineup four years ago. Now, I doubt my ability to discern. At least the pools of skronky death and core from which they pull are decent company—I hear notes of early Nightmarer, AngelMaker, and Fit for an Autopsy peppering We Belong in the Grave. Nonetheless, the stylistic whiplash proved a monumental obstacle to my enjoyment of this new record, an obstacle that vexes me even as I write this piece.

First the positives: Crypts of Despair are still well versed in the way of The Riffℱ. Early standouts “Terminal Dais” and “Expulsion to Purgatory” offer massively headbangable motifs that are guaranteed to crush the strongest of bone into dust. Back-half heroes “Undisillusioned” and “Precipitous” muster a stompy groove the likes of which threaten the structural integrity of any concert floor, certain to incur considerable repair expenses to any venue. Blackened touches and intimidating background atmosphere still exist in an effort to invoke Crypts of Despair’s apocalyptic character, giving otherwise boilerplate tracks “Obliteration of the Impure” and “Seizures” much-needed flavor. Many such elements are similar on the surface to what Crypts of Despair implemented in the past, but are applied a bit differently now. That’s not a bad thing, as it showcases Crypts of Despair’s willingness to experiment with their sound and grow accustomed to unexplored sonic territory.

The unfortunate piece of that journey here is the total lack of songwriting that came along for the ride. Even decent tracks like “Seizures” struggle to impress upon the listener a sense of story, character development, or substance. Opener “We Belong in the Grave” constitutes a dire misfire, feeling every bit as fluffy and forgettable as your average throwaway instrumental intro, and yet it is a fully equipped “song.” The problem is that it lacks any sort of distinguishing characteristics or movement to earn it the moniker. The same critique can be extended to the closing duo “Gaze of the Adversary” and “Burial of the World.” Neither exhibits any evidence of a fully fleshed-out idea, instead spinning their wheels deeper and deeper into the mucky byproduct of wasted time. The production reflects this lack of depth as well, imposingly loud and deeply polished with flat, modern tones that feel at odds with Crypts of Despair’s mission statement up to this point.

One thing that remains untouched: Crypts of Despair are as livid as ever at humanity writ large. And they are right to be, for any number of reasons! That said, nothing much else remains intact after this updated set of sonic, visual, and engineering aesthetics bulldozed what was once a powerful, distinct, and compelling identity. We Belong in the Grave represents a band trying something different and making a real effort to make an unfamiliar style work in their image. It also represents a band failing to back that new sound up with the same elevated songwriting that made All Light Swallowed a triumph. For those who enjoy the chugging breakdowns and mid-paced monotony of cookie-cutter deathcore, this might be a step up from what populates that rotation. Otherwise, if you are familiar with Crypts of Despair, prepare to despair. This adjustment is going to hurt.

Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: cryptsofdespair.bandcamp.com | facebook.com/cryptsofdespair
Releases Worldwide: April 18th, 2025

#20 #2025 #AngelMaker #Apr25 #CryptsOfDespair #DeathMetal #Deathcore #FitForAnAutopsy #LithuanianMetal #Nightmarer #Review #Reviews #TranscendingObscurityRecords #WeBelongInTheGrave

2025-03-08

Gig Review: Suffocation / AngelMaker / Fuming Mouth / Carcosa / MĂ©lancolia – Slay, Glasgow (3rd March 2025)

Glasgow’s Slay played host to an unforgettable night of crushing heaviness on March 3rd, 2025, with a lineup that covered all corners of extreme metal. Fro

moshville.co.uk/reviews/gig-re

#GigReviews #AngelMaker #Carcosa #FumingMouth #Mlancolia #Suffocation

"To the leaders of the world, though, they are bad bees. They are bees of aggression, not bees of honey and peace. They are evil bees, and cannot be tolerated.
Too much truth cannot be allowed." #angelmaker

fyre_festivalsfyre_festivals
2025-01-29

New Artist announced for Brutal Assault 2025

Angelmaker

Added top 5 songs to the playlist Brutal Assault 2025

Listen now on YouTube Music: youtube.com/playlist?list=PLB5

#2025

indytoneindytone
2025-01-18

Cleaning house to one of Indy's best Darkwave bands, Angel Maker. Killer live LP courtesy of Spellbound/Indy CD & Vinyl. Can't wait to hear more from these folks.

2024-10-08

The Beg To Serve Tour is underway with The Black Dahlia Murder, Dying Fetus, Vomit Forth, AngelMaker, and Spite. đŸ“·: Wayne Edwards. Show recap and photos at FFR, flyingfiddlesticks.com/2024/10 #TheRave #livemusic #DyingFetus #TheBlackDahliaMurder #VomitForth #AngelMaker #Spite

This song is giving me whiplash.

Huge drops, bree brees, and a Dragonforce-esqe section!?

Also TIL that they're Canadian. Stereotype of them being hella friendly out of the way, these dudes were HELLA FRIENDLY and fun to chat with at a show in 2019.

youtube.com/watch?v=Mf4Kb32M-Z

#angelmaker #deathcore #deathmetal

2024-06-25

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