https://www.wired.com/story/review-the-troubling-politics-of-alex-garlands-civil-war/
Rather than making a film calling out these threats and divisions head on, Garland instead created something much more akin to a far-right fantasy recruiting tool. In Civil War, Garland’s apocalyptic US features a country ostensibly stripped of partisan labels, where both the left and right become intolerant of each other and turn deadly.
...
Garland’s argument that both sides are at fault, though, is disingenuous to the reality of the United States, both in 2020 when Garland wrote the script and even more so now, just months out from potentially the most consequential election in American history.
There is only one side calling for a “civil war.” There is only one side stoking hatred by spreading conspiracy theories about the Great Replacement. There is only one side boosting baseless and widely debunked theories that elections are rigged. There is only one side whose presidential candidate is promising a “bloodbath” if he loses the election.
For all its visual artistry—and there is plenty of that in this film—Garland has created a confused narrative that attempts to portray all sides as evil, with only the journalists at the center the real arbiters of truth. But in an age where extremists are ready and primed to decode and interpret any piece of media for their own ends, what Garland has really done is create a film in which these groups can see themselves on screen as the good guys.
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