#AvantGarde

Jiessjiess
2025-06-17

Anna VON HAUSSWOLFF All Thoughts Fly (2020) SUEDE - Southern Lord

🎧 Outside the gate (for Bruna) - annavonhausswolffsl.bandcamp.c


N-gated Hacker Newsngate
2025-06-16

Forbidden art, you say? 🎨🚫 More like forbidden access. Clearly, Richard Foreman’s work is so avant-garde, even the internet can't handle it. Must be that cutting-edge performance art. 🙄💻
yalereview.org/article/jennife

genefromthemooneugenehovts
2025-06-13

Jim O'Rourke | NTS Radio | June 2025

"Avant-garde musician and composer Jim O'Rourke pulls stops by once a month, pulling an hour of picks from his extensive record collection."

nts.live/shows/jim-o-rourke/ep

2025-06-13

The Queen Is Dead Volume 152 – The Chris Rolling Squad, Pulverin, Solaris - The Queen Is Dead Volume 152 - The Chris Rolling Squad, Pulverin, Solaris

Cominciamo con psychobilly, rockabilly e punk rock, si continua con un'elettronica di origine sconosciuta, e finiamo con noise rock in italiano.

iyezine inyoureyesezine iyezine.com thequeenisdead psychobilly avantgarde noise @bronsonproduzioni @thechrisrollingsquad… #iyezine #inyoureyesezine #thequeenisdead #psychobilly #avantgarde

2025-06-13

The Queen Is Dead Volume 152 – The Chris Rolling Squad, Pulverin, Solaris - The Queen Is Dead Volume 152 - The Chris Rolling Squad, Pulverin, Solaris

Cominciamo con psychobilly, rockabilly e punk rock, si continua con un'elettronica di origine sconosciuta, e finiamo con noise rock in italiano.

iyezine inyoureyesezine iyezine.com thequeenisdead psychobilly avantgarde noise @bronsonproduzioni @thechrisrollingsquad… #iyezine #inyoureyesezine #thequeenisdead #psychobilly #avantgarde

Jordi (Flopsome Opossum)Jorsh@beige.party
2025-06-13

#CurrentlyListeningTo Sigh - I Saw The World End (Hangman's Hymn MMXXV) #HeavyMetal #BlackMetal #AvantGarde 🇯🇵

El Pregoner del Metallpregonermetall
2025-06-13

SIGH (Japó) presenta nou àlbum: "I Saw the World's End - Hangman's Hymn MMXXV"

2025-06-13

Je rattrape mon retard sur the Ex, groupe dont j'ai longtemps entendu parler sans avoir jamais creusé, et que j'ai vu en concert cette année au Roadburn.

Cet album avec Tom Cora est vraiment cool

youtube.com/watch?v=973mTdjdoU

#pouetradio #cello #avantgarde #punk

2025-06-12

There's an all-new Vinyl Assault Vehicle up at bit.ly/VAV061125. Do we get a stoopid parade too?

It'll def be a parade of quality soundz through your ears, so let those musical stormtroopers STOMP ON IN!

Happy B-day Kim Deal, Ty Segall and Howlin Wolf and missing you already Sly Stone! #NoKings

#jazz #funk #indierock #psychedelicfunk #avantgarde #freejazz #DMV #WashingtonDC #undergroundradio #communityradio #WERA #ArlingtonVA #psychedelic #FreakRadio #FreeForm

2025-06-11

Gaahls WYRD – Braiding the Stories Review

By Dr. A.N. Grier

Gaahl sure gets a lot of hate from his days with Gorgoroth. I can understand some of it, considering the dumb decisions he’s made, including trying to take my beloved Gorgoroth away from Infernus. While it’s damn-near impossible to find any Gorgy albums where he contributed on music streaming services, Gaahl has always been quite varied in his approach. For example, listen to songs like “Destroyer” and “Unchain My Heart!!!” Bananas, my friends. But you can’t limit Gaahl to only Gorgoroth because he’s been the frontman for the exceptional Trelldom far longer. After Gorgoroth, he’s become a busybody, continuing to contribute to Trelldom while branching out to a variety of other outfits, like God Seed, Gaahlskagg, and Gaahls WYRD. After receiving a mediocre score for their debut record, GastiR – Ghosts Invited, I’ve decided to give Braiding the Stories a try in hopes of convincing the Grymmcat and many of you that Gaahls WYRD isn’t that bad.

For those unaccustomed to this iteration of Gaahl, Gaahls WYRD is far removed from the black metal directions of Gorgoroth and Trelldom. While there are moments of classic, second-wave assaults, Gaahls WYRD employs folky avant-garde atmospheres to envelop the listener in an immersive album experience. Though it can be hard to tell on GastiR – Ghosts Invited. Thankfully, Braiding the Stories pushes the envelope even further than the debut album. You’ll also hear a range of vocal styles, including clean, whispering, and spoken-word approaches. You can hate the band as much as you want based on that description, but I give props to the man for expanding his repertoire. But GastiR – Ghosts Invited left much to be desired.

Glancing at the track runtimes, Braiding the Stories already looks like an interesting album. Spread throughout are various interlude tracks that range from gorgeous to unsettling. Unlike other albums, some of these little ditties play a major role in breaking up the record and setting up its strongest songs. After “The Dream” soothes us with reverberating guitars and soft, clean vocals, the nearly nine-minute-long title track swaddles us in atmoblack bliss. This track alone is superior to anything you’ll find on GastiR – Ghosts Invited, showcasing some enrapturing guitar leads and varying vocal deliveries. Never does it build to a eruptive climax; instead using its time to suck you in. The other fantastic setup comes in the form of the short “Voices in My Head” and the crushing “Time and Timeless Timeline.” After some sad dissonance and anxiety-inducing piano play from the former, “Time and Timeless Timeline” is a punch to the top of your head. The Gorgoroth-esque riff initiates intense neck movement as this song swings through distant clean vocals, a touch of falsettos, and various transitions that erupt into a killer conclusion.

Other notable pieces are the back-to-back “Root the Will” and “Flowing Starlight.” Though, as a pair, they are drastically different and serve the album’s weirdness. “Root the Will” charges on with a thrashy, heavy-metal lick that cruises like a MFer. In minutes, the vocals traverse strange territories from gnarly Gaahl screams to varying, overlapping clean vocals. When it transitions to a mid-paced tromp, the vocals give off some old-school Aldrahn vibes that hook me like a trout. The song refuses to settle at any point as it continues to evolve into dissonant sustains, a blackened atmosphere, and sad, unsettling vocals. The closing “Flowing Starlight” shocks and bewilders with some interesting ’70s guitar effects and attitude that I did not see coming. Add some big bass presence and this fucking thing grooves. Though it morphs throughout its seven-minute runtime, the mood is never lost, which makes this odd duck a standout on the album. As it progresses, Gaahl’s voice begins to give off Type O Negative vibes, as the gorgeous guitars lead us to the song’s powerful conclusion.

While I am no way the Gaahl hater that so many are, I didn’t expect to walk into Braiding the Stories and enjoy it. Of all the tracks, “Visions and Time” might be the only one that recalls the mediocre passages of GastiR – Ghosts Invited, along with its setup piece. The rest appear to be what the band was hoping to achieve with this project. One of the biggest issues Grymm had with the debut album was the lack of bass. This issue has been corrected on Braiding the Stories, bringing it far more forward and pushing Gaahl’s voice farther to the back. This mixing job is much more appealing to the ears, and the dynamics make it nice for repeat listens. I’m not sure where the band plans to go next, but Braiding the Stories is a positive step in the right direction.

Rating: 3.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Season of Mist
Websites: gaahlswyrd.bandcamp.com | facebook.com/gaahlswyrd
Releases Worldwide: June 6th, 2025

#2025 #35 #AvantGarde #BlackMetal #BraidingTheStories #GaahlsWYRD #Gaahlskagg #GodSeed #Gorgoroth #Jun25 #NorweiganMetal #Review #Reviews #SeasonOfMist #Trelldom #TypeONegative

Nicolas D.J Mouartsilentexception
2025-06-11

Maybe in the future, the president of a country will have to do a 2 months interview like at google in front of the public and people will vote?

The Ö ... Rock and Blogrocknblog
2025-06-11

The Mothers / Over-Nite Sensation (1973); Mit einem Fokus auf tightere Rockstrukturen, Funk-Elementen und einem prominenteren Gesang bot das Album eine zugänglichere, aber keineswegs weniger schräge Vision. Von den ironischen, oft derben Texten in "Dirty Love" bis zu den komplexen Arrangements von "Zomby Woof" – hier kollidieren Virtuosität und Vulgarität auf brillante Weise. #

The Mothers / Over-Nite Sensation (1973)
2025-06-10

"Pink Floyd At Pompeii - MCMLXXII". Wow. A long-time favorite ever since I saw the movie in the 1980s, and now finally there's an official soundtrack! I always loved their #Ummagumma era live stuff, and those tracks are close to perfect here.

While this #SteveWilson remix takes some liberties, it's still done with good taste and the sound is such great. Volume knobs to eleven!

#Music #PinkFloyd #Vinyl #RecordCollecting #Avantgarde #ProgRock

COREandCOCoreandco
2025-06-10

❗ Plongez dans le jazz-death-grind à base de cassures rythmiques et de dissonances avec l'excellent "Subnormal Dives" de 𝗕𝘆𝗼𝗻𝗼𝗶𝘀𝗲𝗴𝗲𝗻𝗲𝗿𝗮𝘁𝗼𝗿 ...

coreandco.fr/chroniques/byonoi

2025-06-10
𝐓𝐡𝐞 𝐒𝐩𝐚𝐜𝐞 𝐋𝐚𝐝𝐲 (𝐔𝐒) + 𝐏𝐚𝐥𝐦&𝐋𝐮𝐧𝐝𝐪𝐯𝐢𝐬𝐭&𝐁𝐣ö𝐫𝐤𝐥𝐮𝐧𝐝

11/6 - 20:00
https://inkonst.com/event/the-space-lady-us/

Step into a night where cosmic pop meets Nordic improv in an uncharted orbit of sound. 🪐

The Space Lady (US), cult heroine of street synth mysticism, brings her iconic winged helmet, Casio keyboard, and echo-drenched vocal alchemy to the stage. From late-70s Boston busking to San Francisco’s underground, her minimalist covers and celestial originals radiate lo-fi wonder and outsider charm. A beacon for fans of Delia Derbyshire, Moondog, and sci-fi shimmer, her music shuffles through dimensions—fragile, psychedelic, and sincere.
🪽✨

Opening are Palm+Lundqvist+Björklund (Djuring Phonogram/Börft), a trio sculpting structured improvisations from analog electronics, winds, and percussion. Rooted in krautrock, free jazz, and the Nordic experimental lineage, they explore the grey zones between composition and chaos. Expect textured pulses, off-kilter melodies, and sonic spaces that hover between the mechanical and the mystical.


#TheSpaceLady #PalmLundqvistBjörklund #Inkonst #Malmö #outsidermusic #electronicmusic #avantgarde #krautrock #Sweden #freejazz #synthesizer #lofi
AnonyMoose 🇨🇦An0n@beige.party
2025-06-10

It is #TuneTuesday and the theme is circus related, and as such here is a circus-related song.

song.link/s/28L4f7JfhCEwPtjXKO

#AvantGarde #Metal #DeathMetal #Unexpect

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