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#Awardsbtl

Deadlinedeadline
2025-06-20

‘Adolescence’ Composers Aaron May & David Ridley On Using The Victim’s “Innocent, Vulnerable Voice” As The Base Of The Score

deadline.com/2025/06/adolescen

Deadlinedeadline
2025-06-20

‘Adolescence’ Production Designer Adam Tomlinson On Building To “Keep The Flow” For A One Shot

deadline.com/2025/06/adolescen

Deadlinedeadline
2025-06-19

Cinematographer Christopher Ross On Capturing “The Gray Area Of The Human Condition” In ‘The Day Of The Jackal’

deadline.com/2025/06/the-day-o

Deadlinedeadline
2025-06-18

How ‘Agatha All Along’ Songwriters Kristen Anderson-Lopez & Robert Lopez Built A History For “The Ballad of the Witches’ Road”

deadline.com/2025/06/agatha-al

Deadlinedeadline
2025-06-17

‘Very Important People’ Makeup Dept. Head Alex Perrone On “Toying” With Guests & Evolving Ideas: “It’s A Makeup Artist’s Dream”

deadline.com/2025/06/very-impo

Deadlinedeadline
2025-06-16

How ‘Poker Face’, ‘Only Murders In The Building’ & ‘The Residence’ Editors Capture The “Difficult Tone” Of Comedic Murder Mysteries

deadline.com/2025/06/poker-fac

Deadlinedeadline
2025-06-09

‘The Residence’ Composer Mark Mothersbaugh On Using Both The “Scholarly Right-Brain” & “Crazy Left-Brain” Sides Of Creativity

deadline.com/2025/06/the-resid

Deadlinedeadline
2025-03-13

‘The Substance’ Producer Nicolas Royer Launches Campaign To Protect Hair Stylist Marilyne Scarselli Amidst Oscar Win Stand-Off

deadline.com/2025/03/the-subst

Deadlinedeadline
2025-03-03

Oscars Crafts: ‘Anora’ Wins Best Editing With Best Picture; ‘Wicked’, ‘Dune: Part Two’ & ‘The Brutalist’ Each Take Home Two Below-The-Line Oscars

deadline.com/2025/03/oscars-20

Deadlinedeadline
2025-02-11

‘A Different Man’ Makeup Designer Mike Marino On The Prosthetic Stages Of Sebastian Stan’s “Metamorphosis”

deadline.com/2025/02/a-differe

Deadlinedeadline
2025-02-11

‘Emilia Pérez’ Songwriters Clément Ducol & Camille On Crafting A “Catalyst For Narrative And Emotions” Through Music

deadline.com/2025/02/emilia-pe

Deadlinedeadline
2025-02-09

‘Sing Sing’ Songwriters Abraham Alexander & Adrian Quesada On Capturing The “Power Art Has For Rehabilitation” With “Like A Bird”

deadline.com/2025/02/sing-sing

Deadlinedeadline
2024-12-29

‘The Room Next Door’ Production Designer Inbal Weinberg On Blending NYC Themes With The Almodóvar Aesthetic

deadline.com/2024/12/the-room-

Deadlinedeadline
2024-12-21

The Craft of ‘September 5’: How Director Tim Fehlbaum & Craft Team Used A “Limitation Of Space” To Increase The “Nail-Biting Tension”

deadline.com/2024/12/september

Deadlinedeadline
2024-12-18

‘Wicked’ Choreographer Christopher Scott On Where “Practical Theater Meets Cinema” & Finding “Reality In The Moment”

deadline.com/2024/12/wicked-ch

Deadlinedeadline
2024-12-12

‘Wicked’ Cinematographer Alice Brooks On The Interplay Of Light And Darkness In New Featurette

deadline.com/2024/12/wicked-al

Deadlinedeadline
2024-12-10

‘The Wild Robot’ Composer Kris Bowers & Songwriter Maren Morris On Recreating The “Diegetic Sounds In Nature” & The “Bitter-Sweetness” Of Writing “Kiss The Sky”

deadline.com/2024/12/the-wild-

Deadlinedeadline
2024-12-10

‘Nickel Boys’ Cinematographer Jomo Fray On Performing Behind The Camera & Capturing “How It Feels” To See

deadline.com/2024/12/nickel-bo

Deadlinedeadline
2024-12-09

‘Sing Sing’ Composer Bryce Dessner On Defying Expectations By “Responding To The Poetry Under The Heartbeat Of The Film”

deadline.com/2024/12/sing-sing

Deadlinedeadline
2024-12-06

‘Wicked’ Editor Myron Kerstein On The “Human Moments” Between Elphaba And Glinda In New Editing Featurette

deadline.com/2024/12/wicked-my

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