#CarBomb

🤘 The Metal Dog 🤘TheMetalDog@mastodon.themetaldog.net
2025-06-06

#TheMetalDogArticleList
#MetalInjection
CAR BOMB Streams First New Music Since 2019, Announces New EP
'Paroxysm' is going to ruin you. CAR BOMB Streams First New Music Since 2019, Announces New EP appeared first on Metal Injection.

metalinjection.net/new-music/c

#CarBomb #MetalInjection #NewAlbums #KATATONIA #GAAHLSWYRD #VILDHJARTA #RiversOfNihil #MIDNIGHT #Witchcraft #TheCallousDauboys

2025-04-25

Russian general killed in car bomb blast as Trump envoy meets with Putin
Svetlana Petrenko, a spokesperson for the military, said the explosive device was rigged with shrapnel and an investigation is underway.
#politics #war #military #Trending #World #carbomb
globalnews.ca/news/11148843/ru

Global Threadsglobalthreads
2025-04-25

🇷🇺 RUSSIA
🔴 Top Russian General Killed Near Moscow

🔸 Lt. Gen. Yaroslav Moskalik dies in car bomb attack—4th such strike since last summer.
🔸 He was deputy head of Russia’s General Staff operations unit.
🔸 Kremlin calls it “terrorist act”; Ukraine silent, but had claimed Dec attack.
🔸 Timed with Steve Witkoff’s visit to Putin—adds to pressure on Moscow.

Russian general killed in car bomb blast as Trump envoy meets with Putin
Svetlana Petrenko, a spokesperson for the military, said the explosive device was rigged with shrapnel and an investigation is underway.
#politics #war #military #Trending #World #carbomb
globalnews.ca/news/11148843/ru

2025-04-25

Russian general killed in car bomb blast as Trump envoy meets with Putin
Svetlana Petrenko, a spokesperson for the military, said the explosive device was rigged with shrapnel and an investigation is underway.
#politics #war #military #Trending #World #carbomb
globalnews.ca/news/11148843/ru

Headlines Africaafrica@journa.host
2025-03-11
2024-09-16

Today in Labor History September 16, 1920: A bomb exploded outside the J.P. Morgan Company on Wall Street, killing 30 and injuring over 100. Authorities blamed "anarchists," forcing many to flee to Russia. The bombing was never solved, although investigators and historians now believe it was carried out by Galleanists (Italian anarchists). In particular, there is evidence that Mario Buda (1884–1963) was responsible and did it to avenge the arrests of his associates, Sacco and Vanzetti. The Wall Street bomb killed more people than the 1910 bombing of the Los Angeles Times building, which had been the deadliest terrorist act in the U.S. Several authors have written about the bombing “The Day Wall Street Exploded,” by Beverly Gage; “The Death Instinct,” by Jed Rubenfeld, and “Buda's Wagon: A Brief History of the Car Bomb,” by Mike Davis

#workingclass #LaborHistory #anarchism #terrorism #bombing #SaccoAndVanzetti #wallstreet #carbomb #jpmorgan #russia #losangelestimes #books #writer #author @bookstadon

Aftermath of the bombing, with crowds in the street, overturned and damaged cars, police and fire fighters.
2024-09-14

Hi, I'm Tassilo, a 43 y/o guy from Koblenz, Germany. I've been on functional.cafe, then moved on to emacs.ch and now I'm running a self-hosted #gotosocial instance.

I'm a software developer by profession. At work, I mostly (have to) do #java, privately I enjoy #rust, #lisp, and other functional languages. I've done a lot #clojure back in university. I like contributing to #foss projects like #emacs and have some projects on my own (see bio).

Since about a year, I'm back into #trailrunning and finished my first 100k #ultratrail this August (the #HuBuT). I love long runs in the woods with our #dog thereby listening to some interesting podcast.

My family consists of my wife (CEO) and two kids (a 11 y/o son + a 7 y/o daughter, the supervisory board), and me (the janitor).

I have a strange musical taste. Either I like something very much or it doesn't kick me at all, i.e., the typical recommendations "if you like foo you will also like bar" never work for me. Anyway, bands/musicians I do like a lot are the #aristocrats, #blackmidi, #buckethead, #necrophagist, #carbomb, and #earth.

Politically, I am a left-green idealist who is depressed about the current political situation where right-wing populists are gaining momentum everywhere. #fckafd

#introduction

2024-04-25

RADAR Festival adds three more bands

The award-winning, genre-busting RADAR Festival have announced three more acts for their stellar 2024 lineup: guitar genius Ichika Nito, American mathcore heavyweights Car Bomb, and local talents Atheana.

Masterclasses for this year's event have also been announced. Attendees of RADAR Festival can w

moshville.co.uk/news/tours/202

#ToursLiveDates #Atheana #CarBomb #IchikaNito #RADARFestival

2024-03-23

Weston Super Maim – See You Tomorrow Baby Review

By Dear Hollow

What’s so wonderful about Weston Super Maim is that the duo doesn’t take itself too seriously. With the style of music they profess, you’d be tempted to expect a Blindfolded and Led to the Woods or Ion Dissonance, maybe leaning a bit towards Aseitas or Dysphoria. You’d probably be right – technically – but these guys describe their sound as “imagine if Meshuggah couldn’t count,” describing a blend of the mathy pioneers’ wonky rhythms, Will Haven’s dissonance, Crowbar’s riffs, Car Bomb and Humanity’s Last Breath’s boundary-pushing technicality. From the successful 2021 EP 180-Degree Murder, they have worsened their sound (their words, not mine) to unleash the ol’ razzle dazzle of See You Tomorrow Baby on unsuspecting feet.

Somehow managing to encapsulate the three-fold overlap of mathcore, djent, and dissodeath in the Venn diagram of excess, the international duo (vocalist Seth Detrick from Oregon, the instrumentalist Tom Stevens from London) also tosses in a cyber metal sorta take on atmospherics, with laser sounds and obnoxious effects atop the fray, while Weston Super Maim’s ultimate claim to fame is their absolute apeshit intensity. Chunky riffs, wild electronics, an utter lack of rhythm, and breakdowns galore add to the insanity – a strange dichotomy of unhinged bananas music and solemn and abstract lyrics. Ultimately, See You Tomorrow Baby blessedly hits the sweet spot between listenability, unhinged ridiculousness, and unashamed excess.

This unrelenting assault comprises a blast for the willing to withstand an utter lack of subtlety and dignified rhythm for mathcore intensity with squonky tech and obscene sounds. The opening title track feels straight outta The Tony Danza Tapdance Extravaganza and Ion Dissonance’s school of thought, with chunky, djenty riffs offering a face full of thick stuffing with stinging dissonant leads and wonky blastbeats, although this insanity truly kicks in with following track “Autistic Kill Trance.” Weston Super Maim does a bang-up job of making deathcore/dissodeath/djent as brutal as possible, then amping it with even more ridiculousness, a trend further shown in “Johnny Menomic,” “Brute Fact,” and the aptly titled “The Bare Maximum” in spacy cybermetal effects and other forms of insanity. It features an expert blend of bananas hugeness, catchy earworms, moments that revel in the hugeness, and just enough melody to contrast the huge bite taken out of your left eardrum. There are four guests on See You Tomorrow Baby,1 but for better, the duo creates a bulletproof sound that the contributors do little but inject a jolt of energy. The closer “Perfect Meadows in Every Direction” offers punishment aplenty but adds a dimension of exploration to its proceedings.

See You Tomorrow Baby is big, dumb fun. The production only adds to its colossal loudness, which makes the more subdued tracks fall by the wayside. “Slow Hell” and “Kryptonite Renegade” are the best examples, few riffs dominating and some passages feeling like Frontierer or Psyopus copy-and-paste printer jobs, alongside a general and unwelcome subtlety. While “Perfect Meadows in Every Direction” does a bang-up job closing the album in its unique fusion of punishing and contemplative, its eight-minute-and-change runtime can make it feel daunting and distant. These are small potatoes, and ultimately add to the dynamic of the album at large, because you’re not here for boundary-pushing music; you’re here to have your skull caved in by a couple of dudes who make big fat metal.

This album has been on repeat for weeks, because it is both tormenting and insanely fun. The dissonant death metal influence is largely an afterthought to Weston Super Maim, but I can’t tell if it’s because the sonic palette doesn’t focus on it or the duo doesn’t take itself seriously enough. Either way, See You Tomorrow Baby leans hard into djenty deathcore/mathcore with megaton riffs and excess coded into every track, with an obnoxious aesthetic that pairs surprisingly nicely with its lyrical abstractness. With just enough melody and breathing room to give further emphasis to the beatdown at its core, its more-than-reasonable forty-minute runtime ensures that, although never overstaying its welcome, you’ll get your fair share of punishment. Don’t you worry about that.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Self-Released
Websites: westonsupermaim.bandcamp.com | facebook.com/westonsupermaim
Releases Worldwide: March 15th, 2024

#2024 #35 #Aseitas #BlindfoldedAndLedToTheWoods #CarBomb #Crowbar #Deathcore #DissonantDeathMetal #Djent #Dysphoria #Frontierer #HumanitySLastBreath #InternationalMetal #IonDissonance #Mar24 #Mathcore #Meshuggah #Psyopus #Review #Reviews #SeeYouTomorrowBaby #SelfRelease #Soreption #TheTonyDanzaTapdanceExtravaganza #WestonSuperMaim #WillHaven

2024-02-02

Dear Hollow’s Mathcore Madness [Things You Might Have Missed 2023]

By Dear Hollow

Y’all ready to skronk? Cuz it’s ’bout to get skronky. I had a realization about midway this year that all I was doing was contributing mathcore releases to Kenstrocity‘s Stuck in the Filter pieces. So instead of painting myself as a one-trick pony who can only do math three times a month, I decided to reveal my cards as a mathcore sellout by the end of 2023. I have been given an incurably bad taste this year, and a spotlight under which I stand alone while commenters and colleagues alike chuck tomatoes and copies of Mercyful Fate’s Dead Again and Saxon’s Rock the Nations at me (saying, and I quote, “get some culture, you sellout”). See, when the inimitable Kronos left, he took with him the taste for the mathy skronk. I suppose Dolphin Whisperer has some math love built into him, but we’re too busy squabbling over details most of the time.1

Thus, I have compiled a list of some mathcore releases you might, uh, tolerate! Because I have filtered and expressed opinions over acts like See You Next Tuesday, Sleepsculptor, Soulkeeper, and Squid Pisser (I’m not sure why I picked all mathcore acts that start with S, but here we are) you can go find ’em yourself if you’re soooo upset why I didn’t include them. Without further ado, let’s get skronky (another S!).

Better Lovers // God Made Me an Animal – Look, I get it’s an EP, but when your band consists of the instrumental section of the defunct Every Time I Die, the guitarist of Fit for an Autopsy and End, and the vocalist of the legendary The Dillinger Escape Plan, we can make some exceptions. Charisma and sleaze drip through the southern-fried leads of these four songs, while Greg Puciato’s unmistakably charismatic vocals rip across, formidable cleans gracing melodic noodling with a catchiness that contrasts with the dense groove. Speaking of the groove, they hit at just the right moments, recalling I Am Hollywood-era He is Legend in “Sacrificial Participant,” while punk speed graces “30 Under 13” with a franticness, while the riff in the title track is absolutely mammoth. Quite the lineup, and while the sound is what you’d largely expect from its ranks, the five-piece makes its debut EP just damn good mathcore.

Chamber // A Love to Kill For – Nashville’s Chamber enters the fray with a sound that weaponizes mathcore for maximum punishment, a tad like Frontierer meeting late-era The Tony Danza Tapdance Extravaganza in a knife-fight behind the old Kmart: down-tuned thuggishness, chunky and bruising rhythms, noodly riffs, and squealing leads.2 Vocalist Jacob Lilly offers a vicious performance, his roars and fry vocals dripping with vitriol, while the cutthroat axework collapses and crushes around him, and drummer Taylor Carpenter hits the kit balancing rock-solid anchoring and pure mania. A Love to Kill For is a relentless metalcore attack barbed with hardcore punk, mathcore, and hints of deathcore: carefully calculated, intensely brutish, and worth every concussion Chamber can muster.

Euclid C Finder // The Mirror, My Weapon, I Love You – A balanced affair unafraid of the noisemaking, Baltimore’s Euclid C Finder (presumably named after the Fallout weapon) releases a grind-tinged math attack of viciousness and oddity in equal measure. Nineteen minutes of wonky rhythms, blasting percussion, manic dissonance, panic chords aplenty, and insane vocals greet the ears with the subtlety of a five-car pileup. It would be easy to dismiss The Mirror… as just another Dillinger– or Converge– worshiper, but then the groove hits. The trio balances its treble trouble with a chunky hit of downtuned intensity and gruff barks that gives respite to the million-miles-per-hour of noodly technicality. It’s a toothy and intense affair that never takes itself too seriously (i.e. “Jonathan Davis 10000 BC”) and never overstays its welcome.

Telos // Delude – What makes Copenhagen’s Telos unique is its blackened and noisy take on mathcore. Or, if you please, a mathy take on blackened hardcore – whatever floats your boat. A bit like if Hexis (with whom they released a split this year) and Botch had a scary-looking baby. Misanthropy oozes from every orifice and hostile noise fills negative space, ominous leads and dissonant plucking wearing haunting grooves into the brain. Tracks like “Bastion,” “I’ve Been Gone for So Long,” and “As Atlas Stumbled” are full-on assaults of intense proportions, while the more subdued ritualism and atmosphere in “I Accept / I Receive” and “Throne” show the depths of Telos’ lurching and rumbling depravity. Fans of mathcore and blackened hardcore would do well to do a headlong dive into this particular abyss.

Thin // Dusk – Mathcore gone grind. Reveling in tight descending patterns of insanity, with a fearlessness of skull-caving death metal, New York City’s Thin will beat you senseless with every weapon in its arsenal. A wall of noisy noodling, panic chords, and squalid feedback is erected with every attack, collapsing for death metal-inspired weight and dissonant plucking throughout that feels like homage to this year’s Asystole. Screamo orientation fuels the fire and brevity is the name of the game, but toss in formidable performances from all forces involved, with howling screeches giving way to gravelly gurgles, groovy riffs giving way to frantic tremolo, and the rhythm section cutting through the darkness. As the cheery acoustic strums of closer “Mangrove” sound in final respite, Thin revels in its sonic and lyrical pairing of nostalgia and trauma – a dark night of the soul.

Dead Soma // Pathos – A more rhythmic and atmospherically spidery but nonetheless viciously punishing take on mathcore. Best described as Loathe covering Converge songs, the sepia-toned and mysterious Deftones influence is unmistakable, but Sweden’s Dead Soma is unafraid to embrace the intensity. Hinting upon djent not unlike countrymen Vildhjarta and weighty rhythms like Car Bomb, the grooves are palpable and punishing, guided by the dead hands of electronic glitches and pinch harmonics and dragged by manic barks and screeches. Chino Moreno-esque whispery cleans and subdued mumbles add to the glitching and warm synthwork in the more laid-back tracks, which add further dynamic to the relentlessly fat riffs and mathy noodling (see: “Life and Limb” to “Error Blemish”). Warmly atmospheric, it carries a vintage tone by the vocals and synth, but is ultimately uncompromising in its brutality.

MouthBreather // Self-Tape – This one is less mathcore by sound and more by name. The Boston collective’s debut LP I’m Sorry Mr. Salesman (another filter cleaning I contributed to) was Coalesce-meets-Converge-core through and through in a groovy take on mathcore, but after a come-to-metalcore-Jesus moment they go straight for the jugular with a nu-infested, groove-infected -core sound for Self-Tape. The viciousness is front and center, with aggression and fury spewing from every chug and growl, with its storied mathcore history offering its energetic bite. Now featuring more deathcore weight and nu-metal influence to slam into your sorry-ass ears alongside the ghosts of Christmas skronk, Self-Tape reflects a descent into madness through its very reasonable twenty-three minutes of film references. Maybe you’ll think it’s just metalcore with no mathcore in sight, and you’d be right, but (a) that’s why it’s at the end of this piece and (b) your head will be bobbing so hard you won’t care.

#2023 #ALoveToKillFor #AmericanMetal #Asystole #BetterLovers #BlackenedHardcore #Botch #CarBomb #Chamber #Coalesce #Converge #DanishMetal #DeadSoma #Deathcore #Deftones #Delude #Dusk #End #EuclidCFinder #EveryTimeIDie #FitForAnAutopsy #Frontierer #Gideon #GodMadeMeAnAnimal #Grindcore #HardcorePunk #HeIsLegend #Hexis #Loathe #Mathcore #Metalcore #NuMetal #Pathos #SwedishMetal #Telos #TheAcaciaStrain #TheDillingerEscapePlan #TheMirrorMyWeaponILoveYou #TheTonyDanzaTapdanceExtravaganza #Thin #ThingsYouMightHaveMissed2023 #Vildhjarta

AdornoisAdornois
2024-01-17

In a society, what differentiates a distrust in the from being a conspiracy theorist?

If peaceful protesters and journalists are condemned as ”“ by regime & opposition politicians and media, when they are incarcerated -
Should society conform or revolt?

When the general populus reports activists to authorities, when are never trialed, when is rewarded with a -

To which measures are we obliged?

Ro Laren RED57🥄💩🦨🍈🍊🤡RoLarenRED57@universeodon.com
2023-11-22

Car explodes at Niagara Falls bridge between US and Canada shit shit shit shit.

#CarBomb #Niagara #ThanksgivingBomb

This should be a gift link
wapo.st/49I6k7v

Mafeesh Moushkella :verified:mafeesh@kolektiva.social
2023-11-22
zenforyenzenforyen
2023-08-28

I wish I would live in a world where is used exclusively to mention the band which created this outstanding album:

carbomb.bandcamp.com/album/meta

And not all the other depressing crap you get by checking out that hashtag.

But maybe in such a world we would not need extreme bands to express and process feelings we hopefully would not have to feel in the first place from living in this insane world.

zenforyenzenforyen
2023-08-28

Came home exhausted, my meds already out of the system. Gotta prepare food. Feel totally understimulated. Brain trying to make me emotional, irritable and angry. No, brain, don't play your tricks on me.

I blast on my loudspeakers in the kitchen. Let's call this medication by . It works. I don't even listen to them normally, but sometimes... You just need something heavy AF and only or Vildhjarta will do.

RiskMapriskmap
2023-06-17

⚡️ On 15th June, a car bomb exploded in Yala province, southern Thailand, injuring four police officers who were escorting a school teacher. The explosion caused damage to a police car and a nearby bus, and is believed to be the work of local separatist forces. riskmap.com/incidents/1830611/

2023-06-05
Pretty fresh lineup of discs I got picked out for my day at the office, if I do say so myself 😎 not pictured because it’s inside the unit: a disc full of bangers from this year’s Eurovision.

It’s also the first outing for my Sony MZ-RH10, which I recently bought in the naïve hope that it’d have a working display – of course it doesn’t, and on top of that the battery compartment is crusted shut. But oh well, a remote and a battery sidecar will help us get through the day.

#minidisc #mdlp #himd #sony #thefugees #carbomb #ladispute #infinityfrequencies #wavemob #eurovision
A silver, rectangular Sony Minidisc recorder on a wooden desk. Below it, five Minidiscs in various colours are pictured:
The Fugees -The Score (1996)
Car Bomb - Live in Santa Cruz (2023)
La D

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