#ConcretePoetry

2025-04-29

Filippo Tommaso Marinetti, Parole In Libertà Futuriste, 25 x 25 cm, ink on tin, 1932.

No matter where you are, you can learn about “The Tin Book,” and many more icons of concrete poetry, at our next virtual tour with Milosh Sokolikj and Christina Newhard.

Wed, May 7, 2025
11:00am–12:30pm PT
(7:00pm–8:30pm GMT)
Online via Zoom

Register to attend: letterformarchive.org/shop/the

#ConcretePoetry #Typography #LetterformArchive #DesignMuseum #VirtualTour #Ad

Spread from a book made of metal. Verso: an orange and green background. On the top are alternating red and black words reading “SI” and “NO”, each growing in size as they descend down the surface from top left to bottom right. 

Recto: Black text on a grey, unprinted background. The text: 

macchina
lirica
Stan-tuff Stan-tuff Stan-tuff
Stan-tuf-fooo
Stan-tuf-fooo
di gioia penetrare nel grasso che friggeride friggeride
nostalgia graassssada grecaassssada
Un 2° Stantuffo di VOLON
VOLON TA
VOOO
LOOON
TAA frenatissimo da troppo olio di
Sensualità (grave penoso maiyridnato) folle folle folle corsa continua di 2 cinghie di trosinissione (affetto rancore)
3 ruote di ricordi dolorosi ingradanarsi con 3 ruote diro-
nie male oliate (stridori lentissimi)
1° tubo
scappamento panpantomimapan panpantomi-
mapan gioig
sia danzante elegante arguta del fumo dei
dolori vecchi
sciati panpantomimapan nel tubo-bocca studen-
tesco in vacanza vociferantissimo
Puff! - Puff! In alto un colossale globo bianco d' ambi-zione-fumo spesso puff fuori dal camino della locomotiva i
globi 3 globi bianchi bianchi !
Poi spensieratamente
3 spirali di fantasie
leggere grige
Murray GM - PaperpostsPaperposts@zirk.us
2025-04-25

Knowing the gems that @letterformarchive have in their collection, this will be well worth $5.

Collections Tour: Concrete Poetry
with Milosh Sokolikj, Christina Newhard
Explore a facet of Letterform Archive’s vast collection with this online, docent-led tour.

Date: Wed, May 7, 2025
Time:11:00am–12:30pm PT (7:00pm–8:30pm GMT)

letterformarchive.org/shop/the

#concretePoetry #visPo #visualPoetry

3 pages featuring concrete poetry. The left has sentances like streams across the page, the middle has painted words and letters, the 3rd is colourful bold printed lettering
Assoc for Scottish Literaturescotlit@mastodon.scot
2025-04-24

The Company One Keeps: Ian Hamilton Finlay & the Concrete Poets
14 May, National Galleries of Scotland, Edinburgh & online

Dr Greg Thomas explores Iain Hamilton Finlay’s aesthetic & cultural ties with the international concrete poetry movement, & to figures such as Edwin Morgan & Dom Sylvester Houédard

@litstudies

nationalgalleries.org/event/th

#Scottish #literature #poetry #concretepoetry #20thcentury #IanHamiltonFinlay

Assoc for Scottish Literaturescotlit@mastodon.scot
2025-04-20

“The idea of a ‘vanguard’ in literature has never had much acceptance in this country, though it’s a commonplace on the Continent. The English Channel is a pretty narrow strip of water, but it’s remarkable what an effective barrier it has been to the passage of ideas.”

—Edwin Morgan, in his 1968 essay “Concrete Poetry” – published in In Touch With Language: A New Prose Collection 1950–2005 (ASL, 2020)

3/3

asls.org.uk/publications/books

#Scottish #literature #poem #Easter #poetry #concretepoetry

Book cover: 

Edwin Morgan
IN TOUCH WITH LANGUAGE
A New Prose Collection 1950–2005

Edited by John Coyle and James McGonigal

The cover image shows a photo of Edwin Morgan in three-quarters profile, taken by Marshall Walker circa 1975. Morgan is in his mid-fifties; he is wearing glasses with thick black frames, and looks pensively down and to the right. The photograph is covered by a riot of semi-transparent multicoloured swirls and shapes.
Assoc for Scottish Literaturescotlit@mastodon.scot
2025-04-20

“Concrete poetry – which emerged almost simultaneously in central Europe and Brazil, and travelled as far as Japan – went down like a lead balloon with British readers, despite finding some of its liveliest practitioners among the Scottish avant-garde.”

—Jeremy Noel-Tod examines the reception of Edwin Morgan’s “Message Clear” following its publication in the Times Literary Supplement

2/3

someflowerssoon.substack.com/p

#Scottish #literature #Easter #poem #poetry #concretepoetry

Assoc for Scottish Literaturescotlit@mastodon.scot
2025-04-20

“This poem was written when my father was very ill, dying of cancer, & I was coming home from the hospital. Suddenly this line ‘I am the resurrection & the life’ came into my head & then the poem began to emerge from the line.”

—Edwin Morgan on “Message Clear”

1/3

#Scottish #literature #Easter #poem #poetry #concretepoetry

“Message Clear”, by Edwin Morgan. A concrete poem where the lines are created by taking the phrase “i am the resurrection and the life” and, by selectively deleting letters from each line, building up the following text:  

am i
if
i am he
hero
hurt
there and
here and
here and
there
i am rife
in sion and
i die
a mere sect
a mere section
of
the life
of
men
sure
the die
is set and
i am the surd
at rest
o life
i am here
i act
i run
i meet
i tie
i stand
i am thoth
i am ra
i am the sun
i am the son
i am the erect one if
i am rent
i am safe
i am sent
i heed
i test
i read
a thread
a stone
a tread
a throne
i resurrect
a life
i am in life
i am resurrection
i am the resurrection and
i am
i am the resurrection and the life

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