No tailors would provide evidence.
#concretepoetry
No tailors would provide evidence.
#concretepoetry
Facts in light of the disappearance
#concretepoetry
vau onertika
No infamy
#concretepoetry
A3. Larger size than normal.
PDF: https://www.dropbox.com/scl/fi/16hrzjns83rvthmb8g5l9/No-infamy-A3.pdf?rlkey=h6mqnczo9pvxhdub33s0ubauc&st=aw1jz7zn&dl=0
Filippo Tommaso Marinetti, Parole In Libertà Futuriste, 25 x 25 cm, ink on tin, 1932.
No matter where you are, you can learn about “The Tin Book,” and many more icons of concrete poetry, at our next virtual tour with Milosh Sokolikj and Christina Newhard.
Wed, May 7, 2025
11:00am–12:30pm PT
(7:00pm–8:30pm GMT)
Online via Zoom
Register to attend: https://letterformarchive.org/shop/themed-tour-concrete-poetry/?utm_source=Mastodon
#ConcretePoetry #Typography #LetterformArchive #DesignMuseum #VirtualTour #Ad
Knowing the gems that @letterformarchive have in their collection, this will be well worth $5.
Collections Tour: Concrete Poetry
with Milosh Sokolikj, Christina Newhard
Explore a facet of Letterform Archive’s vast collection with this online, docent-led tour.
Date: Wed, May 7, 2025
Time:11:00am–12:30pm PT (7:00pm–8:30pm GMT)
https://letterformarchive.org/shop/themed-tour-concrete-poetry/
the abbreviation of a vacation spent wistfully yearning
#concretepoetry
The Company One Keeps: Ian Hamilton Finlay & the Concrete Poets
14 May, National Galleries of Scotland, Edinburgh & online
Dr Greg Thomas explores Iain Hamilton Finlay’s aesthetic & cultural ties with the international concrete poetry movement, & to figures such as Edwin Morgan & Dom Sylvester Houédard
#Scottish #literature #poetry #concretepoetry #20thcentury #IanHamiltonFinlay
“The idea of a ‘vanguard’ in literature has never had much acceptance in this country, though it’s a commonplace on the Continent. The English Channel is a pretty narrow strip of water, but it’s remarkable what an effective barrier it has been to the passage of ideas.”
—Edwin Morgan, in his 1968 essay “Concrete Poetry” – published in In Touch With Language: A New Prose Collection 1950–2005 (ASL, 2020)
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https://asls.org.uk/publications/books/volumes/edwin-morgan-in-touch-with-language/
“Concrete poetry – which emerged almost simultaneously in central Europe and Brazil, and travelled as far as Japan – went down like a lead balloon with British readers, despite finding some of its liveliest practitioners among the Scottish avant-garde.”
—Jeremy Noel-Tod examines the reception of Edwin Morgan’s “Message Clear” following its publication in the Times Literary Supplement
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https://someflowerssoon.substack.com/p/this-elementary-purist-temple
“This poem was written when my father was very ill, dying of cancer, & I was coming home from the hospital. Suddenly this line ‘I am the resurrection & the life’ came into my head & then the poem began to emerge from the line.”
—Edwin Morgan on “Message Clear”
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