#HarryHarrison

#HarryHarrison predicted #PeteHegseth !!!

The Stainless Steel Rat Wants You (SSR4)

chap 7

An improbable parade of slithering, hopping and crawling figures slopped up when we appeared through the lock, the Bolivar-robot carrying the carefully constructed alien luggage. One individual in slimy gold braid stepped out of the pack and waved a lot of claws in my direction.
“Welcome, stellar ambassador,” it said. “I am Gar-Baj, First Official of War Council.”
“A pleasure, I’m sure. I am Sleepery Jeem of Geshtunken.”
“Is Sleepery your first name or a title?”
“It means, in the language of my race, He Who Walks on Backs of Peasants With Sharp Claws, and denotes a member of the nobility.”

#StainlessSteelRat #DepartmentOfWar

Stainless Steel Rat's Revenge by Harry Harrison

(somewhere around Chapter 16)

I told them all right, and was rewarded with a number of girlish gasps, and at least one screech when I got to the wrist part. Taze even stopped the car so she could look at the scars too. After that they listened in cold-eyed stillness and I almost felt sorry for any of the gray men they might meet in the future. By the time I had finished my fascinating and slightly repulsive story we had arrived at wherever we were going. A wide door opened at our approach and closed behind us. Other girls were there, well armed and attractive for the most part, and I wondered how the Konsolosluk party had ever managed to muster up a resistance to a government like this. Thank the Cliaandians for that. When it comes to governments and armies I’m pretty much of an anarchist and think least is best in both departments. But if you have to have them it sure helps if they are pretty. I shook my head, realizing that my thoughts still hadn’t a firm grip on reality, and let myself be led to a room where there was a very enticing army cot. I dropped onto it.

#StainlessSteelRat #HarryHarrison

a panel from the 2000AD strip adaptation of Harry Harrison's first Stainless Steel Rat book has appeared in the middle of a search for Captain Klep

#CarlosEzquerra #StainlessSteelRat #HarryHarrison #2000ADComics

to describe this properly would be a spoiler if you don't know the story, so I'll just say it is a ship
2025-08-22

Just finished reading #themurderbotdiaries vol 1 by #marthawells. An excellent book. I thought different better than the #appleplus version. I adored and laughed through the tv series but I found the books more entrenched with #scifi norms and probably more serious. Read like a #harryharrison book. #bookreview #bookstodon

#Unobtainium *coff coff*

#HarryHarrison #DeathWorld

Wikipedia, Deathworld

"There have been numerous supernovae in the region, meaning that planets in the area are rich in valuable radioactive ores, but Pyrrus is the only even marginally habitable one, and thus the only one that can support sustained mining operations. Pyrrus is no paradise. It has a gravity of 2 g; its 42° axial tilt creates severe weather; it has frequent earthquakes and volcanic eruptions; two large moons generate tides of up to 30 meters; and finally, there are high levels of radiation."

Why watch Avatar3 or any of James Cameron's films when you can read the short fast-paced Vietnam War allegory DeathWorld by Harry Harrison and its two official sequels!?
Same goes for the Predator franchise. AfterEarth. 65 ...

#HarryHarrison #Metaxa #PlanetPyrrus #Telepathy

cover to an edition of DeathWorld 1 by Harry Harrison (I think I actually had this edition). 

the notjamesdigriz red boilersuited Jason DinAlt points a blaster at a huge red bodied and red crested lizard, the scenery is green grass and foliage in the background 

did i put spoilers in the hashtags? again?
Seattle Worldcon 2025seattlein2025@seattlein2025.org
2025-07-04

In my teens I was profoundly affected by a small number of books that I read. As a result of reading them I became intensely interested in the politics of pacifism and the strategies of conflict resolution and resistance. My introduction to science fiction was a suitcase full of books given to me by my dad’s best friend. I was at that stage in a Reading Child’s life where I’d have read baked bean cans, so I plowed through an eclectic selection of books.

The first two to really affect me were Joe Haldeman’s All My Sins Remembered (1977) and Brian Stableford’s The Florians (1976). In the first—a fix-up—an intergalactic agent, selected precisely because he is conflict averse, begins to crumble as a consequence of the pressures between his childhood Buddhist upbringing and the violence he has experienced and perpetrated in his job. In the second, a man who has lost his son to a pacifist movement discovers while on a mission the power of saying “No” when faced with the threat of violence.

These books led me to the Quakers. I started attending when I was 15 and joined in my mid-20s. I pursued a master’s degree in peace studies and eventually a doctorate in peace history. At the same time I was looking out for alternatives to conflict in science fiction. Orson Scott Cards’ Speaker for the Dead (1986), with its argument that Truth is a very powerful weapon, blew me away. Judith Moffett’s anti-imperialist and anti-colonialist Pennterra (1987) and Joan Slonczewski’s Still Forms on Foxfield (1980), with its refuseniks and the calm seeking of consensus which is a feature of both novels (even if Moffett’s Quakers achieve it amazingly quickly) taught me to slow down in my own decision making. Piers Anthony’s Golem in the Gears (1986) introduced me to the concept of game play in decision making and thinking through decision trees. And Harry Harrison’s The Stainless Steel Rat Gets Drafted (1987) taught me about the potential for mass civil disobedience, in its depiction of a pacifist population concluding that the civil contract is so broken that it no longer needs to adhere to its side of the bargain.

Not all resistance is direct. Some is about creating a new paradigm and taking the world along with you. Suzette Haden Elgin’s Native Tongue (1984) argues that if you change the language, you change the way people think and you change the world. In the book the revolution fails, but considerable changes in our world have been brought about this way, which may be why language has become a primary target for the American presidential administration. Octavia Butler’s Parable of the Sower (1993) takes this even further; new language and a new mindset lead to a new religious order which remakes the world. Resistance can also be about living your life in an active mode of refusal; in Nalo Hopkinson’s Brown Girl in the Ring (1998), Ti-Jeanne and Gross-Jeane fight day by day to resist the world they live in, and to help others survive. In Vajra Chandrasekera’s The Saint of Bright Doors (2023), resistance focuses on the power of religion as those who are not the chosen, whose prophecies do not come true, seek to shape a new way of living. Arkady Martine’s A Memory Called Empire (2019) is about resistance to cultural imperialism on an inter-galactic scale, and Darcie Little Badger’s A Snake Falls to Earth (2021) operates at both a metaphysical and a local level.

A recent author to take on the topic of resistance is Naomi Kritzer in a trilogy of tales from 2023. The short story “Better Living Through Algorithms” exhorts workers to take control of their lives and collaborate in their leisure as an act of resistance to corporate wellness culture. “The Year Without Sunshine” is another story that emphasizes community resistance to external paradigms of sink-or-swim libertarianism, while Liberty’s Daughter sees the underclasses on a seastead—bonded laborers and the noncitizen children of citizens—use the disruption of a plague to raise their own value and force a redistribution of property. It is very utopian, but its core message is that our labor matters, solidarity is our strength, and that injustice is not inevitable; all important messages right now.

https://seattlein2025.org/2025/07/04/fantastic-fiction-resistance-2/

#ArkadyMartine #BrianStableford #DarcieLittleBadger #HarryHarrison #JoanSlonczewski #JoeHaldeman #JudithMofett #NaloHopkinson #NaomiKritzer #OctaviaButler #OrsonScottCard #PiersAnthony #SuzetteHadenElgin #VajraChandrasekera

The text Fantastic Fiction against a retrofuturistic design of a rounded triangle shape with a gold swirl pattern.Cover of the 1977 edition of Joe Haldeman's All My Sins Remembered.Cover of the 1980 edition of Joan Slonczewski's Still Forms on Foxfield.Cover of the 1993 edition of Octavia Butler's Parable of the Sower.
2025-07-04

Fantastic Fiction: Resistance: In my teens I was profoundly affected by a small number of books that I read. As a result of reading them I became intensely interested in the politics of pacifism and the str (#ArkadyMartine #BrianStableford #DarcieLittleBadger #HarryHarrison #JoanSlonczewski #JoeHaldeman #JudithMofett #NaloHopkinson #NaomiKritzer #OctaviaButler #OrsonScottCard #PiersAnthony #SuzetteHadenElgin #VajraChandrasekera)

Full post: seattlein2025.org/2025/07/04/f

Cover of the 1977 edition of Joe Haldeman's All My Sins Remembered.Cover of the 1980 edition of Joan Slonczewski's Still Forms on Foxfield.Cover of the 1993 edition of Octavia Butler's Parable of the Sower.Cover of the 2023 edition of Naomi Kritzer's Liberty's Daughter.

Finished Reading:

Make Room! Make Room!
by
Harry Harrison

Veers off in a different direction than Solyent Green, but anything from Harrison is worth reading!

Two thumbs up!
👍 🤖 👍

#Literature
#SciFi
#ScienceFiction
#books
#bookstodon
#coverart
#HarryHarrison
Groups:
@SciFi
@Scifiart
@sciencefiction

@willmckinley

Soylent Green was loosely based on "Make Room! Make Room!" a 1966 science fiction novel written by Harry Harrison exploring the consequences of both unchecked population growth on society and the hoarding of resources by a wealthy minority

en.wikipedia.org/wiki/Make_Roo!

#Literature
#SciFi
#ScienceFiction
#books
#bookstodon
#coverart
#HarryHarrison
Groups:
@scifi
@Scifiart
@sciencefiction

The cover of Make Room! Make Room! by Harry Harrison features a stark, high-contrast aerial photograph of an urban cityscape, most likely New York City. The image is black and white, tilted diagonally to create visual disorientation and tension. Streets, buildings, and shadows form a dense, chaotic grid that emphasizes overcrowding, a central theme of the novel. The photograph captures the claustrophobic sprawl of tightly packed structures, with little visible green space or separation—every inch appears developed and suffocating

Across the middle, a bright yellow band cuts diagonally from the bottom left to the upper right, breaking the monotony of grayscale and drawing immediate attention. Inside this band, bold text in large, gray, all-caps lettering reads: "HARRY HARRISON", the author’s name dominating the space. Beneath it, in a slightly smaller but still bold blue font, the title appears twice: "MAKE ROOM! MAKE ROOM!"—each word spaced evenly and forcefully repeated to echo urgency

In the lower right of the yellow band, a small blue caption reads: “The classic novel of an overpopulated future,” summarizing the book’s dystopian premise. The layout is minimal but deliberate, relying on the tension between the chaotic background and the rigid structure of the text overlay. The absence of characters or illustration keeps the focus on theme: systemic collapse, overcrowding, and urban pressure. The design is utilitarian, severe, and conceptually aligned with the novel’s tone

Finished reading:

Planet of the Damned
by
Harry Harrison

I like the old Harrison books...
Two thumbs up
👍 🤖 👍

en.wikipedia.org/wiki/Planet_o

#Literature
#SciFi
#ScienceFiction
#books
#bookstodon
#coverart
#HarryHarrison

Groups:
@scifi
@Scifiart
@sciencefiction

This is a dramatic and intense science fiction book cover for Planet of the Damned by Harry Harrison. The artwork features a powerful, muscular man with dark skin and a bald head, wearing a futuristic, gladiator-style outfit with metallic bands and straps. A large, coiled green snake-like adornment rests across his chest and shoulders. His expression is stoic and determined as he carries an unconscious woman in his arms. The woman has long, flowing silver hair and is dressed in a skimpy, torn outfit, emphasizing a sense of distress or vulnerability. Her body hangs limply, one arm dangling while the other rests against her rescuer’s chest.

The background is a fiery, with a deep red-orange sky, casting an ominous glow. The ground is littered with green-skinned, humanoid creatures, many seemingly defeated or dead, sprawled in twisted, contorted positions. Some of the creatures wield weapons, while others appear lifeless. Jagged, metallic spikes jut from the ground, adding to the dangerous, war-torn atmosphere. The bold, white and yellow title text, Planet of the Damned, stands out at the top, with the author's name, Harry Harrison, in large, white block letters above it. The overall imagery conveys action, heroism, and survival in a hostile, alien environment.

Finished (re)reading:

Needed to recharge my "phasers" after reading a slightly boring book...

So I read:

"Deathworld"
by Harry Harrison

Two thumbs up!
👍 🤖 👍

en.wikipedia.org/wiki/Deathwor

#Literature #SciFi #ScienceFiction #books #bookstodon
#HarryHarrison
@scifi

sb arms & legssb@metroholografix.ca
2025-01-15

@ngons
I really enjoyed the Stainless Steel Rat series from #HarryHarrison as a middle-schooler.

dance along the edge 💬dance_along_the_edge@socel.net
2024-10-25

Virgil Finlay cover for Fantastic Universe, March 1958, illustrating 𝑻𝒉𝒆 𝑹𝒐𝒃𝒐𝒕 𝑾𝒉𝒐 𝑾𝒂𝒏𝒕𝒆𝒅 𝒕𝒐 𝑲𝒏𝒐𝒘 by “Felix Boyd” (Harry Harrison). Trick, or treat? #FinlayFriday

“This is our dance,” he said in a deep voice rich with meaning. Almost automatically she took the proferred hand, unable to resist this man with the strange gleam in his eyes. In a moment they were waltzing and it was heaven.

#VirgilFinlay #HarryHarrison #Illustration #Robots #ScienceFiction @sciencefiction

A blonde woman in a green dress covered in pearls removes the green mask covering her face after dancing at a masquerade ball. Her partner, in a black and red-checkered costume with an Elizabethan ruff and red gloves, doffs and tips a black and red-feathered hat and removes an entire male face mask (including a black domino mask on top) to reveal the robotic face underneath featuring a pulsating orange light.The same image as used on FANTASTIC UNIVERSE SCIENCE FICTION, March 1958.

RENDEZVOUS WITH DESTINY
A New Novel
By JOHN BRUNNER

SHAPES IN THE SKY by CIVILIAN SAUCER INTELLIGENCE 

Stories by AVRAM DAVIDSON * THEODORE PRATT * R. M. WILLIAMS
2024-07-18

Ooh, a new thing I can join in with...

20 books that have had an impact on who you are. One book a day for 20 days. No explanations, no reviews, just book covers (don't forget the alt text).

1/20

#20Books20Days #Bookstodon #Books #SciFi #HarryHarrison #TheStainlessSteelRat

Book cover for The Stainless Steel Rat by Harry Harrison. It's primarily yellow and features a man with a futuristic suit - red, perhaps rubber - with a yellow helmet and matching large collar that covers the shoulders, looking like part of a space suit. It's decorated with decals and doesn't appear to have any glass faceplate. The man holds a science fiction gun in his right hand with smoke coming from its muzzle, and he appears to be looking at dirt under the fingernails of his other hand.
2024-03-19

Odszukałem „Billa, bohatera Galaktyki”, o którym przypomniał mi @fahrenheit i zdziwiłem się, że papier zdążył pożółknąć, przecież kupiłem w sumie niedawno. Aż zakumałem, że to „niedawno” było trzydzieści lat temu :/

#książka #HarryHarrison #BillBohaterGalaktyki #ZdziwieniaStaregoCzłowieka

Otwarta książka. Na lewej stronie „W cyklu Bill, bohater Galaktyki wkrótce ukaże się kolejny tom Planeta robotów”, na prawej:
HARRY HARRISON
Bill, bohater Galaktyki
Przełożył Arkadiusz Nakoniecznik
Wydawnictwo REBIS 
Poznan 1994

Client Info

Server: https://mastodon.social
Version: 2025.07
Repository: https://github.com/cyevgeniy/lmst