Lmst

Publiek bij de televisie-uitzending van 'Alles gaat naar wens' van de AVRO met Karel Appel, Ed van der Elsken, 1959

#KarelAppel #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-27-25

A group of people is seated in a room, facing the camera. They appear to be engaged in a discussion or watching a performance. The room has a warm lighting with some people wearing dark clothing and others in lighter shades. The setting suggests a casual gathering or event. There are no visible texts or distinctive marks that provide further context about the location or the nature of the gathering.

Karel Appel met Machteld en Walasse Ting bij een winkeletalage in Parijs, Ed van der Elsken, c. 1961

#KarelAppel #MachteldenWalasse #Tingbijeen #Parijs #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-16-42

The image appears to be a photograph capturing a moment of three individuals in a setting that could be described as an informal gathering. On the left, there is a man who seems to be gesturing or speaking while looking away from the camera; his expression suggests he might be telling a story or making a point. In the center, a woman with short hair is smiling towards the camera and appears to be engaged in the conversation. To her right, another person is partially visible, looking at the man on the left with a smile.

The environment around them looks like an indoor space that could be a cafe or a bar due to the presence of what seems to be a counter or table behind them. The lighting in the photograph suggests it might have been taken in the evening, given the ambient glow and the shadows cast on the walls and floor.

Please note that this description is based on the visible elements within the image and does not include any speculative or inferred information.

Karel Appel in een atelier op kasteel Groeneveld, op de achtergrond één van zijn schilderijen, Ed van der Elsken, 1961

#KarelAppel #Groeneveld #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-27-2

The image is a black and white photograph capturing an artistic studio scene. A person stands in the foreground, appearing to be focused on their work at a table covered with various art materials, such as paint and brushes. They are wearing a textured top, suggesting they may be engaged in an intense creative process. The background reveals part of an artist's canvas, hinting at the larger context of an active studio space.

Please note that while this description provides information to assist visually impaired users, it does not replace the actual visual experience and should be used as a complementary aid.

Schilderende Karel Appel in een atelier op kasteel Groeneveld, Ed van der Elsken, 1961

#Groeneveld #EdvanderElsken #KarelAppel #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-27-4

The image is a black and white photograph capturing the artistic process of Karel Appel, a significant figure in modern art. In the scene, there's an artist deeply engrossed in his work, standing on the right side of the frame. He holds a brush with great intensity as he applies paint to a canvas, which is centrally located within the image.

The background provides context and atmosphere, showcasing the studio setting with its large windows letting in ample natural light. This illumination casts dynamic shadows around, adding depth to the scene. The artist's focus on his creation suggests a moment of deep concentration amidst the creative process. The photograph is credited to Ed van der Elsken and taken in 1961, providing a glimpse into the history of art.

Karel Appel achter een ring met vuur tijdens het maken van het grootste boek ter wereld 'Love Song' in opdracht van Andreas Landshoff, Ed van der Elsken, 1962

#KarelAppelachtereen #LoveSong #EdvanderElsken #LoveSong #KarelAppel #AndreasLandshoff #third #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-16-34

This is a black and white photograph capturing the process of creating the largest book in the world, "Love Song," by artist Karel Appel under the direction of Andreas Landshoff. The image depicts three men engaged in their respective tasks: one man operates a printing press, another is working with a large ring filled with flammable material, and a third man stands behind him, observing the process. The scene exudes an atmosphere of intense focus and collaboration as they work together to create this extraordinary piece of art.

Karel Appel in een atelier op kasteel Groeneveld, op de achtergrond verfspullen, Ed van der Elsken, 1961

#KarelAppel #Groeneveld #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-27-3

In this black and white photograph, the central figure is a man who appears to be engaged in some form of artistic work. He stands confidently with his left hand resting on his hip and his right elbow propped on a table or workspace that is filled with various tools and materials. The tools include what seems to be paint brushes and perhaps a roller, suggesting he might be involved in painting or wall-painting activities.

The man is wearing a pair of coveralls that are smeared with what could be paint splatters, indicating his active engagement in his craft. The background provides context to the setting, revealing an industrial or warehouse-like environment, possibly within a workshop or studio.

Please note that this description is based on visible elements in the image and does not include any speculative or imaginary content.

Karel Appel met een bord met een getekend gezicht voor zijn hoofd, Ed van der Elsken, 1962

#KarelAppel #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-7

The image is a black and white photograph featuring an individual holding a plate with a face drawn on it up to their forehead. The person's hands are positioned in such a way that the plate obscures part of their face, leaving only the lower half visible. The style of the drawing is simplistic with bold outlines, giving the impression of a caricature or stylized emotion expression. The background is plain and nondescript, allowing the focus to remain on the person and the plate.

Twee van de kinderen van Ata Kandó schilderen de kozijnen in de kinderkamer van het woonhuis van Kandó en Ed van der Elsken, met beschilderde wanden door Karel Appel, Ed van der Elsken, c. 1955

#KarelAppel #EdvanderElsken #second #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-13

The image is a photograph taken indoors, depicting two individuals engaged in painting. The scene appears to be from the mid-20th century and features two children, likely boys given their clothing style. They are standing on ladders positioned against windows with open frames that allow for access to the walls behind them.

The child standing on the left is holding a paintbrush and appears to be painting on one of the windows. The second child, on the right side of the image, has their back facing the viewer; they are also standing on a ladder. Both individuals are dressed in casual attire suitable for an activity that could involve physical movement or handling materials like paint.

The walls behind them show signs of being recently painted, as evidenced by the presence of brush strokes and areas with visible layers of paint. There is no text present in the image to provide additional context. The style of the photograph suggests a candid capture, possibly documenting a moment of creative activity within a domestic setting.

Karel Appel met zijn eerste vrouw Tony Sluyter in Parijs, Ed van der Elsken, c. 1950 - c. 1954

#KarelAppel #zijneerstevrouw #TonySluyter #Parijs #EdvanderElsken #first #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-2

The image is a photograph of two people, likely men, sitting closely together on what appears to be a bed. They are looking at the camera with expressions that could suggest intimacy or shared secrets. The person in the foreground is seated and has their hand resting on the other's lap or thigh. The person in the background is slightly off-center, leaning towards the first individual. The setting suggests a private indoor environment, possibly a bedroom given the context provided.

Karel Appel in een atelier op kasteel Groeneveld, op de achtergrond enkele van zijn schilderijen, Ed van der Elsken, 1960 - 1961

#KarelAppel #Groeneveld #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-8

The image depicts a person standing in an art studio, surrounded by various art supplies and equipment. There is a table with brushes and what appears to be paint containers. In the background, there are two large paintings hanging on a wall that resemble abstract art, possibly works of Karel Appel. The lighting in the room is dim, suggesting it might be evening or indoors. The person seems to be engaged in some form of artistic activity, potentially creating or modifying these pieces of art. There are no texts visible in the image.

Karel Appel met een onbekende man in de Studio voor Elektronische Muziek van Universiteit Utrecht, Ed van der Elsken, 1955 - 1963

#KarelAppel #deStudio #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-11

The image is a black and white photograph showing two men seated in what appears to be an audio recording studio. One man is wearing a suit with a tie, while the other is dressed casually with sunglasses on his head. They both seem to be engaged in conversation or listening to something, as they are looking away from the camera towards one another. The room has technical equipment visible in the background, suggesting it's a professional environment related to audio production.

For visually impaired users, I would suggest: "A black and white photo of two men talking in a recording studio, with one wearing a suit and the other casual attire."

Karel Appel beschildert de kinderkamer in het woonhuis van Ata Kandó en Ed van der Elsken in Amsterdam, Ed van der Elsken, c. 1955

#KarelAppel #Amsterdam #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-14

The image shows a black and white photograph with overlaid images of an elephant, a bird, and a horse. These drawings appear to be stylized with exaggerated features and are placed in a way that seems to create a playful or surreal scene. Below the overlaid images is a person who appears to be interacting with the drawings, possibly adding them onto a wall. The setting looks like an indoor space, possibly a room within a house, given the casual and homely atmosphere depicted in the image.

Karel Appel aan het werk in een atelier op kasteel Groeneveld, op de achtergrond enkele van zijn schilderijen, Ed van der Elsken, 1960 - 1961

#Groeneveld #EdvanderElsken #KarelAppel #GroeneveldCastle #Appel #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-18

The image captures a moment in the studio of artist Karel Appel at Groeneveld Castle. In the center, Appel is seen wearing a blue shirt and holding a paintbrush. He appears to be in the midst of creating art, as evidenced by the presence of various pieces of his work scattered throughout the room. The atmosphere seems dynamic and creative, indicative of an active artistic process.

Karel Appel bespeelt instrumenten in de Studio voor Elektronische Muziek van Universiteit Utrecht, Ed van der Elsken, 1955 - 1963

#KarelAppel #deStudio #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-12

This is a black and white photograph featuring an individual playing what appears to be a percussion instrument. The person is actively engaged in the performance, with one hand on the drumhead and the other possibly striking or adjusting something out of view. They seem focused on their music, possibly during a live performance or recording session.

In the background, there are microphones set up, indicating that the photo might have been taken in a studio specifically designed for musical performances or recordings, such as a radio station or university facility for electronic music. There is also a mixer visible on the far right side of the image, suggesting an audio control panel for sound mixing or production.

The overall mood of the photograph is dynamic and expressive, capturing a moment of creative expression in the realm of music.

Karel Appel in de Studio voor Elektronische Muziek van Universiteit Utrecht met Frits Weiland, Ed van der Elsken, 1955 - 1963

#KarelAppel #deStudio #FritsWeiland #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-10

The image is a black and white photograph depicting two men working in an electronic music studio. One man is standing with his back to the camera, seemingly operating some equipment. He is wearing a dark suit and has short hair. The other man is seated at a table, facing the camera with a smile on his face. He has glasses, appears to be wearing a sweater, and seems to be involved in the operation of the studio as well.

In the background, there are various pieces of equipment that are typical for an electronic music studio at the time, including what looks like a mixing console or soundboard with numerous knobs and sliders on it. The atmosphere suggests a sense of collaboration and creativity within this space dedicated to musical experimentation.

Karel Appel in een atelier op kasteel Groeneveld, op de achtergrond verfspullen en één van zijn schilderijen, Ed van der Elsken, 1960 - 1961

#KarelAppel #Groeneveld #éénvanzijn #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-20

The image features a man in an art studio, surrounded by various painting materials. He is standing and appears to be engaged in the process of creating art. The studio setting includes paint brushes, palettes with visible paint residue, and possibly other tools for art creation. There are no texts present on this image.

Bekrast portret van de schilder Karel Appel, Ed van der Elsken, 1961

#KarelAppel #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-16-1

The image is a black and white photograph of a man's face. He has a mustache, and his facial expression appears serious or contemplative. His eyes are looking downwards and to the left side of the frame. The background is dark and does not provide any additional context about the setting.

Please note that this description is based on the visible elements in the image and does not include any text or other non-visual details that may not be apparent from the image alone.

Karel Appel in een atelier op kasteel Groeneveld, Ed van der Elsken, 1961

#KarelAppel #Groeneveld #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-27-6

The image features a man in an art studio. He appears to be a painter, as indicated by the paintbrush and palette he is holding. The man is wearing an old-fashioned outfit that suggests a traditional or historical setting for the artwork being created. The background of the studio shows a rustic wall with various pieces of artwork on it, contributing to the overall artistic atmosphere of the scene.

Andreas Landshoff, Karel Appel, Hugo Claus en Wim Crouwel tijdens het maken van het grootste boek ter wereld 'Love Song', Ed van der Elsken, 1962

#AndreasLandshoff #KarelAppel #LoveSong #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-16-31

The image shows a group of men in an indoor setting, possibly an art studio. There are five individuals visible, all dressed in semi-formal attire that suggests a professional or intellectual gathering. They appear to be engaging with each other and the materials before them.

In the foreground, there is a table displaying various items which may be related to their discussion or work. The background is somewhat dimly lit, creating an intimate atmosphere. There is no text visible in the image.

The description provided includes references to specific individuals, but these details are not relevant to visually impaired users and therefore should not be included in alt text for accessibility purposes. Instead, the focus should be on providing a detailed and descriptive account of the visual content that can be perceived by someone who is visually impaired.

Karel Appel in een loods met rook en zijn ontwerp voor een muurschildering tijdens de wereldtentoonstelling in Brussel in 1958, Ed van der Elsken, 1958

#KarelAppel #Brussel #EdvanderElsken #fotografie #photography #EdVanDerElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-27-5

#KarelAppel

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