#KarismaRecords

Exposé Onlineexposeonline@mas.to
2025-06-16

New #review today: "While #Oak's previous album The Quiet Rebellion of Compromise dealt with suicide and featured introspective music heavily influenced by Steven Wilson and #PorcupineTree, their new album The Third Sleep, takes the band into slightly brighter territory." #ExposeOnline #ProgressiveRock #KarismaRecords expose.org/index.php/articles/

Oak — The Third Sleep cover art
vinyl-keks.euvinyl_keks
2025-06-13

WIZRD – Elements
(progressiv indie Jazz-Rock/ Karisma Records)

Die musikalische Oberfläche ist schon sehr Progressiv -/ Alternative -Rock geprägt, hier und da ein wenig Psychodelic und in seiner Umsetzung dann zum Teil Jazzy. Und ich hau direkt mal raus, genau das sind mir die liebsten Momente des Albums, aber das wird an mir liegen.

Review von @AnneReif
vinyl-keks.eu/wizrd-elements/

Eine leuchtend rote Vinyl-Schallplatte mit der Aufschrift "WIZRD ELEMENTS" ist abgebildet, neben einem farbenfrohen Album-Artwork im Hintergrund. Das Bild hebt die glänzende Oberfläche und die leuchtenden Farben der Schallplatte hervor.Eine leuchtend rote Vinyl-Schallplatte mit dem Titel "WIZRD ELEMENTS" wird neben ihrem Albumcover ausgestellt, das eine bunte Illustration einer Hand und stilisierte Elemente auf einem dunklen Hintergrund zeigt. Die Szene ist auf einer Holzoberfläche platziert."DENN WIZRD ZEICHNEN SICH NICHT NUR DURCH EINE SPIELFREUDE, DIE ICH GLAUBE AUF DER PLATTE HERAUSZUHÖREN IST, SONDERN AUCH DURCH KÖNNEN. SIE BEHERRSCHEN DIE KOMPLETTE BANDBREITE DER GENRES, DIE SIE DA EINFLIESSEN LASSEN UND VEREINEN SIE ZU IHREM EIGENEN SOUND."
VINYL- KEKS.EU
2025-05-13

TUSMØRKE – En pakt med Naturen
eternal-terror.com/?p=68654

RELEASE YEAR: 2025BAND URL: tusm-rke.bandcamp.com/album/en

Norwegian proggers Tusmørke are not only one of the most prolific and creative outfits in this green and pleasant land of ours but also one of the very best and most rewarding listens there is. Their discography is both vast and unique, and their take on psychedelic folk prog is as original and wonderfully […]

#bigDipper #enPaktMedNaturen #folkHorror #folkProg #karismaRecords #liveAlbum #oslo #prog #progRock #psychdelicRock #psychedelicProg #tusmørke

2025-04-28

LARS FREDRIK FRØISLIE – Gamle Mester
eternal-terror.com/?p=67640

RELEASE YEAR: 2025BAND URL: larsfredrikfroislie.bandcamp.c

The immensely talented Lars Fredrik Frøislie of Wobbler fame released one of the most delightful and perfectly evocative albums of 2023, namely the stunning Fire Fortellinger. The follow-up titled Gamle Mester landed on my desk a few days ago, and after multiple spins I can safely conclude and inform […]

#gamleMester #karismaRecords #larsFredrikFrøislie #prog #progRock #wobbler

2025-04-15

AGUSA – Högtid (Remaster)
eternal-terror.com/?p=67566

RELEASE YEAR: 2025BAND URL: agusaband.bandcamp.com/

Agusa is a most engrossing and delightful addition to the already impressive prog rock roster of Karisma Records. Formed in Sweden back in 2013 and having released several noteworthy songs and gems since then, this musically adventurous ensemble takes us right back to the late 60s and early 70s by means of their lively take on […]

#agusa #folkProg #folkRock #hardRock #högtid #karismaRecords #krautrock #prog #progRock #psychdelicRock #psychedelicProg #vintageRock

2025-04-11

OAK – The Third Sleep
eternal-terror.com/?p=67438

RELEASE YEAR: 2025BAND URL: oakinoslo.bandcamp.com/album/t

It seems like only yesterday that I had the great pleasure of reviewing the previous album by these talented prog rockers, namely the stately The Quiet Rebellion of Compromise (2022). With its deep-seated melancholy, genuine sense of yearning, and utterly captivating songs, said output was something to be […]

#karismaRecords #oak #prog #progRock #theThirdSleep

Exposé Onlineexposeonline@mas.to
2025-03-21

#NewRelease: #Tusmørke - En pakt med naturen. First live album from Norwegian #ProgressiveRock masters out 9 May 2025 on #KarismaRecords tusm-rke.bandcamp.com/album/en

Exposé Onlineexposeonline@mas.to
2025-02-27
Exposé Onlineexposeonline@mas.to
2024-12-20

New #review today: "#TheVerge, a new Norwegian #JazzRock quartet, met at school and performed their first concerts in 2019. The band consists of Emil Storløkken Åse on guitar, Aksel Rønning from #CosmicSwingOrchestra on saxophone and flute, Alf Høines from #Caramel11 on electric bass, and Ingvald André Vassbø from #Kanaan, #FullEarth, and #Motorpsycho on drums." #ExposeOnline #KarismaRecords expose.org/index.php/articles/

The Verge — The Verge cover art
2024-09-17

Meer – Wheels Within Wheels Review

By sentynel

Alright, I’m super late with this review—Wheels Within Wheels came out the day I moved house, which has not been the most conducive period for writing. But I couldn’t let this one get past without covering it. I adore Meer. There’s something very warming about listening to them, for all that they lean melancholy rather than saccharine. Best described as symphonic/progressive pop and/or rock, their music is lushly textured, drenched in strings, and emotive, often reaching for a soaring crescendo. Meer’s previous album Playing House narrowly missed the top spot in my 2021 list. In hindsight, it should probably have taken it.

The good news is they haven’t broken anything that made Playing House great. I mentioned in my TYMHM piece that Meer has a sound: a sparse melody on piano or guitar, some strings join, a fragile vocal line, and a build of all of those up to a great big soaring payoff. That’s still present and correct in Wheels Within Wheels, and it even opens with a brief string motif that’s a deliberate callback to the previous record before setting off in its own direction. The even better news is that the writing outshines Playing House. Nearly every song is a banger. The big, catchy vocal lines are really big. “Golden Circle,” “To What End” and more are super satisfying to sing along to. They play with the instrumentation and writing a bit more. There’s more of a dalliance with rock, with more distorted guitar, a spot of slide guitar here and there, and solos on “Chains of Changes” and “Today Tonight Tomorrow.” Closing track “This Is the End” goes actively post-rock, with heavier instrumentation, an unsettling key, and a more complex, extended song structure.

Wheels Within Wheels is a record where one has to criticize good songs to find criticisms at all. All I have to moan about is that there are two weaker pieces, “Behave” and “Take Me to the River.” The songs are good; I like the little whistled melody in “Behave,” for example, or the twiddly guitar on “Take Me to the River.” But they’re a little bit rote—the reference implementations of that Meer sound without anything notable to distinguish them. In the company of the rest of the record, they come across as a bit of filler. Their position in the running order, songs two and three, respectively, makes for an awkward start, tripping up after the great opener “Chains of Changes.” From that point onwards, however, every song is a hit. It’s redundant to try and list them all, but I do need to mention “Mother” in particular, a gorgeous prayer to a deity of broken things.

Meer is an ensemble, not just a band, and the (very many) musicians here are great. They succeed by combining all the moving parts with a sense of orchestration that would make most symphonic metal bands blush. They’re confident across the whole range of styles they touch, from sparse to bombastic. Still, Wheels Within Wheels is never too busy, allowing listeners to pick out the details. There’s a bass bit I love on “Something in the Water,” some pretty viola on “Take Me to the River,” or the piano on “Today Tonight Tomorrow.” Yes, I’m writing for a metal website, but I really enjoy some songs being more rock and guitar-forward (“Golden Circle,” among others). I’m inclined towards having opinions on vocalists and often feel slightly bad about not having space to say as much about, say, Åsa Ree on violin. But Meer’s two vocalists and lyricists, brother/sister duo Knut and Johanne Nesdal1 are brilliant. They carry the emotional heart of the music, trading lead vocal roles and duets, from the tender and fragile to the big, belted choruses. The production balances each detail without a problem, though I’d like a little more dynamic range to emphasize the biggest bits.

Wheels Within Wheels loses out to Playing House only in the sense that I knew what to expect—there’s no replicating that “wow” moment of hearing a fantastic band for the first time. But beyond that, it’s a notable improvement on Playing House, and that’s a hell of an achievement. Going a bit more rock and a touch more experimental is good for them. I’ve struggled to choose highlights to refer to because of an endless stream of “No, this one is my favorite track!” every time I listen. If you have any interest in progressive music, modern classical, or stuff that’s just Excellent, you should listen to this.

Rating: Excellent
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Karisma Records
Websites: meer.bandcamp.com | facebook.com/MEERmusikk
Releases Worldwide: August 23rd, 2024

#2024 #45 #Aug24 #KarismaRecords #Meer #NorwegianMetal #PostRock #ProgressiveRock #Review #Reviews #SymphonicRock #WheelsWithinWheels

Exposé Onlineexposeonline@mas.to
2024-06-04

#KarismaRecords is working their way through reissuing the #WhiteWillow catalog, and Sacrament is third in line, out 5 July. Here's our #review from when it first came out. #ExposeOnline #NewRelease #ProgressiveRock expose.org/index.php/articles/

White Willow Sacrament album cover

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