Some mornings feel like stepping into a story long before you take the first photograph. A week ago, after a long cold night, I woke up long before sunrise with that familiar excitement buzzing under my skin — the kind that only a camera, a quiet landscape, and a promise of light can create. I pre-heated the car, stepped into the darkness, and let the road guide me toward the Kampina in Noord-Brabant. While most people were on their way to work, I was on my way to chase a sunrise.

And nature delivered.

After a 30-minute walk through the dim early light, the world suddenly shifted. The entire atmosphere turned black and yellow — not just the sky, but the mist, the air, the ground. Low winter sunlight scattered through moisture particles, a phenomenon called Mie scattering, which often produces this rich, glowing yellow hue under the right angle and density conditions.

In the foreground stood an old, gnarled tree — twisted by years of weather and time — silhouetted against a backdrop of dark, leafless woodland. It felt like a character stepping forward from the shadows.

Captured handheld at f/6.3, ISO 640, with my Canon 5D Mark IV and Sigma 100–400mm, this image is a reminder that sometimes you don’t just photograph a sunrise… you walk into it.

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When Worlds Accidentally Collide

Sometimes you see something that just makes you smile — that quiet “well, look at that…” moment. While walking through the city center of Arnhem, I noticed two entirely unrelated things that, from the right perspective, told a story together.

On the side of a building was a statue of a woman — hands in her hair, expression frozen somewhere between shock and amazement. But nearby, a street sign had clearly taken a hit and was now bent at a rather unfortunate angle. From where I stood, it looked as if she was reacting exactly to that.

Moments like this are the reward for looking twice. I took out my Canon 5D Mark IV with the Sigma 100–400, framed the scene just right, and captured that perfect visual coincidence. It’s not the kind of image that shouts — but it does make you grin when you notice the connection.

Photography, after all, isn’t always about light or motion. Sometimes it’s about timing, perspective, and the quiet humor of the world arranging itself for a fraction of a second.

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A Rare Sight

While walking through Park Sonsbeek in Arnhem, I noticed a young woman sitting quietly on a bench, reading a book. No phone, no earbuds — just her, the pages, and the sound of songbirds in the background. It felt… unusual. Peaceful. Almost like catching a glimpse of a forgotten behavior in its natural habitat.

I knew I had to take the shot, but I did it from a distance — using my Canon 5D Mark IV paired with the Sigma 100–400mm. The light was soft, diffused by the trees, and I wanted to preserve that calm atmosphere. I shot silently, or at least as silent as a DSLR allows. Still, there was that feeling — the quiet guilt of being a hidden observer. Maybe that’s part of street photography: capturing beauty without disturbing it.

I could have pointed the lens elsewhere — at the noise, the rush, the chaos of everyday life. But I didn’t. I chose this. Because sometimes, documenting stillness says more about who we are — or who we’ve forgotten to be — than all the motion around us ever could.

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Dark waters, white beak, red eye.

At Park Sonsbeek in Arnhem, I spotted something white moving on the dark pond surface. For a second I thought, “what is that?” — and then it hit me. A coot! An Eurasian Coot (Fulica atra, Dutch: Meerkoet). These little water birds always look like they’re in formal wear — black suit, white tie, red eyes, and serious attitude.

The water here was unusually dark, absorbing almost all light. My camera’s metering system had no idea what to do with it and kept pushing the ISO sky-high. So I switched to full manual mode: shutter at 1/250s, aperture f/7.1, ISO locked at 2500. The Canon 5D Mark IV with the Sigma 100–400mm lens handled it beautifully. No flashy post-processing here — just careful exposure control and a bit of patience.

I love how the black feathers blend nearly invisibly into the dark water, leaving only that bright beak and red eye cutting through the scene. It’s one of those moments where light, contrast, and instinct all meet. What a hoot… or should I say, what a coot!

Photography, after all, is just another way of studying light and life.

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Birds of the Spoorpark

The Spoorpark in Tilburg isn’t exactly a nature refuge — it’s more of a social hub where the city’s “fearless of humans” kind of birds thrive. Yet even here, life unfolds with quiet grace. The mallards (Anas platyrhynchos) glide through the shallow water, joined by a white domestic duck — perhaps a feral hybrid, its yellow beak gleaming in the sun. A solitary common moorhen (Gallinula chloropus) patrols the edges, always alert, always alone.

Around 11:00, with the Canon 5DsR and Sigma 24–70mm Art, I crouched to eye level to meet them on their own terms. That low perspective transforms everything — reflections sharpen, depth of field softens, and suddenly you’re no longer a spectator but a participant in their small, vibrant world.

Every feather, ripple, and movement becomes a study in adaptation — a living reminder that even in the heart of the city, evolution doesn’t rest.

Photography, after all, is just another way of studying light and life.

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Concrete Perspective

From up high, perspective changes everything. Standing atop the Spoorpark tower, I looked down and noticed how geometry and life align in the most unexpected ways. The pavement below—made up of large 4x6 meter concrete slabs—formed clean intersecting lines that seemed to guide movement through the frame. Then, almost perfectly on cue, a woman entered the scene from the lower right corner, her attention fixed on her phone.

Through the Canon 5D Mark IV paired with the Sigma 100–400, I framed the shot so that one diagonal ran straight toward her, while another crossed it, forming an “X” that almost marked her path. It’s fascinating how urban design, when viewed from above, becomes a study of pattern and rhythm—how our daily movements trace invisible geometries that we rarely notice from the ground.

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Tilburg Central Station seen from the Spoorpark Tower

From high above in the Spoorpark tower, I aimed my Canon 5D Mark IV with the Sigma 100–400 toward Tilburg’s central station. Through the lens, the city stretched quietly beneath me — vast, layered, and still. It’s moments like these that make you realize how small you really are in the grand architecture of the world. The air was hazy that morning, softening the distance and muting the colors until the scene almost looked monochrome already. So I leaned into it — converting it fully to black and white.
Sometimes, when color falls flat, contrast becomes your best storyteller. And if that still isn’t enough, black and white will always be your last saviour.

Photography, after all, is just another way of studying light and life.

#Tilburg #Spoorpark #TilburgCentralStation #CityscapePhotography #BlackAndWhitePhotography #DocumentaryPhotography #UrbanPerspective #SigmaArtLens #CanonPhotography #Canon5DMarkIV #Sigma100400 #ArchitecturalPhotography #PerspectiveStudy #LightAndLife #StoryOfLight #PhotographyIsScience #UrbanStillness #VisualGeometry #ExploringTilburg #ByMaikeldeBakker