Loathe lanza su nueva canción «Gifted Every Strength» | vía #NaciónRock
https://www.nacionrock.com/loathe-lanza-su-nueva-cancion-gifted-every-strength/
#Loathe
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RIVERS OF NIHIL, LOATHE, SHADOWS FALL, DEADGUY & Among Metal Injection's Top Tracks Of The Week
#RiversOfNihil #Loathe #ShadowsFall #Deadguy #HaloEffect #Witchcraft #DryKillLogic #JohnnyBooth #MetalInjection #GregKennelty
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#MetalInjection
LOATHE Streams First New Song In Three Years, "Gifted Every Strength"
https://metalinjection.net/video/loathe-streams-first-new-song-in-three-years-gifted-every-strength
#Loathe #GiftedEveryStrength #Spiritbox #DyingWish #Waukee #Denver #SaltLakeCity #Vancouver #Tacoma #SanFrancisco
Got #dysphoria? Like a heavy sound with a female lead? Validation sounds like:
https://song.link/au/i/1672397906
#fkarayne
#loathe
Spiritbox announce 2025 ‘Tsunami Sea’ North American Tour:
#Spiritbox #TsunamiSea #NorthAmericanTour #2025Tour #DyingWish #Loathe #Gel
https://metalinsider.net/touring/spiritbox-announce-2025-tsunami-sea-north-american-tour
I know I don't really have a #music crowd here, but here's some #guitar content anyway! Recently I got into the #loathe rabbit hole and after some digging, I decided to pull the trigger on the #g4m #baritoneguitar
https://www.gear4music.de/de/Gitarre-and-Bass/G4M-638-Bariton-E-Gitarre-Tobacco-Sunburst/2NR9
A cheap instrument, but after some minor upgrades it plays like a dream. 😍 This is what I've done so far:
Dear Hollow’s Mathcore Madness [Things You Might Have Missed 2023]
By Dear Hollow
Y’all ready to skronk? Cuz it’s ’bout to get skronky. I had a realization about midway this year that all I was doing was contributing mathcore releases to Kenstrocity‘s Stuck in the Filter pieces. So instead of painting myself as a one-trick pony who can only do math three times a month, I decided to reveal my cards as a mathcore sellout by the end of 2023. I have been given an incurably bad taste this year, and a spotlight under which I stand alone while commenters and colleagues alike chuck tomatoes and copies of Mercyful Fate’s Dead Again and Saxon’s Rock the Nations at me (saying, and I quote, “get some culture, you sellout”). See, when the inimitable Kronos left, he took with him the taste for the mathy skronk. I suppose Dolphin Whisperer has some math love built into him, but we’re too busy squabbling over details most of the time.1
Thus, I have compiled a list of some mathcore releases you might, uh, tolerate! Because I have filtered and expressed opinions over acts like See You Next Tuesday, Sleepsculptor, Soulkeeper, and Squid Pisser (I’m not sure why I picked all mathcore acts that start with S, but here we are) you can go find ’em yourself if you’re soooo upset why I didn’t include them. Without further ado, let’s get skronky (another S!).
Better Lovers // God Made Me an Animal – Look, I get it’s an EP, but when your band consists of the instrumental section of the defunct Every Time I Die, the guitarist of Fit for an Autopsy and End, and the vocalist of the legendary The Dillinger Escape Plan, we can make some exceptions. Charisma and sleaze drip through the southern-fried leads of these four songs, while Greg Puciato’s unmistakably charismatic vocals rip across, formidable cleans gracing melodic noodling with a catchiness that contrasts with the dense groove. Speaking of the groove, they hit at just the right moments, recalling I Am Hollywood-era He is Legend in “Sacrificial Participant,” while punk speed graces “30 Under 13” with a franticness, while the riff in the title track is absolutely mammoth. Quite the lineup, and while the sound is what you’d largely expect from its ranks, the five-piece makes its debut EP just damn good mathcore.
Chamber // A Love to Kill For – Nashville’s Chamber enters the fray with a sound that weaponizes mathcore for maximum punishment, a tad like Frontierer meeting late-era The Tony Danza Tapdance Extravaganza in a knife-fight behind the old Kmart: down-tuned thuggishness, chunky and bruising rhythms, noodly riffs, and squealing leads.2 Vocalist Jacob Lilly offers a vicious performance, his roars and fry vocals dripping with vitriol, while the cutthroat axework collapses and crushes around him, and drummer Taylor Carpenter hits the kit balancing rock-solid anchoring and pure mania. A Love to Kill For is a relentless metalcore attack barbed with hardcore punk, mathcore, and hints of deathcore: carefully calculated, intensely brutish, and worth every concussion Chamber can muster.
Euclid C Finder // The Mirror, My Weapon, I Love You – A balanced affair unafraid of the noisemaking, Baltimore’s Euclid C Finder (presumably named after the Fallout weapon) releases a grind-tinged math attack of viciousness and oddity in equal measure. Nineteen minutes of wonky rhythms, blasting percussion, manic dissonance, panic chords aplenty, and insane vocals greet the ears with the subtlety of a five-car pileup. It would be easy to dismiss The Mirror… as just another Dillinger– or Converge– worshiper, but then the groove hits. The trio balances its treble trouble with a chunky hit of downtuned intensity and gruff barks that gives respite to the million-miles-per-hour of noodly technicality. It’s a toothy and intense affair that never takes itself too seriously (i.e. “Jonathan Davis 10000 BC”) and never overstays its welcome.
Telos // Delude – What makes Copenhagen’s Telos unique is its blackened and noisy take on mathcore. Or, if you please, a mathy take on blackened hardcore – whatever floats your boat. A bit like if Hexis (with whom they released a split this year) and Botch had a scary-looking baby. Misanthropy oozes from every orifice and hostile noise fills negative space, ominous leads and dissonant plucking wearing haunting grooves into the brain. Tracks like “Bastion,” “I’ve Been Gone for So Long,” and “As Atlas Stumbled” are full-on assaults of intense proportions, while the more subdued ritualism and atmosphere in “I Accept / I Receive” and “Throne” show the depths of Telos’ lurching and rumbling depravity. Fans of mathcore and blackened hardcore would do well to do a headlong dive into this particular abyss.
Thin // Dusk – Mathcore gone grind. Reveling in tight descending patterns of insanity, with a fearlessness of skull-caving death metal, New York City’s Thin will beat you senseless with every weapon in its arsenal. A wall of noisy noodling, panic chords, and squalid feedback is erected with every attack, collapsing for death metal-inspired weight and dissonant plucking throughout that feels like homage to this year’s Asystole. Screamo orientation fuels the fire and brevity is the name of the game, but toss in formidable performances from all forces involved, with howling screeches giving way to gravelly gurgles, groovy riffs giving way to frantic tremolo, and the rhythm section cutting through the darkness. As the cheery acoustic strums of closer “Mangrove” sound in final respite, Thin revels in its sonic and lyrical pairing of nostalgia and trauma – a dark night of the soul.
Dead Soma // Pathos – A more rhythmic and atmospherically spidery but nonetheless viciously punishing take on mathcore. Best described as Loathe covering Converge songs, the sepia-toned and mysterious Deftones influence is unmistakable, but Sweden’s Dead Soma is unafraid to embrace the intensity. Hinting upon djent not unlike countrymen Vildhjarta and weighty rhythms like Car Bomb, the grooves are palpable and punishing, guided by the dead hands of electronic glitches and pinch harmonics and dragged by manic barks and screeches. Chino Moreno-esque whispery cleans and subdued mumbles add to the glitching and warm synthwork in the more laid-back tracks, which add further dynamic to the relentlessly fat riffs and mathy noodling (see: “Life and Limb” to “Error Blemish”). Warmly atmospheric, it carries a vintage tone by the vocals and synth, but is ultimately uncompromising in its brutality.
MouthBreather // Self-Tape – This one is less mathcore by sound and more by name. The Boston collective’s debut LP I’m Sorry Mr. Salesman (another filter cleaning I contributed to) was Coalesce-meets-Converge-core through and through in a groovy take on mathcore, but after a come-to-metalcore-Jesus moment they go straight for the jugular with a nu-infested, groove-infected -core sound for Self-Tape. The viciousness is front and center, with aggression and fury spewing from every chug and growl, with its storied mathcore history offering its energetic bite. Now featuring more deathcore weight and nu-metal influence to slam into your sorry-ass ears alongside the ghosts of Christmas skronk, Self-Tape reflects a descent into madness through its very reasonable twenty-three minutes of film references. Maybe you’ll think it’s just metalcore with no mathcore in sight, and you’d be right, but (a) that’s why it’s at the end of this piece and (b) your head will be bobbing so hard you won’t care.
#2023 #ALoveToKillFor #AmericanMetal #Asystole #BetterLovers #BlackenedHardcore #Botch #CarBomb #Chamber #Coalesce #Converge #DanishMetal #DeadSoma #Deathcore #Deftones #Delude #Dusk #End #EuclidCFinder #EveryTimeIDie #FitForAnAutopsy #Frontierer #Gideon #GodMadeMeAnAnimal #Grindcore #HardcorePunk #HeIsLegend #Hexis #Loathe #Mathcore #Metalcore #NuMetal #Pathos #SwedishMetal #Telos #TheAcaciaStrain #TheDillingerEscapePlan #TheMirrorMyWeaponILoveYou #TheTonyDanzaTapdanceExtravaganza #Thin #ThingsYouMightHaveMissed2023 #Vildhjarta
Knocked Loose announce tour with Show Me The Body, Loathe, and Speed
https://www.brooklynvegan.com/knocked-loose-announce-tour-with-show-me-the-body-loathe-and-speed/
#brooklynvegan_category_music #Heavy_Metal #Music #tour_dates #Knocked_Loose #Loathe #punk #Show_Me_The_Body #SPEED
Got my ticket for #Korn, #DenzelCurry, #Spiritbox, #Wargasm, and #Loathe at Gunnersbury Park, London in the summer!
It's going to be a BIG ONE!
Korn announce largest UK date they’ve ever played
Alt-metal pioneers Korn have announced they will return to the capital to perform for the first time in seven years, with their biggest UK headline show to date at London’s Gunnersbury Park on Sunday 11 August.
Joining them at the mammoth outdoor event are special guests
https://www.moshville.co.uk/news/tours/2024/01/korn-announce-largest-uk-date-theyve-ever-played/
#ToursLiveDates #DenzelCurry #Korn #Loathe #Spiritbox #Wargasm
Johnny Booth – Moments Elsewhere [Things You Might Have Missed 2023]
By Dear Hollow
The phrase “metalcore” strikes fear in the hearts of the most hardened metal fans.1 Breakdowns and faux badassery collide in the most listenable shit this side of the pond. New York DIY metalcore abusers in Johnny Booth know this. While yes, there are breakdowns, one-liners, and enough technical wankery to make a Converge fan drool, every element is weaponized to the full extent to accomplish an unhinged and vicious quality (“loud and ouchy” in the words of inimitable Dolphin Whisperer) that recalls acts like Knocked Loose, Sworn In, and Frontierer – without committing to either cumbersome down-tempo hardcore or headache-inducing mathcore. Encapsulating just enough reprieve from the devastating pummel, through a tasteful sprinkling of jazzy keys, skronky electronics, and subdued cleans, third full-length Moments Elsewhere’s weight is through its expertly dynamic writing.
Contrary to the squeaky-clean stereotype of modern metalcore, Johnny Booth embraces weight and filth through its self-released aesthetic. Guided by Andrew Herman’s desperate fry vocals and soothed by his croons, the true stars of Moments Elsewhere are guitarists Adam Halpern and Ryan Strong and their impressive repertoire. While rooted in the chunky chug-happy metalcore template, nearly every moment feels like it might fly off the rails or is enhanced by impressive dynamic songwriting. In perhaps the best example this dynamic, “Only By Name” starts off with a rather unassuming and harmless wonky Dillinger-esque riff that guides the proceedings before cascading into a devastating riff that slides like a semi-truck on ice. Even the cleanly sung tracks like “Why Becomes How” and interlude “The Mirror” inject their respectively subdued approaches with both scathing melody and vocal harmonies or earworms and enough heft to move the album along. More balanced tracks like “Collapse in the Key of Fireworks” and “The Ladder” are tasteful in their fusions of melody, skonk, and catchy choruses. Bassist Steve DiModugno contributes technical fills and noodles to “Bright Future” and a jazzy runs in “The Mirror,” and drummer Adam Ingoglia is a rock-solid anchor throughout, constructing intricate rhythms while derailing them across the board.
This dynamic allows tracks to gather enough for the punishing storm, and breakdowns are realized to their fullest potential and never overstay their welcome. In easy highlight “Full Tilt” an opening distorted cheery sample and a later passage of a trip-hop beat offer respite, only to tread the path of Loathe with an absolutely stellar buildup and utterly satisfying closing breakdown.2 “Why Becomes How” is immediately followed up by the no-holds-barred hardcore-infused “Ring Light Altar” and the somehow heavier “Gatekeeper”3 and the unhinged “No Comply” whose morphing math-inflected riffs add a jolt of viciousness. Closer “Modern Dialogue” features a tasteful range of guitar tricks that align perfectly with the percussion, adding grueling punishment and dynamic across the board.
What makes Moments Elsewhere is its nearly untouchable range of tracks – only the mathy Risecore caricature “Bright Future” is a bit of a weak link in its lack of tangible weight. Don’t let the “metalcore” tag scare you: Johnny Booth offers some of the most punishing tracks of the year. Amplified by a smart inclusion of dynamics and homage to influences that avoid mimicry, it somehow feels heavier than could possibly offered when the atmospheric passages implode into skull-crushing weight. Contending with 2023’s heavy hitters Sylosis, MouthBreather, and The Acacia Strain is no easy feat, and they do so on their own terms in a handcrafted album with a unique sound – one of 2023’s best.
Tracks to Check Out: “Full Tilt,” “Only By Name,” “No Comply,” and “Modern Dialogue”
#AmericanMetal #Converge #Frontierer #Hardcore #JohnnyBooth #KnockedLoose #Loathe #Mathcore #Metalcore #Mouthbreather #SelfRelease #SwornIn #Sybreed #Sylosis #TheAcaciaStrain #TheDillingerEscapePlan #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2023 #TYMHM
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#MetalSucks
Apparently Frank Ocean Digs Loathe
https://www.metalsucks.net/2023/11/03/apparently-frank-ocean-digs-loathe/
This is where I need to be. Architects + Loathe + Spritibox in Prague. What a dream 🤤
#music #architects #spiritbox #loathe #tour
Do you love or loathe snow? why?
#CriticalQuestions #Quiz #PubQuiz #Snow #Love #Loathe #Hate #StayHome #StaySafe #StayHomeStaySafe
Gig Review: UK Tech Fest 2023 – Friday
UK Tech Fest - 10 years of building a strong, respected event showcasing the finest bands in the metal scene of today, giving underground and newer bands the opportunities to shine amongst some
https://www.moshville.co.uk/reviews/gig-review/2023/07/gig-review-uk-tech-fest-2023-friday/
#GigReviews #BasementTortureKillings #CageFight #Cavekiller #Crepitation #DespiteExile #Forlorn #Hacktivist #Loathe #TechFest #TheCartographer #TheFiveHundred
Gig Review: Spiritbox / Loathe – O2 Institute, Birmingham (5th July 2023)
One of the greatest discoveries during the pandemic was Spiritbox with their debut album, Eternal Blue. And judging by the queue to get into the Institute tonight in Digbeth, it seems plenty of others in the area also did the same with the entire tour sold
Gig Review: Takedown Festival 2023
With the festival season kicking off earlier than expected this year, Myself and my omnipotent overlord, Shells, embarked upon a full day of metal at Takedown at Portsmouth Guildhall. Takedown has been on an 8 year hiatus, producing the
https://www.moshville.co.uk/reviews/gig-review/2023/04/gig-review-takedown-festival-2023/
#GigReviews #AsDecemberFalls #Chaosbay #ChuggaBoom #Dendera #INME #Loathe #RedMethod #Skindred #SleepToken #TakedownFestival
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