#MusiqueConcr%C3%A8te

2025-10-06

Visage, Sequenza III, Cinque Variazioni, Circles by Luciano Berio, released on Candide in 1970

Killer material from Berio -- featuring some early tape/electronics experiments, highlighting the voice of Cathy Berberian. Visage and Sequenza are especially essential, and this Candide edition provides some of their best recordings. - Dusty Groove

youtube.com/watch?v=DGovCafPQA

#LucianoBerio #MusiqueConcrète #Electronic #AvantGarde #Klimt #TapeMusic #CathyBerberian

Visage, Sequenza III, Cinque Variazioni, Circles by Luciano Berio, released on Candide in 1970
2025-10-02

@mattdyson99

Agreed. I listened a lot to "Zoolook" (1984), which leans into musique concrète, by Jean-Michel Jarre.

Jean-Michel Jarre, "Diva" (1984; with Laurie Anderson)

Cheers!

youtube.com/watch?v=HzgjsUe5LS

#Music #ElectroPop #MusiqueConcrète #JeanMichelJarre #LaurieAnderson

2025-10-01

Silver Sillon en tournée :

29 septembre : GRRRND ZERO(Vaulx-en-Velin)
1er octobre : Ateliers de la Mine(Lavaveix-les-Mines)
2 octobre : Le Lieu-Dit (Clermont-Ferrand)
4 octobre : Gran Lux (Saint-Etienne)
5 octobre : Apnées  (Grenoble)

Gaëlle Rouard (films, projecteurs 16mm, lumières, objets, etc.)
Lê Quan Ninh (platines, disques vinyles)

#cinemaexperimental #experimentalcinema #musiqueconcrete #musiquecontempraine #ContemporaryMusic #disquesvinyles #vinylrecords

PHILLY ASK A PUNKrelay@philly.askapunk.net
2025-09-26

Elaborate Sounds Of: Text Rich Ali, Inverse & Obverse, Yova, Holden Linton @ Ruba Club

Ruba Club, Friday, October 3 at 07:00 PM EDT

philly.askapunk.net/event/elab

Elaborate Sounds Of: Text Rich Ali, Inverse & Obverse, Yova, Holden Linton @ Ruba Club
2025-09-26

Psst: U down cuz summer is over?

You may find comfort in...

RADIO IRRTUM!
(on air from Berlin)

↓↓↓ Deutsch Version below unten ↓↓↓

Da next beautiful issue of
#RadioIrrtum! will air this Saturday, 2025/09/27, 8:00pm UTC+2, Berlin time. At Alex Berlin FM at 91MHz / DAB+ K7D around #Berlin + worldwide at https://www.alex-berlin.de/radio-livestream .

Why? What is this?

#Radio Irrtum! is a German language #radioShow exploring the sonic vastness of the #underground. Emitted transmissions may raise attention for new unheard #music all over this planets genre spectrum. Don't worry about that #GermanLanguage - it's all about the #music!

This time covering stuff like

- German new wave disco post punk dub pop
- Gameboy
#chiptunes
- toffee-nosed
#UKGarage with spoken words on top
- innovative IDM
#Bass straight outa Berlin
- something they say is
#BerlinTechno but I dunno
- totally
#defective Elektronic Sounds
- cinematic
#musiqueConcrete
-
#Punk, as in
-
#Mexican #Eggpunk
- sad
#Berlin #Postpunk
- cinematic UK Postpunk
- Music from the Top CEO floor of the
#Fediverse
- bone-dry
#prairieRomantic

Lots of this can't be found at
#Spotify, oh nose!! There is #CreativeCommons music included and of course super cool artists from the Fediverse will be featured, as @FreakyFwoof@universeodon.com, @dgar@aus.social, or @ahihi@anticapitalist.party . Thank you for your cool music and for keeping the music spirit alive within the Fediverse!

So: If at least a bit interested in kewl new unusual
#music, tune in! 📻

And if you have questions? I'll gladly answer! Just ask here!
Playlist + manuscript after the show also here.
CU all (?) on Saturday.


↑↑↑↑↑↑ English version above, the Deutsche welche jetzt ↓↓↓↓↓↓


Radio Irrtum! kommt näher → Samstag, 27.09.2025, 20:00 isses soweit auf Alex Berlin (FM 91MHz/DAB+ K.7D / Stream URL oben).

Also die seltsame Funk(el)sendung, in der planetenumfassende Weiten des musikalischen Untergrunds erforscht werden.

Mit so Sachen wie…

- neuer alter deutscher new wave disco post punk dub pop
- Chiptunes vom Gameboy
- hochnäsiges UK Garage mit spoken Words
- innovativen IDM Bass auuuuuus Berlin
- ein Dingens, was der Berliner Technoscene zugeschrieben wird
- völlig defekte Elektronik Sounds
- cinematic musique concrète
- Punk, u.a.
- Eggpunk aus Mexiko
- traurigen Postpunk aus Berlin
- cinematic Postpunk aus den UK
- Musik aus dem Herzen des Fediverse
- staubtrockene Prärieromantik

Vieles davon gibz nich auf Spotify, Creative Commons Musik kommt vor; und wir haben diverse Fediverse Künstler:innen vertreten (s.o.). Yo.
Wird wieder heftig schön! Playlist + Manuskript nach der Sendung am Sonntag hier drunter. Fragen einfach hier stellen – ich antworte.

#noAIinMusic #musicRecommendations

Seb Brun & Simon Henocq – Vallées

It has been a while since we talked about the records that dare to confront. Vallées, the latest collaboration between French experimentalists Seb Brun and Simon Henocq, falls squarely into those releases that shapeshift the boundaries of non-conventional music. It’s a well-organized yet disorienting listening experience that keeps the listener engaged from start to finish, and in that disorientation lies its great power. Brun and Henocq, long-standing figures within the French experimental music community, crafted an album that shakes with intensity, pulling threads from musique concrète, glitch, industrial, and noise while reasserting rhythm as the fractured skeleton of their sound. Listening to Vallées feels less like entering a cavern carved from sound itself. The duo relies heavily on processed drums and guitar, but the instrumentation is so manipulated, stretched, and disassembled that you can sometimes hardly point to a snare hit or a chord progression in the conventional sense. Instead, drums morph into seismic quakes, samples dissolve into shrill shards of metallic resonance. It’s a musical experience where familiar tools are atomized, rearranged, and presented as alien organisms. Many noise or industrial records retreat into sheer brutality, a wall of aggression that leaves little space for nuance. Brun and Henocq resist that impulse. Their sound is dense, and at times almost overwhelming, but it also makes room for contemplation. The compositions are full of air, full of tension that stretches and contracts. The silences matter as much as the eruptions.

The album pulses with rhythmic patterns, but more as a fractured, hypnotic undertow. In one moment, you’ll hear something like a decaying heartbeat rendered in metallic echoes, and then syncopated bursts that border on ritualistic drumming before collapsing into static. This rhythmic backbone docks the abstraction, ensuring that this record never drifts entirely into chaos. Vallées is pretty much a study in transformation. Sounds begin as one thing and end as another, sometimes violently, sometimes so gradually that the shift is imperceptible until you realize the sonic landscape has mutated entirely. A guitar string might become a drone, then a shriek, then a bass thrum. A percussive hit might morph into a cascading glitch. This constant flux mirrors the instability of our contemporary moment, the feeling that nothing remains fixed, that solidity is always under threat of erosion. Everything is sculpted with precision. There’s rawness, distortion, and grittiness, but it is very intentional. You sense the duo’s long history in the French experimental scene, their refusal to lean on gimmickry or trend-chasing. This is the work of musicians who understand the tradition they are building upon, musique concrète, industrial pioneers, noise visionaries, and the necessity of pushing forward into new territory. It resists easy consumption and refuses the neat structures of pop or the predictable tropes of electronic subgenres, yet it is not an act of nihilism. Purpose and beauty lie beneath the piles of noise. Not beauty in the conventional sense, but the beauty of risk, vulnerability, and honesty. It dares to show itself raw and unadorned, jagged edges and all.

For listeners accustomed to melody, harmony, and traditional songcraft, Vallées may feel alienating, but that is precisely its point. It challenges us to expand our understanding of what music can be, to sit with discomfort, to embrace sound not as background but as confrontation. It recalls the best of experimental art, not because it seeks novelty for novelty’s sake, but because it insists that the medium still holds unexplored possibilities. And yet, the album is strangely immersive. Once you surrender to its world, you find yourself carried along by its strange logic. The hypnotic pulses, the abrasive textures, the moments of near-silence, they create a narrative arc, one that bypasses the rational mind and operates on a deeper register. This material seeks your full attention, patience, and openness. It is not an album designed to please, but to provoke, unsettle, and move you in ways that are not always comfortable. In doing so, it demonstrates the relevance of experimental music as an artistic practice and a cultural necessity. It is a work that deconstructs conventions while affirming the body, a record that transforms noise into closeness, chaos into structure, sound into flesh. It is about standing in the middle of a storm of sound and realizing that the storm has its own language, pulse, and its own strange beauty. It is about giving up the need to control and allowing yourself to be carried by something larger, something elemental. Vallées is dense, raw, and sensual. It is a record that collapses boundaries and creates new ones. It is, in the truest sense, alive.

#AMBIENT #AVANTGARDE #EXPERIMENTAL #GLITCH #INDUSTRIAL #MUSIQUECONCRETE #NOISE #REVIEWS #SEBBRUN #SIMONHENOCQ

Seb Brun & Simon Henocq - Vallées
2025-09-24

Mount Mourn/JeTTTen – Mount Mourn Meets Jettten Again

Extremely minimal experimental album incorporating elements of folk and musique concrete into unusual tunes.

conversationswiththeghostrecor

@killthethingyouluv.bsky.social

etherdiver.com/2025/09/19/opm-

#music #folk #MusiqueConcrete

MONTREAL Ask A Punkshows@montreal.askapunk.net
2025-09-10

Interzone presents: Radwan Ghazi Moumneh + Emna Mâaref, Meesh Sara Fradkin + Stuart Jackson, Dumb Chamber, Bénédicte

Église Saint-Denis, Saturday, September 20 at 07:30 PM EDT

Interzone Editions presents: 'Bunny’s apartment, the beach', the album launch

–> Meesh Sara Fradkin + Stuart W. Jackson

Meesh Sara Fradkin is a writer and artist working with sound, text and media in New York City and Montreal. Her work has been presented by The Center for Performance Research, Beall Center for Art + Technology, Murmurs Gallery and Leonardo/MIT. Publications include Leonardo, Syllabus Project, and (forthcoming) Parapraxis. Meesh has also presented work as a collaborator at WordHack, CuteLab, Close Up NYC, La Sala Rossa, among others. Meesh is a doctoral candidate in music at McGill University and a visiting scholar at NYU's Center for Disability Studies.

Stuart Jackson is a percussionist and uilleann piper from Virginia. Like most interpreters of new music, he has premiered many works from living composers, but specializes in rethinking approaches to the realization of existing works for percussion from the 20th century and reviving those that have been lost or forgotten. He has performed in spaces such as the King’s Theatre, Pioneer Works, Roulette, Wesleyan University, the Irish Historical Society, Cummings Art Center, SBC Gallery, Salle Claude Champagne, Musée d’Art Contemporain de Montréal, and many others.

He is currently pursuing a doctorate in percussion performance at McGill University, where he has received a Tomlinson fellowship and an FRQSC award for his research on percussion works by Pierre Boulez and David Tudor. He is currently a student of Fabrice Marandola.

'Bunny's apartment, the beach' will be out on Interzone Editions on September 20, 2025/ https://msfmsf.bandcamp.com/album/bunnys-apartment-the-beach

–> Radwan Ghazi Moumneh + Emna Maâref

Radwan Ghazi Moumneh is a Lebanese-Canadian producer/musician based in Tiohtiá:ke/Montréal. He melds Arabic song traditions with modern deployments of electronics and synthesis, while utilizing the traditional folkloric disciplines – the buzuk (Lebanese luth) and Arabic modal singing. In the early 2010s, he founded the audiovisual duo Jerusalem In My Heart (JIMH). Radwan Ghazi Moumneh’s unique musical sensibility also sprawls outward. As a prolific producer and co-owner of the Hotel2Tango studio, he has recorded and produced a long list of albums, by Mashrou’ Leila, Silver Mt Zion, Big Brave, Marie Davidson, Tim Hecker, Lou Doillon, SUUNS, Fly Pan Am, and the Coin Coin series by Matana Roberts, to name just a few. Overall, Radwan Ghazi Moumneh has created a body of work that challenges and re-imagines Arabic contemporary music. Outside of JIMH, he has contributed to several collaborative recordings on various other imprints. He is now working on his first solo album.

Emna Maâref is a Montreal-based, Tunisian multidisciplinary musician and composer whose genre-fluid sound blends experimental, ambient, bass music, and deconstructed electronics. ⁠In her solo performances, she fuses the tones of her oud playing with electronic textures to guide listeners through open-ended journeys—transforming madness, love, and memory into deeply personal sound.⁠ As a film score composer, she created the soundtracks for I’ve Known Rivers, an experimental documentary that received a Special Mention at the Gabès Cinéma Fen Festival in 2023, and The Color of Phosphate that won Best Tunisian Documentary at the Carthage Film Festival in 2024.⁠

–> Dumb Chamber

Better known as one of the Salon Privé members, Dumb Chamber’s project is at the intersection of neo-classical, new age, ambient and leftfield music. His production retains influences from 80’s neo-classical greatests (Nyman, Mertens, Cunningham) and Coil. Free of the fidelity and realistic pretenses of sampling, his sequenced and revamped sampling techniques carry an air of avant-garde and a flair of elegance; Dumb Chamber breathes in much-needed novelty in the New Age sonic landscape.

–> Bénédicte

Bénédicte is the musical project of Montreal-based producer and sound artist Maxime Gordon. In her music she carefully crafts and combines soaring synths, distorted field-recordings and glittering vocal samples to explore moments of introspection and feeling. She has performed at venues and festivals across North America and Europe such as Mutek (Montreal), Eastern Bloc (Montreal), Glory Affairs (Prague) and OIIOIOOI (Stadt Wehlen).

In 2021 she released the EP When It Binds on Blueberry Records. When It Binds is a collection of songs that serves as Bénédicte’s personal exploration of what happens after an emotional connection is established with someone.

September 20th at Église Saint-Denis

(454A avenue Laurier E)

Doors at 7:30PM

~ 22$ online (link in bio)

~ 27$ at the door

Artwork by Juliette Dupont Duchesne (instagram: @julietteklodl)

montreal.askapunk.net/event/in

Interzone presents: Radwan Ghazi Moumneh + Emna Mâaref, Meesh Sara Fradkin + Stuart Jackson, Dumb Chamber, Bénédicte
BC BY-NC-SABCBYNCSA
2025-09-08
Gates of Hypnosgatesofhypnos
2025-09-03

Ill Habitat Settler - (Im)Patient

Two pieces of musique concrete / field recording-based junk-like noise with a wallish, monotonous (de-)composition of looped samples, limited set-up and rapid, compulsive knob twisting.

sadorituals.bandcamp.com/album

2025-08-22

youtube.com/watch?v=ag5UGOUXUI

I was just reminded of Adam Cooley [RIP] and his profoundly ugly Scissor Shock project. Not entirely sure how to describe it - #noise very broadly but also a bit #musiqueConcrete ... and neither of those descriptions really do it justice. Ugly as shit, in a good way.

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