Enevelde – Pandemonium Review
By Dear Hollow
There’s something to be said for simplicity in black metal. You don’t need an onslaught of atmospherics and technical skill to make it work – and in most cases, it’s discouraged. Sometimes you just need an effective chord progression, the right distortion, basically any vocal style that you can put through a reverb filter, and drums that hold a beat. Norway’s Enevelde knows this. Honing a distinctly cavernous approach to the Nidrosian black metal scene, the one-man act may not blow you away with its riffage, ferocity, or darkness, but third full-length Pandemonium aims for its most cohesive and sinister album yet.1
Enevelde is a project of B. Kråbøl, best known as vocalist of Misotheist and constituent of the second-wave Addams Family band Kråbøl, and at one time serving as drummer of the melodeath act Hypermass. While his projects are largely known for their intensity, Misotheist bringing the terror back to black metal and Kråbøl enacting traditional second-wave frigidity, Enevelde has always dealt in a more subtle and more evocative breed. Drums verge on DSBM in their restraint, rarely exploding into blastbeats, and guitars rely on droning tremolo picking rather than the sharp and vicious tinnitus with which we are accustomed. Vocals are guttural roars rather than sinister shrieks, lending a cavernous quality that adds depth and weight across the board. Following up 2020’s densely atmospheric self-titled debut and 2023’s more cruel and intense En Gildere Død, Pandemonium’s aim is subtlety, a creeping quality that suggests chaos rather than weaponizing it.
Subtlety is the emphasis for Enevelde, crafting subtly atmospheric tracks that rely on chord progressions, . Reminiscent of acts like Harakiri for the Sky or Gaerea, Kråbøl paints an unmistakably evocative picture with diminished chord progressions enriched by reverb-y roars and subtle synth flourishes (“Nigromantia,” “Helvete Reiser Seg”), haunted leads guiding grave, intensely dark, and nearly doomy weight (title track, “Eksilfyrste”), and fury and reaching the surface with tasteful blastbeats and dense bass (“Offer,” “Rasende Flammer”). The guitar tone throughout blends second-wave’s more barbed maceration (the raw misdirect opener “Gapende Grav) and a more modern doomish density (“Rasende Flammer”). Utilizing a style that kicks the gut-punch intensity down a few notches in favor of that creeping feeling, it’s a dreary piece of work in the most pleasant way.
While the best of black metal’s upper echelon features a smart blend of highlights and mood, Enevelde is very comfortable in its emphasis of the latter. Granted, you won’t come upon a black metal band that dwells in more cavernous tones often, but that’s about all that Enevelde does. It’s spooky blackened music with a somewhat unique vocal attack,2 a style that will please fans of the style, but there’s little else to be found aboard Pandemonium. Its slower dirge-like pacing is more akin to DSBM in the emotional gravitas attached to each plod, but if you’re not in the mood to be taken into the place that Kråbøl’s riffs and roars create, there’s nothing hooking you either. While effective, Enevelde is remarkably straightforward and one-note, its layers and richness devoted to the feeling in every movement. In short, there are no hooks aboard Pandemonium – just mood and reverie.
Enevelde has a good thing going, but its audience remains starkly limited. It will not change your mind on black metal, but its humble and straightforward execution, an atmosphere without the need for over-the-top theatrics, is a strong asset. It rarely rises above haunting and creepy, but it recognizes that it doesn’t need to. Pandemonium is far less an all-out chaos attack, and more demons are looming in the wings, utilizing punishment and insanity only when necessary. Enevelde offers a neat little black metal album – nothing more, nothing less.
Rating: 2.5/5.0
DR: 10 | Format Reviewed: 320 kb/s mp3
Label: Terratur Possessions
Website: 2 kvlt 4 u
Releases Worldwide: April 9th, 2025
#2025 #30 #Apr25 #AtmosphericBlackMetal #BlackMetal #Enevelde #Firtan #Gaerea #HarakiriForTheSky #Hypermass #Kråbøl #Misotheist #NorwegianMetal #pandemonium #Review #Reviews #TerraturPossessions
