A Western Grey #Squirrel amidst dry grass and #Oregon Sunshine near the summit of Spencer's Butte, #Eugene. These guys are so used to humans they will brush up against you, sniffing you to see if you carry nuts or seeds. This common #Rodent does not seem to be affected by the #PoisonOak! #Hiking #Wildflower #Yarrow #OregonSunshine #Aster #Sumac
#SUMAC
Entheomorphosis – Pyhä Kuilu Review
By Dear Hollow
If I’ve learned anything from Dark Buddha Rising, it’s that drone metal goes hand-in-hand with spiritual awakening. The blinding light of transcendence and the shadows of the occult are parts of the same jagged landscape of existence, and the abyss rules beneath, embodying both creation and destruction. Gentle and ruthless in equal measure, drone metal’s tides of mountainous riffs and thunderous tones offer the secrets of the universe and the nonexistence that perpetually threatens every fiber. Dark Buddha Rising exemplified this in its Buddhism-influenced aesthetic tied to hypnotic and ritualist drone, pulsing percussion, and a flurry of vocal attacks to conjure and invoke a dark trance. With their ongoing hiatus, Entheomorphosis takes up the mantle.
Appropriately, Entheomorphosis is the spiritual successor of Dark Buddha Rising, taking its namesake after its 2009 album of the same name, its primary architect being former guitarist/vocalist Vesa Ajomo. A quartet, other members include Mr. Peter Hayden/PH/Enphin alum Lauri Kivelä (also of Alitila) on bass and JP Koivisto (also of Vallihauta) on guitar, as well as Lassi Männikkö of Gangrened and Ludalloy behind the kit. While Dark Buddha Rising offered a surprisingly nimble and balanced approach to drone in energetic percussion and obscure vocal approaches, Entheomorphosis embraces the sprawl and a more predictable vocal dimension, alongside a much more erratic percussion presence. Debut Pyhä Kuilu (“holy abyss” in Finnish) embraces the spiritual awakening of shedding old skin with shuddering tone abuse and glacial crawls in its favor, even if it pales in comparison to its mother act.
Entheomorphosis does a great job of compacting drone metal’s most trademark features in a tidy thirty-five-minute runtime, thanks to concise songwriting. It features four tracks, with the bookends comprising the main movements (“Alkiema,” “Iätön”). These are the transcended Arhats in a drone metal fan’s nirvana: droning riffs, tortured vocals, and breathless patience. Conjuring the Sabbath-worshipping likes more of Earth than Sunn O))) in its slightly orange and hazy tone (perhaps Bongripper), it drawls on while Ajomo’s vocals take the stage in tortured shouts and Männikkö’s slightly off-kilter rhythms add a dimension of intrigue to the proceeds. Contrary to Dark Buddha Rising’s winning formula of drums carrying the drone, Entheomorphosis finds the drums carrying on a manic ritualistic energy almost despite the droning riffs, reminding me of early Sumac’s work. This clash is a bit jarring but intriguing, as longer passages avoid stagnation thanks to these odd collisions. The moods invoked are vast, settling upon anticipation’s startling brightness (“Alkiema”) and dread’s heavy weight (“Iätön”).
Getting away from the traditional drone template, the meat of Pyhä Kuilu offers respite in unexpected ways for Entheomorphosis. From the minimalist creeping of blackened shrieks atop chaotic drumming, thunderous bass, and synthesizer (“Sikinä”) to a crystalline and pulsing synth foray (“Huntu”), the centerpieces recall a more liturgical and shamanistic Primitive Man in its unforgiving noise and injection of chaos among the more regal movements of straightforward drone. They nonetheless beg the question as to why two comparatively brief respites are tied together as such when they are just different enough to be confusing and just similar enough to sound the same. The vocals are likewise a bit of a conundrum with Entheomorphosis, especially in comparison to its parent project. Dark Buddha Rising benefited from the choir of insanity of its three voices, but Ajomo’s nasally shouts seem to clash with the surrounding bleak obscurity, working most effectively with the blackened shrieks in “Sikinä.” The vocals are not the main focus, but they do distract at best, derail at worst, when they appear.
Entheomorphosis soars in being a worthy spiritual successor to Dark Buddha Rising, even if its pedigree cannot hold up. It’s a dark drone sound that you’ve come to know and love, but simultaneously more accessible and more experimental. Pyhä Kuilu feels more liturgical and less hypnotic, and its chemistry between drums and riff is endlessly intriguing. It may not achieve transcendence of its actors’ other projects, but for fans of drone, Entheomorphosis is a tour de force of holiness and devastation. While a nice bit of escapism, I’m banking on a more complete spiritual awakening next time.
Rating: 3.0/5.0
DR: | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: entheomorphosis.bandcamp.com | entheomorphosis.com
Releases Worldwide: May 23rd, 2025
#2025 #30 #Alitila #AvantGardeMetal #Bongripper #DarkBuddhaRising #DoomMetal #DroneMetal #Earth #Enphin #Entheomorphosis #FinnishMetal #Gangrened #Ludalloy #May25 #MrPeterHayden #PH #PrimitiveMan #PyhäKuilu #Review #Reviews #Sumac #SunnO_ #SvartRecords #Vallihauta
I used to pass a sumac stand on my way to physio. Today, it's all gone. I hate how deforestation-happy Kitchener is. This is the Haldimand tract and all this stuff is supposed to be okayed with the Haudenosaunee. I don't imagine many projects bother. #deforestation #habitat #ecology #sumac @waterlooregion #LandBack
“The Film is a counterintuitive name for a collaborative record from Moor Mother and SUMAC, bands that are as musically immediate and overwhelming as they are sonically complex,” writes Jonathan Shaw. https://dustedmagazine.tumblr.com/post/782807766231318528/sumac-moor-mother-the-film-thrill-jockey #music #sumac #MoorMother
Recensie: Sumac + Moor Mother – The Film ★★★★½
https://writteninmusic.com/albumrecensie/sumac-moor-mother-the-film/
GardensTale Goes to Roadburn 2025
By GardensTale
The story of Easter, detailing the gruesome death and supernatural resurrection of a cult leader, is pretty fucking metal, all things considered. So it’s fitting that the cream of the crop among underground heavy music festivals, Roadburn, coincides with the religious holiday this year. Not that it makes much difference to me, my partner, or the slew of friends we drag across the Tilburg city centre to enjoy some of the heaviest, strangest, and most envelope-pushing music that music has to offer. We’d murder our feet and livers for this fest any time of the year.
For the last few editions, Roadburn has spread its venues over several locations within a few hundred-meter radius. The 013 is the main venue, hosting the large Main stage with its signature staircase (a brilliant way to rest your feet while watching a show!) and the smaller NEXT. A 5-10 minute walk away, depending on your state of mind and soundness of body, is the old industrial hall known as Koepelhal, split for the occasion into the larger Terminal and smaller Engine Room. Attached is the diminutive Hall of Fame, where the smallest artists get to do their thing, with the ever-popular skate park next door regularly hosting secret shows, which are often announced only a few hours beforehand. Finally, the local jazz club Paradox is the place to be for the more unconventional material, which is saying something in this place.
What follows is a cleaned-up live thread I tapped out in hasty bursts between and during sets, my word-vomit witnessed in real time by my colleagues who gave frequent and often unhelpful commentary. Where applicable, I saw fit to include their remarks and any response I had to their tomfoolery. I can not promise this will result in a sane article, but I hope it can sketch a glimpse of what the greatest festival in the world is like.
Day 1 (Thursday, 17th of April)
2:51 PM — As usual, the larger sizes of the merch sell out lightning fast, and so I walk away with a single patch and disappointment. Let’s hope Glassing can obliterate the letdown.
Cherd of Doom: Surely they restock merch through the festival?
HAHAHA no
Everyone knows merch goes fast so everyone goes to merch first so merch goes fast
And they always underproduce the large sizes
sentynel: You’d think if the merch consistently sold out really quickly they might print more next time
3:12 PM — Yep, Glassing is fucking killing it. Pushing an almost Spartan setup to its limit. The drummer is just bonkers!
4:11 PM — Listening to Oranssi Pazuzu outside the main stage because we could no longer get inside. It sounds impressively oppressive. Wish we could have seen more of it, but I would not have wanted to miss Glassing. Choices choices.
4:24 PM — The electronics and psychedelics of Oranssi Pazuzu are really cool. I should have paid more attention to this band.
4:48 PM — Slowing things down a bit with Toby Driver’s new age project Alora Crucible. It’s pretty enough, but 10 minutes in, I am still waiting for it to develop into something more than a yoga class background music jam.
5:17 PM — It did not.
5:31 PM — Listened most of Alora Crucible from the lounge where they pipe down the music from that stage. Very relaxing, better way to experience it than the venue!
5:33 PM — Then sludge legends Kylesa reformed on the main stage. No second drummer sadly, but what a treat to see this band live again! Last time was at Graspop in 2011.
6:44 PM — Waiting for Faetooth to start. Their first European gig!
Dolphin Whisperer: love Faetooth, they got a new album on the horizon I believe
7:10 PM — Faetooth is decent but not amazing, the vocals are a bit one-note at least on stage. Some nice riffs and I wouldn’t have minded finishing the gig but my feet are too dead to settle for decent right now. At least we can still listen to them for a bit outside the venue.
9:20 PM — After a good big meal we went to the main stage for envy.
And it’s already entrancing just a few minutes in.
9:31 PM — I am in love, this is the greatest thing I discovered today. The intense and concentrated emotion divided between melancholic post-rock and colossal outbursts of post-metal-hardcore is divine.
This is their 2003 album, tomorrow they will play a modern era set.
Dolphin Whisperer: envy good
well WHY DIDN’T YOU TELL ME
Cherd of Doom: See, bands playing multiple themed sets is exactly why I’d love to go to Roadburn. The Inter Arma sets last year for instance
10:29 PM — Envy was my favorite show of the day easily. So intense, so emotional.
10:39 PM — Black Curse is apparently overrun, so instead we decided to wait for Concrete Winds. Dame Area was still playing in that venue, so we thought we’d check it out. We walked in and walked back out like Grandpa Simpson.
Dolphin Whisperer: CONCRETE WIIIIIIIIIIIIIIINDS
11:30 PM — Concrete Winds sounds good for dense death metal but I am honestly too tired for death metal this dense.
12:42 AM — But I stuck it out! It was intense, but pretty cool. Sadly my phone died halfway through.
Day 2 (Friday, 18th of April)
12:49 PM — Heading in for the first performance on the bill today, a collab of Throwing Bricks and Ontaard. They’ve collaborated successfully before on record, but this is a new commissioned piece.
1:19 PM — It’s fucking awesome! 8 musicians on stage, massive sound, but the balance is great and it’s emotionally devastating.
The sound quality is also much better than most Engine Room performances.
Between the two bands you also have a lot of variety. Male and female vocals, synths, violin, two drummers. Gorgeous.
1:49 PM — I don’t think I’ll ever get tired of ‘beautiful serene passage, suddenly interrupted by the most devastating wall of noise.’
2:54 PM — Midwife was very pretty, very demure, and very much not what I was looking for right now. Sort of a shoegaze, dreampop, slowcore thing that feels more appropriate for a summer sunset than a dark crowded hall and foot pain. Will check again later!
3:20 PM — Now for one of my most anticipated shows of the festival: Messa playing their new album The Spin in full!
3:41 PM — Their stage presence is a bit static, but the album and execution thereof are so good it’s easy to forgive.
Dolphin Whisperer: They don’t typically have a big stage presence from what I gather. They didn’t when I saw em in a small club
5:11 PM — After Messa we intended to see CHVE, the solo project of Colin [van Eeckhout] from Amenra. The line was pretty long, so we declined to join it. But it was all speed 0 soundscapes and were even boring when listening from the lounge.
Dolphin Whisperer: why go fast when you can go sloooooooooooooooooooooow
5:13 PM — But now it’s time for round 2 of envy! Loved em so much yesterday, we wanted seconds. Today is the modern set, including all of Eunoia, their 2024 album.
6:36 PM — Envy was once again beautiful and crushing.
6:39 PM — After envy we went to queue for 40 Watt Sun. Patrick Walker is doing a solo show in Paradox, the jazz club, and it’s bound to be jam-packed. Thankfully we got in! Now having another beer and waiting for the man to make us weep.
7:02 PM — Walker surveying the crowd: “That does not look comfortable.”
7:34 PM — Between songs this man is the funniest fucker alive, then he starts playing again and instantly it’s misty eyes and goosebumps. What a character, what a musician.
8:52 PM — Sometimes you gotta stop and smell the Korean fried chicken.
9:22 PM — Now waiting for Genital Shame.
10:20 PM — Genital Shame was decent, but couldn’t hold our attention. Also I was much too close to the speakers and the kick drums were overpowering the guitars. Caught a friend heading out and decided to follow her to Gnod Drop Out with White Hills.
11:04 PM — Gnod was very particular music for a very particular audience under a particularly large amount of drugs. Endlessly spooling 70’s space rock psychedelics. We didn’t stay long. Instead we opted for Thou, playing Umbilical on the main stage.
Dolphin Whisperer: THOOOOOOOOUUUUUUUUUU
11:19 PM
I always kind of skirted around Thou, but they put on a good show. Unforgivingly harsh and unstoppably heavy, with the biggest riffs I’ve heard today. I don’t feel the amount of heart I got from the best performances today, but it’s a fun and filthy way to end the day.
Day 3 (Saturday, 19th of April)
1:54 PM — Scarfed down a fresh stroopwafel, brought my ebook for breaks and waits, and shuffled into the Terminal for Dødheimsgard!
They’re playing Black Medium Current front to back.
2:05 PM — It’s more of a sardine pressure vat than a sardine can in here.
2:11 PM — But the show is great! The big hall works for the expansive spacy black metal and the band is performing with fire
2:38 PM — We escaped the crowd to join a different one and check out Haatdrager, a project from students at the Metal Factory in Eindhoven. Claustrophobic electro-laden sludge. It’s fucking awesome!
2:44 PM — The vocalist is a very talented young woman. Throat ripping screams, but she also focuses on flow and rhythm in a more hip-hop fashion which gives the music an urban fusion flair akin to Backxwash and dälek.
Dolphin Whisperer: Like and subscribe
3:42 PM — We left for ice cream, then headed back to catch the off-kilter hardcore punk of Gillian Carter.
3:49 PM — Instrumentation is cool, sharp riffs with unexpected turns and skronks. Vocals are very one-note though. Will try to get into Grey Aura instead.
3:52 PM — Samantha compared the vocals [of Gillian Carter] to Judge Doom in Who Framed Roger Rabbit sinking into the Dip and it is 100% accurate.
4:29 PM — Grey Aura was worse though. Embarrassing vocals honestly. Yelling like he wanted the kids to get off his lawn.
Tyme: Boooo! Too bad. I dig Grey Aura.
Dolphin Whisperer: That’s really sad to hear :(
5:09 PM — We grabbed a drink and intended to get in line for Uniform. And so we did, but the Terminal filled to capacity before we got there. Not willing to face another sardine pressure vat, we went with plan B: a collaboration between Sumac and Moor Mother. Now waiting for that while giving our feet a rest on the main stage steps.
Tyme: Sumac?? Hmmmmmm. Interesting
Dolphin Whisperer: Sumac + Moor Mother sounds the kinda collab that is so high art it may be impossible to sniff it. Hope it’s enjoyable
You’re not far off. It doesn’t feel like they managed to glue freeform activist hiphop and sludge doom together cohesively. More like switching between the Moor Mother bits with heavy guitars, then Sumac bits where they play actual riffs.
6:23 PM — We left to see Coilguns instead. That turned out to be the right decision. Frantic hardcore punk with ketamine energy and acidic left field swerves; it’s not always sane but it’s highly entertaining!
6:25 PM — The vocalist is especially all over the place, pulling himself across the stage by the afro and using 5 different styles and inflections in the same song
6:29 PM — Also met one of our Discord users, inkster.
Dolphin Whisperer: inky is very social + nice
She was! We left before the end because it was a long set and our feet are so fucked, but Sammy and I had fun watching Coilguns with her for a bit
8:52 PM — Caught a couple songs from Denisa after dinner. A sort of raw post-punk meets Emma Ruth Rundle from Indonesia. Not extraordinary, but solid, sung and played with heart.
9:38 PM — Also a few songs from Doodseskader’s set. First saw them opening for Alcest, and their stark, raw nu-sludge, with intense visuals synced to the music, hasn’t lost its potency.
9:43 PM — Altın Gün is a big change of pace, though. They play a mixture of psychedelic rock and Turkish traditional music. It’s very danceable, but for me it lacks a little oomph, a bit of grit.
11:21 PM — Bidding the day goodnight with Chat Pile. They play their music well, but I was hoping that’d be enough to make me enjoy their music more, and it isn’t. Still, it’s an effective, brusque brand of spasmodic aggression. The frontman pacing back and forth barefoot in shorts like he’s in the Ministry of Funny Walks is quite the choice.
11:38 PM — Okay, “Why” was a hoot, fair is fair
Tyme: Still sounds like you’re having a blast tho!
I gotta admit it, that was a pretty fucking fun show yeah
Day 4 (Sunday, April 20th)
10:04 AM — Mild hangover. Went to the local metal dive bar last night with some of our festival pals. Partied til 3:30 am. I am getting too old for this shit. Except fuck that, it was a ton of fun and I’ll fucking do it again!
2:01 PM — Dragged my husk to the Terminal to see Vuur & Zijde play Boezem, which I gave a very positive review a few months ago. Curious to see how it plays on stage!
2:53 PM — Though the music was performed perfectly well, a giant industrial hall is probably not the ideal venue for Vuur & Zijde. I think they’d do better in a more intimate setting. But some minor sound issues aside, it was a pretty good show overall.
2:56 PM — Halfway through we decided to move to the smaller Hall of Fame to check out Bacht’n de Vulle Moane, a band that’s only a year old and supposedly plays some intense black metal festuring analog electronics.
3:05 PM — “Good evening Roadburn!” Dude it’s 3 pm.
3:14 PM — This sounds less like black metal with electronics and more like someone yelling over muddy hardstyle.
3:26 PM — It didn’t annoy me, but it did bore me. I didn’t come here for techno.
Dolphin Whisperer: Every time is the evening if you’re playing black metal
That’s great, maybe they should have tried that instead of playing techno haha
4:01 PM — Just watched an animated short movie called The Hunter made by Costin Chioreanu. Quite cool, though the plot was lost on me. Pretty imagery though!
4:32 PM — Frente Abierto plays flamenco, but a dark and heavy variation thereof. Interesting, but not really to my tastes.
6:11 PM — Michael Gira’s set with Kristof Hahn (both from Swans) was an exercise in patience. Slow droning soundscapes, eventually joined by slow droning vocals. At some point I could no longer stand the slow droning.
6:13 PM — Turns out Sumac has quite a lot of slow droning soundscapes as well. I don’t need to like everything Roadburn has to offer, but gee golly, I hope I’ll enjoy at least one thing more than Vuur & Zijde today.
7:37 PM — With a belly full of noodles we plowed on back to the Terminal to catch a slice of Big|Brave. More slow droning soundscapes, but the vocals help give it a slightly better sense of progression. Still, when the song devolves into crash cymbal taps and nothing else for a few minutes, I do get a bit restless.
7:41 PM — When the buildup is more noticeable the music is much more enjoyable, thankfully, and the vocals are powerful.
7:48 PM — All in all a good performance that requires a bit more patience than my exhaustion has left me with.
9:03 PM — Bo Ningen, heavy psych rock from Japan, is a lot of fun and the first thing with this much energy today. Quite diverse, exploring different moods and textures.
9:25 PM — They manage both heartfelt space-outs and extended high-octane jams. Exciting show and excellent musicians!
9:35 PM — “This will be our last song!”
They still had 15 minutes.
They still went over time.
10:58 PM — Closing out the festival for us is Haunted Plasma. The glitzy darkwave with an edge reminds me of that scene in Blade with the vampire nightclub. The woman on the mic has a sweet spectral presence. A bit one-note, but otherwise very enjoyable and a worthy festival finale.
Even though the line-up was a bit frontloaded this year, it still resulted in some of the most hardest-hitting and affecting live music I’ve yet experienced, even from bands I’d never heard of in the first place. Both envy shows and the Throwing Bricks collaboration with Ontaard were the stuff of legends, and this kind of discovery is what makes Roadburn such a joy to return to, year after year. And it’s all the sweeter having a great group of friends to experience it with, as my partner and I attended few shows without at least one other friend by our side. So dear reader… same time next year?
#40WattSun #Alcest #AloraCrucible #AltınGün #Amenra #BachtNDeVulleMoane #Backxwash #BigBrave #BlogPost #BlogPosts #BoNingen #ChatPile #CHVE #Coilguns #ConcreteWinds #Dälek #DameArea #Denisa #Dödheimsgard #Doodseskader #EmmaRuthRundle #Envy #Faetooth #FrenteAbierto #GenitalShame #GillianCarter #Glassing #Gnod #GreyAura #Haatdrager #HauntedPlasma #InterArma #Kylesa #Messa #Midwife #MoorMother #Ontaard #OranssiPazuzu #Sumac #Swans #Thou #ThrowingBricks #Uniform #VuurZijde #WhiteHills
#Arizona - Skoden Coffee & Tea combines traditional #NativeAmericanCuisine with #activism
by Anna Ehrick, April 22, 2025
PHOENIX – "For Indigenous small business owner Natasha John, the road to owning a coffee shop has been long. About 300 miles, in fact.
"John first opened Skoden Coffee & Tea as a pop-up in Window Rock, the capital of the Navajo Nation, traveling to areas throughout the vast community in northeast Arizona.
"When people suggested she should move the business 300 miles south to Phoenix, John recalled she doubted the idea.
" 'I was really against it because I thought I wanted to be like a food hub on the reservation because it’s such a food desert,' John said. 'But I had the reassurance from my partner and colleagues that were helping me with pop-ups.'
"When an opportunity came in December 2023 to move the enterprise to a vacant spot inside For The People, an uptown #PhoenixAZ furniture store on Central Avenue, she jumped at the chance.
" 'Fortunately, we had a lot of success with that first location,' she said. 'When business owners say location means everything, it really does.'
"Skoden Coffee & Tea has now settled in its most recent home inside #CentralRecords, a record store on Central Avenue south of Roosevelt Street. It’s inspired by Japanese-style coffee shops referred to as 'kissa.'
"That’s a shortened version of 'kissaten,' roughly translated to 'tea drinking shop.' In Japan, a kissa is a spot where people can listen to music, usually jazz, while enjoying their tea.
"At Skoden, a variety of beverages and pastries are inspired by Indigenous cuisine, with ingredients like blue corn and oat milk alongside coffees and espressos. Among the most popular offerings are the Diné Matcha Latte, Honey Lavender Lez Love, Peach and Pecan Latte as well as blue corn donuts and croissants.
"For John and co-owner Jo Manuelito, it’s important to include elements of nostalgia from growing up on the reservation.
"This includes beverages that use Navajo tea, an ancient herbal tea using the dried leaves of Greenthread, also known as Thelesperma. The herb, with its thread-like leaves, contains anti-inflammatory elements, which is why the tea has been used for hundreds of years as tribal medicine.
" 'We do research into trying to restore a lot of things that were lost during #colonization in our diets,' John said.
'One thing that a lot of Navajo people are trying to revive is the use of #sumac. It’s used in a lot of #MiddleEastern communities, but our ancestors used to harvest it as well.'
"The use of ancestral ingredients is what John believes will help the #Navajo community not only nourish themselves but stay connected to their culture.
"Being #Indigenous and #LGBTQ+, John said she recognizes some of the difficulties she has faced as a business owner.
" 'I feel like there’s a lot of judgment and high expectations,' she said. 'People are constantly projecting onto us, always watching us and judging. This whole experience has taught me that we really need to grow thicker skin.'
"John said they want all customers to feel safe and welcomed, and said it helps that the shop is surrounded by other supportive small businesses like Greater Good and Last Laugh Tattoo.
"Skoden has a growing Instagram presence, with more than 15,000 followers. It hosts fundraising events for diverse communities and music festivals featuring small bands.
" 'Everybody does a good job of uplifting each other, and we get a lot of people in the area that come in and support local business owners,' John said. 'The shop can take credit for being a #SafeSpace where people can share the same values and ideas on social issues.'
"Charlie Amáyá Scott, a Native American scholar and transgender advocate, has visited Skoden and said her favorite drink is the Navajo lavender-infused honey tea.
" 'I adore Skoden Coffee,' said Scott, who also works as a social media influencer.
"She has taken to Instagram to support the shop, encouraging others who live near the area to check it out. She also has spoken out about the shop’s role in #activism and support of certain movements like #BearsEars, which involves a coalition of five Indigenous communities who want to protect the #BearsEarsNationalMonument.
"John said she wants customers to leave Skoden feeling supported and renewed.
" 'We have to remind each other what we’re doing this for and go back to those values of why we started this business,' she said. 'For us, it’s not about making money but trying to create change through serving coffee and providing a space where people can just heal.' "
https://cronkitenews.azpbs.org/2025/04/22/indigenous-coffee-shop-offers-safe-space/
#IndigenousOwnedBusinesses #IndigenousFood #Decolonize #SupportLocalBusinesses #Arizona #NativeAmericanFood #CommunitySpaces #Healing
Un'ora, non sentirla e ripetere l'ascolto: direi che m'è piaciuto.
Sumac & Moor Mother – The Film [full album]
https://sumac.bandcamp.com/album/the-film
#FediRadio #SludgeMetal #DroneMetal #SpokenWord #HipHop #Sumac #MoorMother
SUMAC presenta nova col·laboració: "The Film" #Sumac #AtmosphericSludgeMetal #Abril2025 #NovaCol·laboració #Metall #Metal #MúsicaMetal #MetalMusic
Robins in a cold spring snow/rain #robin #robins #birds #birbsofpixelfed #spring #springbirding #rain #ornithology #birdphotography #birdsofnh #nature #sumac #birdfreaks #snow
SUMAC
26.04.2025 München / STROM
The O'Reillys And The Paddyhats
27.03.2025 München / Backstage
#Backstage #Munchen #STROM #SUMAC #TheOReillysAndThePaddyhats #SteelFeed
SUMAC
22.04.2025 Köln / Bumann & Sohn
The Last Internationale und Double Crush Syndrome
07.06.2025 Köln / MTC
#BumannSohn #Koln #MTC #SUMAC #TheLastInternationale #SteelFeed
SUMAC
22.04.2025 Köln / Bumann & Sohn
The Last Internationale und Double Crush Syndrome
01.04.2025 Bochum / Rockpalast
07.06.2025 Köln / MTC
The O'Reillys And The Paddyhats
29.03.2025 Oberhausen / Turbinenhalle
#Bochum #BumannSohn #Koln #MTC #Oberhausen #Rockpalast #SUMAC #TheLastInternationale #TheOReillysAndThePaddyhats #Turbinenhalle #SteelFeed
SUMAC
22.04.2025 Köln / Bumann & Sohn
The Last Internationale und Double Crush Syndrome
07.06.2025 Köln / MTC
#BumannSohn #Koln #MTC #SUMAC #TheLastInternationale #SteelFeed
Filth
01.07.2025 Berlin / Cassiopeia
Hanabie.
18.11.2025 Berlin / Huxleys
SUMAC
17.04.2025 Berlin / Festsaal Kreuzberg
#Berlin #Cassiopeia #FestsaalKreuzberg #Filth #Hanabie #Huxleys #SUMAC #SteelFeed
Mes écoutes de la semaine du 17 February 2025 :
#AhmedAgKaedy #WillGuthrie, #ApparatOrganQuartet, #DepecheMode, #DhanaJeera, #BrigitteFontaine, #France, #Garaventa, #Groop, #Hyperculte, #JóhannJóhannsson, #TheMarriedMonk, #Mils, #Nonstop, #DominiquePetitgand, #RienVirgule, #Sumac, #MohammadSyfkhan, #Tele:Funken, #Vangelis,
🔊 #NowPlaying on #KEXP's #VarietyMix
SUMAC:
🎵 Thorn in the Lion's Paw
https://sumac.bandcamp.com/track/thorn-in-the-lions-paw
https://open.spotify.com/track/2YKImXSxAhjhmRKEdGqaZs
🎶 show playlist 👇
https://open.spotify.com/playlist/6G4PaS9BNkIuGqMo44rbfZ
🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg
🎉Open edX Sumac is LIVE!
Key Highlights of Sumac
✨Experience a streamlined & intuitive interface for managing your course content with the redesigned Content Libraries.
✨Customize your platform with the newly introduced Frontend "Slots".
✨Gain valuable analytics on course performances with the new Course Comparison Dashboards.
🌍 Try Sumac in the public Open edX sandbox: https://sandbox.openedx.org/
HYPE HYPE!
Sumac e Moor Mother: ad aprile l’album collaborativo “The Film”
Scene 1: https://youtu.be/UhOE4widQSs
Client Info
Server: https://mastodon.social
Version: 2025.04
Repository: https://github.com/cyevgeniy/lmst