Close encounter with a forest master beetle

Meet Trypocopris vernalis, also known as the spring dor beetle — one of the true “masters” of the forest floor. Yesterday, while exploring a beautiful larch and pine forest near Rijen and Oosterhout (the Surea area) with my wife, I spotted this little armored worker quietly making its way through the moss. The day was grey and moody, but a brief ray of sunlight broke through — just enough to bring out that deep black sheen that makes these beetles so mesmerizing up close.

This shot was taken with my Canon 7D Mark II and the Canon MP-E 65mm super macro lens at 5× magnification — a lens that truly lets you dive into another world. At this distance, even a beetle’s face feels monumental. You can see the fine texture of its exoskeleton, this time no grains of forest soil clinging to it, and even the subtle reflection of the forest canopy above.

Scientifically speaking, Trypocopris vernalis plays a vital role in the ecosystem. It’s a dung beetle — recycling nutrients, aerating soil, and quite literally keeping the forest clean. A quiet little hero beneath our feet.

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#MacroPhotography #SuperMacro #laowa #HoverFly #Insect #InsectPhotography #sony #pnw #oregon

Stepping into the world of ultra macro photography feels like opening a hidden door to another universe. With my Canon 5DsR paired with the Canon MP-E 65mm macro lens, I captured details so small that they often escape the naked eye — a baby snail so tiny it looks almost transparent, the intricate compound structure of a woodlouse’s eye, and the delicate links of a jewelry chain that suddenly appear monumental at this scale.

Some images transform the ordinary into the extraordinary: abstract bursts of color created from everyday objects under special lighting, or the cellular structure of a leaf, each “room” glowing like stained glass. I challenge you to guess which objects became these mysterious landscapes — share your thoughts in the comments!

Macro photography sits at the intersection of science and art. It reveals biological structures with near-microscopic precision, but it also creates dreamlike imagery that sparks imagination. To me, this is what makes it so magical: it’s both a tool of discovery and a form of creative expression.

This journey is only the beginning. The more I experiment, the more I realize how limitless this world is. Each millimeter holds a story — and I can’t wait to share more of them with you.

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Sometimes nature reminds you that the best moments are the ones you didn’t plan for. Last week, I set off with my wife Christel to Huis ter Heide near Tilburg, hoping for birds and landscapes in the soft early morning light. The birds were quiet, the landscapes less inspiring than I’d hoped—but the insects stole the show.

First came the hardworking Common Carder Bee (Bombus pascuorum), captured close-up as it buried itself in a flower’s nectar. Next, a Pyrausta purpuralis, a tiny but striking moth with purple and gold tones, resting perfectly still on a leaf. Both were taken with my Canon 5D Mark III and the MP-E 65mm f/2.8 Super Macro—a lens built for the extreme close-ups that reveal details our eyes often miss.

Switching to my Canon 7D Mark II and Sigma 100–400mm, I caught a vivid Ruddy Darter (Sympetrum sanguineum) perched near the water, and finally, a Speckled Wood butterfly (Pararge aegeria) warming itself on a sunlit leaf.

This is why I carry nearly 15 kg of gear on long walks: two cameras, four lenses, and a tripod. Because in nature, the unexpected is always waiting.

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The past week I’ve been outside a lot, though my energy hasn’t always matched my ambitions. Depression has a way of slowing everything down, even the things you love. Reviewing my photos took longer than expected, but today I’m sharing a few from the Loonse en Drunense Duinen—a landscape where sand moves like water, shaped by the wind and light.

Most of these images were taken during sunset with the Canon R5 paired to my older Canon EF-S 15–85mm f/3.5–5.6 lens. The mirrorless R5 brings amazing advantages—sharp autofocus, high resolution, silent shooting—but it also has drawbacks compared to my DSLRs. At its price, every strength and weakness matters. I’m still weighing whether it’s the right step forward.

The last photo is something special: the Japanese Gentian (Gentiana scabra), or Blue Heart. I captured it with the Canon 5D Mark III and the MP-E 65mm Super Macro, a unique lens capable of up to 5x life-size magnification. At this scale, the flower becomes a world of intricate detail—textures and colors most people will never see with the naked eye.

Some days I walk with a camera, other days just with my thoughts. Either way, being out there helps.

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