#TheMetalDogArticleList
#MetalInjection
THE MARS VOLTA Is In The Studio Yet Again
#THEMARSVOLTA #IsInTheStudioYetAgain #MetalInjection #metal #music
đșđŠ #NowPlaying on #KEXP's #VarietyMix
The Mars Volta:
đ” LâVia LâViaquez
#BostonWeekend 22x Sat PROG 7pm Mars Volta @ the HOB #Boston
https://www.ticketmaster.com/the-mars-volta-boston-massachusetts-11-08-2025/event/01006288A39D255D
#BostonMusic #MarsVolta #TheMarsVolta
đșđŠ #NowPlaying on #KEXP's #MiddayShow
The Mars Volta:
đ” Inertiatic ESP
https://themarsvoltaofficial.bandcamp.com/track/inertiatic-esp
https://open.spotify.com/track/16Elz7HJPLZPMylp13ewxv
đ¶ show playlist đ
https://open.spotify.com/playlist/55kiq57r1ErxcYnr6B3P6g
đ¶ KEXP playlist đ
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg
Morrn đ€
Yesterday I mentioned this #masterpiece as my favourite album of 2005. Here we go.
https://album.link/de/i/1443080465
#NowPlaying #RandomMusickMayhem #ProgressiveRock #Rock #TheMarsVolta #AlbumsOf2005
Documental sobre la historia de The Mars Volta y At The Drive-In llegarĂĄ a salas de cine a partir de octubre | vĂa #NaciĂłnRock
* suena #themarsvolta inertiatic *
G-Nitroâs Daily Music Wrap-Up â 9/11/25
I listen to an album by The Mars Volta.
Favorite Videos include Dono's From The Block performance, a classic episode of Show Music Tank, and 4 MVs.
https://g-nitro.com/g-nitros-daily-music-wrap-up-9-11-25
#Music #MusicVideo #1001Albums #TheMarsVolta #Dono #FromTheBlock #ShowMusicTank
Omar Rodriguez-Lopez, el talentoso multiinstrumentista y compositor de At the Drive In y The Mars Volta, la banda que cambiĂł mi manera de ver la mĂșsica, estĂĄ hoy de cumpleaños N° 50.
#OmarRodriguezLopez #CumpleañosRockero #TheMarsVolta #AtTheDriveIn
Sad Serenity â Tiny Miracles Review
By Angry Metal Guy
Written By: Nameless_n00b_606
Perhaps more than any other subgenre of metal, prog requires work. Prog metalâs penchant for long, complex compositions can make an entire album feel like a chore, but the genre also dazzles with displays of virtuosic musicianship that prompt repeat listens. For prog metal collective Sad Serenity, German multi-instrumentalist Marcell Kaemmerer handles all the composing (music, lyrics, arrangements) and is responsible for much of the virtuosity, playing guitars, keyboards, and bass. Like their 2023 debut, The Grand Enigma, Tiny Miracles is a 70-plus-minute opus, comprised of what Sad Serenity describes as â6 mostly overlong songs of up to 23 minutes.â1 Sounding more like a warning than an invitation, this description makes prospective listeners wonder if Tiny Miracles will provokeâand rewardâsustained attention.
Abounding with virtuosic performances, Tiny Miracles sounds like Dream Theater, especially their early 2000s output (Six Degrees of Inner Turbulence, Train of Thought). In his roles as Petrucci, Rudess, and Myung, Kaemmerer shines, crafting songs with chunky guitar riffs, bass-driven verses, and textural keyboards (âTell the Moonâ). Filling out the core of Sad Serenity is Greek vocalist George Margaritopolous, who reminds more of Cedric Bixler-Zavala (The Mars Volta) than he does Jame LaBrie when he belts the high notes. And though it would be hard to out-drum Mike Portnoy, Brazilian drummer Vinny Silva more than holds his own, effortlessly moving between machine gun double bass, double-time beats, and tight rim work (âTornâ). As a collective, Sad Serenity also benefits from contributions by musicians across the world, including Australia (violin), Croatia (transverse flute), and Kaemmererâs native Germany (accordion). Björn von KĂ€nel balances all these elements in a deceptively airy mix. In its instrumental plentitude, technical prowess, and pristine production, Tiny Miracles sounds like a heavy metal symphony.
Sad Serenity says that Tiny Miracles revolves around âthe small, miraculous and too often overlooked aspects of life,â yet all but one track takes inspiration from the grandiose domain of literature. âAlter Ego,â an adaptation of Stevensonâs Strange Case of Dr Jekyll and Mr Hyde, is the albumâs shortest song and a banger, turning the dissonance-draped opening riff into a Tool-esque verse, sweet shredding, and some concluding prog nuttiness. âTorn,â the one song with no literary reference, is another (relatively) shorter track that slaps, twisting chunky rhythms and nifty riffs around an infectious chorus. Meanwhile, âA Cabin in the Woodsââthe second longest trackâsets a disjointed tone as the album opener; the placid verses and woodwinds evoke the naturalism of its source material (Thoreauâs Walden), but the pulsing synths and syncopated chugs arenât exactly rustic. And then thereâs âThe Elemental Dance,â the obligatory multi-part prog suite. Sad Serenityâs version comes in five movements and is based on Goetheâs âDer Zauberlehrlingâ (âThe Sorcererâs Apprenticeâ). It has impressive moments, but some movements resonate more than others; one must ask why Sad Serenity didnât separate this 23-minute Gargantua into five digestible tracks for the digital album. Given the bandâs statement that Tiny Miracles spotlights overlooked minutiae, itâs fitting that the âsmallerâ songs demand the most attention.
Thereâs no overlooking the powerful pipes of George Margaritopolous. Tiny Miracles contains songs with traditional structures that allow Margaritopolous to drop some supremely catchy hooks. Thereâs the aforementioned âTorn,â and then thereâs âTiny Miracles,â which slowly amplifies its anthemic chorus before adding urgency to its final iteration. But for the most part, Margaritopolous sings recitativo-style narratives from Kaemmererâs literature-inspired libretto.2 In both âA Cabin in the Woodsâ and âAlter Ego,â shifts from third- to first-person perspective donât clearly map onto compositional shifts. This may seem like a minor discrepancy, but it illustrates the dangers of favoring virtuosic yet functional vocals over vocal hooksâit puts pressure on the lyrics to carry more weight.
Having put in work to understand Tiny Miracles and its enormous compositions, I will say that Sad Serenity has a flawed but ultimately enjoyable sophomore album on its hands. The âshorterâ songs stand out the most, blending traditional structures with the jaw-dropping excursions that prog metal fans crave (âTorn,â âAlter Egoâ). Conversely, the longer songs, in their grander narrative scale, contain fewer vocal hooks and sometimes meander (âA Cabin in the Woods,â âTell the Moonâ). Afficionados of the genre will garner appreciation from subtleties heretofore unmentioned: melodic modulations, mixed-mode chord progressions, etc. But to the metal fan in general, consider this a cautious invitation; Tiny Miracles is indeed overlong, but it does reward repeat listens.
Rating: Good!
DR: 8 | Format Reviewed: 320 kb/s CBR MP3
Label: Self-Release
Websites: sadserenity.bandcamp.com | patreon.com/sadserenityofficial
Releases Worldwide: July 25th, 2025
#2025 #30 #DreamTheater #GermanMetal #Jul25 #ProgMetal #ProgressiveMetal #Review #Reviews #SadSerenity #TheMarsVolta #TinyMiracles #Tool
The Mars Volta // #TheMarsVolta //
Palm Full of Crux (acoustic)
[album Que Dios Te Maldiga Mi Corazon, out 21 April 2023]
//via // #CloudsHill //
#buzzingroom #music #bandcamp #TheMarsVolta #QueDiosTeMaldigaMiCorazon #PalmFullofCrux #PalmFullofCruxAcoustic #Acoustic #OmarRodrĂguezLĂłpez #CedricBixlerZavala
link bandcamp: https://themarsvoltaofficial.bandcamp.com/track/palm-full-of-crux-acoustic
No real good reason why I shouldn't keep listening to Omar Rodriguez-Lopez and Cedric Bixler Zavala compositions all day, right? If only I had #DelousedInTheComatorium
We went to the mall for back to school shopping so we swung into Barnes and Nobles. Each of these #records were only $5! While the self titled by #TheMarsVolta isnt my favorite, I Don't Live Here for 5 bucks is amazing. Especially since I already own Lost In the Dream, and A Deeper Understanding on #vinyl
Este también estuvo de aniversario hoy. Se lanzó el 24 de junio del 2003. ¥Qué manera de volar la cabeza con su disco debut los The Mars Volta!
«De-Loused in the Comatorium»
Any time someone in the wild mentions The Mars Volta I immediately want to start listening to them. So Iâll be going through their discography today while I get some fresh air outside during the temporary rain break.
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#MetalSucks
Fleshwater Announce Headlining North American Tour
Angel Du$t and Chat Pile are openers on separate legs. Fleshwater Announce Headlining North American Tour .
https://www.metalsucks.net/2025/06/03/fleshwater-announce-headlining-north-american-tour/
#Fleshwater #NorthAmericanTour #MetalSucks #NuMetal #Shoegaze #VeinFM #Deftones #TheMarsVolta #Boston #Tour
New #review today: "#ChercĂĄn is a new group, though members have roots in such previous bands as #LaDesooorden and #HomĂnido, which Iâll admit to no familiarity with. In any case, this debut album is a fine effort, full of great songs and superb playing. You might hear occasional hints of #KingCrimson or #PorcupineTree or #TheMarsVolta, but on the whole, itâs an enticingly original sound." #ExposeOnline #ProgressiveRock http://expose.org/index.php/articles/display/chercan-chercan-2.html
Ted Tocks Covers
As Tears Go By
Originally posted on May 26, 2022
Marianne Faithfull recorded âAs Tears Go Byâ on on this day in 1964.
âIt is the evening of the day
I sit and watch the children play
Doin' things I used to do
They think are new
I sit and watch
As tears go byâ
#mariannefaithfull #therollingstones #theflyingpickets #winstontong #themarsvolta #pinkfloyd #rogerwaters
The Mars Volta â «Lucro Sucio; Los Ojos del VacĂo» (2025): El riesgo de la reinvenciĂłn | vĂa #NaciĂłnRock