#americanphotographer

Sim Barrsimbarr@c.im
2024-11-23

Goree Island Painter (aka Slave Island Back)

Photography by Frank Stewart (born 1949) African-American photographer based in New York, best known for photographing Jazz musicians.

"At the Slave Castle (in Senegal, a museum and memorial to the victims of the Atlantic
slave trade), we came upon this artist making paintings, but for me it was this strong back of a Black man that caught my attention, a metaphor for slavery."

#frankstewart #photographer #photography #photoworld #americanphotographer #colorphotography #theback #goreeisland #fotografia #fotografie #fotografo #blackphotographer #artistquotes

Sim Barrsimbarr@c.im
2024-11-23

Only God to Watch My Back, NY, 1987

Photograph by Frank Stewart (born 1949) African-American photographer based in New York, best known for photographing Jazz musicians.

"This is T.C. (Top Cat), who just got out of jail. I asked if I could take his picture, and he said if I did, he wanted me to show where he got shot in the back. So he took off his shirt
and turned around. Then he said I should wait until he put his metal for survival (his cross) behind him because only God was watching his back."

#frankstewart #photographer #photography #photoworld #onlygodhasgotmyback #americanphotographer #blackandwhitephotography #theback #fotografia #fotografie #fotografo #blackphotographer #gotyourback #artistquotes

japancamerahunter unofficialjapancamerahunter@ծմակուտ.հայ
2024-11-14

PHOTOGRAPHY ZINES AND BOOKS NO: 70

PHOTOGRAPHY ZINES AND BOOKS NO: 70

VAS by Brandon Alexander

Who?

Brandon Alexander is a photographer and film editor. Really with no social media to speak of and upon receiving these zines, it was interesting to see that his work matches that level of mysteriousness…

What?

" During the state-mandated lockdowns of the COVID-19 pandemic, Brandon Alexander travelled the United States, capturing images of "an empty America we’ve never seen before.” What followed was a collection of deep landscapes of vacancy and isolation. Span.Studio designed a limited artist's edition of 250 zines, each featuring a different cover and pagination within, to serve as both archive and expression of a wandering journey through one of our country’s darkest times."

Why?

I remember there was a joke going around during the pandemic that there were going to be a bunch of photographers who were going to go around shooting the emptiness of cities with a profound title more or less taking the same pictures. On its premise, this would have seemed to be one of those, but then the sheer originality of the photos make it.

With so much darkness and space carrying a much more nuanced atmosphere, this represents I feel more of the psychological isolation of the time than anything literal that the joke was commenting upon. Brandon's own words at the book's end serve to reflect this:

_" I thought I'd photograph the road during state mandated lockdowns and catch an empty America we've never seen before. I'd represent the times - a contested election, a pandemic, the west devouring itself out of guilt. _

None of those images worked. I went from interstates and major cities to historic highways to backroads to my back yard. But how could I photograph flowers at a time like this?

I can 't say what's accomplished here (and one shouldn't put pen to paper in order to think). I find myself at the conclusion of this work as both subject and object, an offering of sorts."

Details.

Designed by Span Studio, custom software was written in Processing to generate the artwork for the covers, each a wandering path through random points along the way. The covers were then produced on uncoated black paper via digital printing in multiple hits of white ink. Inside, the portfolio was printed on high-gloss paper to maximize the depth of the extremely dark photography.

Limited Edition of 250 , Signed.
47 pp , 8 x 10 in. Softcover

Where?

The zine can be purchased directly from the photographer through his website here. Priced at 55 USD, it certainly is one of the more high quality zines we have a seen of late and the photo aesthetics suit it as well.

———————————————————————————

Thanks to our guest for his submissions, it is a really cool thing to be able to share zines with you all. And remember, this is open to everyone. If you would like to have your zines or books featured then all you have to do ismail me. Hopefully there will be plenty more of you who want to get your books and zines out there to the world. Another installment will be coming soon.

Thanks,

JCH

The post PHOTOGRAPHY ZINES AND BOOKS NO: 70 appeared first on Japan Camera Hunter.

#featured #americanphotographer #blackandwhite #blackandwhitephotography #brandonalexander #featuredphotographer #japancamerahunter #jch #streetphotography #zine #zinejousting

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japancamerahunter unofficialjapancamerahunter@ծմակուտ.հայ
2024-07-31

Jesse’s Book Review – Bread in Snow by Mark Cohen

Jesse's Book Review - Bread in Snow by Mark Cohen

I haven't reviewed or really even sat with a Mark Cohen photo book, which is such a shame. Known for shooting his rural northeastern section of Pennsylvania (Scranton) from the 60s, this is among his last two photo books both released by Super Labo over the last 5 years. "Grim Street" and "True Color" are his most known works hovering around a 1,000 dollars…while "Bread in Snow" here remains available for something more reasonable.

Shot between 1977-1987, all the photos in the book are in color. A bit different since he was primarily known for his black and white images. The time period coincides with the New American Color photography of Eggleston, Shore, etc., yet unlike his contemporaries who shot with the more expensive Kodachrome, Kodacolor, and Ektachrome; Cohen shot with the faster (slightly) yet cheaper Kodak Vericolor II.

Immediately noticeable are the deeper reds made crimson conjuring Rothko or an Ingmar Bergman. I keep coming back to the simplicity of the rich red fence…

…or the woman with just one red glove. Of which he writes:
"it was this fragment -suddenly in the frame- at the bus stop, not composed, but quickly centered, that was the start of the picture. One hand is bare and one is gloved and the fact of the color film in the camera is almost incidental. After developing the film the glove she is wearing is distinctly red-but at the time of the exposure-putting the camera lens so close to the clasped hands - was a much more intense experience-then the trespass into her personal space."

He goes on to say:
"Color added additional voice to pictures.I felt they gained energy, and accidental social, meaning as I walked through the city attracted by almost anything. Any eye contact was a factor."

Quite different from his Tri-X B&W shots that to the point characterized his work it was around this time (1977) he chose to shoot the whole year in color. The last year of the project in 1987, he did switch to Fuji 1600 color film where the difference in grain is noticeable.

Although in color, his style is entirely on display in this book. Wide angle, flash, and close-up while for the most part cropping faces to focus upon details. A bit more austere then the sometimes compared Parr…he fits somewhere comfortably on his own terms between Eggleston and the former. The dying industrial city in Pennsylvania plays and equally large role in defining his style, separating himself.

With that, the photo book can be purchased directly from the publisher here for about 50 USD. A steal considering the price of his other work, as the book here remains firmly within his style… making for a great deal!

Details:
w17.4 x h24.6 cm
192 Pages
93 Images(color)
Hard cover
Full color Offset
Limited edition of 1000
Published in 2019
ISBN 978-4-908512-68-1
*There are 3 different front cover

––––––––––––––––––––––––––––––––––––

_For other book reviews clickhere.
_-JF

The post Jesse's Book Review - Bread in Snow by Mark Cohen appeared first on Japan Camera Hunter.

#jessesbookreview #americanphotobook #americanphotographer #colorphotography #documentaryphotography #japancamerahunter #jessefreeman #jessereviews #jessesbooks #markcohen #photobook #photobookjousting #streetphotography

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Sim Barrsimbarr@c.im
2023-08-22

Cowboys of the Matador Ranch listening to the “Pitchfork Kid” Billy Partlow (standing in center), famous for his story telling

The photograph is by Erwin E. Smith (1886–1947), known for his Cowboy photography

Smith attended two of art schools to study sculpture and painting, but eventually chose photography as his way to preserve a record of the cowboy life. Between 1905 and 1912, he worked alongside these men on ranches in Texas, New Mexico, and Arizona, while recording their lives.

The 2nd and third photos are Billy Parlow and Smith himself alongside their horses

#erwinesmith #erwinsmith #photographer #photography #cowboy #cowboys #cowboylife #billypartlow #thepitchforkkid #storyteller #storytellers #aroundthecampfire #campfiretales #campfire #americanphotographer #anericanphotography #bwphoto #bwphotography #schwarzweiss #schwarzweissfotografie #blancoynegro #blancetnoir #americanhistory #cowboytales #wayoutwest #cowboyswiththeirhorses

Sim Barrsimbarr@c.im
2023-08-04

Laton Alton Huffman (1854–1931) was an Iowa born photographer - Focused on Frontier and Native American life in Montana between 1879 and 1930

1) Crow Scout, 1879
2) Spotted Fawn & Pretty Nose, Cheyenne Sisters, 1878
3) Joe Packineau & Family, Elbowoods, 1902

#latonaltonhuffman #lahuffman #montana #vintagephotography #nativeamerican #nativeamericanhistory #cheyenne #crownation #crow #fotografia #fotografie #bwphoto #bwphotography #blackandwhitephotography #blackandwhite #history #montanahistory #nativeamericans #schwarzweiss #schwarzweissfotografie #photoworld #americanphotographer #americanwest

Sim Barrsimbarr@c.im
2023-08-04

Laton Alton Huffman (1854–1931) was an Iowa born photographer - Focused on Frontier and Native American life in Montana between 1879 and 1930

1) Cheyenne Scouts, 1890
2) American Horse’s Daughters
3) White Bull, Being interviewd abt the Custer Battle by OD Wheeler, 1901

#latonaltonhuffman #lahuffman #montana #vintagephotography #nativeamerican #nativeamericanhistory #cheyenne #crownation #crow #fotografia #fotografie #bwphoto #bwphotography #blackandwhitephotography #blackandwhite #history #montanahistory #nativeamericans #schwarzweiss #schwarzweissfotografie #photoworld #americanphotographer #americanwest

Sim Barrsimbarr@c.im
2023-08-04

Laton Alton Huffman (1854–1931) was an Iowa born photographer - Focused on Frontier and Native American life in Montana between 1879 and 1930

1) Bad Gun, Gros Ventre Woman
2) Cheyenne Boy
3) Little Crow and his brother

#latonaltonhuffman #lahuffman #montana #vintagephotography #nativeamerican #nativeamericanhistory #cheyenne #crownation #crow #fotografia #fotografie #bwphoto #bwphotography #blackandwhitephotography #blackandwhite #history #montanahistory #nativeamericans #schwarzweiss #schwarzweissfotografie #photoworld #americanphotographer #americanwest

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