Swen Buckner – » spoken sprom written umop «
(2023, Oil and spray paint on wood panel, 30 cm x 42 cm)
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Art & Language (Terry Atkinson, Michael Baldwin): Map of a thirty-six square mile surface area of the Pacific Ocean west of Oahu, 1967. Linotype on paper. Edition: 50. More informations: Dreher, Thomas: Art & Language (UK) 1966-72: Maps and Models, chapter II.1 Mapping. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartists #conceptualart #conceptartworks #mapping #mapart #mapartwork #mapartworks #sixtiesart #sixtiesartwork
Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork
Bainbridge, David (member of the British Art & Language group): Lecher System, 1969-70, electronic installation. First: reconstruction, Galerie de Paris, Paris. Second and third: first public realization: group exhibition "Idea Structures," Camden Arts Centre, London, June 1970. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models, chapter II.2 "Bainbridge/Hurrell Models". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #thomasdreher #britishartists #conceptart
Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart
Art & LanguageUK: Dialectical Materialism, 1974, photographic paper on walls, installation Museum of Modern Art, Oxford 1975. Illustration: one of several walls. More informations: Dreher, Thomas: Art & Language: Kontextreflexive Kunst im Kunstkontext, chapter Dialectical Materialism. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang.html #artandlanguage #thomasdreher #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptart #conceptartist #conceptartists #artistsgroup
Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations
Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage
Harold Hurrell (Art & Language): Left: Fluidic Device, 1968. Right: The Cybernetic Art Work that Nobody Broke, 1969. More Informations: Dreher, Thomas: Conceptual Art and Software Art, chapter III.2. Internet: http://iasl.uni-muenchen.de/links/NAKSe.html #artandlanguage #conceptualart #conceptualartists #conceptart #conceptartist #conceptualartwork #conceptualartist #conceptartists #softwareart #softwareartwork #artandtechnology #cyberneticart #kineticart #kineticartwork #KineticArtworks #haroldhurrell #thomasdreher
Art & LanguageNY (Ian Burn, Mel Ramsden): Comparative Models, Version 1, 1972, typewritten pages with texts by Burn/Ramsden, printed pages from Artforum (December 1971), orange clear plastic wrap, transparent plastic glass, Vicky Remy Collection, Saint-Tropez. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Text im Kontext. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #artandlanguage #conceptualart #conceptart #conceptartist #thomasdreher
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Art & Language (Terry Atkinson, Michael Baldwin): Print (2 sections A and B), 1966. A piece of paper for exhibitions asking "Is this piece of paper an art work?" More informations in: Thomas Dreher: Art & Language. Kontextreflexive Kunst im Kunstkontext. Plurifunktionale und mehrschichtige Bild- und Diskursmodelle. In: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang.html
#conceptart #conceptartist #conceptartwork #artandlanguage #contextart #contextualism #conceptualart #conceptualartist #conceptualartists
Art & Language: Index 01 (Documenta Index), 1972, 8 file boxes, index cards with texts by members of the Art &Language group, photographic prints on walls, Daros Collection, Switzerland. More informations in: Thomas Dreher: Art & Language. Kontextreflexive Kunst im Kunstkontext. Plurifunktionale und mehrschichtige Bild- und Diskursmodelle. In: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang.html #conceptart #conceptualart #documenta5 #artandlanguage
