Lmst

Day 30: A cover that is your favorite cover ever.

“Gold & Grey”, by Baroness

https://baroness.bandcamp.com/album/gold-grey

#30DaysChallenge #Baroness

The illustration for the cover of “Grey & Gold”. It depicts three feminine figures surrounded by flowers, birds and tools. It is extremely rich and complex, making it difficult to describe accurately. It is painted in gold and copper hues.

Random Old Comic: PDD https://www.toyboxcomix.com/2020/10/12/pdd/ PDD #Baroness #Destro #GIJoe #Geoffrey #Raptor

Random Old Comic: Reboots https://www.toyboxcomix.com/2019/07/03/reboots/ Reboots #Baroness #GIJoe #Geoffrey #Raptor

Touring their original two albums, Red & Blue, Baroness made a stop at Black Circle Music Bar this past week. 📷: Wayne Edwards. Show recap and photos at FFR, https://flyingfiddlesticks.com/2025/05/31/baroness-black-circle-music-bar-may-27-2025/ #heavymetal #rock #hardrock #musicfestivals #livemusic #Baroness #BlackCircleMusicBar #progmetal #progressiverock

#Baroness - Take My Bones Away
https://youtu.be/4V0N1x675FQ?si=hHyZUsO_EUWS7c7Z
Song.Link: https://song.link/y/H6sG8ZAifA0

@metal #music #metal #MetalMusic #SludgeMetal #CleanVocals #MaleVocals

#BostonWeekend 23/x

Sunday Baroness @ Sinclair
https://www.youtube.com/watch?v=4V0N1x675FQ
https://www.sinclaircambridge.com/events/detail/834752
#BostonMusic #CambridgeMA #Metal #Baroness #RedFang #Mastodon

Concert Calendar - 05/02 - 05/08 - Lights Sounds and Metal: Arch Enemy, Baroness, and more:

#Concerts #NYCEvents #LiveShows #MayEvents #ArchEnemy #Baroness

Link: https://metalinsider.net/touring/concert-calendar-05-02-05-08-lights-sounds-and-metal-arch-enemy-baroness-more

#TheMetalDogArticleList
#Metal

Baroness' John Baizley: Sabbath Taught Me the Power of the Riff

https://loudwire.com/baroness-john-baizley-black-sabbath-taught-me-the-power-of-the-riff/

#Baroness #JohnBaizley #BlackSabbath #Riff #RedAlbum #BlueRecord #ChuckArmstrong #LoudwireNights #Paranoid #IronMan

#NowPlaying #TheMetalDogIsNowPlaying
#Baroness
Yellow and Green
Take My Bones Away

YouTube Search:
https://youtube.com/results?search_query=Baroness+Yellow+&+Green+Take+My+Bones+Away

Songwhip:
https://songwhip.com/Baroness/Take-My-Bones-Away

Lyrics:
https://genius.com/Baroness-take-my-bones-away-lyrics

LastFM:
https://www.last.fm/music/Baroness/_/Take+My+Bones+Away

#Progressivemetal #rock #Sludge #sludgemetal #metal

An Evening With Knives – End of Time Review

By GardensTale

At the start of the year, I pledged to pick as many promos as I could from those sent to us directly through the contact form, as a way to lift up the smallest of underground acts. But as this week is rather barren, I got to have my choice from the remainder, the label-backed colossi who have all their tedious marketing hubbub taken care of. One band name jumped out at me: An Evening With Knives. A name I’ve seen on plenty a concert bill around here, usually in a supporting capacity. Lo and behold, the lads are local, or rather, they were formed in the next city over. It’s always nice to see geographical peers making waves. But it appears that dear Dear Hollow did not hold the last Evening’s record too dear. Has the trio improved since Sense of Gravity, or is End of Time the end of its 15 minutes of fame?

The review for Sense of Gravity complained of unbalanced songwriting with too many sudden turns, but no such problem arises on End of Time. The songwriting is concise and approachable, shirking most of the languid post-metal trappings for a style more akin to Baroness with early parts leaning punk-hardcore and later leaning fuzzy doom with a progressive slant. It suits An Evening With Knives rather well. The lead guitars braid sinewy hooks atop the heavy twang of the rhythm section, and excel at the emotive solos that dot the running time (“End of Time” and closer “S21” are the best examples). The bass has a pulsing melodic flair, the drums are sharp and energetic. Within this scope, the band carves out a lot of wiggle room, shifting gradually from concise cannon blasts to more long-winded material. It makes for an even-handed album that weighs depth with digestibility.

But my issue with An Evening With Knives is the vocals. Their technical application is not bad, per se; overall it’s middle of the road, somewhat versatile with passable core-style screams yet some pitch problems when skewing cleaner (most noticeable on “End of Time”). However, technique is only one side of vocals; emotional pull and projection are at least as important, and that aspect is largely shot by how strained the vocals sound. When belting, strain is expected; here, though, it’s a constant, even on smaller and quieter passages. Especially in the front half, this results in a likely unintended faux-aggression, even machismo, that completely falls flat. “All They Need” unironically and repeatedly uses ‘That’s how you do it’ with a cringe-inducing swagger, and “Death” doesn’t fare much better. It’s akin to overacting and it undermines the earnestness of the music, to the detriment of the whole package.

But as End of Time goes on and the compositions shift from concise to expansive, the vocal problem becomes less and less pronounced. “Voices” combines panicked wailing guitars and intelligent tempo changes with a more genuine anxious performance on the mic. “The Mistake” packs a fuzzy main riff that sounds like it was borrowed from King Buffalo, and through the patient build-up of the proggy “S21” we even get a few more subdued stanzas that dodge the worst of strain city central. Furthermore, the production is solid. Though the mix is a tad vocal-centric, I love the placement of the bass, and the guitar sound has a lovely buzzing edge that supports both the riffs and the solos quite nicely.

End of Time is not the easiest to score. An Evening With Knives is clearly getting better at identifying the strengths and weaknesses of their line-up, and the songwriting is tight without fully sacrificing a dynamic and exploratory aspect that keeps each song lively and interesting. But the exception seems to be the vocals, and it’s a damn shame how it prevents me from enjoying the front half of the album as much as I’d like. As a result, End of Time is an interesting but heavily backloaded album that holds itself back from becoming something greater. If you like this sort of style, though, give it a spin anyways, because that back half is teasing a diamond in the rough.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Argonauta Records
Websites: aneveningwithknives.bandcamp.com | aneveningwithknives.com | facebook.com/aneveningwithknives
Releases Worldwide: March 14th, 2025

#2025 #30 #AnEveningWithKnives #ArgonautaRecords #Baroness #DutchMetal #EndOfTime #KingBuffalo #Mar25 #ProgressiveMetal #Review #Reviews #Sludge #StonerMetal