#caiman

2026-01-02
2025-10-25
2025-10-24

I tried to make a cross stitch croc logo on an old Tshirt to see if it's doable, and strong enough to be washed.
It looks good maybe OK for a piece of clothing that I wear. :3
I used a watersoluble cross stitch support (seen on small picture).
I really should use some kind of fabric stabilizer for stretchy fabrics like this one.

#MastoArt #embroidery #broderie #croco #crocodile #caiman #reptile #gator #alligator #crocodilian #pointdecroix #crossstitch #craft #fabric

A toony crocodilian head hand embroidered on a black Tshirt fabric. It's done with cross stitch and looks blocky kinda like pixel art. There is a smaller picture top right with the embroidery still in the embroidery loop and with the cross stitch support layer (looks like a plastic sheet with a regular hole grid pattern).
2025-10-22
2025-10-21
2025-10-20

When your neighbors have their washing machine on full blast and moving furniture at midnight for the nth time, it's time for a nice improvised karaoke with my nice subwoofer.

#MastoArt #ArtWithOpenSource #Furry #krita #toony #croco #crocodile #caiman #reptile #gator #alligator #crocodilian #screaming #singing #loosingit #mad

a toony crococodilian screaming/singing loudly with red vein in his eyes.
2025-10-18
2025-10-18
2025-10-16
2025-08-26
2025-06-18

It seems that I can't do things right… and always end up hurting others and myself.

This is a vent art, and I won't talk about what it means.

#MastoArt #ArtWithOpenSource #Krita #Toony #Furry #krita #toony #crocodilian #caiman #gator #croco #alligator #sad

A very angular toony feral crocodilian looking sad
2025-06-17

Just hanging out with Zinthings on their stream tonight, aaaaaand now I got a caiman dad! See y'all tomorrow on Twitch for MY stream!

#Furry #FurryArt #Anthro #AnthroArt #Caiman #Dad #Comfy

An unnamed anthropomorphic caiman. He is green-blue in color and of a mostly slender build with the exception for his thick neck and a slight belly. He peers off to the side with bright gold eyes as he wears simple, comfortable clothes, including an A-shirt, sweatpants, and loafers. The collar and shoulders of the shirt are damp with sweat, some of the green of his scales showing through the gray fabric.
Los viajes de TomasaLaTortugaTomasa@masto.es
2025-06-13

Diego Dávila fue un noble abulense que marchó a Nuevo Mundo para explorar nuevos territorios. Un caimán era algo novedoso para los españoles del siglo XVI, por eso se lo llevó como reliquia al santuario de Sonsoles, en Ávila, ya que a esta virgen se encomendó para derrotarlo.
#reliquia #Caiman #cocodrilo #Avila #Santuario #CyL #castillayleon #castillayleonturismo #curiosidades

2025-05-20

#Caiman Effigy Incense Burner
Guanacaste-Nicoya culture, Costa Rica / Nicaragua, 500-1350 CE
Earthenware, traces of white ground
H 23 11/16 x W 12 5/8 x D 12 9/16 in. (60.1 x 32 x 31.9 cm)
Now on display at The Walters Art Museum’s newly opened Latin American Art / Arte Latinoamericano galleries. (2009.20.45)
#IndigenousArt #CentralAmericanArt

photo of the piece at museum “This incense burner is topped with the portrayal of a caiman or other member of the Crocodylidae family, one of the frequent animal spirit forms of Central American shamans. Its particularly aggressive stance may refer to the practitioner's battle against supernatural forces. Many such incense burners were found ritually broken on slopes of a principal volcano on the island of Ometepe in Lake Nicaragua, the incense burner lid with its smoke issuing from the top mimicking an active volcano. Among peoples from southern Nicaragua to Mesoamerica the earth was likened to the back of a crocodile floating in the primordial sea, its dorsal scutes being the volcanic north-south backbone that defines the continents of the Western Hemisphere. This incense burner, then, constitutes a profound ritual vessel pertaining to the transition from natural to supernatural realms & a symbolic model of the ancient Costa Rican world.” https://art.thewalters.org/object/2009.20.45/photo of the incense burner (closeup of caiman top) and gallery label “For many cultures of Latin America, the Earth is visualized as the back of a giant caiman or crocodile floating in a primordial sea. Such a large reptile rears its head from the top of this incense burner. Incensarios were used in rituals to burn the resin of the copal tree. Its smoke was thought to protect against respiratory illnesses and headaches. In Central America, burners like this are often found broken in shrines on the slopes of a volcano in Lake Nicaragua. Their smoke would have imitated the volcano, and burning incense was likely a form of care and offering for the living landscape. Caiman Effigy Incense Burner Unidentified artists), Guanacaste-Nicoya culture, Costa Rica or Nicaragua, 500-1350 CE Earthenware, traces of white ground Gift of John G. Bourne, 2009, acc. no. 2009.20.45”

Client Info

Server: https://mastodon.social
Version: 2025.07
Repository: https://github.com/cyevgeniy/lmst