KAUNIS KUOLEMATON (Finlàndia) presenta nou àlbum: "Kun valo minussa kuoli" #KaunisKuolematon #MelodicDoom #DeathMetal #Novembre2025 #Finlàndia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
#deathMetal
I'm not usually into tech death, but damn, Dead and Dripping's new one is rad as hell. That's what great tech this is. And the Demilich worship helps. 🔥
https://deadanddrippingus.bandcamp.com/album/nefarious-scintillations
SUMMONING HELLGATES (Espanya) presenta nou EP: "Spear of Conquest" #SummoningHellgates #BlackMetal #DeathMetal #Novembre2025 #Espanya #NouEp #Metall #Metal #MúsicaMetal #MetalMusic
Tested out weird preamps and weird speakers today. This was a deep dive into early Entombed lefthandpathery. Channel 5 of that SECK desk sound freaking amazing tbh. Did a run of test IRs to get a feel for it but couldn't check them out yet because got stuck im traffic for TWO HOURS on my way home.
#impulseresponses #entombed #lefthandpath #deathmetal #sunlightsound #dnigjtaudio
Today was full of breakdowns. Mostly bad, but some good ones that helled lighten the mood.
Here's a good one for ya.
Brand of Sacrifice - Dynasty
https://youtu.be/YeAJQtmrJ-s
Whitechapel never fails to bring a smile to my face. This song fucking SLAAAAAPS. The breakdowns...
*chefs kiss*
Whitechapel - Bedlam
https://youtu.be/J3YnJKUvnWc
THY DISEASE (Polònia) presenta nou àlbum: "United We Fall" #ThyDisease #DeathMetal #BlackMetal #IndustrialDeathMetal #Novembre2025 #Polònia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
PHOBOCOSM (Canadà) presenta nou àlbum: "Gateway" #Phobocosm #DeathMetal #Novembre2025 #Canadà #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
HRH Metal with Dan Chan, with Fellahin Fall
Broadcast first on Hard Rock Hell Radio November 28th 2025
https://hardrockhellradio.com/2025/11/28/hrh-metal-with-dan-chan-with-fellahin-fall/
#BlackMetal #DeathMetal #HeavyMetal #metal #podcast #thrash
#hrhrocks
DEATH YELL (Xile) presenta nou àlbum: "Demons of Lust" #DeathYell #DeathMetal #BlackMetal #Novembre2025 #Xile #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
#TheMetalDogArticleList
#MetalInjection
JEFF LOOMIS Says New NEVERMORE Members Are 'Extremely Talented', Talks About The New Material: 'It's Going To Be A Heavy Album'
#JEFFLOOMIS #NEVERMORE #SaysNew #MembersAre #deathmetal #album #MetalInjection #metal #music
Rivers of Nihil, Rivers of Nihill (2025)
ALL WE LEAVE BEHIND (França) presenta nou àlbum: "In Absence of Light" #AllWeLeaveBehind #Gothic #DoomMetal #DeathMetal #Novembre2025 #França #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
THE OMINOUS CIRCLE (Portugal) presenta nou àlbum: "Cloven Tongues of Fire" #TheOminousCircle #DeathMetal #BlackMetal #Novembre2025 #Portugal #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
❗Fétide, poisseux et frontal, 𝗥𝗶𝘁𝘂𝗮𝗹 𝗙𝗼𝗴 fait dans le death metal old-school et menaçant dans le très bon "But Merely Flesh"...
https://www.coreandco.fr/chroniques/ritual-fog-but-merely-flesh-10591.html
#BlackFriday should be the celebration of #DeathMetal and #Goth music. Otherwise its just sparkling late-stage capitalism
AVDAGATA (Suècia) presenta nou àlbum: "The Apocalyptic Aeon" #Avdagata #MelodicBlack #DeathMetal #Novembre2025 #Suècia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
Crawl, Altar of Disgust (2024)
Carnal Savagery – Crypt of Decay Review
By Steel Druhm
Advanced scientific studies indicate that the style of metal known as “Swedeath” will not die and may, in fact, be incapable of being killed. The foundation created by Entombed and Dismember in the early 90s cemented the “Stockholm Sound” so deeply in musical bedrock that forecasters predict it could function like an everflowing stream for untold aeons. Enter Sweden’s Carnal Savagery. This gruesome duo have gone in big on the Swedeath formula, releasing 6 albums of it since 2020, all of which pay loving homage to the genre’s forefathers. Crypt of Decay is their 7th album in 5 years, so clearly, they just can’t stop spewing this fetid gunk into the world at a reckless pace. What does the new material sound like? Well, DisEntombed, of course. It’s got exactly zero new ideas, even less innovation, and you’ll be subjected to endlessly recycled ideas all powered by the force of the HM-2 pedal. Guitars will buzz, vocals will wretch, and you’ll ingest mass quantities d-beated death. Sound good?
As with many Carnal Savagery releases, they come out strong with a ripping, tearing monstrosity on “Entangled in Barbed Wire.” Rather than the usual thievery from the first few Dismember records, this sounds a whole lot like something off Slaughter of the Soul due to the riff patterns and the hyperkinetic energy (maybe even too much like something off Slaughter of the Soul). Flagrant influence humping aside, it’s a rousing blast of death metal with teeth and badass energy, so it works. As “Amputation” rolls in, it’s back to the Stockholm salt mines for the expected poaching off albums like Indecent and Obscene and Massive Killing Capacity. What sells it for me besides the furious energy is how it sounds like the vocalist keeps bellowing “GRAMPUTATION!,” leaving me to wonder why he hates old dudes so much. “Torn from the Grave” is another burner with vicious, blasting fury, and it’s interesting enough to get by despite some oh so familiar riffs.
From here, however, the ground becomes more unsteady. Some tracks just kinda lie there and refuse to play ball. “Scalped and Flayed” goes too far down a death-doom rat hole and feels lifeless and dull, while “Gruesome Death” feels generic and stock standard. At times, there’s an injection of the classic Wolverine Blues swagger and rock-based swing as on “Curse of the Catacomb” and the title track, but it doesn’t completely work. Overall, you get roughly half an album’s worth of C+ and B-level Swedeath with some clunkers and also-rans popping up to drag the momentum downward. Unfortunately, this is an issue Carnal Savagery struggles with regularly. They write some bangers to hook you in, then the wheels come off the War Wagon before they reach the finish line. Thankfully, most of the songs run only 2-3 minutes, so nothing gums up the works too severely (except “Gruesome Death”), and the 34-plus-minute runtime is short enough to stave off most variants of Swedeath fatigue.
Swedeath needs riotous, raucous and deadly riffs to fully capture the brainpan, and Mikael Lindgren can and does deliver some of these, usually with a strong Dismember flavor. But he also lapses into less stellar leads and ideas a bit too often, causing some cuts to feel generic and half-baked. His flowery solo style is a nice relief from the neanderthal buzz and brutality, showing another side of the duo’s identity, and that should be explored a bit more often to keep things interesting. Mattias Lilja’s death vocals are solid and full of greasy charm, sitting somewhere between the late, great L.G. Petrov and Dismember’s Matti Kärki. He doesn’t offer much in the way of versatility, but you don’t come here for that anyway. As per usual, it’s the songwriting that lets them down, with some tracks being killer and others ending up closer to filler.
Carnal Savagery usually serve up 3-4 songs that put a meat fork in your adrenal gland and activate your altered beat. The rest range from okay and underwhelming. Crypt of Decay is right in that modality. The good is fun, the rest is tolerable but non-essential. That sounds like a playlist poacher to me! Desecrate the Crypt and take what you like and leave the rest to rot in peace.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: 256 kbps mp3
Label: Moribund Records
Websites: facebook.com/carnalsavagery | instagram.com/carnalsavagery
Releases Worldwide: November 28th, 2025
#25 #2025 #carnalSavagery #cryptOfDecay #deathMetal #dismember #entombed #gravewormsCadaversCoffinsAndBones #moribundRecords #nov28 #review #reviews #slaughterOfTheSoul #swedishMetal
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