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“If They Were Lighter, They Made It Through” — The Haunting Truth Behind Dominican Colorism

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#AfroCaribbeanRoots #antiBlackness #colonialism #colorism #DominicanIdentity #DominicanRepublicHistory #selfHatred #TheOrdinaryBruja #TrujilloLegacy

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The Day I Knew I Had to Write The Ordinary Bruja

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#AfroCaribbeanHeritage #colonialLegacy #culturalReflection #DominicanIdentity #identityReckoning #latineStories #magicalRealism #SelfAcceptance #TheOrdinaryBruja

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The Post That Broke Me

A thoughtless comment about Dominican identity became the catalyst for an unexpected journey into memory, heritage, and the stories we choose to forget. What began as a simple observation about how Dominicans often embrace their Spanish roots while minimizing African and Taíno influences sparked a firestorm of criticism that changed everything about my writing and my understanding of cultural identity.

The backlash was intense—being called a traitor, uneducated, and a “pick me” for daring to suggest we might need to reclaim parts of our heritage. But one comment struck deeper than the rest: “Dominicans don’t need to reclaim anything. We already know who we are.” This assertion, contradicted by the same voices that elevate Spanish heritage while remaining silent about other influences, revealed a profound disconnection that I couldn’t ignore. It forced me to ask: What happens when we forget who we are? What becomes of someone taught not to explore their lineage? And what occurs when that person begins to remember?

These questions transformed “The Ordinary Bruja” from a lighthearted comfort story into something more profound. Marisol’s journey became a reflection of generational amnesia—the way communities cling to what’s acceptable while abandoning what makes them whole. Hollowthorn Hill evolved from a simple setting to a place of ancestral memory, calling to Marisol even as she runs from it. Her magic stopped being merely aesthetic and became necessary, ancestral, and complicated. The story now explores returning to yourself even when everything around you says it’s better to forget. Join me next week as we delve into the mothers—those complicated, often inadequate, always human women who shaped this story and our understanding of identity. Have you ever had to unlearn something about your own heritage? I’d love to hear your story as we remember together.

#ancestralStorytelling #culturalErasure #DominicanIdentity #latineStories #magicalRealism #SelfAcceptance #socialCommentary #TheOrdinaryBruja #traumaAndCreativity #writingTruthfully

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From Pandemic Isolation to Magic: Creating The Ordinary Bruja

Magic doesn’t always arrive with a flash and fanfare. Sometimes it emerges quietly from our darkest moments, when we’re hiding from the world and even from ourselves.

During the silence of pandemic lockdown, when the world outside my window fell eerily still, I found myself drawn to create something that could bridge the isolation. That’s when Marisol—a curvilicious Latina bruja reluctant to leave her cottage after quarantine—first whispered her story to me. What began as simple Instagram story posts soon became something deeper, a mirror reflecting my own fears about reconnection and being truly seen.

Through writing Marisol’s journey, I discovered parts of myself I had been avoiding: feelings of inadequacy, of not being Dominican enough, brave enough, or simply good enough. The magic I wove into her story wasn’t about wands or spells, but something ancestral and gut-deep, magic that pulses through her blood whether she wants it or not. Much like creativity pulsed through me during those difficult days, demanding expression even when I felt most ordinary.

The Ordinary Bruja emerged not from careful plotting but from raw emotion, from a tired woman sitting at her kitchen table whispering stories into the digital void, hoping someone might hear and respond. And respond they did—readers connected with Marisol’s reluctance to emerge from her pandemic cocoon, her fear of being seen for who she truly is. Because aren’t we all, in some way, hiding parts of ourselves from the world?

What version of yourself did you meet during isolation? What magic might you be hiding? Join me next Wednesday for “The Post That Broke Me” as I continue unpacking how this soft story took a hard turn after one Instagram comment about Dominican identity that awakened the bruja’s anger. Your own magic is waiting—sometimes we just need someone else’s story to help us find it.

#ancestralMagic #brujaStories #DominicanIdentity #identityAndIsolation #LatineAuthors #magicalRealism #pandemicCreativity #selfDiscovery #TheOrdinaryBruja #writingDuringLockdown

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Jean-Pierre Boyer Dominican History: A New Perspective

https://youtu.be/ULLqxtdapFI

When most Dominicans hear about the Haitian occupation of 1822, they’ve already been taught what to think: that it was an invasion, a forced erasure of Dominican identity, a dark chapter we were lucky to survive.

But what if that story is incomplete?
What if Jean-Pierre Boyer, the Haitian president who unified the island, wasn’t a villain—but a flawed liberator whose actions still echo today?

This post breaks down what really happened in 1822, who resisted and why, and how the line between freedom and control gets dangerously blurry—especially when power isn’t shared.

Who was Jean-Pierre Boyer

Boyer was president of Haiti from 1818 to 1843, known for unifying the island of Hispaniola and abolishing slavery in the eastern part (now the Dominican Republic). His rule began with revolutionary ideals but became increasingly authoritarian.

He freed people—but didn’t ask them what kind of freedom they wanted.

His Mission: Liberation or Occupation?

  • Abolished slavery in the Dominican east, where it was still legal under Spanish colonial holdovers.
  • Unification was strategic: Boyer feared Spain or France would use Santo Domingo as a launching pad to recolonize Haiti.
  • Pan-African vision: He dreamed of a unified, Black-led island free of European control.

But…

  • He imposed Haitian law without local input.
  • He dismantled the Catholic Church’s influence without replacing the cultural void.
  • He governed from a distance—centralized, top-down, and unaccountable.

Boyer wasn’t just driven by idealism—he was playing defense.

At the time, the eastern side of the island (Santo Domingo) was weaker, under-resourced, and vulnerable. Boyer feared that Spain or France would use it as a base to re-enter and recolonize the western side (Haiti), which had only recently won its independence through revolution.

So for Boyer, liberating the eastern side was also strategic—a preemptive move to keep all of Hispaniola free and out of European hands.

But here’s where he miscalculated:
Boyer failed to see how entrenched Spanish culture and colonial identity already were in the east.
His reforms didn’t come with cultural integration or local autonomy—they came with control. And as a result, many Dominicans saw his actions not as liberation, but as replacement.

That legacy echoes today in Dominican identity, where any mention of African or Taíno heritage is often met with resistance—while Spanish ancestry is exalted.
It’s a colonial mindset that Boyer tried to disrupt—but his approach lacked the cultural sensitivity to truly shift it.

Why Did Dominican Elites Revolt?

Let’s be honest: it wasn’t just about national pride. You need to dig deeper than the textbooks to understand who had the most to loose off this revolution.

Dominican elites—mostly light-skinned, wealthy, and tied to the Church—lost power, land, and control under Haitian rule.

  • Slavery ended = they lost free labor.
  • Church lands seized = they lost spiritual and economic power.
  • Spanish cultural dominance threatened = they lost their status.

So, the 1844 “independence” was as much about reclaiming elite dominance as it was about self-rule. So in essence this was a ‘twofer.’ The Dominican Republic came to be its own country AND the elite held on to their power.

The Bigger Problem: Historical Erasure

The occupation gets framed as “colonization,” but it wasn’t extraction. It was revolutionary authoritarianism—not empire, but control without consent.

Boyer was afraid that Spain or France were going to use the eastern side (which was the weaker side at that time) to over power the western side. So for him liberating the eastern side was also strategic to keep the entire island free and away from the hands of Spain and France. But he failed to see how entrenched the Spanish culture had been then. This solidified entrechment shows today in the already cemented identity of the Dominican person who finds tremendous offense when anyone calls them out for forgetting their Taino and African heritage while boasting their Spaniard.

And just like that overprotective parent who wants the best for you but doesn’t trust you to choose it yourself…
Boyer liberated those who would soon call themselves Dominicans, but didn’t have enough cultural sensitivity to empower them.

So, What Do We Do With This History?

We stop repeating what textbooks told us.

I remind myself often that what we were taught come from the memories of the ones who won, because the ones who lost and died didn’t get a chance to tell their side.
We recognize both the liberation and the damage.
We hold space for complexity, and we center the stories that got erased by nationalism and anti-Blackness.

Because history isn’t just about what happened.
It’s about who gets to tell it—and who gets left out.

Watch the Full Breakdown

I dive into all of this and more in my latest YouTube video

Sources Cited:

  • The Dominican Republic: A National History by Frank Moya Pons
  • Avengers of the New World by Laurent Dubois
  • Haiti: State Against Nation by Michel-Rolph Trouillot
  • Black Behind the Ears by Ginetta E. B. Candelario
  • Why the Cocks Fight by Michele Wucker

📣 Want More?

Subscribe to my newsletter, follow me on Threads (@haveacupofjohanny), or explore more history and magic on my site.

#antiBlackness #decolonizedHistory #DominicanCulture #DominicanIdentity

Who Is Marisol Espinal? A Character Study in Not-Belonging

You won’t notice her at first. She blends in—on purpose. She’s the quiet one in the corner, hoodie up, shoulders tense, eyes always scanning. Not because she’s timid, but because she’s learned that watching is safer than being seen.

Marisol Espinal is not your typical heroine. She’s not trying to save the world. She’s just trying to survive herself.

There’s a kind of restlessness that simmers in her. The kind you get when the world keeps telling you who you’re not. Not Dominican enough. Not American enough. Not spiritual enough. Not normal enough. So she stays in the margins, trying not to be a problem, trying not to be noticed—until not being noticed starts to feel like disappearing.

But Marisol isn’t disappearing. She’s gathering. Gathering pieces of herself she was taught to be ashamed of. Gathering the questions that never had safe places to land. Gathering memories she thought were too painful or too strange to matter.

She doesn’t want to believe in magic. But it believes in her.

She doesn’t want to revisit the past. But it keeps calling her name.

What drives her isn’t courage in the traditional sense. It’s a quiet desperation. A longing to understand what made her—and what might unmake her if she doesn’t face it.

There’s a weight she carries that most won’t see. Grief she’s wrapped in sarcasm. Guilt she tucks under sharp comebacks. A hunger for belonging that she hides in rolled eyes and cold silences. But beneath all that? She wants to be whole.

She wants to feel like her skin fits. Like her mind isn’t a battleground. Like her ancestors are more than whispers in the walls.

And in so many ways, she’s a reflection of my own journey.

I’ve always felt fundamentally different—like I was never going to fit in no matter how hard I tried. I have a lazy eye, and from a young age that made me feel marked, like I stood apart from everyone else. Add to that a phenotype that refuses to conform—I’ve been told I look Italian, Persian, Portuguese… everything but Dominican. And when I say I’m Dominican, I get that look. The one that asks me to prove it. To explain myself. To perform my identity.

At first, I tried. I wanted so badly to fit the mold, to belong somewhere without being questioned. But as I grew and started embracing all the fragments of myself, I realized that I don’t owe anyone a performance. The only person I have to prove anything to is me.

That’s the journey I gave Marisol. It’s not loud. It doesn’t end in a clean resolution. But it’s real. It’s raw. It’s honest.

Marisol Espinal is the kind of character who doesn’t shout her arrival. She creeps in quietly, under your skin, until you’re thinking about her long after you’ve closed the book.

You won’t always agree with her. You might not always like her. But you’ll understand her.

And maybe, just maybe, you’ll see pieces of yourself reflected back.

#characterProfile #comingOfAge #DominicanIdentity #latineStories #magicalRealism #marisolEspinal #ownvoicesAuthor #psychologicalFiction #spiritualJourney #TheOrdinaryBruja

Embracing My Full Inheritance: A Hard Lesson Learned in Europe

I always knew we Dominicans tend to be dense when it comes to seeing another point of view—especially when it comes to race and ancestry. I grew up in the we don’t talk about Bruno mentality, where family conversations about ancestry were conveniently glazed over with a simple, “We are Dominicans.”

I get the sentiment behind it. I get that it’s caked in fear—the fear of being seen as less when we dare embrace our full inheritance. The fear of rejection, mistreatment, and even death. I mean, Trujillo made sure everyone on that island knew what happened when you dared step out of the racial line.

But when I left the island and immigrated to the U.S.—first to New York, then New Jersey, then Massachusetts—and later joined the Army, my world expanded. I got to see and experience things beyond the Dominican bubble, including living in Europe for three years.

I was excited about it. After all, I was heading to the motherland, right? I had spent my life hearing stories about Spain, and with my last name being the name of a town there, I thought, For sure, they’ll recognize a kinfolk.

I was absolutely wrong.

The Sudaca Lesson

By then, I understood racism in the United States and its roots in the Caribbean, but I didn’t know much about Europe beyond what I had heard as a child. So my hopes were high when I arrived. But the minute the Spaniards heard my Spanish, the questions started. They prodded until they figured out where I was from. And the moment they confirmed I was Dominican, everything changed.

It was a shift in the air, an almost imperceptible change in body language. Suddenly, I wasn’t just a Spanish speaker; I was a different kind of Spanish speaker. There was a new wariness, a subtle but unmistakable looking down on you vibe.

I worked in a NATO building with Spaniards. At first, they were polite. But once they got comfortable, the jokes began.

That’s when I first heard the word sudaca.

I didn’t know what it meant at first. I didn’t bother researching it because, back then, I naively assumed they wouldn’t be that overt. But they knew I didn’t know. That’s why they got bolder.

Sometimes, they softened it—calling me sudaquita, as if the -quita was supposed to make it cute. Maybe it was. Maybe it wasn’t. But I felt the weight of the word every time.

And then came the microaggressions:
“Wow, you’re different from other Dominicans.”
“Your Spanish is so unrefined.”
“They really didn’t do a good job taking the savagery out of you.”

Each comment was a pullita, a little knife puncturing me daily, a reminder that I was not one of them.

The Weight of Silence

I look back at that time, and I wish I had said something. But I felt outnumbered. And that’s such a weird place to be in.

What do you do when you’re being put down and bullied, but you’re alone?

I wanted to leave, but I couldn’t—I was assigned there. I wanted to complain, but back then, complaints like these were minimized. The moment you spoke up, you became the problem.

So I stayed silent. Maybe I should have been braver, but it’s tough to be brave when you’re standing alone.

It’s tough to push back when the moment you open your mouth, you’re dismissed. It’s easier for others to believe you’re being sensitive or reading too much into it than to acknowledge that racism isn’t just an American thing—it exists in Spanish-speaking countries too, just in different shades and with different histories.

And yet, that silence sat heavy on my chest. It made me question myself. It made me second-guess what I had always been told about belonging.

Owning What Embraces Me

That experience forced me to face something I had ignored for a long time. I had grown up hearing stories of Spain, imagining some unspoken kinship. But my time in Europe made one thing clear: just because I have some inheritance there doesn’t mean it embraces me back.

And that’s okay.

Because now, I fully embrace what makes me, me—African, Taíno, and, yes, unfortunately, Spaniard.

Everything happens for a reason. And maybe I needed to live that experience to understand that my identity is mine to claim, not for others to define.

And I choose to claim all of it—on my terms.

#AfroCaribbeanHeritage #colonialHistory #culturalIdentity #DominicanIdentity #LatinoExperienceAbroad #microaggressions #raceAndAncestry #racismInEurope #selfDiscovery

smiling woman with daisies bouquet

From Novella to Novel: The Evolution of The Ordinary Bruja and the Magic of Character Voice

When I first started writing The Ordinary Bruja, I envisioned it as a novella—a short, atmospheric story exploring identity, family, and the unseen forces that shape us. But as I dove deeper into the narrative and kicked out the first draft of the newly expanded script, it became clear: this story was always meant to be a full-length novel. The characters demanded more space to breathe, the themes more room to unravel, and the world more time to reveal its secrets.

But that’s not all.

This is only the first draft. And anyone who’s ever written a story knows the real magic happens in the rewriting process. There’s still plenty of work to do, and one of my primary focuses in the next draft will be honing Josefina’s voice.

The Evolution of Josefina’s Voice

Josefina, Marisol’s mother, is a crucial presence in the story—despite the fact that she has passed away before the book begins. Her voice weaves through the narrative like a whisper through the trees, guiding Marisol as she unravels the mystery of her family’s curse. In the initial draft, Josefina came across as stern and rigid, unaware of the damage her views had caused her daughter. But as I wrote, something didn’t sit right.

That wasn’t Josefina.

In the quiet spaces between scenes, I realized Josefina’s voice should carry the weight of remorse and regret. She has spent her time in the afterlife witnessing the ripple effects of her past decisions, understanding the hurt she unintentionally passed down. And yet, she isn’t just a voice of guilt. Josefina also carries a sense of hope—hope that Marisol can break the curse, that she can be the one to untangle the threads of generational pain.

This shift changes everything. A character’s voice isn’t just about what they say, but how they say it. Josefina needs to sound like a mother who has learned too late what she should have done differently but who is rooting for her daughter with every spectral breath.

Character Voices: The Heartbeat of the Story

One of my favorite parts of writing The Ordinary Bruja is exploring the distinct voices of each character. Every voice adds to Marisol’s depth and the world’s authenticity. Belén Espinal, Marisol’s grandmother, has a voice that feels like a Dominican lullaby—soft yet strong, filled with nature imagery and ancestral wisdom. Josefina’s voice, on the other hand, will carry the emotional tension of regret and the maternal instinct to protect her daughter, even from the other side.

The way these voices intersect will shape Marisol’s journey as she wrestles with the weight of the family curse, her cultural identity, and the realization that seeing beyond the surface isn’t always a gift—it can also be a burden.

The Writing Journey: A One-Woman Show

If you’ve been following my writing journey, you know it’s just me over here—a one-woman shop juggling storytelling, publishing, marketing, podcasting, and, well…life. So, if I don’t hit a deadline here or there, give me a little grace. The process might take time, but I promise it will be worth the wait.

As The Ordinary Bruja continues to bloom from a novella into a full-length novel, I’ll keep sharing these behind-the-scenes insights with you. The characters are growing, the magic is deepening, and I can’t wait to see how this story transforms in the next draft.

Stay tuned, and thanks for being part of this magical journey.

#characterDevelopment #DominicanIdentity #generationalCurses #indieAuthorLife #magicalRealism #motherDaughterRelationships #TheOrdinaryBruja #workInProgress #writingProcess

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