#filmfriday

xsv (mode: mixed)tffmh@chaos.social
2025-09-26

After forgetting to tell the lab to push my last roll of #Kodak #TMax3200P β€” and ending up with mostly mush β€” I shot another at EI 1600 over the summer, sometimes with a slight yellow filter or an ND, and this time made sure the lab knew what I wanted. Some negatives came out a bit too dense, giving them an airy, overbright look β€” an interesting effect, I think. There’s still latitude for edits in them.

Shaded Passage.

#FootPathFriday #FilmFriday #AnalogPhotography #Monochrome

A shaded footpath winds through a tunnel of summer foliage, lined with tall trees and dense undergrowth. Sunlight filters faintly through the canopy, creating dappled highlights on the ground and leaves. The black-and-white image shows pronounced grain, with a slight local light leak in the lower right third. (Photo by me, CC-BY-4.0, Kodak T-Max P3200 @ EI 1600, push +1, Zeiss Sonnar 50 mm f/2 1950s, slight edits on the scans)
xsv (mode: mixed)tffmh@chaos.social
2025-09-26

Two final pictures from the #Adox #ColorMission roll and a mini #Review of sorts for #FilmFriday:

I like the color palette and the #Grain β€” it gives me a nostalgic feeling, maybe for the #90s? I think it might benefit from a bit more exposure, maybe rating it at EI 125 or even EI 100 for more β€œair,” though as it is, the highlights already seem to struggle β€” to be kept in mind.

I’ve got three more canisters in the fridge, waiting for when the days have grown longer again.

#AnalogPhotography

A silver airship hangar with a rounded dome-like form rises against a blue sky, surrounded by low industrial buildings on a flat airfield. A wire fence and grassy verge line the roadside in the foreground, while the hangar gleams in the midday sun. Black 35 mm film border visible. (Photo by me, CC-BY-4.0, Adox Color Mission @ EI 160, Zeiss Sonnar 50 mm f/2 1950s)A broad, empty street stretches into the distance between tall trees, their late-summer leaves tinged with early autumn hues. The asphalt is damp and faintly reflective under a pale sky. Parked cars line the left side beside a bus stop, while lampposts stand along the center strip. Black 35 mm film border visible. (Photo by me, CC-BY-4.0, Adox Color Mission @ EI 160, Zeiss Biogon 35 mm f/2.8 1950s)
xsv (mode: mixed)tffmh@chaos.social
2025-09-19

For #FilmFriday and #FootpathFriday

Got my #Adox #ColorMission developed and scanned. Still trying to get a feel for its character β€” first impression: warm tones, oppoinionated colorpalet, pleasantly noticeable grain, and a latitude tighter than Kodak’s pro stocks.

Familiar Incline.

#AnalogPhotography #Vintage #Rural

A sunlit cobblestone footpath climbs a grassy embankment toward the horizon. A lone broad tree and a weathered wooden fence line the left; tall golden grasses border the right. A long diagonal shadow crosses the path beneath a clear blue sky, with the black border of 35mm film visible. (Photo by me, CC-BY-4.0, Adox Color Mission @ EI 160, Zeiss Biogon 35mm f/2.8 1950s)
xsv (mode: mixed)tffmh@chaos.social
2025-09-05

1/2

For #FilmFriday, and the last pictures I’ll post from this roll, a bit of a technical one: comparing exposure. Metered EI 250 against the Monstera leaves and the center of the Schefflera, 0 EV vs. –1 EV with a #Vintage 1960s Jupiter-9 85mm.

To my eye: the 0 EV shot looks more balanced, while –1 EV is very close to the light I had. Both, though, seem comfortably within the latitude of #Kodak #Vision3 500T.

I enjoyed shooting this film β€” easy to use, flexible.

#AnalogPhotography #Review

Schefflera, EI 250 / 0 EV compensation
Color photo of Schefflera leaves with mid-tones well balanced and clear texture in both highlight and shaded areas. (Photo by me, CC-BY-4.0)Schefflera, EI 250 / –1 EV compensation
Color photo of the Schefflera with darker tonality and richer blacks, resembling the actual light more closely. (Photo by me, CC-BY-4.0)Monstera, EI 250 / 0 EV compensation
Color photo of a Monstera leaf with visible vein detail and balanced tones. (Photo by me, CC-BY-4.0)Monstera, EI 250 / –1 EV compensation
Color photo of the Monstera leaf with deeper shadows, closer to how the light appeared in reality. (Photo by me, CC-BY-4.0)
settimwuahahaha! β˜†.π“‹Όπ“Š 𓆏 π“Šsettima@zirk.us
2025-08-29
xsv (mode: mixed)tffmh@chaos.social
2025-08-29

Tried out some Kodak Vision3 500T, rerolled, developed, and scanned by Silbersalz.

Shot at ISO 250 with a Biogon 35mm f/2.8 Contax (1950s), with and without a daylight correction filter (Ikolor F, 1950s).

Unsure if I’ll keep using the filter β€” I think the film looks great without and the scan could be graded. To my eye a lovely film, development, and scan overall. I’ll definitely order more 500T and give the 250D a try.

#FilmFriday #Kodak #Vision3 #ECN2 #SilberSalz #AnalogPhotography #Vintage

Tree-lined canal with bridge in the distance, water reflecting sky and foliage. With daylight correction filter. (Photo by me CC-BY-4.0)Tree-lined canal with bridge in the distance, water reflecting sky and foliage. Without daylight correction filter. (Photo by me CC-BY-4.0)Sunlit grassy hillside with lone fence post, trees against clear blue sky. With daylight correction filter. (Photo by me CC-BY-4.0)Sunlit grassy hillside with lone fence post, trees against clear blue sky. With daylight correction filter. (Photo by me CC-BY-4.0)
2025-08-23

I had a good short sail before conditions got a bit too rough for me to stay out longer.
Back home & steeping some tea.

Watching a #comedy #movie starring Heather Graham, Jennifer Coolidge & Amber Heard.

#NowWatching Exterminators (2009) on #Tubi : link.tubi.tv/AKXk3V9xOVb

I'm a fan of Jennifer Coolidge's comedy works. I also like how she's a longtime LGBTQ comrade.

#StreamingMovie #ChickFlicks #FunnyMovies #FilmFriday

settimwuahahaha! β˜†.π“‹Όπ“Š 𓆏 π“Šsettima@zirk.us
2025-08-22
settimwuahahaha! β˜†.π“‹Όπ“Š 𓆏 π“Šsettima@zirk.us
2025-07-25
settimwuahahaha! β˜†.π“‹Όπ“Š 𓆏 π“Šsettima@zirk.us
2025-07-18

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