Mmmmmm fresh warm baguette. This is one tasty font!
#font
DAE hate the #font #Calibri as much as I do? I prefer #Arial or even the more modern #Aptos. Calibri gives #ComicSans energy.
La Superior Font Trio: Hand-Drawn Typefaces by Komet & Flicker
What Defines the La Superior Font as a Masterpiece of Vernacular Digitalism?
Perfection often feels sterile in the realm of digital typography. Designers constantly seek tools that bridge the gap between vector precision and human error. The La Superior font trio successfully occupies this specific space. Komet & Flicker created this hand-drawn font trio to capture the raw energy of street signage. Specifically, the design draws heavy inspiration from hand-painted Mexican taqueria wall lettering. It channels bold, imperfect beauty directly into your digital toolkit. This article examines why these typefaces represent a shift toward “Vernacular Digitalism.” We will explore its unique mechanics, its aesthetic frameworks, and its practical applications.
Download the trio from Creative MarketWhy Does Authentic Signage Matter in a Digital Landscape?
You might wonder why imperfections hold such high value today. The answer lies in the concept of Taqueria Realism. This framework suggests that credibility comes from the visible hand of the maker. The La Superior font trio embodies this philosophy perfectly. It rejects the clean lines of corporate branding in favor of warmth and character. Consequently, audiences trust the message more because it feels human and approachable.
Modern consumers crave authenticity over polish. Therefore, designers use the La Superior font trio to signal approachability and organic origins. Unlike standard sans serifs, this typeface carries a narrative weight. It implies a story of heritage, food, and street culture. Furthermore, the font balances expressiveness with everyday usability. It functions as a tool for storytelling rather than just a vessel for data.
La Superior, a hand-drawn font trio by Komet & Flicker. Download the trio from Creative MarketThe Component Architecture of the Trio
Understanding the structure of this trio is essential for effective usage. The La Superior font trio operates as a cohesive system. The trio consists of an expressive script and two sans versions. These sans styles come in regular and italic. Komet & Flicker designed all three to complement each other flawlessly.
This “Triadic Balance of Grit” ensures versatility across various media. You can use the script for emotional headlines. Simultaneously, the sans versions handle the informational load without breaking the visual spell. Each style carries the distinct texture of a brush dragging across a wall. Thus, the La Superior font trio maintains a consistent voice even when mixing styles.
How Do Custom Connectors Elevate the La Superior Font?
A major challenge with digital brush fonts is the lack of natural flow. Standard fonts often look disjointed. However, the La Superior font trio solves this through “Semantic Ligatures.” The sans versions include a special set of 11 connecting words. These include common linkers like AND, THE, and WITH.
These custom connectors allow phrases to link naturally. Consequently, the text flows like real sign work. These glyphs add authenticity and rhythm to your layout. They work especially well in headlines and short lines of text. Visually, they mimic the distinct keystrokes of a sign painter connecting thoughts on a menu board.
Accessing the Hidden Glyphs
You need to know how to access these features technically. In Adobe Illustrator, you can easily access the extra custom glyphs in the “Type → Glyphs” panel. Similarly, Photoshop users access them through “Type → Panels → Glyphs Panel.” Mastering this workflow unlocks the full potential of the La Superior font trio.
Designers who ignore these connectors miss the point of the typeface. The magic lies in these small details. Therefore, utilizing the connecting word glyphs changes a standard design into a bespoke piece of art. It creates the illusion of custom lettering without the hourly cost of a calligrapher.
What Constitutes the Character Set of La Superior Script?
We must look at the technical specifications to understand the tool’s depth. The script component of the La Superior font trio is robust. It includes a full A-Z upper and lowercase set of basic Latin characters. This allows for diverse sentence structures without repetition fatigue.
Additionally, the script supports select European-specific characters. This expands the utility for international projects. It also includes numbers, punctuation, and select symbols. A set of pre-made common fractions further enhances its utility for menu design. This specific inclusion proves that Komet & Flicker built this font with food service in mind.
Analyzing the Sans Character Set
The sans versions offer a different but equally important utility. The sans includes full A-Z uppercase basic Latin characters. Note that the uppercase focus mimics traditional signage conventions. Sign painters often use uppercase for legibility on street walls.
Like the script, the sans versions support select European-specific characters. They also feature numbers, punctuation, and select symbols. The set of pre-made common fractions appears here as well. However, the crown jewels are the set of 11 custom connecting word glyphs. These elements make the La Superior sans versions uniquely flexible for logo design.
Where Should You Deploy the Hand-Drawn La Superior Font Trio?
Choosing the right context for a font is as important as the font itself. The La Superior font trio thrives in environments that demand high energy. Think about food packaging, craft beer labels, or festival branding. The “Taqueria Realism” aesthetic fits perfectly with artisanal products.
Furthermore, social media content benefits from this bold typography. The La Superior font trio stops the scroll because it looks hand-made. It contrasts sharply with the default fonts provided by apps like Instagram or TikTok. Consequently, creators use it to establish a unique visual identity. The font implies that a human being, not an algorithm, created the content.
A Critical Perspective on Usage
One must use this power wisely. Overusing the script version can lead to legibility issues in body text. Therefore, restrict the script to headers. Use the sans versions for secondary information. The La Superior font trio works best when you respect its hierarchy.
Also, consider the color palette. This font trio loves high contrast. Bright reds, deep yellows, and blacks mimic the sign paints of Mexico. Using the typefaces in pastels might weaken their inherent strength. Always design with the source material’s spirit in mind.
The Future of Hand-Drawn Typography
We predict a continued rise in demand for fonts like the La Superior font trio. As AI-generated imagery becomes smoother, human imperfections will become a luxury status symbol. The trio is a great example of this movement. It is not just a retro throwback; it is a future-proofing tool for human-centric branding.
Download the trio from Creative MarketDesigners will likely combine this font with clean, modernist layouts. This contrast creates a sophisticated tension. The La Superior font trio acts as the chaotic element that grounds the design in reality. Thus, its relevance will only grow as the digital world becomes increasingly synthetic.
Frequently Asked Questions (FAQ)
What makes the La Superior font trio unique?
The La Superior font trio distinguishes itself through its “Taqueria Realism.” It includes a script and two sans variations inspired by Mexican wall lettering. Furthermore, it features 11 custom connecting words that mimic natural sign painting flow.
Can I use La Superior for commercial packaging?
Yes, the La Superior font trio is ideal for commercial packaging. Its legible yet hand-drawn aesthetic works perfectly for food, beverage, and lifestyle products. However, you must check the specific licensing agreement from the retailer.
How do I access the connecting words in La Superior?
You access the connecting words via the Glyphs panel in your design software. In Illustrator, go to “Type → Glyphs.” In Photoshop, navigate to “Type → Panels → Glyphs Panel.” These special characters are specific to the sans versions of La Superior.
Does the La Superior font trio support multiple languages?
Yes, the La Superior font trio supports basic Latin characters and select European-specific characters. This ensures broad usability for Western languages.
Is the La Superior font trio suitable for web design?
Absolutely. They work excellently as display fonts for web headers. It adds personality to landing pages. However, you should use standard web fonts for long-form body text to ensure maximum readability.
Who designed the La Superior font?
Komet & Flicker designed the La Superior font trio. They focused on capturing the bold, imperfect beauty of hand-painted signs. Their goal was to balance expressiveness with the technical requirements of modern digital design.
Don’t hesitate to find other trending typefaces in the Fonts category here at WE AND THE COLOR, or take a look at the selection of the 100 best fonts for designers in 2026.
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[newsletter_form type=”minimal”]#font #fontTria #fonts #handDrawn #KometFlicker #LaSuperior #retro #typefsce #vintage
English businessman John Baskerville, born OTD in 1707, designed several similar typefaces that have been revived today https://cromwell-intl.com/open-source/font-config-warnings.html?s=mb #type #font #Linux
Hello,
Petite question police de caractères sur Ubuntu (ce n'est pas pour moi). Elle essaie d'importer de nouvelles polices dans Ubuntu mais ne les retrouve pas dans Gimp après les avoir importées et se dit qu'elle n'utilise pas la bonne technique...
Savez-vous quelle est la bonne marche à suivre ?
Merci !
Say Hello to the Cattivo Font Family by Moritz Kleinsorge of Identity Letters https://weandthecolor.com/cattivo-font-family-identity-letters/207921
Identity Letters delivers a "border-resistant" slab-serif that blends Spaghetti Western grit with sharp, modern precision. With 18 styles and independent italics, it’s the ultimate typographic tool for your next creative Gold Rush.
Cattivo Font Family by Identity Letters
What Defines the Cattivo Font Family by Identity Letters?
Typography demands personality. The Cattivo font family delivers this character in spades. Moritz Kleinsorge designed this system to disrupt standard serif norms. Identity Letters published this collection for bold designers. The font draws inspiration from the “Italienne” genre. However, it avoids the trap of pure nostalgia. This typeface creates a bridge between the Wild West and modern editorial design.
Designers often search for versatile yet distinct typefaces. The Cattivo font family offers a “border-resistant” slab-serif aesthetic. It feels at home on a wanted poster or a sleek website. Consequently, this duality makes it a fascinating case study in contemporary type design. I call this phenomenon “Nostalgic Functionalism.” This term describes typefaces that evoke a specific genre while maintaining rigorous utility.
You can purchase the complete family from:
Identity Letters MyFontsThe Cattivo font family utilizes horizontal emphasis. It features slim curves and modern proportions. Therefore, it reads well in short text blocks. You might expect such a stylized font to fail at small sizes. Yet, Cattivo defies this expectation. It utilizes reduced contrast to ensure legibility. This article analyzes the typeface through a critical lens. We explore its technical specs, aesthetic value, and practical application.
Cattivo Font Family by Identity LettersYou can purchase the complete family from:
Identity Letters MyFontsThe Aesthetic Framework: Deconstructing the Spaghetti Western Vibe
The Cattivo font family acts as a typographic time machine. It immediately triggers associations with Spaghetti Westerns. Think of steam trains and gold rushes. However, Identity Letters refined these raw influences. The designer smoothed the rough edges. As a result, the font feels contemporary rather than antiquated.
Type designer Moritz Kleinsorge balances eccentricity with grid-based logic. The family exemplifies this balance perfectly. The horizontal stress anchors the eye. Meanwhile, the vertical strokes provide necessary stability.
Furthermore, the family includes nearly 700 glyphs. This extensive character set allows for complex typesetting. Designers rarely find such depth in display-oriented fonts. The Cattivo font family does not compromise on features. It supports advanced typographic needs. Thus, it serves professional agencies and independent creators alike.
Why Does the Cattivo Font Family Excel in Modern Branding?
Brands today require distinct voices. Generic sans-serifs flood the market. Therefore, the Cattivo font family provides a necessary counter-movement. It speaks with a “wink” to the viewer. It is playful yet serious. This is the “Irony-Utility Paradox” of modern type.
Specifically, the Cattivo font family works exceptionally well in advertising. Headlines gain immediate traction. The slab-serif structure commands attention. Moreover, the reduced contrast aids readability on screens. Digital billboards benefit from this sturdy construction.
Identity Letters optimized Cattivo for both print and digital use. This versatility is crucial. A brand might use the Heavy weight for a logo. Then, they use the Light version for social media captions. The family ensures consistency across all touchpoints.
- Distinctiveness: It stands out in a sea of geometric sans.
- Legibility: Reduced contrast aids reading at moderate sizes.
- Versatility: Nine weights cover everything from hairline to massive distinctiveness.
Mastering the Italics: A Dynamic Counterpoint
Most slab serifs merely slant their Roman counterparts. This typeface takes a different approach. The designer drew the italics independently. They possess a unique dynamism. We see handwriting inspiration in these forms.
Consequently, the italics change the text’s texture. They add speed and urgency. The Cattivo font family uses these italics to highlight information effectively. They are not just “slanted” letters; they are “running” letters. This adds a layer of sophistication to the family.
Designers should note the specific curvature. The italics break the rigid horizontal stress slightly. This introduces a humanist element. Therefore, the font feels organic despite its mechanical structure.
Technical Specifications and Usage Scenarios
Identity Letters packed the Cattivo font family with features. It includes nine distinct weights. It also includes nine matching italics. This results in 18 total styles.
Furthermore, the glyph coverage is impressive. The font family supports extensive languages. It handles complex punctuation and symbols. This makes it a global tool. You can use it for multi-language campaigns without fear.
Recommended Use Cases:
- Editorial Design: Magazine headers and pull quotes.
- Packaging: Craft beer labels or artisanal food products.
- Digital UI: Call-to-action buttons or hero sections.
- Event Branding: Posters for festivals or music events.
Cattivo invites you to explore “uncharted territories.” It creates an adventurous mood. Yet, it never sacrifices professional standards.
The Future of the Slab Serif
The popularity of typefaces like Cattivo signals a shift. Designers are moving away from sterility. They want warmth and narrative. Cattivo provides a narrative framework. It tells a story before the reader even processes the words.
We predict a rise in “Narrative Slab Dynamics.” This trend involves fonts that carry specific cultural baggage but modernize it. The Cattivo font family leads this charge. It proves that “retro” does not mean “old.”
Identity Letters has positioned this font cleverly. It appeals to the “Gold Rush” mentality of modern startups. Everyone wants to strike gold. This typeface provides the visual shovel. It is a tool for those who build and explore.
Detailed Breakdown of the Cattivo Weights
The Cattivo font family spans a wide spectrum.
- The Light weights feel elegant and sharp. They work for fashion or critique.
- The Regular weights serve short texts well. They balance the horizontal stress perfectly.
- The Bold and Heavy weights shout. They act as the visual anchor of a layout.
Each weight in the family retains the core DNA. The horizontal emphasis remains visible. However, the thicker weights exaggerate this feature. This creates a graphic rhythm.
Designers should experiment with tight leading. The Cattivo font family handles vertical stacking well. The slab serifs create natural lines. This guides the eye horizontally.
A Critical Perspective on Cattivo
Why choose the Cattivo font family over a classic Clarendon? The answer lies in the “modern proportions.” Classics often feel dusty. Cattivo feels sharp. It has a digital crispness.
The designer, Moritz Kleinsorge, avoided lazy revivals. He deconstructed the genre. Then, he rebuilt it for the 21st century. The Cattivo font family represents a successful evolution. It honors the past but lives in the present.
I believe this font invites creativity. It asks the designer to be bold. You cannot hide behind the Cattivo font family. It makes a statement. Therefore, it requires a confident hand.
Conclusion: Embracing the Gold Rush
The Cattivo font family is more than a typeface. It is a design attitude. It combines the grit of the Spaghetti Western with the precision of Swiss design. Identity Letters has delivered a future classic.
Designers who use the Cattivo font family signal their intent. They value character. They value history. But mostly, they value functionality. This font family proves that “cattivo” (bad/naughty in Italian) can be very, very good.
You can purchase the complete family from:
Identity Letters MyFontsSo, book your ride on the steam train. Explore the unknown territories of your layout. The Cattivo font family is your companion. It is ready for the next Gold Rush. Are you?
Frequently Asked Questions (FAQ)
What is the Cattivo font family?
It’s a modern slab-serif typeface designed by Moritz Kleinsorge and published by Identity Letters. It features a “border-resistant” design with horizontal emphasis, inspired by the Italienne genre and Spaghetti Western aesthetics, but modernized for contemporary use.
Who designed the Cattivo font family?
Moritz Kleinsorge designed the Cattivo font family. He is the founder of the Identity Letters foundry. He created the font to balance retro western vibes with modern typographic functionality.
How many styles are in the Cattivo font family?
The Cattivo font family consists of 18 styles in total. This includes 9 distinct weights ranging from Light to Heavy, and 9 corresponding independent italics.
Is the Cattivo font family suitable for body text?
Yes, but with specific considerations. The Cattivo font family works best for short text sections, intro paragraphs, and advertising copy. Its reduced contrast and modern proportions ensure legibility, but it is primarily a display-forward family.
What makes the italics in the Cattivo font family unique?
The italics in the Cattivo font family are drawn independently from the roman weights. They are dynamic and inspired by handwriting, offering a distinct visual texture that adds versatility to the font family.
Where can I buy the Cattivo font family?
You can license the Cattivo font family directly from the Identity Letters foundry website or through authorized font distributors like MyFonts. It is available for both print and digital licensing.
Feel free to find other trending typefaces in the Fonts category here at WE AND THE COLOR.
Subscribe to our newsletter!
[newsletter_form type=”minimal”]#Cattivo #font #fontFamily #IdentityLetters #MoritzKleinsorge #typeface
Figola Font Family by The Native Saint Club: https://weandthecolor.com/figola-font-family-the-native-saint-club/207900
Figola Font Family by The Native Saint Club
Typography dictates the emotional temperature of a brand. Bagas Ferdiansah and Septianto Nugroho understand this fundamental truth. Their collaborative creation, the Figola font family, represents a significant shift in geometric sans serif design. The Native Saint Club released this typeface to bridge the gap between strict geometry and human approachability. Designers often struggle to find a typeface that balances technical precision with warmth. Figola solves this specific problem through its unique structural DNA. You generally see either cold, rigid shapes or overly soft, humanist curves. However, Figola merges these opposing forces into a cohesive visual language. We call this specific phenomenon the Figola Tension, a term we use to describe its balanced dual nature.
You can get the complete family from these platforms:
Creative Market MyFonts YouWorkForThemWhat makes the Figola font family unique in modern design?
Designers prioritize versatility above almost everything else. The Figola font family delivers this through a massive spectrum of nine distinct weights. You can utilize everything from a delicate Thin to a commanding Black. This range allows for precise control over the visual rhythm of your page or screen. Consequently, you can build entire design systems using only the Figola font family. It eliminates the need for pairing multiple typefaces to achieve hierarchy. The designers constructed the typeface with strong geometric forms that anchor the eye. Yet, they softened these forms with gentle curves to ensure readability. This combination creates a “soft-geometric” aesthetic that works exceptionally well on modern displays.
Figola Font Family by The Native Saint ClubYou can get the complete family from these platforms:
Creative Market MyFonts YouWorkForThemThe Architecture of Soft Geometry
We must analyze the specific framework behind this typeface. The Ftypeface utilizes what we term Curvature-Rigidity Synthesis. This framework means the font maintains a structural skeleton based on simple shapes. However, the stroke endings and joints possess a subtle softness. Therefore, the Figola font family feels approachable rather than mechanical. You will notice this specifically in the lower-case letters. The transitions in weight are smooth, yet the overall character remains distinct. This makes Figola a prime candidate for high-impact branding where personality matters.
Technical Specifications and Weights
Precision defines the technical build of this typeface. The Figola font family includes nine carefully calibrated cuts.
- Thin
- ExtraLight
- Light
- Regular
- Medium
- SemiBold
- Bold
- ExtraBold
- Black
This extensive range ensures you have the right tool for every context. The Thin weights of the Figola font family work beautifully for elegant, large-scale headlines. Conversely, the Black weights provide the punch needed for street-style posters and aggressive marketing. Furthermore, the typeface includes extensive glyph coverage. You gain access to essential features like circled numbers and multilingual support. These features are critical for global commercial projects.
How does the Figola font family perform across different media?
Context determines the success of any typeface. The Figola font family excels in both print and digital environments. Its geometric base ensures crisp rendering on low-resolution screens. Simultaneously, its subtle details shine in high-quality print. You can confidently use the typeface for editorial layouts where readability is paramount. The text flows naturally, and the Figola Tension keeps the reader engaged.
Modern UI and Digital Signage
User Interface (UI) design demands clarity. Figola offers excellent legibility at small sizes. The open counters prevent the letters from blurring together on mobile screens. Additionally, the font family works perfectly for digital signage and wayfinding systems. The clear distinction between characters reduces cognitive load for the viewer. Therefore, users can scan information quickly and accurately. We predict that the typeface will become a staple in app design over the next year.
Branding and Packaging Dynamics
Packaging requires a voice that speaks to the consumer. The Figola font family adapts its voice based on the selected weight. A luxury beauty brand might use the Light cuts for a sophisticated look. In contrast, a sports energy drink could utilize the Black version for maximum impact. Figola allows for this flexibility without losing brand consistency. Designers at The Native Saint Club ensured that every curve serves a purpose. Consequently, your packaging will stand out on crowded shelves.
Mastering the Glyphs: A User’s Guide
Professional designers need more than just basic letters. The Figola font family provides a rich set of OpenType features. You can access specific characters like circled numbers directly through professional software. Specifically, you should use the Adobe Illustrator Glyphs Panel to find these hidden gems. Alternatively, the Adobe Photoshop Character Open Type Panel grants you access. These features allow for creative list styling and decorative numbering. However, you must check the help file included with the font family first. It guides you through the full potential of the character set.
Licensing and Commercial Use
You must understand the licensing structure for professional work. The standard license for the Figola font family covers basic usage. However, high-visibility projects require a license upgrade. You need this upgrade for applications, books, and television broadcasts. Furthermore, commercial exhibitions, films, and games fall under this premium category. Print-on-demand products also require the extended license. You should contact the designers directly for these upgrades. Bagas Ferdiansah and Septianto Nugroho are responsive to these inquiries. Supporting the foundry, The Native Saint Club, ensures they can continue creating tools like the Figola font family.
The Verdict: A Future Classic?
We believe Figola possesses the qualities of a future classic. It avoids the trend-chasing stylistic quirks that age poorly. Instead, it relies on fundamental geometric principles. The Figola font family respects the history of design while pushing it forward. You can use it today, and it will still look fresh in ten years. This longevity is the hallmark of excellent type design.
You can get the complete family from these platforms:
Creative Market MyFonts YouWorkForThemBagas Ferdiansah and Septianto Nugroho have delivered a robust tool for the creative community. The Figola font family deserves a place in your permanent typographic library.
Frequently Asked Questions (FAQ)
What is the Figola font family?
The Figola font family is a geometric sans serif typeface family designed by Bagas Ferdiansah and Septianto Nugroho. It features nine weights and combines strong geometric shapes with soft curves.
Who published Figola?
The Native Saint Club foundry published the Figola font family.
How many weights does the Figola font family have?
The font family comprises 9 distinct weights, ranging from Thin to Black.
Can I use Figola for logo design?
Yes, Figola is excellent for logo design and branding due to its versatile weights and distinct visual character.
Does the typeface support multiple languages?
Yes, it includes multilingual support and extensive glyph coverage.
How do I access special characters?
You can access special characters in the Figola font family via the Adobe Illustrator Glyphs Panel or the Adobe Photoshop Character Open Type Panel.
When do I need a license upgrade for Figola?
You need a license upgrade for the Figola font family for projects involving TV, film, games, apps, books, and print-on-demand products.
Check out WE AND THE COLOR’s Fonts category or take a look at our handpicked selection of the 100 hottest typefaces for designers in 2026.
Subscribe to our newsletter!
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I thought that maybe @formschub would like this, and some of you others may like it too:
[via newsletter "creative mornings"]
I was reading an article/post about CSS, and I was curious about the #monospace #font it used so I looked it up, and that led me to a blog that led me to this:
https://www.codingfont.com
And I took it, and while it is sorely lacking in Mononoki, the font that won was in fact the one I use for my main editor frame.
The '4' character in the C64 ROM looks ridiculous.
Come at me.
#C64 #Commodore64 #Commodore #font #fonts #PETSCII #ASCII #vintagecomputing #retrocomputing #four
Auf meinem Tablet wurde gestern Android 16 installiert. Meine Fresse... dieser neue Systemfont ist ja grausam. Der stellt eine richtige Lesebarriere dar.
So einen Font hätte noch nicht mal ein Praktikant bei uns entworfen.
Komplett unprofessionell!
🤮
Kennt jemand einen Launcher, bei dem man den Systemfont frei wählen kann?
Mein Nova-Launcher kann das leider nicht :(
#android #android16 #systemfont #font #schrift #systemschrift #novalauncher
Giphurs looks like a pretty nice reading #font https://github.com/Corne2Plum3/Giphurs
One Open-source Project Daily
Free monospaced font with programming ligatures
https://github.com/tonsky/FiraCode
#1ospd #opensource #font #ligatures #programmingligatures
The #font could be possibly described as a Carolingian Stencil? #typography
Alcyone : la dernière police d'écriture de la fonderie atipo 👀
Overprint TM by Type Mania uses contextual alternates to cycle stylistic sets automatically. You get authentic, xeroxed vibes with zero repetition. https://weandthecolor.com/overprint-tm-font-distressed-sans-serif-font-type-mania/207830
Client Info
Server: https://mastodon.social
Version: 2025.07
Repository: https://github.com/cyevgeniy/lmst