Lmst

Quand la nature sculpte ses joyaux d'émeraude

Ils apparaissent comme des oasis suspendues, des miroirs d’émeraude posés au creux des montagnes. Ces lacs, si purs qu’ils semblent irréels, attirent le regard autant qu’ils apaisent l’esprit. Leur couleur, mélange de minéraux, de lumière et de silence, raconte une alchimie naturelle rare. Ce que confirme le naturaliste, Flavien Saboureau.

S’en approcher, c’est traverser un seuil. Le seuil d'un monde qui ralentit, qui se permet de vous demander de faire une pause... un instant... Là où le paysage reprend son pouvoir.
Chaque reflet devient une invitation à contempler, à ressentir, à se souvenir que la beauté existe encore, intacte.
Dans ces lieux préservés, la nature ne se montre pas, elle se révèle.

https://librexpression.fr/la-beaute-des-lacs-demeraude-42-55

#bluelake #France #fumerolle #lavausseau #naturaliste #paysage #naturephotograpĥy #newzealand #trek #trip #volcan #waihohonu #NatureLovers #esmeraldlake #maori
(Crédits : Tomáš Malík/Pexels)

L’image montre un paysage volcanique, aride et montagneux, vu depuis un point en hauteur dans le parc national de Tongariro en Nouvelle-Zélande. Au centre et au premier plan, trois lacs aux couleurs éclatantes, typiques des Emerald Lakes du parc national de Tongariro en Nouvelle-Zélande.

Le plus grand lac est d’un vert émeraude intense, presque fluorescent, avec une forme irrégulière et des bords brunâtres.

Un lac légèrement plus petit, situé un peu plus haut à gauche, possède une teinte turquoise, plus froide mais tout aussi lumineuse.

Le troisième, le plus petit, apparaît comme un jaune-vert pâle, entouré de roches plus claires.

L’environnement autour des lacs est constitué de roches volcaniques : des sols bruns, rouges, gris et noirs, donnant une impression de terrain rugueux et minéral. On aperçoit également quelques filets de vapeur blanche s’échappant du sol, révélant l’activité géothermique du site.

En arrière-plan, une chaîne de montagnes sombres forme une courbe imposante, avec des pentes abruptes et des crêtes irrégulières. Au-delà, l’horizon est occupé par des collines et massifs bleutés, adoucis par la distance. Le ciel est clair et bleu, parsemé de quelques nuages blancs légers.

Dans un coin du premier plan, on distingue à peine une ou deux minuscultes silhouettes de randonneurs, ce qui donne une idée de l’échelle immense du paysage. L’ensemble dégage une atmosphère de solitude, de puissance naturelle et de beauté brute.

Māori kapa haka performance of 'Bohemian Rhapsody' is the ultimate cultural mash-up

https://fed.brid.gy/r/https://www.upworthy.com/maori-kapa-haka-bohemian-rhapsody-ex1

Cuba Mall

#CubaMall #Peking #GoedVerkeer #AnsWestra #moe_tahurangi #Kōtuia #Gangs #Māori #photographicgelatin #photographicpaper #silver #gelatinsilverprints #worksofart #Wellington #undefined

http://api.digitalnz.org/records/40746358/source

The photograph captures a candid moment involving six individuals, likely from the 1970s or '80s judging by their fashion and hairstyles. A woman in a polka-dotted dress with her back to the camera stands as if she's about to walk away. She is facing four men seated on what appears to be a stone ledge outside an establishment named "Peking." The men are dressed casually, several wearing flared pants typical of that era and sandals or boots.

The scene conveys a sense of casual interaction in public space; the woman seems unaware or uninterested in their presence. Overhead signs indicate commercial establishments like "Goed Verkeer" (Good Traffic) and another with unclear text likely denoting food items, suggesting this might be near markets or eateries within Cuba Mall.

The black-and-white photo enhances its timeless quality, emphasizing textures and contrasts without the distraction of color. No discernible biases are present in describing these individuals; they appear as everyday people engaging in life's simple moments captured through a lens with artistic intent by Ans Westra.

Ohinemutu, Rotorua, 1964
An image of a Pakeha man and a Maori woman sitting on a sofa . He has his hands in the air and she is playing a ukulele.

#Ohinemutu #Rotorua #Pakeha #Maori #moe_tahurangi #Matapihi #Kōtuia #Sofas #Women #Musicians #Ukeleles #Hands #Sitting #Interiors #Tables #Drinkingvessels #Draperies #Rotorua(NewZealand) #Māori #resin-coatedpaper #silver #photographicgelatin #selenium #gelatinsilverprints #worksofart #Contemporary #undefined

http://api.digitalnz.org/records/20375803/source

The image depicts an older Pakeha man with his hands raised and mouth open as if he is enthusiastically talking or singing, while sitting next to a Maori woman who appears relaxed. She has her eyes closed and seems to be enjoying herself, possibly dancing lightly on the sofa they are seated on.

They appear in front of a simple room setting decorated modestly with items like curtains, flowers above the window, and a telephone visible against the wall. There's another person partially seen at their right side who is not part of this interaction but seems to be sitting across from them possibly engaged in conversation or listening intently.

The environment suggests an informal gathering within a home setting during mid-20th-century times based on attire styles, furniture design, and black-and-white photography which was common for that era.

Erua’s son, South Auckland

#SouthAuckland #moe_tahurangi #Kōtuia #people #Smiling #families #Cleaning #Vacuumcleaners #Indigenouspeoples #Māori #silver #photographicgelatin #photographicpaper #gelatinsilverprints #worksofart #photography #Auckland #undefined

http://api.digitalnz.org/records/40767200/source

The black and white photograph depicts a domestic scene where an individual is using a vacuum cleaner on a child who appears to be lying back in a chair. The person operating the vacuum has short hair, wears shorts with rolled-up sleeves, socks, and holds the hose of the vacuum close to their body while laughing or expressing joy. Another figure can be seen through what seems like a glass door reflecting light, possibly outside, wearing loose-fitting clothing. In the background on shelves there are various items including what appear to be hats or ceremonial objects. The environment suggests this might be in a living room of an apartment or house. There's no direct indication of why the image is associated with Erua’s son from South Auckland based solely on its content, but it seems related as mentioned by way of caption reference.

Wanganui - Marae

#Wanganui-Marae #second #moe_tahurangi #Kōtuia #Agedpersons #Women #Houses #Hills #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Whanganui #undefined

http://api.digitalnz.org/records/40772670/source

The black and white photograph depicts two women engaged in a close, affectionate interaction. The woman on the left is wearing a headscarf with patterns, possibly floral or paisley designs, draped over her shoulders, along with glasses resting atop her hat. She has dark hair visible under her cap and appears to be smiling as she looks towards the other woman.

The second woman is dressed in a textured coat that suggests it's cold weather. Her attention seems focused on something off-camera, possibly an object or another person not included within this frame. The two women are standing close together with their heads nearly touching, suggesting intimacy and connection between them.

In the background, there are other individuals who appear to be part of a larger group gathering outside what looks like a brick building, which could indicate some sort of communal event or meeting taking place in an outdoor rural setting given the visible hills or mountains in the distant landscape. The overall mood conveyed by this image is one of warmth and human connection despite potentially harsh weather conditions.

Ringatu hui, Wainui, Whakatane, New Year, 1963/4
Two men standing and two seated outside a doorway of what appears to be a wharenui. A Ringatu banner with symbols of crescent moon, cross and the letters WI covers the window frame.

#Ringatuhui #Wainui #Whakatane #NewYear #Ringatu #Māori #NewZealands #moe_tahurangi #Matapihi #Kōtuia #Ethnicgroups #Religiousgroups #Communitycenters #Banners #Symbols #Doors&doorways #Benches #resin-coatedpaper #silver #photographicgelatin #selenium #gelatinsilverprints #worksofart #Contemporary #Whakatāne #undefined

http://api.digitalnz.org/records/20375804/source

The image depicts a black-and-white scene with six men outside what seems to be an entrance, possibly of a communal or cultural building. The doorway has decorative elements such as carved figures above it. In front of the door stands one man in casual attire and another partially visible behind him wearing dark clothing.

To the right side of the frame, three men sit on wooden benches against a wall adorned with circular decorations at the top. They are dressed formally or semi-formally; two wear hats indicative of traditional Māori headwear known as "korowai," while one is in a suit and tie. The man farthest to the right wears glasses.

Behind them, a banner hangs on what appears to be a window frame with symbols such as crescent moons, crosses, plus signs, and letters spelling out "+WI." This suggests an affiliation or celebration related to Ringatu, which has cultural significance in New Zealand's Māori community. The setting is outdoors during daylight.

The photograph captures the essence of camaraderie among these individuals amidst a moment seemingly connected with their cultural heritage.

James K Baxter's tangi, Jerusalem, Wanganui, 25 October 1972

#JamesKBaxters #Jerusalem #Wanganui #Maori #moe_tahurangi #Matapihi #Kōtuia #mourners #Churches #Funeralprocessions #NewZealandEuropean #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Graves #Poets #Authors #Whanganui #undefined

http://api.digitalnz.org/records/32368458/source

The black and white photograph features a group of five individuals standing on what appears to be a dirt path, with tall grasses visible in the foreground. They are dressed in bohemian-style clothing that suggests an era reminiscent of the late 1960s or early '70s counterculture movement. The attire includes flowing dresses and tunics adorned with various patterns and earthy tones.

Behind them is a rural backdrop, including wooden structures such as sheds or simple houses, which contribute to the rustic setting. A church spire rises prominently in the distance under an overcast sky, indicating some form of community gathering place amidst this pastoral scene. The overall atmosphere evokes themes of camaraderie and possibly cultural or spiritual significance.

The image is credited with a reference to James K Baxter's tangi (a Maori funeral ceremony), which took place on October 25th in Jerusalem, Wanganui. This context suggests the photograph may have been captured during a significant event or ritual for these individuals, adding layers of narrative and cultural depth to the visual depiction.

Please note that additional details about this specific image are available through the provided link (https://images.loener.nl/AnsWestra/full/6690/6690fb1d3c8dcd5ca3a79588.jpg).

Mongrel Mob convention
null

#Todays #moe_tahurangi #Kōtuia #Indigenouspeoples #Eating&drinking #Smiling #Porirua(NewZealand) #MongrelMob #Māori #Gangs #Meetings #photographicgelatin #photographicpaper #silver #gelatinsilverprints #worksofart #Porirua #undefined

http://api.digitalnz.org/records/40786266/source

The photograph captures a group of people gathered outside, with an emphasis on camaraderie and casual social interaction. The individuals are dressed in what appears to be biker attire, including leather jackets, bandanas, and military-style clothing such as helmets and backpacks. One person is holding a bottle up to their mouth, while others engage in conversation or laugh together. A cardboard box with the text "Today's Great Drink" printed on it suggests they might have been enjoying beverages at this gathering.

In terms of setting, there are visible elements like trees and part of what seems to be an RV or truck cab behind them. The ground is partially covered by a tire and some debris, indicating that they may be parked in a rural area or not too far from their vehicles.

The image has been described as being associated with the Mongrel Mob convention<box>null https://images.loener.nl/AnsWestra/full/6690/6690f4fa3c8dcd5ca3a7103d.jpg</box>, which may provide context for these individuals' gathering and attire. The overall atmosphere is casual and appears to be a moment of relaxation among friends or associates within the Mongrel Mob motorcycle club community.

Wellington - Businesses, Stonehams
null

#moe_tahurangi #Kōtuia #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Wellington #undefined

http://api.digitalnz.org/records/47854477/source

A black and white photograph capturing a moment of urban life. A person sits on an improvised seat made from stacked newspapers outside a storefront that appears to be selling various decorative items, including what seems like small Christmas trees in the window display.

The individual is dressed casually with patterned clothing, dark pants, and light-colored shoes; they are hunched over slightly, resting their head on one hand which suggests fatigue or contemplation. The setting includes reflections of buildings across from this scene visible through the storefront's glass windows, indicating a busy urban environment. Above the window display hangs signage advertising "SPECIAL REBUILD DISCOUNT," suggesting that there may have been recent renovations to businesses in the vicinity.

The photograph evokes themes of solitude amidst the hustle and bustle of city life, with an intimate glimpse into personal moments set against the backdrop of commercial activity. The use of monochrome enhances the starkness of this scene, emphasizing textures like the crinkled newspapers and the individual's fabric patterns.

Wellington - Streets, Cuba Mall
null

#Wellington-Streets #CubaMall #Woolworths #moe_tahurangi #Kōtuia #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Wellington #undefined

http://api.digitalnz.org/records/47854779/source

A black and white photo capturing a bustling street scene with multiple people. Two women are prominently featured in the center; one wearing a striped top, plaid skirt, and sandals is walking alongside another woman holding a child dressed in dark clothing. The background shows several individuals seated on benches or standing, suggesting this may be a public gathering area such as a mall's outdoor seating section. A Woolworths store sign indicates commercial activity nearby.

#Queenstown in New Zealand is a resort town on the shore of Lake Wakatipu. The #Maori called it T?huna, meaning shallow bay. It is the perfect location to see many attractions in this area. #NewZealand https://backpackandsnorkel.com/Queenstown/

Wellington - People
null

#Wellington-People #moe_tahurangi #Kōtuia #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Wellington #undefined

http://api.digitalnz.org/records/47854124/source

The black and white photograph depicts an individual with a solemn expression, gazing off to the side. The person wears what appears to be traditional attire: a knit cap or head covering made from light-colored yarn, which sits loosely on their head. Beneath this garment is visible a patterned scarf around the neck, possibly silk due to its texture and way it's tied in front of them.

The individual also has on dark clothing that includes what seems like a jacket with a high collar; however, only part of one shoulder appears exposed, revealing layers underneath such as a sweater or other warmer attire. The background is nondescript but suggests an indoor setting due to the vertical lines and light source suggesting windows or a similar structure.

The image carries historical connotations given its monochromatic palette and style, which may indicate it's from past decades when color photography was less prevalent in everyday use for individuals not within professional contexts. The person’s expression is serious and contemplative, adding an emotional depth to the photograph that prompts reflections on their possible life story or situation.

It seems like a photo taken with significant intent capturing more than just an individual but also attempting to tell a broader narrative through this portrait alone.

𝗪𝗜𝗞𝗜𝗣𝗘𝗗𝗜𝗔'𝗦 𝗙𝗘𝗔𝗧𝗨𝗥𝗘𝗗 𝗔𝗥𝗧𝗜𝗖𝗟𝗘

✧ Ovalipes catharus ✧

Ovalipes catharus, commonly known as the paddle crab, swimming crab, or pāpaka in Māori, is a species of crab found in shallow, sandy-bottomed waters around the coasts of New Zealand, the Chatham Islands, and uncommonly in southern Australia. This species is an opportunistic, aggressive, and versatile feeder active mostly at night, preying pred...

#ChathamIslands #Australia #Māori #Wikipedia
https://en.wikipedia.org/wiki/Ovalipes_catharus

Man arrested after police raid uncovers 820kg of allegedly stolen pounamu

A man has been arrested after police raided a property in Dunedin and found 820 kilograms of allegedly…
#NewsBeep #News #Headlines #crime-and-justice #dunedin-otago #maori-issues #NewZealand #NZ
https://www.newsbeep.com/286118/

Children, Lyttleton

#Lyttleton #moe_tahurangi #Kōtuia #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Lyttelton #undefined

http://api.digitalnz.org/records/47713229/source

The image is a black and white photograph depicting two young boys. They appear to be outdoors, as suggested by the soft-focus background that hints at an urban environment with indistinct figures of people or objects in motion.

The boy on the left stands taller than his companion, wearing what appears to be a woolen coat typical of mid-20th-century fashion. His posture is upright and attentive, looking off into the distance as if watching something happening out-of-frame.

In contrast, the younger-looking boy on the right has short hair and wears a lighter-colored overcoat with darker trousers or skirt peeking from beneath it. He gazes upward towards his companion's neck, where a small object dangles, which could be a charm or keychain. His expression is one of curiosity or admiration.

Both boys exhibit signs of wear on their coats; the younger boy has noticeable dirt marks on the lower part of his coat, suggesting they have been outdoors for some time and possibly playing outside. The lighting in the photograph highlights the contours of their faces, emphasizing a sense of candidness to this moment captured in time.

The image evokes feelings of nostalgia and innocence, capturing a simple yet poignant childhood memory. Additional context about this particular photo might be found through its citation as being sourced from "Children" by Lyttleton, which could provide historical or biographical details on the subjects [...]

Turangawaewae Marae, Ngaruawahia. From: Maori Portfolio
View of the front part of the wharenui at Turangawaewae Marae that is covered with harakeke mats. In the far corner at left of frame women and children sit around a coffin covered by a cloak. A young girl leans against a pole at right foreground.

#TurangawaewaeMarae #Ngaruawahia #Maori #AnsWestras #Māori #moe_tahurangi #Kōtuia #Buildings #Lyinginstate #Grief #women #photographicgelatin #photographicpaper #silver #mountingboard #gelatinsilverprints #worksofart #groupportraits #Contemporary #Ngāruawāhia #undefined