Lmst

Fast Easy Nonogram 25x25 Solve #3817

🧩 Nonogram Puzzle Extra Large 25x25 Grid | Easy Difficulty

Watch as we solve this challenging #nonogram puzzle step by step! This 25x25 grid puzzle is perfect for easy Puzzle solvers.

📊 Puzzle Details:
• Grid Size: 25x25
• Difficulty: Easy
• Category: Extra Large Nonogram

#nonogram #picross #griddler #puzzle #brainteaser #logicpuzzle #globeasiaaustralia #globeasiaaustralias #globeasiaaustralianonogram #non...

https://www.youtube.com/watch?v=dPBGoidCokc

Son of tenant farmer hanging up strung tobacco inside the barn. Shoofly, Granville County, North Carolina

#Shoofly #GranvilleCounty #NorthCarolina #non-Latin #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017772391/

The image is a black and white photograph depicting an individual lying down with their legs wrapped in what appears to be tobacco leaves, which are commonly used for smoking. The person's head is not visible within the frame of the photo. They seem to be situated on wooden beams or supports, possibly inside a barn or similar structure.

The setting suggests that this could be related to agricultural work involving tobacco cultivation and processing. The individual may have collapsed due to exhaustion or fatigue from labor-intensive tasks associated with handling heavy materials such as dried leaves or other forms of crop matter.

In the lower part of the image, there's handwritten text in a non-Latin script, which appears to read "Tobacco-8." This might be an indication that this photograph is part of a series documenting tobacco-related activities. The reference provided mentions Son of tenant farmer hanging up strung tobacco inside the barn and provides further context for understanding the image.

Overall, this picture captures a moment in agricultural life where manual labor likely plays a significant role, with potential implications on health and working conditions.

¡Buen día!
El #HoyNoCircula para el 1er sábado de enero en la #ZMVM es para los vehículos con HOLOGRAMA 1 terminación de placas #NON, HOLOGRAMA 2 y foráneos.
Los hologramas 0 y 00 quedan EXENTOS. 🚕🚗🚘🚙🚛🏍🚚

‘ Can there be an equality between genders?
Or is “equality of the genders” oxymoronic, making any fight for the equality of the genders self-defeating? Gender implies class, and class presupposes inequality. Fight rather for the deconstruction of gender it would get to the same place much faster.’

—Kate Bornstein, “Gender Outlaw”, p. 113

#queer #gender #agender #non-binary

Apollo Vegeto Non-Stick Mat Review: Mükemmel pişirme deneyimi!

Apollo Vegeto Non-Stick Mat Hakkında
<p>Apollo Vegeto Non-Stick Mat, pişirme ihtiyaçlarınız için ideal bir seçim olabilir mi? Bu ürünün ne gibi avantajları ve dezavantajları var?</p>Avantajlar
• Non-stick yüzeyi sayesinde kolay temizleme
• Pişirme sırasında kızarmayı önler
• Çok dayanıklı ve uzun öm...

🔗 https://userreview.net/en/content/apollo-vegeto-non-stick-mat-review

#Apollo Vegeto #Non-Stick Mat #Pişirme

Farm machinery drawn under cover of old tobacco barn. Person County, North Carolina

#NorthCarolina #NorthCarolina’s #non-Latin #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017772605/

The black and white photograph captures a rural scene featuring an old tobacco barn with wooden rafters extending over the top. Underneath, there's an assortment of farm machinery including what appears to be tractors or farming equipment partially concealed by tall grasses and weeds in the foreground. The setting suggests this photo was taken on a working farmland surrounded by trees indicative of North Carolina’s countryside. There are inscriptions at both sides of the image with non-Latin script, likely providing additional context regarding the location or subject matter within the photograph.

Three children standing on a sidewalk, Chinatown, San Francisco between 1896 and 1906.
Genthe, Arnold, 1869-1942
1 negative : safety ; 5 x 7 in. or smaller.

#Chinatown #SanFrancisco #Arnold #Chinese #EastAsian #third #non-EastAsian #Children #City&townlife #photography

https://www.loc.gov/item/2018705153/

This black and white photograph depicts three children standing on a sidewalk, likely within the Chinatown district of San Francisco during the late 1800s to early 1900s. The scene is set against an urban backdrop with storefronts displaying signs in Chinese characters.
The child on the left appears dressed warmly in what seems like traditional East Asian attire, including a wide-brimmed hat and layered clothing, holding onto another object that might be related to play or work. The middle child also wears similar clothing but lacks accessories such as hats and is interacting with one of their companions through either touch or speech.
The third child on the right stands apart from his peers, possibly in casual streetwear indicative of a non-East Asian cultural background. This individual seems engaged with something off-camera to their left-hand side, likely observing an activity outside the frame's view.
The overall atmosphere is that of everyday life during this historical period within Chinatown, capturing the essence and diversity found among urban communities at the time.

@mattblaze #Illegitimi #non #carborundum.

Les fêtes et la toxicité relationnelle…

Le 25 décembre de cette année a été très intense pour moi.
J’ai pris la décision de poser des limites qui jusqu’à maintenant me semblaient négociable, je prenais sur moi quitte à faire des crises en privée après et cette fois ci j’ai dit non.
J’ai dit non à un énième manque de respect.
J’ai dit non à un manque de transparence.
J’ai dit non à une tentative de transfert de responsabilité.
J’ai dit non à la transformation d’une réalité en un espèce de fardeau émotionnel.
Cela a engendré une explosion de mots, un demasking d’une violence inouïe, une colère qui exprime un visage caché.
Et j’ai compris
Que ce n’était pas dans ma tête.
Que j’étais jugé.
Que je n’étais pas accepté tel que je suis réellement.
Que tout non conformisme était un prétexte à me critiquer.
Que ce n’était plus de l’empathie qu’on attendait de moi c’était de m’adapter, de me soumettre à une toxicité relationnelle .

Ça a été si flagrant. Si brute.
Que l’autre personne en a balbutié.
J’ai dissocié et face à la lucidité de mes alter sur la maltraitance psychologique et mentale en cours l’autre n’a pu que changer de discours.

Trop tard.
Le voile de l’illusion avait été levé.
J’ai vu son âme en souffrance.
J’ai vu son humain ancré dans la haine et le déni.
J’ai choisi que ce n’était pas, (plus devrais je dire) de ma responsabilité de porter la charge de sa prise de conscience, de lutter pour une évolution de son comportement, de nourrir son énergie au détriment de la mienne.
J’ai posé mes limites, j’ai dit non, j’ai dit stop et j’ai assumé.

Depuis cette personne a tenté différents subterfuges auprès de Papa Nounou pour garder une main mise, un contrôle, une présence imposée non désiré dans ma vie.
Cela a été intense, brutal.
Papa nounou aussi a dit non.

Alors je me suis sentie en sécurité pour la première fois, la sécurité profonde du savoir que ma sécurité émotionnelle, psychologique et mentale compte autant que ma sécurité physique.
Que je ne serai pas critiqué, jugé, attaqué d’avoir choisi de me protéger. Je serai même protégé d’autant plus d’avoir fait ce choix.

Depuis j’ai des levées traumatiques liés à cette personne. Chaque fois que je cherche à porter la culpabilité d’avoir su dire stop je revois images, phrases, souvenirs de toute ces fois où j’avais dit non, où j’avais dit stop, où j’avais expliqué mes limites, où j’avais demandé du respect, du temps et toute ces fois où on m’a pas écouté.
Toute ces violences qui se sont accumulé mais qu’au nom de mon autisme on a justifié et perpétué comme si c’était moi l’inadapté, moi pas assez soumise à des règles dite de tradition.

Pour moi ça a été un choc, après 24 jours de partage qui m’avait demandé beaucoup d’adaptation mais dont j’étais très fière, après des mois à faire face à un nombre incalculable d’imprévus, après un mois de décembre à conscientiser un Noël de plus dont la magie serait alternative disons, après avoir survécu à une année à relativiser les destructions qui auraient été suffisante pour m’empêcher d’être heureuse de mon tendre petit comité et organisation de Noël.

Le 25 a été un fracas.
Depuis je pleure beaucoup, je me sens en hypervigilance, je témoigne d’une résurgence de mon trouble de stress post traumatique pour et a cause d’une accumulation de comportement inadapté envers une autiste, envers un être humain.
Aucun lien filial, famillial ne justifie de perpétuer un comportement qui atteint la sécurité et la stabilité d’autrui.

Aujourd’hui si je choisi de témoigner c’est parce que ces larmes qui me brûlent les joues sont le cadeau de la liberté. De la libération d’un schéma qui a trop duré.

Et si vous aussi vous avez fait ce choix cette année, ou que vous pensez le faire, je vous envoie beaucoup d’amour et de tendresse dans cette épreuve.

Prenons soin de nous, de notre entourage.
Soyons bienveillants et dans la compassion.

Et pour tout les accompagnants, les amoureux, les amis, les aidants, les soutenants merci d’être là pour nous.
Votre soutien nous aide dans ces épreuves car vous êtes le modèle de nos reprogrammations déprogrammante.
Grâce à vous on apprends qu’on peut être aimé et respecter tel que l’on est.
Grâce à vous on apprends qu’une relation c’est ensemble pas l’un au dessus de l’autre.
Grâce à vous on découvre que l’amour c’est pas conditionnel sinon c’est une transaction, un contrat.
Grâce à vous on découvre les relations saines.

Et pour nous tous, rappelons à qui a besoin de ce rappel qu’iel mérite d’être heureux, d’être aimé, d’être respecté.
Et si c’est toi qui a besoin de ce rappel, alors voila tu mérites d’être aimé car tu es déjà assez ❤️🙏🏽✨🥹

Schae
🍄🙏🏽🥹

#actuallyautisticfr #toxic #relationship #relationships #limites #autism #violence #vulnerability #stop #non #securities #family

Author(s): yoder
Title: Puzzlebox
Solve the puzzles to escape the box!

https://www.slipseer.com/index.php?resources/puzzlebox.279/updates

#exploration #non-combat #puzzle #short #slipseer #quake

#Superman #GeneralZod #Ursa #Non #PhantomZone #DCComics #Krypton

Three people inside an enclosure with a transparent rectangular end cosplaying General Zod, Ursa & Non

@77nn la questione non è #smartphone sì/no. La questione è essere obbligati ad usare sistemi #proprietari, #non-standard, legandosi mani e piedi ad uno ed uno solo fornitore. Straniero, per di più!
Sono critico anche sulla #CIE perché abolito lo #SPID diventerà un unico enorme #SingoloPuntoDiRottura (#SinglePointOfFailure): se #CIE si ferma si ferma l'intera nazione!
@Steutt @BucciaBuccia @quinta @informapirata

Il existe des parfums mixtes (sans genre) chez adopt, j'en ai commandé je vais du coup les essayer #non-binaire

Yakotlus--Quatsino c1914 November 13.
Curtis, Edward S., 1868-1952
1 photographic print. | Yakotlus, Kwakiutl man, head-and-shoulders portrait, seated, facing right.

#Quatsino #Curtis #EdwardS #Kwakiutl #NativeAmerican #Yakotlus #EdwardSCurtis #theUnitedStates #EdwardSCurtis #America #non-European #1910-1920 #BritishColumbia #KwakiutlIndians #Noseornaments #Yakotlus #undefined

https://www.loc.gov/item/2003652757/

The image is a black and white photograph depicting an elderly man with visible signs of aging. He has deeply furrowed lines on his face, prominent cheekbones, and deep-set eyes that convey a sense of wisdom or contemplation. His hair appears to be gray, short in length, and slightly unkempt. The man's beard is also grey but fuller than the rest of his facial hair.
He wears what seems to be an indigenous woven garment with a fur collar around his neck, suggesting cultural attire possibly from Native American tribes. One hand rests on top of this garment while another supports him as he sits down, which gives the impression that he may have mobility limitations or is simply in a relaxed position.
The background is indistinct and dark, drawing all attention to the man's face and upper body. The lighting accentuates his facial features prominently against the shadowed backdrop, highlighting textures such as wrinkles on his skin and fibers of his clothing. There are no additional discernible objects or scenery elements within this composition which makes it a focused portrait.
The photograph is credited with information about Yakotlus--Quatsino c1914 November 13, indicating that the person portrayed may be from an indigenous community referred to as "Yakotlus" possibly known today under another name and documented in late November of 1914. It also mentions Edward S. Curtis (1 [...]

PORTO D'ANZIO

#PORTO #Porto #Italian #RoggieCanberrini #non-Latin #VPannelli-Roma #Lazio #Anzio #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC036121

The illustration depicts a picturesque seaside scene, likely intended as a postcard. The sky is painted with warm hues of orange and yellow, suggesting either sunrise or sunset over the horizon where a body of water can be seen meeting the skyline. In the foreground, there's an expanse of sand leading to what appears to be shallow waters near the shorelines, marked by wooden poles sticking out from the ground.

To the right stands a prominent building with classical architecture features such as columns and pediments, likely indicating its importance or function within this setting. To the left is another structure with a distinct roof that could suggest it's part of an industrial area adjacent to the port.

Across the image runs text in cursive handwriting, possibly adding descriptive commentary about the scene depicted or conveying personal thoughts from someone who visited Porto d'Anzio and sent this postcard as a keepsake. The handwritten note is bilingual, alternating between Italian ('Roggie Canberrini') and what appears to be a non-Latin script which could represent another language.

The artist's signature 'V. Pannelli - Roma', indicating the illustrator or photographer who captured or created this piece, can also be identified within the image.

The #problems with #idioms for #non-native speakers (and even #native #speakers from #different #regions)

https://theconversation.com/the-trouble-with-idioms-how-they-can-leave-even-fluent-english-speakers-behind-271681

Back (late) again with my monthly reminder to challenge racism against Desis of all groups & religions. As politicians, publications are joining in this racist frenzy against Indians at a shocking pace, please spread awareness & get your white/non desi friends & family to support/speak up for us.
#Indians #non #MastIndia #MastodonIndians #India @mastodonindians
https://reddit.com/r/ABCDesis/comments/1psbyr1/back_late_again_with_my_monthly_reminder_to/

The Buyer | Emma Hodges: choice & quality matter more than ever in no & low

While mindful drinking trends are certainly influencing demand, I often look at this category from a different and often overlooked perspective: the people who cannot drink alcohol at all. Health conditions, medication, or medic…
#dining #cooking #diet #food #Wine #bolle #emmahodges #no&lowalcohol #non-alcholic
https://www.diningandcooking.com/2437526/the-buyer-emma-hodges-choice-quality-matter-more-than-ever-in-no-low/

The Buyer | Emma Hodges: choice & quality matter more than ever in no & low

While mindful drinking trends are certainly influencing demand, I often look at this category from a different and often overlooked perspective: the people who cannot drink alcohol at all. Health conditions, medication, or medical advice may rule alco…
#wine #Wine #bolle #emmahodges #no&lowalcohol #non-alcholic
https://www.diningandcooking.com/2437526/the-buyer-emma-hodges-choice-quality-matter-more-than-ever-in-no-low/

¡Buenos días! 🌞 El programa #HoyNoCircula en el 3er sábado de diciembre en la #ZMVM es para vehículos con HOLOGRAMA 1 terminación de placas #NON, TODOS los HOLOGRAMA 2 y placas foráneas. 🚕🚗🚘🚙 #FelizSábado

#n%C3%B3n

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