#requiem

John  RUTTER  Requiem

B. BRITTEN  Messe brève
M. RAVEL  Pavane, Tombeau de Couperin (extraits)

dimanche 22 juin, 16h et mardi 24 juin, 20h

Église Notre-Dame des Blancs Manteaux
12 rue des Blancs-Manteaux, 75004 Paris

Nathalie Gauthier, soprano
Ensemble Chorus 14

Jorris Sauquet, orgue
Direction Dominique Sourisse

Réservation : chorus14.net/ecouter-voir/conc

#musiqueclassique @classicalmusic #Rutter #requiem #Britten #BlancsManteaux #Ravel #choeur

John  RUTTER  Requiem

B. BRITTEN  Messe brève
M. RAVEL  Pavane, Tombeau de Couperin (extraits)

dimanche 22 juin, 16h et mardi 24 juin, 20h

Église Notre-Dame des Blancs Manteaux
12 rue des Blancs-Manteaux, 75004 Paris

Nathalie Gauthier, soprano
Ensemble Chorus 14

Jorris Sauquet, orgue
Direction Dominique Sourisse
2025-06-16

[SGF preview] Resident Evil Requiem is the survival horror jolt we all need
I was in the room where everyone was freaking out about Resident Evil 9
sidequesting.com/2025/06/sgf-p
#Previews #SummerGameFest #capcom #preview #requiem #ResidentEvil #ResidentEvil9 #ResidentEvilRequiem #SGF #SummerGameFest

2025-06-09

Weird #TTRPG question:

Has anyone here ever played 2004 #WorldOfDarkness (later called #ChroniclesOfDarkness)?

Before I cause any confusion, I am NOT talking about #Vampire (#Masquerade OR #Requiem), #Mage (either #Ascension OR #Awakening), or Werewolf.

I am talking about the book shown below. Where you played normal humans who stumbled into a horror story (becoming stuck in a #StephenKing novel might be a good description) and became aware of the supernatural.

#WhiteWolf

The front cover for an twenty year old rpg book called World of Darkness. This was the introductory rpg rulebook for the rebooted World of Darkness, which almost everyone hated. It was later rebooted into Chronicles of Darkness, only to be received with indifference instead of hate.
Carlos Silvacarlos_silva_pe
2025-06-07

A Capcom exibiu o primeiro trailer do jogo no evento, revelando o título e detalhes iniciais. A empresa, inclusive, já lançou um site oficial com informações do título e perfis nas redes sociais da franquia divulgaram o slogan “Réquiem para os mortos. Pesadelo para os vivos.”, destacando a atmosfera de terror do novo game.

adrenaline.com.br/games/reside

GameOPSgameops
2025-06-07

It’s official! Resident Evil 9: Requiem has been revealed at Summer Game Fest. New heroine, haunting story, and a bold new direction. Coming Feb 2026! Are you ready to return to the nightmare?

gameops.net/2025/06/resident-e

2025-05-25

Wer das auch haben will, der beste Zweitchor #Hannovers führt das #Mozart #Requiem auf. Leider am CSD-Wochenende.

Flyer zum Konzert von Brutal Vokal. Requiem (Mozart | Süßmayr | Ostrzyga).

Am 7. Juni 18 Uhr in Uetze (Johannes der Täufer Kirche)
Am 8. Juni 15 Uhr in Laatzen (Ev. Luth. Immanuelkirche)
PV Prutting-Vogtareuthpvpv@katholisch.social
2025-05-10
PV Prutting-Vogtareuthpvpv@katholisch.social
2025-05-07

Wann ich beim #Requiem weine

Arbeit war sein Leben, er schuf getreulich für die Seinen. Auch nach dem Hausbau war er am liebsten in seiner Werkstatt.

Im Haus und auf dem Hof fanden ihre fleißigen Hände immer etwas tun. Ihre ganze Liebe galt dem Garten.

2025-05-05

Ominous Ruin – Requiem Review

By El Cuervo

I’ll be the first to admit that technical death metal is not my forte nor favorite. As much as I love death metal in its many stripes, I disapprove of how tech death often relies on blistering speed and technical showmanship rather than focusing on songwriting. But a nod from the immortal Willowtip Records and nine tracks across just 40 minutes makes for what should be a tidy slice of metal on Requiem by San Francisco’s Ominous Ruin. With just one full-length and a smattering of demos prior, Ominous Ruin are a band in ascendancy. Do they continue with Requiem?

It makes for a distinctly intense experience as it blends stomping rhythms, nerdy technicality, and trilling flourishes into an album that proudly sits in the death metal camp but that also has a foot over the melodic line. Ominous Ruin execute this sound with the ridiculous level of instrumental skill typical of tech death, including a top-drawer lead guitarist who forces me to re-assess how good I am at anything in comparison to him. Likewise, the powerful vocalist scrapes the sewer’s bottom with her guttural vox. It all contributes to a significant volume of content that moves so quickly that I was scarcely able to keep up with my notes. It’s difficult to appreciate many of the component passages; like an F1 car, when you attend a race, it’s impossible to admire the skill and craftsmanship in their design when they pass at 220 miles per hour.

Ominous Ruin commit the cardinal sin committed by most tech death bands: brick-walling the master.1 While extremely energetic, tech death is a style that suffers from a lack of musical dynamism, given its constant speed and maximalist approach. If one makes the decision to also limit the master’s dynamism it traps all that energy into a tiny space that drains what little dynamism already exists in the music. The result is that large chunks of Requiem struggle to distinguish themselves from each other. This is compounded by riffs that, while solid, generally fail to make me bang my head. The acrobatic, speedy leads are basically fine but repetitive and unremarkable (“Staring into the Abysm”). By contrast, the mid-paced closing lead on “Architect of Undoing” stands out as more groovy and powerful. Its slower riff works well to counterpoint the preceding faster riffs.

I generally dislike signposted intro/outro/interlude tracks that stand apart from the main songs. I especially dislike those with unimaginative descriptions instead of titles (“Opening” or “Interlude I” for example); it usually connotes a rote album of uninspired material. Sadly, Requiem is saddled with a separate introduction titled “Intro.” Happily, Ominous Ruin are a little more inspired than many tech death bands. Their greatest strength is how they stack layers of melodies to construct surprisingly ornate compositions. They almost sound like Ulcerate in places where they knock the music off-kilter (“Eternal” and “Architect of Undoing”). The compositions belie a group that doesn’t just want to write songs that sound like a queue of riffs. But, besides the well-demarcated interludes, the music is so undynamic that it takes real diligence to pierce the heaviness and appreciate the smart ways they deploy harmonies, melodies, and counter-melodies.

It takes truly exceptional tech death to excite me, and Requiem is not truly exceptional. Mileage may vary for tech death nuts, as I acknowledge the real artistry in how Ominous Ruin piece together knotty compositions through layers of melodies and counter-melodies. But the real killer is the boxy production that constrains the dynamism that’s already limited by the everything-everywhere-all-at-once style favored. The heavy passages, and even most of the light passages scattered throughout, sound repetitive. It’s therefore difficult to score Requiem any higher than average.

Rating: 2.5/5.0
DR: 5 | Format Reviewed: 320 kbps MP3
Label: Willowtip Records
Websites: ominousruin.bandcamp.com | facebook.com/ominousruin
Releases Worldwide: May 9th, 2025

#25 #2025 #AmericanMetal #May25 #OminousRuin #Requiem #Review #Reviews #TechnicalDeathMetal #Ulcerate

2025-05-04
2025-05-02

Das für den 8. Mai terminierte feierliche #Requiem für #PapstFranziskus im Hohen Dom ist auf den Mittwoch, 7. Mai vorverlegt worden!

#BischofBertram wird dem um 19 Uhr beginnenden Trauergottesdienst vorstehen. Dieser wird im Livestream auf www.bistum-augsburg.de und bei katholisch1.tv übertragen.

Mit der Terminänderung kann an diesem Tag, an dem im Vatikan die Wahl des neuen Papstes beginnt, zugleich für ein gutes Gelingen des Konklaves gebetet werden.

Außerdem wird den Gläubigen somit die Möglichkeit gegeben, am darauf folgenden Tag an den abendlichen Veranstaltungen der Stadt Augsburg anlässlich des 80. Jahrestages des Kriegsendes teilzunehmen.

Am Tag des Requiems werden zudem im gesamten Bistumsgebiet die #Glocken zum Zeichen der Trauer um den verstorbenen Papst läuten. Dieses Trauergeläut beginnt am 7. Mai um 18.45 Uhr und dauert eine Viertelstunde.

Küppi UltrasKueppiUltra
2025-04-29

Keinen Fuß in der Tür aber einen Stuhl davor. Friedrich @kueppersbuschtv.bsky.social auf über das Treffen ohne bei dem für im .

youtu.be/IEIsMXnKcvc?si=Jbz_Gj

Client Info

Server: https://mastodon.social
Version: 2025.04
Repository: https://github.com/cyevgeniy/lmst