#typography

joostmarcellisjoostmarcellis
2026-01-27

2026-01-27 still working on this I like that it wobbels all over the place without anoying me, I hope people get the irony.

“But they started it and it is for your own safety. You got nothing to hide. Die you see what they did? We had no other choice.”

Empty frases used to justify despicable behaviour

2026-01-27

Say Hello to the Cattivo Font Family by Moritz Kleinsorge of Identity Letters weandthecolor.com/cattivo-font

Identity Letters delivers a "border-resistant" slab-serif that blends Spaghetti Western grit with sharp, modern precision. With 18 styles and independent italics, it’s the ultimate typographic tool for your next creative Gold Rush.

#font #typeface #typography

Identity Letters delivers a "border-resistant" slab-serif that blends Spaghetti Western grit with sharp, modern precision. With 18 styles and independent italics, it’s the ultimate typographic tool for your next creative Gold Rush.
Kerrick Long (code)kerrick@ruby.social
2026-01-27

Recently I learned you can use #RDoc in your #RubyGem description, and rubygems.org will render it as HTML!

Unfortunately, their CSS reset gets the better of it. But not for long, if this PR gets merged: github.com/rubygems/rubygems.o (before/after screenshots included)

Here's to @st0012 and his fabulous work on Aliki that made this easy!

#Ruby #UX #WebDesign #Design #Typography

Jason CranfordTeaguejct
2026-01-27

Typography Is About Understanding, Not Readability

"Ask most designers what the goal of good typography is, and they will likely respond without much thought: “it’s about legibility and readability.” I beg to differ."

medium.com/@cranfordteague/702

Jason CranfordTeaguejct
2026-01-27

Typography Is About Understanding, Not Readability

"Ask most designers what the goal of good typography is, and they will likely respond without much thought: “it’s about legibility and readability.” I beg to differ."

medium.com/@cranfordteague/702

Mike-麥-Mai-v1.618 😎mikemai2awesome
2026-01-26

in case you missed my talk Tiny CSS, Big Impact at a11yTO or Portland Accessibility and User Experience Meetup, i've turned it into an agent skill. you don't have to be a robot to use this, you can just read the readme with examples from my talk, but you may add it to your AI agent if you wish.

skills.sh/mikemai2awesome/agen

🔏 Matthias Wiesmannthias
2026-01-26
Couverture du livre «La typographie suisse»Helvetica (haut) vs Univers (bas)Example d'illustration du Livre la Typographie Suisse.
2026-01-26

Retype has a series of quality revivals of type found in books, signs and many other places—worth browsing #typography

RE: https://bsky.app/profile/did:plc:hi326y3garaxktjeopna44uq/post/3m4uydmg52k22

Jecturejecture
2026-01-26

"Font choices might seem trivial, but they matter. They affect how easily people can read and comprehend information..." - The US State Department’s Font Flip-Flop: lflegal.com/2026/01/font-flip-

msakmsak
2026-01-26

Hello ! 👋

I'm Masaaki Morishita, a Type Designer with a deep love for and .

I’m the founder of 0xType, where I craft fonts:
⌨️ 0xProto: A high-legibility font for programming.
📐 Zx Gamut: A geometric variable font.

Looking to connect with fellow developers, designers, and open-source enthusiasts!

0xProto: A high-legibility font for programmingZx Gamut: A geometric variable font
Old map of Avondale Square estate

#Outside #Typography
Photograph of an old, light grey, scuffed and scratched relief map of the Avondale Square estate map.  Top left is the City of London crest (roughly St George cross, two winged lions, winged helmet with leaves) and the motto "DOMINE DIRIGE NOS" ("Lord guide us").  Top right is a sculpted relief map of the various buildings (in cream) with olive green grass.  Bottom half says "CORPORATION of LONDON" and "AVONDALE SQ" in what seems to be the Gill Sans font.
2026-01-26

TIL about another book for learning #typography! www.insideparagraphs.com

Cover of "Inside paragraphs: typographic fundamentals" by Cyrus Highsmith

Cover is in red and black with the letters 'e' and 'a' forming an abstract design. The counters are filled with red; and the negative space forms a white shape between the two letters. The rest of the type is white (title) reversed out of the black. The author's name is in red. 

A colophon reads:

"The body text in this book is set in Ibis Text. The headings are set in Scout. Both Ibis and Scout are original typeface series drawn by Cyrus Highsmith, available from Font Bureau. The captions were hand-lettered. 
   The book was designed by Cyrus Highsmith with help from Kent Lew. They used Adobe InDesign."
Aaron Brick — אהרן בריקaarbrk@mstdn.mx
2026-01-25

Does anyone recognize this buglike dingbat?

A female master basketmaker of the Chumash culture, working at the Mission San Buenaventura about 1817, coiled the basket from natural and dyed Juncus. I think I know who she was, but not sure yet. The all-caps text is in Spanish, likely composed by one of the missionaries.

Source and photos: collection.kunstkamera.ru/en/e

#typography #design #symbol #weaving #craft #california #venturacounty #mission #history

Close-up of part of a text inscribed in the material of a woven basket. The dingbat separates the end of the text from its beginning and has four sinuous arms emanating from a central teardrop shape.

Typography on Pencils, 1-5.

no.lastname.nz/post/2272977

Justin (koavf)🌻🍉🇪🇭🌿koavf@lemmy.ml
2026-01-25

Typography on Pencils, 1-5.

lemmy.ml/post/42183145

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