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𝐅𝐀𝐒𝐇𝐈𝐎𝐍 𝐃𝐄𝐒𝐈𝐆𝐍 - 𝐎𝐧𝐞 𝐂𝐨𝐮𝐫𝐬𝐞, 𝐄𝐧𝐝𝐥𝐞𝐬𝐬 𝐏𝐨𝐬𝐬𝐢𝐛𝐢𝐥𝐢𝐭𝐢𝐞𝐬...!

A journey filled with colours, creativity & confidence begins here.

Course Details - https://wifd.in/advanced_diploma_course_in_fashion_designing

Greetings,
Waves Institute of Fashion Designing
📞 +91 9747375599
🌐 https://wifd.in

#fashiondesigning #wifd #calicut #designyourdream #admissionsopen2025 #studyfashion #womendesigners #kozhikode #creativecareers #girlsinfashion #fashioncollege #fashioninstitute #fashioneducation #kerala

𝐅𝐀𝐒𝐇𝐈𝐎𝐍 𝐃𝐄𝐒𝐈𝐆𝐍 - 𝐎𝐧𝐞 𝐂𝐨𝐮𝐫𝐬𝐞, 𝐄𝐧𝐝𝐥𝐞𝐬𝐬 𝐏𝐨𝐬𝐬𝐢𝐛𝐢𝐥𝐢𝐭𝐢𝐞𝐬...!

A journey filled with colours, creativity & confidence begins here.

𝐖𝐚𝐯𝐞𝐬 𝐈𝐧𝐬𝐭𝐢𝐭𝐮𝐭𝐞 𝐨𝐟 𝐅𝐚𝐬𝐡𝐢𝐨𝐧 𝐃𝐞𝐬𝐢𝐠𝐧𝐢𝐧𝐠 invites you to step into a world where your passion turns into a profession.

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Design your future with WIFD at Providence Women's College.

Fine day! Hansje van Halem's paper archive has been collected to be placed in the UvA library stacks and made accessible for research.
#HansjevanHalem #womendesigners
#designarchives #allardpierson #universiteitvanamsterdam

Varvara Stepanova, Книга и революция (The Book and the Revolution), 1929 and 1930.

Often mentioned only alongside her husband, Alexander Rodchenko (whose photography was used here), Stepanova was an accomplished artist in her own right. She designed the covers and interiors of this journal of politics, culture, criticism, and bibliography.⁠

#VarvaraStepanova #WomenDesigners #Constructivism #Lettering #Russian #GraphicDesign #1920s

Magazine cover with purple and brown ink on foxed cream paper. The title is set above a monochrome photograph of a city square printed in purple. Geometric patterns surround the title and photograph.

Magazine cover with purple and yellow ink on cream paper. The title is set above a monochrome photograph of canons printed in purple.

Always a real pleasure: visiting Hansje van Halem, whose archive is housed at the UvA/Allard Pierson. And yes: riso printed letters fade easily.
#HansjevanHalem #risoprints #riso #womendesigners #lettering #uva_library #allardpierson

Varvara Stepanova, flyer for "The Death of Tarelkin", 1922.

Often mentioned only alongside her husband, Alexander Rodchenko, Stepanova was an accomplished artist in her own right. Along with this flyer, she also designed the sets for the production. While it’s not known if she designed the costumes for this production, the image is very similar to the geometric clothing she created for other plays.

#VarvaraStepanova #WomenDesigners #Constructivism #Lettering #CostumeDesign #Theater #Russian

Brown paper with rough edges. Printed on the paper is a black figure rendered in geometric shapes and striped clothing. Cyrillic lettering surrounds the figure.

Guerrilla Girls, How Many Works by Women Artists, 1989

#GuerrillaGirls #WomenArtists #WomenDesigners #ProtestPosters #WomensHistoryMonth #1980s #Lettering #Typography

Two color print. Black sans-serif text on white background, reading "Q. How many women artists were in the Andy Warhol and Tremaine auctions at Sotheby's? A. 0". The zero is made up of Andy Warhol's yellow bananas facing each other. Text set in Futura Bold Condensed and Futura Regular.

Hansje van Halem, risograph exhibition posters for Galerie Block C, Groningen, NL, 2016–2020.

In 2021 Hansje van Halem donated a major archive of her work to us. Over 100 pieces are available to view, for free, in our Online Archive: https://oa.letterformarchive.org/?dims=Name_KEY&vals0=VANHALEMHANSJE&friendly0=van%20Halem%comma%20Hansje&sortby=decade

#HansjeVanHalem #WomenDesigners #WomenArtists #Lettering #ExhibitionPosters #Posters #WomensHistoryMonth

Red, yellow and black ink on white paper. The main title is made of swirling organic lines and reads, “Koen Taselaar”.

Horizontal stripes of fluorescent pink, yellow and blue ink on white paper. The main title is made of the stripes combining to form words, “JET VAN OOSTEN”.

Pink, green, yellow and black ink on white paper. The main title is made of jagged lettering resembling broken glass, “BOUKE GROEN”.

Wavy lines and lettering with fluorescent pink, yellow and blue ink on white paper. The main title reads, “JOACHIM SCHMID”.

Omnivore, Lunar New Year posters (Dog, Dragon, Ox, Snake), 2018–2025

Read our interview with three-headed monster, Omnivore https://letterformarchive.org/news/lunar-new-year-posters-by-omnivore/?utm_source=Mastodon. Then catch the Good Luck popup exhibition today or April 4–May 11.

#OmnivoreInc #WomenDesigners #Posters #PosterDesign #LunarNewYear

Poster of a cartoonish dog printed with gold ink.

Poster of an elaborate dragon printed with blue ink. Words like “love, protect, nurture” are entangled in the image.

Poster of a tough looking ox, made of letters and printed in gold ink.

Image of a snakelike line bordered with script letters overlaid on a pink and gold background.

Corita Kent, handle with care, 1967
& Chevrolet newspaper ad, 1966

We’re celebrating Corita Art Center’s new home by sharing some of our latest Corita arrivals. This piece borrowed an advertising catchphrase and gave it a new (religious) meaning by enlarging and distorting the headline for a screen print.

#SisterCorita #CoritaKent #ScreenPrint #Typography #WomenDesigners #WomenArtists #WomensHistoryMonth

Print with green, red-orange, and orange ink. “HANDLE WITH CARE” in a bold stencil type style is in the center of a circle, with “SEE THE MAN WHO CAN SAVE YOU THE MOST” in a distorted sans serif overprinted on top.

At the left, in handwriting is “No time or else a life walking in the dark i met Christ Jesus my heart flopped over and lay still while he passed as close as I'm to you yes closer made of nothing except loneliness. e.e.c.”

Black-and-white reproduction of a newspaper ad with the headline, “SEE THE MAN WHO CAN SAVE YOU THE MOST: YOUR CHEVROLET DEALER” and some ad copy above a photograph of four cars.

Elaine Lustig Cohen (1927–2016), catalog cover for the Holt, Reinhart and Winston, Inc. publishing company, 1965.

Lustig Cohen’s design career began quite unexpectedly. In 1955 her husband, Alvin Lustig, passed away. At 28 years old and with no formal training, she took on the clients and projects that her husband left behind. She soon established herself as one of the leading designers of the 1950s.

More: https://letterformarchive.org/news/this-just-in-elaine-lustig-cohen/?utm_source=Mastodon

#WomenDesigners #Typography #GraphicDesign #ElaineLustigCohen

Letters are arranged to form a tree with small orange owl illustration.

Margaret Kropholler (cover designer), Wendingen, series 10, no. 5-6, 1930.

Margaret Staal-Kropholler, frequently referred to as Margaret Kropholler, (1891–1966) was the first woman in the Netherlands to practice as a professional architect. See more issues of Wendingen in the Online Archive: https://oa.letterformarchive.org/?dims=Periodical&vals0=Wendigen%20magazine&sortby=decade

#Wendingen #MargaretKropholler #WomenDesigners #Architecture #Magazines #Typography #Lettering #DutchModernism #DutchDesign

Cover of a square magazine with brown ink printed on tan paper. The title, “Wendingen” is rendered in multiline rectangular letterforms and sits on large multiline stripes that tarverse most of the surface. Inside one of the stripes’ turns is a smaller text that reads “J F Stall” and “29”.

Back cover of the magazine. The stripes continue along the top and bottom of the page. At the left end of each are the numbers “1925” and “1929”.

Hendrik Wijdeveld, Wendingen, series 6, no. 6, 1924.

Dutch architect Hendricus Theodorus Wijdeveld was the editor and frequent designer of the groundbreaking magazine (named “Upheaval” in Dutch). This issue was devoted to Irish furniture designer and architect Eileen Gray. See more Wendingen covers in the Online Archive: https://oa.letterformarchive.org/?dims=Periodical&vals0=Wendigen%20magazine&sortby=decade

#Wendingen #HendrikWijdeveld #EileenGray #WomenDesigners #Architecture #Magazines #Typography #DutchModernism #DutchDesign #1920s

Cover of a square magazine with a cord binding. The inks are purple and teal, and the title “Wendingen” and “Eileen Gray” are in rectangular, high stroke contrast style with no curves.

Verso page of an inside spread showing photos of Eileen Gray’s furniture designs with captions in Dutch.

Back cover of the magazine repeats the front cover design but in reverse and without the large text. A small line reads, “Meubelen en Interieurs” [Furniture and Interiors].

Influential Graphic Designers You Should Know About Part 4: #JacquelineCasey

https://vm.tiktok.com/ZGdNdUSff/

#GraphicDesign
#MITpress
#WomenDesigners

really hoping this gets funded

Woman at Work: Margaret Calvert
from Unit Editions
#graphicdesign
#womenDesigners
#signage #books

https://vol.co/collections/woman-at-work

cover and pages from book. cover has the road sign for ‘men at work’ but has been changed to reflect a person in a dress. pages show UK road signage

Prefer video?

Great Board Games From Women Designers, Tabletop Bellhop Gaming Podcast Episode 249

We share our top games with women designers, talk about what we've been playing, and review Smug Owls (Runaway Parade) and Decorum (Floodgate Games)

https://youtu.be/RIVlZ0keqWs|

#Podcast #GamingPodcast #Tabletop #TabletopGamingPodcast #WomenDesigners #WomenInGaming #Boardgames #BoardgamePodcast

News seems to be on the way regarding the red mini-book! An even thicker edition? More info coming soon.
#irmaboom #bookdesign #womendesigners

Great Board Games from Women Designers

Tabletop Bellhop Gaming Podcast Ep 248 is live!

We talk about women designers and share our favourite games designed by women.

Reviews this episode:
Smug Owls from Runaway Parade
Decorum from Floodgate Games

https://tabletopbellhop.com/podcast/ep249/

#Boardgames #Podcast #BoardGamePodcast #WomenDesigners #WomenInGaming #WomenInBoardGames #TabletopBellhop

The featured image for the Tabletop Bellhop Gaming Podcast episode 249: Great Board Games From Women Designers featuring a Kallax shelf filled with games featuring women designers.

🧵 2/4
Selection 3. Le Corbusier, Pierre Jeanneret and Charlotte Perriand; Chaise Longue à Réglage Continu; 1928

The 1929 photograph that illustrates the piece for the NYT article shows off the chair in use to the best advantage and succeeds as a work of photography in its own right.

In addition, the photo draws attention to Charlotte Perriand who, as the link below notes, probably deserves more credit than Corbu himself for this design.

This chaise longue also shows how paradoxical modernism can be. In its materials and its ergonomic shape, it breaks decisively with the overstuffed, the chintzy, the historicist; if ever a piece looked like a product of modernity, the LC4 Chaise Longue most definitely does.

Yet at the same time, it is a piece unsuitable for mass production in large quantities, beyond the budget of most, and a challenge for modern apartment dwellers of moderate means: think about the floor space that this seating for one person occupies. In short, it's for millionaires, not the masses.

https://www.heals.com/blog/icons-lc4/#:~:text=The%20LC4%20Chaise%20Longue%20made,the%20French%20branch%20of%20Thonet.

#Furniture #Design #LC4ChaiseLongue #CharlottePerriand #WomenDesigners #LeCorbusier #Modernism

Naming women in the Letterform Archive collection for International Women’s Day: Dutch graphic designer and bookmaker Irma Boom, American psychedelic poster artist Bonnie MacLean, and German writer and book designer Judith Schalansky. #IrmaBoom #BonnieMacLean #JudithSchalansky #WomenDesigners #Books #Posters #Psychedelia #Fashion

It was a joy to work on this piece with Anne Galperin. As soon as I saw her essay on Betti Haft in @BriarLevit’s book I knew we had to expand on the search for @letterformarchive’s blog. (Sadly, nearly all these women were gone before Anne could interview them. Another reminder to talk to elder designers *now*!) https://letterformarchive.org/news/from-the-collection-the-women-of-photo-lettering/

#TypeDesign #WomenDesigners #Phototype #PhotoLettering #Typography

#womendesigners

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