Peace rally
#NZBEFRIENDSTHIEUWHO #Thierry #ThierryDacq #Belgian #Théophile #INDONESIA #Indonesia #Indonesian #Dutch #AnsWestra #moe_tahurangi #Kōtuia #Activists #Banners #Flags #Agedpersons #Women #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #Wellington #undefined
![The black and white photograph captures a moment from what appears to be a political demonstration or peace rally. In the foreground, two individuals hold up signs with messages written in bold handwriting. The person on the left holds an A4-sized paper sign that reads "N.Z. BEFRIENDS THIEU WHO HAS 300.000 POLITICAL PRISONERS," suggesting a stance of solidarity or support for political prisoners associated with Thierry, possibly referring to Thierry Dacq, a Belgian communist revolutionary known as Théophile. The sign on the right says "INDOCHINIAN INSTRUMENTS STANDING UPRIGHT IN INDONESIA 3 STRANGE US OFFICIALS," which seems to be addressing issues related to political prisoners in Indonesia and possibly making an accusation or statement about foreign officials' involvement.
In the background, more people are present; however, their faces and identities aren't clear due to the focus being on the two individuals with signs. One of these figures is holding a large flag featuring a prominent star, indicative of socialist symbols often associated with left-wing political movements. The setting looks like an outdoor area near a building entrance or steps, as suggested by part of a column visible in the background.
The image evokes themes related to political activism and solidarity for political prisoners during what seems to be a significant historical period, potentially linked to anti-colonial struggles or post-colonial [...]](https://files.mastodon.social/cache/media_attachments/files/115/626/660/409/859/040/small/7c9d4733e1abbb90.jpeg)




![A black and white photograph depicting an older man seated on the steps of a classical building, reading what appears to be a newspaper. He is dressed in dark trousers, a light-colored shirt with rolled-up sleeves, a jacket open at the front revealing no tie or vest underneath, suggesting informality. His head is shaved except for short hair on top and he wears sandals, indicative of mild weather or casual atmosphere.
Next to him stands a younger woman leaning against an iron railing leading up to the entrance. She appears in profile view wearing dark trousers with large floral patterns down her calves and sleeves rolled over, revealing a white long-sleeved shirt underneath. Her hair is cropped close to the head but not shaved like the older man's.
The building features stone construction with two windows visible above the steps, one of which has an ornate frame. Prominently displayed beside them on the wall stands a large classical urn or pot atop what seems to be a pedestal, indicative of institutional significance perhaps relating to art and culture given its setting at "National Art Gallery" as suggested by additional context.
The photograph exudes a sense of quiet contemplation and suggests an older generation's engagement with contemporary life through media. The young woman’s presence adds contrast in terms of age and possibly societal roles or narratives being played out simultaneously within the same space, c [...]](https://files.mastodon.social/cache/media_attachments/files/115/597/750/900/376/332/small/f2af9d462bf70409.jpeg)




![The photograph is a black and white, possibly historical snapshot capturing an individual seated on a bench in what appears to be an urban park or public garden. The person, seemingly absorbed in thought while holding reading material—likely a newspaper—is facing away from the camera towards a collection of buildings that suggest either post-war reconstruction or architectural diversity characteristic of many cityscapes.
Behind them is a mix of classical and modernist architecture; prominent among these are structures with columns and neoclassical features, which contrast sharply against more contemporary high-rise edifices. The foreground includes greenery, possibly trees or shrubs that frame the left side of the image, adding depth to this urban tableau.
The setting seems peaceful despite signs of disrepair in some buildings—a partially collapsed roof suggests recent destruction—contrasting with a sense of calm and contemplation conveyed by the person's posture on the bench. The overall atmosphere hints at resilience amidst urban decay or redevelopment. This juxtaposition between tranquil solitude and the surrounding cityscape might be indicative of themes related to personal reflection within the context of broader societal changes.
The photo is attributed to Ans Westra, as noted in a caption provided with an image reference link that directs viewers to further information about this work on Wellington - Post Offic [...]](https://files.mastodon.social/cache/media_attachments/files/115/595/548/851/862/109/small/d860f98cca8811af.jpeg)








