Bordercore: Why frames became the new frontier in contemporary art
by Katie White This article was first published on Artnet (News) on 3 April 2025, and is republished here with the permission of the author. For a century, the frame was meant to disappear. Today, it’s a site of rebellion, narrative, and physical presence. Years ago, the artist Harry Gould Harvey IV came across a fallen black walnut tree in a friend’s yard.