Inspired by geometrical tessellation, Cascadas superimposes countless sonic tiles in infinite Escherian stairway glissandos that play with psychoacoustic illusions. “I built this algorithm by applying distorted harmonic series to temporal relationships instead of thinking it as a mere harmonic-timbral structure. What in pitch sounds like harmonicity, in rhythm turns into a complex polymetry. I love exploring what happens when you translate these kind of phenomena in different domains”.
3/4/2024

An onkyo sensibility on concrete sounds meets algorithmic concatenative music in the works of Aisyha Ramkhelawan. She employs machine listening procedures as a way to explore carefully crafted databases of small sounds, rendering her music-making a cartographic expedition into unknown data regions.
Released on Bandcamp, 24/03/2024

Restless, abiding motion with no real change. This is the vision of reality for Qiu Zhuru Chen, as well as the starting point for Scatter Engine, a record of algorithmic plunderphonics that focuses on a specific kinetic behavior, exploring its psycho-perceptual properties through infinite internal micro-variations.
Released on Bandcamp, 17/03/2024

'When I was a kid I lived near a pond full of frogs. Their croaking was the ordinary soundscape of my childhood. I think my timbral and dynamical sensibility has been largely influenced by the way they modulated sound. This is algorithmic frog music.' – Tamura Kaori
Released on Bandcamp, 22/11/2022

Miniata Synaxis is music for an impossible liturgy, an imaginary gathering of praying monks where the tropes of polyphony have been sabotaged by an exuberant xenharmonic compositional style. These twenty-six miniatures – or rather, ‘vespers’ – have been written for a physical model of an organ Riccardo Ancona designed to be controlled through a live coding environment.

Released on Bandcamp, 28/10/2022

Anneli Kokko’s production revolves around noise tuning, a process she sees as a therapeutic discipline: ‘Whereas most of composers conceive harmony as a sum of elements, I think that as a selection process: a purification. By filtering chaos, it is possible to reach any kind of harmony. My activity is to find and classify the infinite harmonic relationships that can be discovered in the depths of pure noise, tracing gradients of order’.

Released on Bandcamp, 4/10/2022

‘Mark Fell has been an extremely influential artist during my formative years. His conception of time disclosed many creative ideas to deal with rhythmic patterns in algorithmic music; that’s why I decided to dedicate this series of snippets to him. Sharpness, rugosity, and formal unevenness in clear gestalts are what thrills me most as a listener, therefore they have become the prominent features of my approach to microsound’.

Released on Bandcamp, 4 October 2022

Geophaga's works employ algorithmic procedures with the aim of understanding human experiences through a different sonic lens. The same arc made of swarms of ‘digital mosquitoes’ recur over and over through different harmonies, as a persistent thought that intoxicates the senses. ‘Listening to these tracks still makes me very uncomfortable, yet I think they are able to depict the nauseated feeling of waking up every day and not matching your expectations’.

Released on Bandcamp, 4 October 2022

Syntagma is a selection of microscopic compositions stemming from the same algorithmic blueprint.
‘I’ve always been interested in working with such a constrained temporal limit’ – told us Kuhn Kuhn – ‘a lot of things can be expressed by slightly variating few parameters, while keeping the same overall structure among the variations. It is an extremely fascinating process of discovery’.

Released on Bandcamp, 4 October 2022

‘Data murmurs. It is just a matter of directing our attention towards it’. With these words, Ipomea Violacea invites us to listen to her algorithmic fragments, inaugurating the Miniature Recs formula.

Released on Bandcamp, 4 October 2022

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