Mon œuvre « gê » sera diffusée à partir du 20 mars prochain dans le cadre de PLANETA COMPLEJO DIVERSIDAD au Centro de Cultura Digital à Mexico.

My work « gê » will be diffused starting March 20 as part of PLANETA COMPLEJO DIVERSIDAD at the Centro de Cultura Digital in Mexico City.

#JeanVoguet #acousmatique #acousmatic #audio3D #ElectronicMusic #music #MusiqueAcousmatique #AcousmaticMusic #géophonodésie #geophonodesy
@acousmatic
@composers
@ContemporaryMusic
@MultichannelMusic
@electronicmusic

OPEN CALL 2026 >> @dirtydealaudio Dirty Deal Audio + Laidi Palace >> Immersive Music and Performance Residency.
https://www.dda.lv/posts/open-call-2026-dirty-deal-audio-laidi-palace-immersive-music-and-performance-residency-deadline-29032026
Deadline: 29.03.2026

#indream #DirtyDealAudio #acousmatic #3daudio #ElectronicMusic #music #MultichannelMusic #AcousmaticMusic #electroacoustic #ambisonic
@acousmatic
@composers
@MultichannelMusic
@ContemporaryMusic
@electronicmusic

@elytres Dans une sidération certainement comparable, j'avais composé la Station 07 de « l'Odyssée »
https://bandwagon.fm/687d32d240a48521145f2f31

Il y a quinze ans, la catastrophe de Fukushima semblait mettre un point d'arrêt au nucléaire civil (au moins au Japon).
Dans la sidération et pour combattre cette dernière, j'ai alors composé la première pièce de ce diptyque : https://tytoalba.bandcamp.com/album/ikarusu-villes-fant-mes
#Fukushima #Nuclear #Acousmatique #Electroacoustic #ExperimentalElectronicMusic

From what I've observed, people who claim that LLMs can replace artists don't understand art, people who claim that they can replace musicians don't understand music, people who claim that they can replace writers don't understand literature, and people who claim they can replace translators don't rely on translations. If I had a button that would erase LLMs from the world but it would take machine translations away (which is a false dichotomy anyway), I would absolutely still press it.

Attached is the spectrogram of the first part of « Critical Zone », my new acousmatic volumiphony (32channels). I hope to finish this geophonodesy by the CRANE lab's « Rencontres Acousmatiques 2026 ».

#JeanVoguet #acousmatique #acousmatic #volumiphonie #Volumiphony #3daudio #audio3D #ElectronicMusic #music #MusiqueAcousmatique #AcousmaticMusic #géophonodésie #geophonodesy
@acousmatic
@composers
@ContemporaryMusic
@volumiphony
@MultichannelMusic
@electronicmusic

My album « instants Sonores » is available online on Bandwagon:
https://bandwagon.fm/688647e90544b84a7ea1eb47
Three hours of #ElectronicMusic paying tribute to the traditional vocal music of different ethnic groups, created by sculpting and processing the sound samples from the ethnomusicological archives of the Musée de l'Homme in Paris using various digital tools.
Some of this music no longer exists… others are on the verge of extinction…

#jeanvoguet #electroacoustic
@composers
@ContemporaryMusic
@electronicmusic

Welcome to composer David Q. Nguyen, who has just submitted his work « The Garden Between The Pillars » to our multichannel library in 32c and 24c HOA7 versions.
https://indreamnetwork.wordpress.com/wp-content/uploads/2026/02/2026-02_indream_multichannel-music-library.pdf
Also new is « Textuur 5 », the latest work by Jos Smolders in 23c and 16c HOA3 versions.

#indream #acousmatic #3daudio #ElectronicMusic #music #MultichannelMusic #AcousmaticMusic #volumiphony #electroacoustic
@acousmatic
@volumiphony
@composers
@MultichannelMusic
@ContemporaryMusic
@electronicmusic

Une première info sur nos « Rencontres Acousmatiques 2026 » qui se dérouleront les 3 & 4 juillet prochains.
https://text.tchncs.de/cranelab/rencontres-acousmatiques-2026
Some first details about our « Rencontres Acousmatiques 2026 », which will take place on July 3 and 4.

#cranelab #acousmatic #acousmatique #3Daudio #ElectronicMusic #music #MultichannelMusic #AcousmaticMusic #MusiqueAcousmatique #volumiphony #volumiphonie #electroacoustic #électroacoustique #MusiqueMulticanale #AudioResearch #spatialisation
@acousmatic
@volumiphony
@composers
@MultichannelMusic
@ContemporaryMusic
@electronicmusic

RE: https://mastodon.social/@STPo/115977879479030822

Excusez-moi?! I'm still on Mastodon, still working on Mastodon--I love it here. Seems like the journalist has now removed the paragraph from the article, but has not published a retraction, and the false statement is still in the audio version. Where did they get this idea from?

Et Signal qui continue à utiliser les serveurs amazon alors que Meredith Whittake, la présidente de sa Fondation, déclare que que les agents d'intelligence artificielle intégrés dans les systèmes d'exploitation érodent les garanties de sécurité pratiques du chiffrement de bout en bout (E2EE)…

Vite ! Tous sur deltaChat !

@signalapp @delta #signal #deltachat

Grammatiser l'espace volumiphonique / Grammatize the volumiphonic space
https://text.tchncs.de/jeanvoguet/grammatiser-lespace-volumiphonique
Une réflexion sur la volumiphonie / A reflection on volumiphony

#JeanVoguet #acousmatique #acousmatic #volumiphonie #Volumiphony #3daudio #audio3D #ElectronicMusic #music #MultichannelMusic #MusiqueMulticanale #MusiqueAcousmatique #AcousmaticMusic
@acousmatic
@composers
@ContemporaryMusic
@volumiphony
@MultichannelMusic
@electronicmusic

Immersive Audio and Modern Well-being: Beyond Stereo

https://www.soundingfuture.com/en/article/immersive-audio-and-modern-well-being-beyond-stereo

(…) In contrast to stereo, immersive audio closely replicates the natural way we perceive the world. Our auditory system has evolved to pinpoint sound sources in space. When that dimension is missing, the brain has to fill in the gaps, an effort that creates fatigue. Immersive audio reduces this load, making listening feel more natural and restorative.

#3Daudio
@MultichannelMusic
@composers

During 13-17.10. 2025 in total +/- 100 kids ( 7 till 10 grades) visited our #ambisonics dome and had a collective #immersivemusic jam. We set up several work station with microphones and instruments (toy kantele, drum-set, kalimba, self made string instrument, etc) + controller to tweak IEM granular/dualdelay plugin parameters. Here you can enjoy the result: https://soundcloud.com/dirtydealaudio/skolassoma2025_mixtape

bsky.app/profile/sonicartsforum.bsky.social/post/3mcmimgziac26

https://www.teatrocervantes.gob.ar/noticias/convocatoria-cervantes-electroacustico-festival-internacional/?

Great News ! :

SpatGRIS4, The new version 4.0.1 is now available
SpatGRIS4 is a multichannel sound spatializer. The installer includes all the needed files and software, including ControlGRIS2, SpeakerView1 and BlackHole. This new version is Mac Universal (Intel and Apple Silicon) and Windows 10-11.
The new versions were developed in collaboration with the Society for Arts and Technology (SAT).

• SpatGRIS 4.0.1
• ControlGRIS2 2.0.1
• SpeakerView 1.0.1
• BlackHole 0.6.1

#SpatGRIS #MultichannelMusic #3Daudio #Acousmatic #AcousmaticMusic #electroacoustic
@MultichannelMusic
@acousmatic
@composers
@ContemporaryMusic

What's new in SpatGRIS 4.0.1, upgrade to version 4, recent additions and fixes
- Updated with JUCE 8
- SpatGRIS4 and BlackHole now have 256 channels each
- Attenuation settings are now continuously adjustable.
- Sources can be assigned to non-consecutive outputs, for example in an aggregated device.
- Speaker Setup Edition in CUBE modes: the possibility of adding grids and polyhedrons.
- New Projects and Speaker Setups including Surround layouts ITU
- Reference Pink Noise can be continuous or pulsed.

SpeakerView 1.0.1, upgrade to version 1, recent additions and fixes
- SpeakerView1 is now a standalone application, available on a network.
- Communication settings have been added to SpatGRIS Settings.
- SpeakerView can run on a different computer than SpatGRIS.
- Several cameras with different viewpoints have been added.

What's new in ControlGris2 2.0.1, upgrade to version 2, recent additions and fixes
- ControlGRIS2 is both a plug-in and standalone software
- It has been upgraded to 256 channels
- Introduction of trajectories based on audio signal analysis according to various audio descriptors.
- Introduction of a Random function in trajectories
- An automated Speed parameter to vary the time in trajectories
- The Activate function can be used permanently.
- Standardization of the data entry method for the various parameters.
- Addition of vertical and horizontal scroll bars for better visualization.

Where to find them?
The installer includes all the needed files and software. There are also Templates for projects and speaker setups included in the software.
Available for Mac and Windows.
Download website:
http://gris.musique.umontreal.ca/

The manuals (English-French) are included within the software in the Help menu, but there are separate versions available if you need them.
The SpatGRIS4 can/should be controlled by the OSC plugin ControlGRIS2, also available here.
There is a QuickStart guide (English-French) for those who want to test it rapidly.
We also provide an Open Stage Control template for those who own an iPad with an independent manual.