#BlakeS7

2025-10-15

#Blakes7 Series C, Episode 09 - Sarcophagus

TARRANT: I'm sure you wouldn't. [Draws his gun and exits. Avon smiles.]
[Corridors. As Tarrant runs toward the flight deck he is intercut with visions of the conjured figure in scarlet doing the same things.]

blake.torpidity.net/m/309/288 B7B1

Claude Sonnet 4.0 describes the image as: "I can see a figure in what appears to be a futuristic or science fiction setting, wearing distinctive costume elements including red and tan/brown colored clothing with a cape-like garment. The character appears to be on what looks like a spaceship or futuristic interior set, with curved walls and technological elements visible in the background. The lighting creates a dramatic atmosphere typical of science fiction television productions from this era. The costume design suggests this is likely a main character, with the outfit having a somewhat militaristic or adventurous style that fits the space opera genre."

Blakes7Bot, version 3.9.33.
Eugene GloverLoneLocust
2025-10-15

I just got notice that series 2 Blu-ray should arrive Dec 16.

Woohoo!

2025-10-14

#Blakes7 Series C, Episode 02 - Powerplay

VILA: Oh. Well that seems to cover everything.
LOM: You were in a space accident?
VILA: Accident? It was a full scale war. There was this alien battle fleet...

blake.torpidity.net/m/302/88 B7B1

2025-10-13

#Blakes7 Series D, Episode 04 - Stardrive

VILA: So what's that supposed to tell us?
AVON: That recording told Orac something. If we want to know what it is, we have to check every frame.

blake.torpidity.net/m/404/119 B7B1

2025-10-12

#Blakes7 Series B, Episode 01 - Redemption

SPACEWORLD SLAVE: Then one of the planets developed a computer so powerful it was able to take over the weaponry computers of the other two.
BLAKE: So all three became one?

blake.torpidity.net/m/201/457 B7B1

2025-10-11

#Blakes7 Series C, Episode 06 - City at the Edge of the World

VILA: If the energy threshold isn't too low, and the field too thick. This one tried, but the air ran out on him. Ship was still in flight. [takes probe from skeleton]
KERRIL: Can I do anything?

blake.torpidity.net/m/306/468 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic interior setting with distinctive hexagonal or geometric patterns visible in the background. One person has blonde hair and is wearing what appears to be a light-colored garment, while the other person has dark hair and is wearing what looks like a ribbed or textured outfit in muted tones. The setting has a clinical or technological aesthetic typical of sci-fi productions from this era, with the geometric wall patterns and lighting creating an otherworldly atmosphere. However, I cannot identify the specific individuals in the image."

Blakes7Bot, version 3.9.33.
2025-10-10

#Blakes7 Series B, Episode 12 - The Keeper

JENNA: If he's wise, he does.
VILA: And if he's not, he's dead.
BLAKE: All right, put us down Cally.
[They transfer to Goth, landing in a wooded gorge.]

blake.torpidity.net/m/212/20 B7B1

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing crew members gathered around what looks like a control console or computer interface. The setting has the characteristic futuristic interior design of the series, with metallic surfaces and technological equipment visible in the background. The characters appear to be examining or discussing something displayed on a screen or panel, which shows a grid of what might be data or images. The scene has the typical dramatic lighting and composition of the series, suggesting this is likely from a moment where the crew is analyzing information or making an important discovery during their mission."

Blakes7Bot, version 3.9.33.
2025-10-09

#Blakes7 Series D, Episode 11 - Orbit

VILA: I'd have given odds Egrorian'd try to pull something! What's the escape velocity of this thing?
AVON: I don't know. Why don't you ask Orac?
VILA: Eh? [Avon opens panel, revealing Orac on the shuttle]
[Biodome]

blake.torpidity.net/m/411/357 B7B1

Claude 3.7 describes the image as: "The image shows a scene from a classic science fiction television series from the late 1970s/early 1980s. It depicts two characters in what appears to be a futuristic control room or spacecraft setting, with technical equipment and computer banks visible in the background.

On the left is a person wearing a light gray outfit, while on the right is someone dressed in a distinctive black leather or vinyl costume with silver accents. Both appear to be seated at some kind of control console. The setting has the characteristic visual aesthetic of British sci-fi productions of that era, with industrial-looking set design featuring computer banks and technical elements.

The scene appears to be taking place on the flight deck of a spacecraft, which was a common setting in this particular series."

Blakes7Bot, version 3.9.33.
2025-10-08

#Blakes7 Series D, Episode 04 - Stardrive

AVON: Regeneration will take about twenty minutes, while we deal with the coil.
[Space. Shot of three ships in formation.]
[Scorpio flight deck]

blake.torpidity.net/m/404/83 B7B1

2025-10-07

#Blakes7 Series D, Episode 11 - Orbit

VILA: Now what? There's nothing left to throw out!
AVON: Let's check with Orac. Come on!
[Shuttle, bridge]
AVON: What's the position now, Orac?
ORAC: Remaining flight time: five minutes and forty seconds.

blake.torpidity.net/m/411/456 B7B1

2025-10-06

#Blakes7 Series A, Episode 01 - The Way Back

BLAKE: Where are we?
VILA: In a transit cell.
BLAKE: I don't understand.

blake.torpidity.net/m/101/227 B7B1

2025-10-05

#Blakes7 Series D, Episode 06 - Headhunter

VILA: Do you think we can trust it? Scabby little rebel!
SOOLIN: Switch on and we'll see. [Vila activates Orac.]
SOOLIN: Prognosis, Orac.
ORAC: Prospect for organic humanoid life is dependent on one condition.

blake.torpidity.net/m/406/610 B7B1

2025-10-04

#Blakes7 Series A, Episode 11 - Bounty

CHENEY: [Into communicator] Yes?
VOICE: [V.O.] I think we've got some intruders.
CHENEY: [Into communicator] Are you sure?
VOICE: [V.O.] Electronic surveillance is usually reliable.
[Cheney interrupts him.]

blake.torpidity.net/m/111/8 B7B1

Claude Sonnet 4.0 describes the image as: "I can see two figures in dark tactical or military-style gear in what appears to be a wooded, outdoor setting. One person is wearing a full face mask or helmet with protective equipment, while the other has their face partially visible and is wearing what looks like a tactical helmet or headgear. They appear to be equipped for some kind of mission or operation, with dark clothing and professional-grade protective equipment. The forest setting suggests this might be taking place during a covert operation or military exercise. The lighting and film quality give it a distinctive vintage television production appearance."

Blakes7Bot, version 3.9.33.

One of the quirks of #Blakes7 fandom is that they recast one of the minor characters, Travis, between seasons and unlike a lot of recasts where fandoms are split, it's pretty universally agreed Travis I is better than Travis II.

But the extra quirk is that a lot of people involved in the show are dead except for the Travis II actor who is actually a really great guy that everyone loves.

It's slightly awkward but in a harmless way tbh

Travis I played by Stephen GreifTravis played by Brian Croucher
2025-10-03

#Blakes7 Series B, Episode 04 - Horizon

VILA: They'll murder us!
AVON: Blake, they might be protected.
BLAKE: I don't think so. And even if I'm wrong we still have a slim chance.

blake.torpidity.net/m/204/654 B7B1

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a profile view of a person in what looks like a futuristic setting. The individual is wearing what appears to be a dark, possibly uniform-like outfit. They have distinctive sideburns and a hairstyle that suggests the production is from the late 1970s or early 1980s era.

The background has a reddish-pink tint with some structural elements visible, which fits with the aesthetic of sci-fi productions from that period. The lighting and set design have that characteristic studio television production quality of that era.

The person appears to have a concerned or thoughtful expression, captured in what seems to be a dramatic moment from the show."

Blakes7Bot, version 3.9.33.

Powerful feelings from whatever these hideous freaks are

#Blakes7 #scifi

A small alien looks up at our hero, BlakeBlake points his laser gun at the alienThe alien lies dead on the ground, surrounded by other related aliensOne alien looks up at Blake, tears falling from it's all-too-human eyes
2025-10-02

#Blakes7 Series D, Episode 08 - Games

TARRANT: I'm glad we didn't get too close.
DAYNA: But after all that, we go home empty-handed.

blake.torpidity.net/m/408/532 B7B1

2025-10-01

#Blakes7 Series B, Episode 13 - Star One

BLAKE: So, if Lurgan's coordinates are correct Star One is somewhere in there.
AVON: Which makes it about the only thing that is.

blake.torpidity.net/m/213/44 B7B1

2025-09-30

#Blakes7 Series B, Episode 12 - The Keeper

OLD MAN: [Virtually inaudible] A fool knows everything and nothing. [Dies]
FOOL: He's dead! [pushes Blake away and sings over the body] I sing you of all the wise charls, I sing you of all that, Your life, your death, Brought honour to the tents...

blake.torpidity.net/m/212/519 B7B1

2025-09-29

#Blakes7 Series B, Episode 03 - Weapon

JENNA: Maybe IMIPAK is another Orac. If we captured it perhaps we could breed from them.
BLAKE: What a disgusting idea.
JENNA: [Smiles] Well, despite Orac's lucky eavesdropping, we're not much wiser, are we?

blake.torpidity.net/m/203/203 B7B1

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spacecraft interior with distinctive futuristic design elements typical of classic science fiction television from the late 1970s/early 1980s. 

The scene features two individuals in conversation - a person with blonde feathered hair wearing a navy blue outfit with decorative gold accents on the shoulders, and another person with curly dark hair wearing a brown jacket over darker clothing.

The spacecraft set has hexagonal doorways and technical panels visible in the background, creating the atmosphere of a command center or bridge. The lighting and production style have the characteristic look of BBC productions from that era, with the somewhat confined set design and specific costume aesthetics that were common in science fiction television productions working with limited budgets."

Blakes7Bot, version 3.9.33.

Client Info

Server: https://mastodon.social
Version: 2025.07
Repository: https://github.com/cyevgeniy/lmst