Rupert Brooks

Generative and plotter art enthusiast.

2025-06-17

It's been months since I plotted anything, but this Monday's #plotparty prompt (Flowers) from DirtAlleyDesign (on Instagram) and a particularly beautiful crop of peonies blooming in the garden nudged me to try a new photo to plotter workflow.  I used copilot to reinterpret the photo into a rendering style and then vpype flow imager to render to SVG.  Staedler Triplus on office paper. #plotterart #penplotter

A black and white sketch of a flower in a small bottle done by a plotter in a very sketchy style.  The flower is large and irregular.  The stem has a leaf.  The bottle says Belle Brillet and, strangely, poivre.
Rupert Brooks boosted:
2025-05-24
Rupert Brooks boosted:
Julia Evansb0rk@jvns.ca
2025-05-17

i enjoy this flowchart explaining how bash decides whether to use .bashrc or .bash_profile blog.flowblok.id.au/2013-02/sh, mostly because it makes me understand better why I could never understand how the 2 config files worked when I used bash

Rupert Brooks boosted:
2025-04-16

Some no-brainer optimizations later and the bubbles are solidly over 30 FPS. (Plus this time I bothered to record with a tripod :P)

2025-04-15

Hey checkout this great #ptpx postcard from @polygonsoup on Instagram.  Love these colors, and the sgraffito technique!  #plotterart #penplotter #plottertoot

A plotter postcard of multicolored lines on a black background.  There are holes along the  top edge like for a ring binder.  The multicolored lines are made by scratching through a black coating.
2025-04-12
Rupert Brooks boosted:
Stephanestombeur
2025-04-04

Thanks for the lovely postcard @rupert !

2025-03-28

Woohoo! #ptpx postcards hit the post office earlier this week. And besides that, I did a little write up about it. tinyurl.com/FaceAntiface #plotterart #penplotter

A set of plotted postcards in black and blue, each consisting of two faces rendered in halftone with a barcode between them
Rupert Brooks boosted:
Bantam Toolsbantamtools
2025-03-22

During his residency @paulrickards has been producing work for an upcoming show in May at our robotic showroom & gallery!

2025-03-22

#ptpx is stretching out into a year long event! πŸ˜‚ Friday I received this piece from Romain (data.flaw on Instagram). Love that sharp contrast of the white on black! Look closely to pick up on the alternating line structure (you see it more in the thumbnail). #plotterart #penplotter #plottertoot

A plotter art postcard in white ink on black paper.  There is an inner rectangle of white dots on the black background of the paper.  The dots are distributed fairly randomly, but vertical lines are visible where they are drawn from different distributions.
Rupert Brooks boosted:
d17e (David Vandenbogaerde)d17e
2025-03-19

(originally posted on 2024-12-23) - PTPX24: Let's meet in the middle #1 + #2 After some work on stroke ordering, color switches and introducing a third 'blending' color (yes, I'm cheating), I ended up with these two postcards that will be heading out the door to far off places.

"Let's meet in the middle" #1 & #2
Gouache on paper

Img 6884
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d17e (David Vandenbogaerde)d17e
2025-03-18

(originally posted on 2024-12-19) - PTPX24: breaking new ground When I received the registration email for (plotter postcard exchange) 2024, I was a bit hesitant at first, but then remembered how fun it was making the plotparty postcards that I figured "aah sure, why not!".

So I signed myself up for this year's edition.

This seemed like the perfect opportunity to try out something I'd been wanting to try out for quite a while, but

Img 6850
Rupert Brooks boosted:

In this next iteration I thought of adding curved shapes. The trick is to filter out the curved segments of such shapes and only allow connecting on the straight ones.

See, the arc has two curves and two straight segments connecting those curves.

Does it happen to you that you should be doing something else, but you have an idea and don't want to wait to try it out? 😁 And then you immediately have the idea for the next step? XD

#creativeCoding #OPENRNDR #Kotlin
#MadeWithCode #geometry

Code generated design made of over 50 shapes. There are 4 types of shapes: triangles, squares, pentagons and 90 degree arcs. The straight segments in all shapes are the same length, allowing to connect them with each other. Gray background, white shapes with black contour.

The final shape has been grown out of a central piece, connecting shapes to previous shapes, in a chaotic branching structure.

Child shapes connected to a parent shape are all of the same type.
2025-03-16

Thanks @doersino for this clever #ptpx postcard showing the OSM street map data thoughtfully placed nearby, but not exactly on, my house.  Extra thanks for sharing your code (ghpages.noahdoersing.com/osm2s) - I definitely do plan to try it out!
#plotterart #penplotter
#plottertoot

A plotter art postcard showing a network of streets and paths in red, blue and green ink.
Rupert Brooks boosted:
2025-03-14

this is me reminding you that i make plotter drawings sometimes. you can see them here img.inconvergent.net/plot/

impossible architecture plotter drawing with three generated floor plans in a tight configuration. the floor plans are nonsenseimpossible architecture plotter drawing with three generated floor plans in a tight configuration. the floor plans are nonsense
Rupert Brooks boosted:
2025-03-13

Thanks for the card @artplots ! #ptpx

Rupert Brooks boosted:
Noah Doersing 🐦🎨🌿doersino
2025-03-04

Every December, there's a pen plotter postcard exchange called (I've participated for the past two years: mastodon.social/@doersino/1094 & mastodon.social/@doersino/1116).

Fashionably late for , I just sent out my 16 cards – totalling 230-odd meters of drawn lines and adorned with 42 stamps. They depict the roads in the general area around the recipient's address.

I've built a tiny tool to pull the required data from OpenStreetMap's Overpass API and convert it to SVG: ghpages.noahdoersing.com/osm2s

A post card with multi-colored lines in front of a computer screen showing a website with a map matching those lines.Two postcards with multicolored lines on a wooden desk: One with a grid-like design, the other looking a bit more organic. A ThinkPad in the background.
Rupert Brooks boosted:
Darryl Poguedpogue
2025-02-22

@SwiftOnSecurity This one:

"The difference between encrypted information and radio noise is your faith there cannot be a key for the static."

Rupert Brooks boosted:
2025-02-22

I've swapped #penplotter postcards in the last few rounds of #ptpx and it's always such a treat to get good mail. Here's what I received for 2024's exchange:

Rupert Brooks boosted:
2025-02-19

πŸ“‘ at very long last, today is the big day! my beloved book, OTHER NETWORKS: A RADICAL TECHNOLOGY SOURCEBOOK, is officially available for pre-order!

This a speculative index of communications networks, a love letter to experimental art & technology, & a liberatory guide for escaping the corporate present. Many of you know that, for years, I have been compiling and cataloguing a history of communications networks, one full of alternatives to the monolithic, surveilled internet as we now know it. The result is this compendium of possibilities that existed before or outside of the internet and a tribute to their experimental use by artists, covering everything from pirate radio to barbed wire telegraph, from synthesizers that transmitted over the telephone to encoded messages bounced off the surface of the moon.

Because of the hard work and creative genius of Mark Iosifescu, Jesse Pollock, and everyone at Anthology Editions; Robert Beatty who made the breathtaking cover and section designs; and Ella Gold for book design, OTHER NETWORKS is also a feat of beautiful design. And as if that weren't enough, the talented @jomc wrote the Foreword and the legendary @hrheingold wrote the epilogue. So, so many people to thank, including many of YOU, for making this happen! shop.mexicansummer.com/merch/4

yellow background. front cover of Other Networks: A Radical Technology Sourcebook. Text is in gold foil, place diagonally across the top left and top right corners. there is a gold foil square with rounded edges. within the square is a green foil plantlike structure with four gold foil lines emerging from it.yellow background. book spread open with two cut-out quotes in black boxes with straight black lines emerging from each quote on the left side of the open book. on the right is the first page of the introduction.yellow background. book open to a page on the left with a heading in brown type, "OPTICAL NETWORKS" and a sub-section labeled "Flag Signaling". the image on the right side of the page is from Hannah Weiner's Signal Flag Poems.yellow background. book spread open with a black and white photograph spanning both pages that shows Bill Bartlett and others experimenting with slow scan t equipment. overlaid on the photograph is a diagram showing how the group set up and conected their slow scan equipment.

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