@prem_k I may need to get back to posting both again.

21F = -6

A really enjoyable Super Bowl, which may have had Cory Wong's “Lisa Never Wanted to be Famous" looping during the 1st quarter. Halftime was awesome in so many ways. My second fav team won and played well.

@artlung Everytime I see Ipswitch clams on a menu it is so difficult not to say or think, “dummy" after it.

There are so many good scenes in that movie.

@artlung Ipswitch clam movie

@Downes That is no good. Sorry to see it go.

I was recently interviewed by Felipe Zamana. We covered a range of topics including #AI #PKM #PKMastery

https://felipezamana.com/perpetual-beta/

Today's Farmer's Market feature most of the vendors with a lot of big coolers for their produce and products to keep them warm.

It was a balmy 21F

@noah @noahmittman @mittmania-noahmittman Oh, I know that one well. It can be a bit freaky.

Listening to Seal's first album and hearing so many different instruments I've never heard.

Listening to Taylor Swift and Bon Iver on Exile and all the different layers of voices is amazing. (the first Swift song I intentionally listened to).

@noah Oh, I had seen this when it was being released. It got good reviews. I wasn't looking to change when it came out.

Actually still not looking, but I'm always interested in what others are doing.

@noah @noahmittman @mittmania-noahmittman I’m hearing things in the details and instruments in pieces I never heard before. Amazing separation and spacing.

I’ve hit a point when any further improvement will be very costly and minimal improvement. I've had my current setup about 2 years and still finding things in listening that are new in pieces I've played more than 100 times prior.

@noah @noahmittman @mittmania-noahmittman Oh, I've not run across Tea Pro. During lockdown I started down the DAC/AMP path from Dragonfly Cobalt, to a mobile iFi (hardware quality issues), and ended at Questyle M15.

I mostly listen now on iPad and Mac.

I upgraded IEMs, then over ears through a few iterations. The difference between Lossless and Hi-Res Lossless is quite noticeable now, which is a blessing and a curse.

@ozdreaming I college I spent a few days with foley techs in LA learning and understanding that part of media creation. It was just pre-digital and a wild process.

@ozdreaming You are correct, it is foley, which my spellcheck doesn't like, and I tapped to correct. (features)

If you want to hear from a lot of random men in a hurry, advertise a broken lawnmower on Facebook Marketplace on a Sunday.

@noahmittman @mittmania-noahmittman @noah Interesting. Have you had an external DAC and compared?

@ozdreaming Yep. So, is ski chatter, and all mountain sounds. There is a folly specialist just for it.

I learned it this week, possibly from Tom Scott's Lateral show. Then validated it. The cameras are too far away to capture sound and microphones not closer and also pick up wind and other unwanted sounds, so it is all up to a folly tech.

The Olympic ski events have all the sounds on the slope as folly, nothing is real sounds. The annoying drone wizzing is all added in.

@artlung Gett'n Scritti with it

Dave Farber, R.I.P.

https://en.wikipedia.org/wiki/David_J._Farber

More information will be forthcoming.

@evan I’ve always leaned toward having A's wishes respected as a first order priority.

I've worked to help platforms work through options for B to respond in a manner (it was a two tiered response model) where the one to A is clear, but one that filters out A from the response (either as script to remove it, or giving B the option for a public version).

These options were never implimented.

I know Traction software (for enterprise and “secure" focussed organizations) did this really well.