Tony Randel's labyrinthine HELLBOUND: HELLRAISER II (1988) self-consciously mirrors Barker's original while going deeper into its psychosexual horrors. Screens 3pm this afternoon at #CelluloidScreams https://projectedfigures.com/2019/02/16/hellbound-hellraiser-ii-1988/

Daniel is an anagram of denial: Quarxx’s “dark and grotesque (divine) comedy” PANDEMONIUM screens 10am this morning at #CelluloidScreams. Review for #SciFiNow https://www.scifinow.co.uk/reviews/pandemonium-review-at-fantasia-a-dark-and-grotesque-divine-comedy/

"both an allegorical story of a trans woman gaining self-confidence and learning to fight for who she is, and a B-movie... full of aliens and arse-kicking": Alice Maio Mackay's T BLOCKERS screens midnight tonight at #CelluloidScreams. Review for #SciFiNow https://www.scifinow.co.uk/reviews/t-blockers-review-at-fantasia-monstrous-metamovie-explores-trans-experience/

"a carnivalesque tale of a clan sticking – and stitching – together in Depression-Era America": the Poser/Adams family’s latest outing WHERE THE DEVIL ROAMS (2023) screens 3.30pm at #CelluloidScreams. A tremendous, transgressive trip. Review for #SciFiNow https://www.scifinow.co.uk/events/where-the-devil-roams-review-at-fantasia-a-grotesque-carnivalesque-tale/

"serves up a darkly comic allegory of the moral iniquities of global economics": Nicholas Tomnay's taut culinary thriller WHAT YOU WISH FOR screens 12.30pm today at #CelluloidScreams. Review for #SciFiNow https://www.scifinow.co.uk/events/what-you-wish-for-review-a-generous-serving-of-social-allegory-fantasia/

Andrew Cumming's pre-generic ur-horror THE ORIGIN (2022) is a primeval quest for humanity. Screens 11am today at #CelluloidScreams, together with Craig Williams' Welsh folk horror short THE WYRM OF BWLCH PEN BARRAS (2023)
https://projectedfigures.com/2023/09/09/primal-scenes-and-personal-perspectives-lff-cult-2022/#theoriginofspecies

https://projectedfigures.com/2023/08/20/the-wyrm-of-bwlch-pen-barras-2023/

"Stephen Chiodo takes an alien invasion plot familiar from the 50s, and makes it all his own by rigorously and liberally painting it with every clown reference imaginable": KILLER KLOWNS FROM OUTER SPACE (1988), screens big 11.45pm at #CelluloidScreams #SheffieldHorroFilmFestival https://projectedfigures.com/2014/03/21/the-straight-to-video-horror-masterpieces-of-the-1980s/#KillerKlownsFromOuterSpace