Lmst

Balletdansers op het podium tijdens een optreden, Ed van der Elsken, 1947 - 1990

#EdvanderElsken #onefoot #European #EdvanderElskens #VanderElsken #Amsterdam #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-16-85

The image is a black and white photograph depicting a scene from a ballet performance. In the center, there's a female dancer wearing a tutu with pink feathers on her head, indicative of traditional ballet attire for women in such roles. She is performing an en pointe dance move where one foot supports her weight while the other extends outward, demonstrating grace and balance.

Surrounding her are several male dancers dressed as courtiers or characters from historical European tales, characterized by their elaborate costumes with ruffled collars, cuffs, and tails. They appear to be holding onto a long pole which is connected to what seems like a theatrical prop above the stage. Their attire contrasts sharply with that of the female dancer.

The background suggests an indoor setting with draped curtains in the back, adding to the ambiance typical for ballet performances. The lighting appears focused on the dancers, highlighting their movements and expressions against the relatively dark backdrop.

This image is part of Ed van der Elsken's work capturing moments from a dance performance. Van der Elsken was known for his vivid photography that captured everyday life in Amsterdam with warmth and intimacy, often focusing on cultural events such as theatre performances or music concerts. This particular photograph reflects not only the physicality and poise required in ballet but also hints at the broader social context of pe [...]

Groep mannen, vrouwen en kinderen danst op muziek gemaakt door twee mannen, Ed van der Elsken, 1956 - 1957

#Groepmannen #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-24-104

The image is a black and white photograph depicting a lively scene with several people gathered outdoors. A group of individuals, including men, women, and children, are seen dancing or moving rhythmically to the beat of music played by two musicians seated on what appears to be log drums. The attire varies among the participants; some wear traditional clothing with patterns and accessories such as head wraps, while others sport more casual contemporary outfits.

The expressions on their faces suggest enjoyment and engagement in the cultural activity. In the background, other people are also present, standing or walking around, possibly watching or waiting for their turn to join the dance. The setting seems informal, likely a public space used by the community for social gatherings or celebrations.

Additional context about this image can be found on Ed van der Elsken's work from 1956-1957 at https://images.loener.nl/EdvdElsken/full/6484/648449d0ba25398d908325e4.jpg.

Kledingwinkel, in Amsterdam, Ed van der Elsken, c. 1980 - 1990

#Kledingwinkel #Amsterdam #EdvanderElsken #EdvanderElskens #Europe #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-20-46

The image captures a bustling street scene with pedestrians and cyclists in the foreground. Prominently displayed above them is an enlarged mural on the side of a building, depicting two figures: one appears to be smoking while holding something that looks like a beverage carton, possibly promoting tobacco or alcohol products, which was common practice for advertisers during the time period suggested by the image's style and quality. The person beside him seems more passive in nature but is also part of this advertising tableau.

The street below teems with life; people are walking, riding bicycles, interacting, indicating a lively urban environment. Clothing styles suggest it might be from late 20th-century Western culture. Black-and-white photography implies the image could have been taken during that era when such photos were more prevalent or as an artistic choice to evoke nostalgia.

Given the provided information about Ed van der Elsken's work and Amsterdam, this photograph likely belongs to his series capturing life in urban environments of various cities across Europe from approximately 1980-1990. The image is rich with social commentary on consumer culture, public spaces, leisure activities such as biking, and the bustling nature of city street life during that period.

Please note that specific details regarding individuals' faces or identifying features are intentionally omitted to respect privacy norms and ad [...]

Etalagepop voor een kledingwinkel, in Amsterdam, Ed van der Elsken, c. 1980 - 1990

#Etalagepopvooreen #Amsterdam #EdvanderElsken #FashionFair #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-20-40

The image captures a mannequin dressed in an eclectic outfit, featuring a denim jumpsuit adorned with chains and metallic belts. The ensemble gives off a rugged yet stylish vibe. This mannequin stands amidst various clothing items displayed outside what appears to be a fashion store window. To the right of the frame is another garment on display, potentially part of the same collection or an unrelated item within the store's inventory.

Above this mannequin hangs text that reads "See you at Fashion Fair," suggesting some form of promotional event for fashionable apparel. The scene has been captured in black and white, which adds a timeless quality to it. This image is identified by its source as part of Ed van der Elsken's collection, known for his work documenting fashion and urban life, particularly within Amsterdam during the late 20th century.

Jonge vrouw op een fiets, in Amsterdam, Ed van der Elsken, c. 1980 - 1990

#Jongevrouwopeen #Amsterdam #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-20-27

The image depicts a person riding a bicycle on an urban street. The individual appears to be young, with unkempt hair and dressed in casual clothing that includes a jacket adorned with various patches and pins, possibly indicative of alternative or punk fashion influences from the 1980s.

They are carrying a large shoulder bag over their right side, which is studded and seems practical for urban life. The rider's stance suggests motion, as they navigate through what looks like an intersection, given the traffic lights in view behind them. In the background, other pedestrians can be seen crossing the street, providing context to the busy city environment.

The photograph has a grainy quality typical of film photography from that era and is presented in black and white, which adds a sense of nostalgia or historical significance to the scene. The timestamp "7.00" could refer to either an hour notation (seven o'clock) or possibly be part of the photographer's cataloging system for their work.

The image captures a moment in time within Amsterdam during roughly 1980-1990, as indicated by additional information provided about this photograph on Jonge vrouw op een fiets. It reflects aspects of youth culture and urban life from that period through Ed van der Elsken's lens.

Duiker bij een Amsterdamse gracht, Ed van der Elsken, c. 1950 - c. 1960

#EdvanderElsken #European #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-39-43

The image depicts a scene with several individuals gathered outside what appears to be an urban building. In the foreground, there is a person wearing a diving suit and helmet being assisted by another individual holding their large spherical helmet-like apparatus over their shoulder. This suggests that they might have just completed or are preparing for some kind of deep-sea exploration or rescue operation.

The people around them display expressions ranging from seriousness to amusement. Some are looking directly at the camera, while others seem engaged in conversation among themselves. The attire varies, with coats and hats indicating a cooler climate or time period when such clothing was common during outdoor activities.

In the background, there is another individual leaning against a railing, seemingly watching the scene unfold below. Further back, more people can be seen on the building's entrance stairs, adding depth to the composition of the image. The architectural features like windows and balconies hint at an older European-style structure.

The overall black-and-white tone gives it a historical feel, possibly from early to mid-20th century photography styles as suggested by Duiker bij een Amsterdamse gracht, Ed van der Elsken's work (c. 1950 - c. 1960). The image captures the moment with candidness and tells a story of people gathered around an event involving deep-sea diving or exploration in an urban envir [...]

Ouder met kind, op straat in Amsterdam, Ed van der Elsken, c. 1980 - 1990

#Ouder #Amsterdam #EdvanderElsken #European #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-20-45

The image is a black and white photograph capturing an urban street scene. A man, possibly in his late 20s or early 30s with curly hair, stands on the sidewalk interacting with a young child who appears to be around five years old. The adult seems to be showing something on a bicycle's handlebar to the child, perhaps explaining how it works or fixing an issue. Another individual is walking in front of them holding onto what looks like grocery bags.

In the background, there are other pedestrians including one man pushing a stroller and another person wearing glasses standing near storefronts with large windows displaying various items for sale. The street is paved with cobblestones, typical of many European cities' streetscapes during that era. In front of them stands a metal bollard, which serves as the pedestal supporting part of an unspecified object or structure.

The photograph appears to be taken in Amsterdam, given its caption and style consistent with works by Ed van der Elsken. The overall atmosphere suggests everyday life on a busy street where people are engaged in various activities such as walking their pets or children, shopping at local stores, and using bicycles for transportation—an aspect characteristic of many urban European cities during that period.

The image captures the essence of daily interactions between different individuals within an urban setting, reflecting aspects like community engagement [...]

Man op straat, in Amsterdam, Ed van der Elsken, c. 1980 - 1990

#Amsterdam #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-8-41

The image depicts a man with long, unkempt hair and a full beard. He is wearing a flat cap with a houndstooth pattern and appears to be gazing off into the distance with a thoughtful expression on his face. The photograph is in black and white, which adds to its timeless quality.

He is dressed casually, sporting a sleeveless vest over what seems like a dark sweater or shirt. His attire suggests he might be someone who works outdoors or engages in manual labor, given the ruggedness of his clothing. There's no discernible background that gives away a specific location; it appears blurred and out of focus behind him.

The lighting is soft but directional enough to cast gentle shadows on one side of his face, highlighting features like his cheekbones and eye ridges while leaving the other side in softer light. His gaze carries an air of contemplation or possibly concern. The overall composition focuses heavily on capturing a candid moment that seems introspective rather than posed.

This image is likely part of a series documenting street life or individuals from various walks of life, as indicated by additional context suggesting it's related to Ed van der Elsken's work in Amsterdam around the late 1980s to early 1990s.

A. den Doolaard geeft een anti-atoombom speech in de RAI Amsterdam, Ed van der Elsken, 1961

#deRAIAmsterdam #EdvanderElsken #AtoombomDenDoolaard #Amsterdam #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-16-90

The image is a black and white photograph of an individual giving what appears to be an impassioned speech at a podium. The person's arms are raised, with one hand holding up two fingers in a gesture that might signify the number two or represent victory. They seem animated and engaged during their address.

Behind them stands a curtain as part of the backdrop for this event, which suggests it may have taken place indoors on stage. In front of the individual is an empty microphone stand, indicating they were likely speaking to an audience outside of what's captured in the photo.

The photograph has handwritten notes at the bottom left corner that read "anti-atoombom demonisatie" and mention a person named RAI19... den Doolaard 2. This could indicate details about the event or speaker, but without further context it is difficult to determine their precise meaning.

Additionally, there's text across the top of the image which seems like handwritten notes providing more information regarding an anti-nuclear weapons speech given by someone named Atoombom Den Doolaard in Amsterdam RAI. The photograph appears aged and possibly from a historical archive or collection related to Ed van der Elsken's work as mentioned in the provided URL link.

The overall mood of this image is intense, with the speaker projecting their message passionately while engaging directly with an unseen audience.

Start van de Marathon van Amsterdam in 1983, Ed van der Elsken, 1983 - 1990

#EdvanderElsken #European #Amsterdam #Dutch #DeBijenkorf #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-8-93

The image is a black and white photograph capturing a bustling urban scene, likely taken during the Amsterdam Marathon in 1983. The perspective is elevated, showing a dense crowd of marathon runners filling a city street from one end to another. Many participants are waving flags or carrying banners with various inscriptions. In the foreground, some individuals appear closer and more detailed than others, while those further away blend into a sea of white athletic attire against the darker backdrop of buildings.

The architecture suggests an urban European setting, possibly in Amsterdam given the context provided by the text "Start van de Marathon van Amsterdam" (Start of the Amsterdam Marathon). The structures display classic Dutch facades with gabled windows and signage. Among these signs is one prominently displaying 'De Bijenkorf,' a well-known department store.

A notable feature within this urban landscape is a monument or statue, visible on the right side of the image, adding to the historical ambiance of the cityscape. The photograph's composition captures both the energy of the marathon and the architectural character of its surroundings, reflecting Ed van der Elsken's signature style in street photography.

There are no discernible faces that can be made out due to the distance and angle; thus, specific details like age or gender cannot be ascertained. The overall mood is one of anticipation and communal spirit [...]

Onderdeel van de experimentele uitzending van Kabel TV Amsterdam vanaf Firato; relatie minderheden-politie, Ed van der Elsken, 1982

#EdvanderElsken #KabelTVAmsterdam #EdvanderElskens #Amsterdam #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/NG-1983-62-35

The image shows a man sitting in front of a microphone, wearing glasses and dressed in a patterned sweater. He appears to be engaged in an interview or speaking on the radio, as suggested by his focused expression and hand positioning near a notepad which implies he may be referring notes while talking into the mic.

In terms of style, it is presented in black-and-white with high contrast between light and dark areas, giving it a classic look. The man's attire includes a cap and sunglasses indoors, which might indicate an unconventional or relaxed approach to fashion at that time.

The overall ambiance suggests this could be part of an experimental broadcast on Kabel TV Amsterdam during the 1980s period referenced in the context provided by Onderdeel van de experimentele uitzending. The inclusion of a smaller image with what appears to be graffiti or abstract artwork adds another layer, perhaps reflecting themes related to minority groups and police relations.

This photograph captures an important moment from Ed van der Elsken's body of work, which is known for its candid portrayal of the vibrant street life in Amsterdam during that era.

Terras voor de Blue Dahlia Bar and Restaurant (voorheen Susie's Blue bar) op Cebu, Ed van der Elsken, 1959 - 1960

#Susie #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-33-18

The image is a black and white photograph featuring several people in an outdoor urban setting. In the foreground, there's a man wearing a light-colored cap with his back turned to the camera, looking towards two women who are walking away from him on a paved street or sidewalk. One woman wears a sleeveless dress while reaching out for something or someone outside of the frame, and another follows her in a similar style but is more upright.

Behind them stands an older man seated casually with his legs crossed, holding what appears to be a drink container, possibly a soda bottle. He has dark hair styled upward and looks directly at the camera, exuding a relaxed demeanor. Other people can be seen around him: some are walking in various directions, while others sit or stand further back.

The architecture includes structures with exposed beams on the upper right side of the photo, suggesting an area that may have been industrial or repurposed for social gatherings such as bars and restaurants. The scene has a candid quality, capturing everyday interactions among people outside these establishments.

This photograph is part of Ed van der Elsken's work documenting life in Cebu during 1959-60 at the Blue Dahlia Bar and Restaurant (formerly known as Susie's Blue), which provides insight into mid-century social scenes through his lens.

The image does not contain any visible text or context that would indicate a specific story [...]

Terras voor de Blue Dahlia Bar and Restaurant (voorheen Susie's Blue bar) op Cebu, Ed van der Elsken, 1959 - 1960

#Susie #EdvanderElsken #BlueBar #Susies #EdvanderElskens #CebuIsland #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-11-108

The image is a black and white photograph capturing the entrance to Susie's Blue Bar, as indicated by the sign hanging above. The bar appears to be situated on an outdoor patio or veranda of what seems like a single-story building with wooden shutters. Several individuals are present in various states of relaxation.

On the left side under the awning, there is a group seated and standing around: one person stands holding onto something outside their reach, possibly for stability; another leans forward on his elbows as if deep in thought or fatigue; two people sit casually with hats shading them from above. The central figure appears to be interacting with someone off-camera.

On the right side of the entrance is a woman wearing a floral print dress and a mannequin-like posture looking toward the camera, both standing beside an open doorway that leads into darkness beyond. Behind her, another person sits on a bench or low stool in repose.

In front of Susie's Blue Bar, there are more individuals: one sitting with crossed legs clutching something to their chest, possibly indicating distress; two others sit side by side looking away from the camera and towards an event outside this frame. The overall scene conveys a sense of daily life and leisure in a social venue during what appears to be mid-20th century.

The photograph is part of Ed van der Elsken's collection, showcasing scenes likely captured on Cebu Island between 1 [...]

Tekening op de decorafdeling van NOS met Koningin Juliana en televisiepersonages Fred Haché en Barend Servet, Ed van der Elsken, 1982 - 1990

#KoninginJuliana #EdvanderElsken #second #first #EdouardVanDerElsken #Dutch #EdvanderElskens #Loener #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-34-52

The image depicts a monochrome photograph of an indoor setting, likely part of the collection from NOS (Netherlands Organized State Television). The main focus is on two framed portraits displayed against brick wall surfaces. In one frame, there are three individuals: two men and one woman. One man appears to be giving a thumbs-up gesture while wearing glasses and a suit jacket; another man stands beside him in formal attire with his hand raised as if waving or greeting someone. The central figure is an older woman dressed elegantly in a black gown, adorned with a large brooch on her chest.

In the foreground of this portrait frame lies a real-life image capturing a dog mid-air capture from behind; it seems to be leaping off a surface, possibly playing fetch or being photographed playfully. The second framed picture appears similar but is smaller and placed above the first one in terms of vertical positioning within its respective corner.

The lighting on these objects suggests an indoor environment with natural light coming through windows not visible in this cropped image. There are no discernible colors due to it being a black-and-white photo; however, shades vary from white to deep blacks indicative of varying textures and tones like the brick wall's rough texture compared to the smoothness seen within the frames' portraits.

The presence of 'Ed van der Elsken' suggests this work is by Edouard Van Der Elsken (1925-19 [...]

Bestuurslid tijdens de veertiendaagse bestuursvergadering van de NOS, Ed van der Elsken, 1982 - 1990

#vandeNOS #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-34-20

NOS Journaal vergadering van 14:00 uur (nummer twee van de drie per dag), Ed van der Elsken, 1982

#EdvanderElsken #EdvanderElskens #NOSJournaal #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/NG-1983-62-7

This black and white photograph captures a group of people engaged in what appears to be a serious discussion around a large conference table. The room has an industrial feel, with exposed pipes on the ceiling and a high contrast between light and shadow that adds depth to the scene.

A striking feature is a mural or portrait hanging above the heads of most participants, depicting two men looking down towards them. This figure suggests historical significance but cannot be identified based on visual description alone.

The individuals at the table are concentrated on papers in front of them and appear deeply absorbed in their work, with pens poised over sheets that seem to contain handwritten notes or data. The attire is varied, ranging from formal suits to casual shirts and trousers, indicating a mix of professional roles within this gathering.

There's an air of concentration as people lean forward slightly, some are gesturing while speaking, suggesting active debate or analysis taking place. Papers with printed documents can be seen strewn across the table alongside personal items like cups and glasses, hinting at a possibly long meeting session.

Overall, it depicts a moment in time during what appears to be an important group discussion or strategy session within a professional context. The setting seems non-urban due to its utilitarian design, which could suggest that this gathering is taking place either after-hou [...]

Wand in de Parroquia de San Juan Bautista in Catemaco, Mexico, Ed van der Elsken, 1960

#Catemaco #Mexico #EdvanderElsken #SanJuanBautista #Catholic #Spanish #PeroLorenzoArteaga #MadreLorena #MuchasGracias #EdvanderElskens #Mexican #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-4-11

The image depicts a young boy dressed in traditional religious attire standing against an old stone wall adorned with various posters and photographs. The boy is holding what appears to be a book or hymnal, suggesting he may have been attending a service at the church of San Juan Bautista located in Catemaco, Mexico. His uniform includes a white tunic over dark trousers, complete with black stockings and shoes, typical of religious garments worn by young boys in Catholic ceremonies during that period.

The wall behind him is cluttered with multiple items: posters bearing messages written in Spanish, photographs framed at different sizes, some featuring the boy himself, others depicting people or scenes from daily life. There's a visible contrast between these personal and communal elements on display, indicating this might be an area used for community notices as well.

The text above mentions "Pero Lorenzo Arteaga," which could refer to either the person who took care of the posters in memory of his mother, Madre Lorena (as suggested by 'Muchas Gracias' below), or a reference within the context provided. The overall atmosphere evokes a sense of historical documentation and everyday life captured through photography from that era.

The black-and-white nature of this photograph suggests it was taken with an analog camera typical for street photography during the early to mid-20th century, adding to its documentary value a [...]

Straatgezicht in Durban, Zuid-Afrika, Ed van der Elsken, 1959

#Straatgezicht #Durban #Zuid-Afrika #EdvanderElsken #EdvanderElskens #SouthAfrica #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-11-57

The image is a black and white photograph depicting two individuals walking together in what appears to be an outdoor market or street. On the left, there's a person with dreadlocks wrapped tightly around their head, wearing traditional attire that includes a long skirt-like garment embellished with various patterns and shapes, possibly of cultural significance. They are also draped over one shoulder is another cloth or item which seems to have decorative elements.

On the right stands an individual dressed in casual shorts and a short-sleeved shirt, suggesting warm weather or climate. Both individuals appear engaged in conversation as they walk side by side; their body language suggests familiarity with each other.

The background reveals more people walking around, hinting at the hustle of market life. There are stalls that might be selling goods, typical of such environments. The setting seems to have a variety of structures and possibly some older buildings indicating an urban area or town center where markets typically occur.

This photograph is associated with Ed van der Elsken's work in Durban, South Africa during 1959 as indicated by the provided link for additional information about this specific image.

Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans, in Durban, Zuid-Afrika, Ed van der Elsken, 1959

#Durban #Zuid-Afrika #EdvanderElsken #second #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-25-24

The image is a black and white photograph depicting several individuals who appear to be in motion, possibly dancing or engaged in some form of expressive activity. The main subjects are four men in the foreground, with their bodies angled towards each other as if interacting closely through dance. One man on the right side appears particularly animated, his mouth wide open mid-speech and eyes closed, suggesting a moment of exuberance or vocal expression.

The second individual from the left has an unusual feature: he is wearing what seems to be eye-wear made out of bandages or string, obscuring part of his face. The others are dressed in casual clothing appropriate for outdoor activities such as jackets and shirts with rolled-up sleeves.

In the background, another group can be seen engaging in a similar activity; however, they are less focused compared to the main subjects. This backdrop suggests that this event is communal or public rather than isolated.

The setting seems informal outdoors during daylight hours. The overall composition conveys energy, emotion, and perhaps some sense of camaraderie among participants.

As for additional context on "Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans", it is linked to Ed van der Elsken's work from 1959. However, without more information about the specific event or cultural significance of this image within that period and location, further details cannot [...]

Twee vrouwen met hoed steken een straat over, Parijs, Ed van der Elsken, 1950 - 1954

#Parijs #EdvanderElsken #Paris #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-66

#EdvanderElskens

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