#Feldman

Anne Sverini ☀️annsev@troet.cafe
2025-05-23

In einigen führenden deutschen Medien wird derzeit gegen Deborah #Feldman mobilisiert, wegen Ihres Beitrags in der ersten Ausgabe der "'Weltbühne", die nach 35 Jahren wieder erscheint.
Die #FAZ titelt: "Rufmord für Fortgeschrittene" - wobei dieser Artikel selbst eine Gerüchle von Rufmord hat.
Liest man den Text von Feldman in der Weltbühne, dann kann man diese doch etwas hetzerische Aufmachung in der FAZ nicht wirklich nachvollziehen.
Etwas differenzierter gibts die taz:
taz.de/Chef-der-Juedischen-All

Deborah #Feldman relates the destiny of an interview with Nathan #Thrall and Die #Zeit, one of the influent German Newspapers who weaponize #antisemitism and a lot of other terms concerning Gaza, the Westbank and Palestinian Life under #occupation, #colonization, #martial law and #Apartheid, a 5 monte story:

« The Pulitzer Prize winning author of „A Day in the Life of Abed Salama“ came to #Germany
for a book tour last September, after the German edition had been released by tiny, brave Pendragon Verlag, once all the big names had passed for fear of antisemitism accusations. I had the honor of escorting Nathan Thrall on various stops throughout the country, moderating and translating the discussions with him. The audiences were enraptured, often moved to shuddering tears, deeply emotionally transformed by the experience. The press was invariable admiring, despite obvious hesitancy. And soon interviewers were running after Nathan to get his perspective in print. Front and center was Germany‘s most widely read neoliberal-bougie weekly Die Zeit. The reporter was eager to land the scoop. The interview was lengthy and juicy. There was just one problem. It wasn‘t published as promised. And when Nathan inquired as to why, pointing to the time and energy he had invested in good faith (an experience I myself had with Die Zeit in summer of 2023) he was simply ghosted. Only when I called the reporter and his paper out on x and instagram a few weeks later, did Nathan suddenly receive an email apologizing for the disappearance with a litany of thin excuses. But the story didn‘t end there, oh no, it went on for months, in which the editor wanted to keep tweaking at the article, unsatisfied with some of the more provocative answers. He even reframed the questions so he wouldn’t have to include some of the response material. He put pressure on Nathan to allow for various cuts, basically holding the interview hostage until he agreed. It was a long road. We had to put pressure on the guy on a daily basis near the end. Someone even slipped us his phone number so we could tighten the screws. And so, finally, finally, finally, after five whole months, we have an interview with Nathan Thrall in Germany‘s most widely read paper, where he tell it like it is in ways this country has tried everything to avoid. I’m posting some images of the highlights in English, the full German version can be found here:archive.ph/2025.02.12-144826/h

open.substack.com/pub/deborahf

Bookcover Nathan Thrall, a day in the life of Abed Salama
World Concert HallWConcertHall@mastodon.world
2024-08-31

Right now, a #Furrer's world premiere, a #Streich's world premiere with Höfele and #Feldman from #Lucerne buff.ly/4cP38XM #wch

World Concert HallWConcertHall@mastodon.world
2024-08-31

In 20 minutes, a #Furrer's world premiere, a #Streich's world premiere with Höfele and #Feldman from #Lucerne buff.ly/4cP38XM #wch

World Concert HallWConcertHall@mastodon.world
2024-08-31

Today, a #Furrer's world premiere, a #Streich's world premiere with Höfele and #Feldman from #Lucerne buff.ly/4cP38XM #wch

2024-07-24
Félicien Breton 🍉 🔻 🌱breton@climatejustice.social
2024-07-23

Deborah Feldman: “Germans tend to cut off any attempt at constructive conversation with the much-favoured phrase that topic is much too complicated.
[…] Non-affiliated voices are often silenced or discredited, replaced by the louder ones of Germans whose Holocaust-guilt complexes cause them to fetishise Jewishness to the point of obsessive-compulsive embodiment.”

theguardian.com/commentisfree/ @germany

The present toot is a repost from mstdn.social where i published the content in December 2023 and the moderation team chose to erase it in March 2024.

#manipulation #ihra #Kultur #mstdn #moderation #mstdnSocial #Germany #NL #Germany #Europe #philoSemitism #EuropePalestine #coloniality #guilt #proZionism #StandWithIsrael #activism #antiZionism #antiRacism #conflation #DeborahFeldman #Feldman #Jewishness #Jews

World Concert HallWConcertHall@mastodon.world
2024-06-13

Right now, #Feldman with the Arditti Quartet and #Bruckner's Seventh from #Berlin buff.ly/3Rr3zzX #wch

World Concert HallWConcertHall@mastodon.world
2024-06-13

In 20 minutes, #Feldman with the Arditti Quartet and #Bruckner's Seventh from #Berlin buff.ly/3Rr3zzX #wch

World Concert HallWConcertHall@mastodon.world
2024-06-13

Today, #Feldman with the Arditti Quartet and #Bruckner's Seventh from #Berlin buff.ly/3Rr3zzX #wch

World Concert HallWConcertHall@mastodon.world
2024-04-25
Jaap van Wingerdejvw1954
2024-04-09

»Volgens financiert vanwege zijn historische schuld een soort star en politiek gewenst , maar is er daarin geen plaats voor diversiteit of onwelgevallige opvattingen…. … Duitsland is pro- voor het eigen zelfbeeld, om beter met de eigen geschiedenis te kunnen leven, zegt Feldman. „Die pro-Israëlische houding is zuiver . Het gaat niet om de Joden, maar het gaat om de Duitsers zelf.”

nrc.nl/nieuws/2023/11/15/de-pr

World Concert HallWConcertHall@mastodon.world
2023-11-30

In 20 minutes, #Feldman, a #Rezaei/ #Shlomowitz world premiere and #Saariaho from #Darmstadt buff.ly/3N5km9E #wch

World Concert HallWConcertHall@mastodon.world
2023-11-24

Right now, #Rzewski with Vandewalle and #Feldman with Fraser from #Bratislava buff.ly/49Ncwel #wch

World Concert HallWConcertHall@mastodon.world
2023-11-24

In 20 minutes, #Rzewski with Vandewalle and #Feldman with Fraser from #Bratislava buff.ly/49Ncwel #wch

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