Lmst

#day24 #draw #drawing #inktober #inktober2024 #juliettamasina #gelsomina #lastrada #fredericofellini #fellini

die queere Partyband mit Traktor und Glitzerkostümen gestern von #LaStrada im #augarten #graz war schon seeeehr nice 😎

eine bunt kostümierte mobile Rockband mit Lautsprechern auf einem Bollerwagen

La Strada verwandelt die Innenstadt von #Augsburg in eine große vibrierende Feier! Die Straßen sind voller Leben und guter Laune, und die Weinstraße in der Maxstraße das Highlight neben den starken Auftritten von #Clowns & #Akrobaten! 🍷✨🤡

Neben den Auftritten der Straßenkünstlerinnen und -künstler gibt es am Freitag und Samstag Konzerte von Water & Sound im Annahof und auf dem Stadtmarkt.

📅 Alle Infos findest du hier: https://www.augsburger-stadtsommer.de/lastrada

#LaStrada #Straßenfestival #Wein #StadtSommer

In einer Einkaufsstraße in Augsburg mit modernen Geschäften findet eine Straßenperformance statt. Eine Akrobatin hängt kopfüber auf einer Vorrichtung mit einem Nagelbett unter ihrem Kopf, während ein Assistent daneben steht. Die Zuschauer, darunter Erwachsene und Kinder, klatschen und beobachten die Darbietung aufmerksam. Ein Kind und eine Erwachsene sitzen im Vordergrund auf dem Boden und applaudieren.

Auf dem gepflasterten Rathausplatz in Augsburg, umgeben von farbenfrohen historischen Gebäuden, findet eine Vorführung statt. Ein Mann auf einem hohen Einrad wird von einem Assistenten gestützt, während eine Frau in roter Kleidung neben ihm steht. Das Publikum, bestehend aus Erwachsenen und Kindern, sitzt und steht rund um die Darbietung und schaut gespannt zu.

Eine große Gruppe von Menschen steht und sitzt in einer belebten Fußgängerzone vor einem Schaufenster. In der Mitte der Szenerie stehen zwei Personen in Kochkleidung. Einer der Köche wirft Teig in die Luft, während die Menge zuschaut. Das Publikum besteht aus Erwachsenen und Kindern, die aufmerksam dem Geschehen der beiden Clowns folgen und applaudieren.

Pesta di brutto. Come il romanzo.
Forse addirittura un po' di più.

Firmato: un cinquantenne che ha pianto più volte leggendo questo volume (Coconino Press - Fandango) #LaStrada #Fumetto #ManuLarcenet #CormacMcCarthy

Autore non identificato - "La strada finisce nel fiume" di Luigi Capuano,

#Autore #Lastrada #LuigiCapuano #photography #Italian #Cinema

https://www.fondazione3m.it/page_scheda.php?id=16726

This is a black and white photograph of a woman standing in an interior space that appears to be a dilapidated or underground area, possibly a cellar. The woman is dressed in a style reminiscent of the early to mid-20th century and is looking directly at the camera with her hands placed on either side of a wooden stair railing. Her expression is neutral but she seems to be posing deliberately for the photo.

There are visible signs of decay, such as peeling paint and exposed brickwork, which suggest that the location has been abandoned or neglected for some time. The lighting in the scene is dim, with shadows cast on the wall behind her, creating a moody and atmospheric setting. There are no texts visible within the image.

The style of the photograph suggests it could be from an earlier era, possibly when such photographic techniques were commonplace. The composition and subject matter may also suggest that this is not just a casual snapshot but rather a deliberate artistic or journalistic expression capturing the woman in her environment.

#lastrada di #federicofellini il 27 marzo del 1957 “La strada” di Fellini vinceva il premio #oscar come miglior film straniero. Il piccolo lungometraggio girato da un giovane e quasi sconosciuto regista italiano, con un passato da battutista – per #AldoFabrizi fra gli altri – e di autore radiofonico, ci mette quasi tre anni ad arrivare a Hollywood e a venire riconosciuto quale indiscusso capolavoro della nostra cinematografia...
https://www.valeriotagliaferri.it/?p=533 #unocinema #unofilm #cinema #film

La foto riproduce la copertina del dvd del film "La strada" di Federico Fellini. La locandina, disegnata, riproduce i volti dei protagonisti Anthony Quinn, Giulietta Masina e Richard Basehart in abiti di scena.

Autore non identificato - "La strada finisce nel fiume" di Luigi Capuano,

#Autore #Lastrada #LuigiCapuano #GORGIEFUME #Italian #English #photography #Italian #Cinema

https://www.fondazione3m.it/page_scheda.php?id=16725

This image is a vintage film poster. The central figure appears to be a man in military attire, standing on the left side of the frame. He is holding a rifle and looking towards a woman who stands on the right, also in military clothing. She looks up at him with a serious expression. In the background, there's a group of men wearing similar uniforms, suggesting an organized military operation. The setting seems to be a bunker or a cave-like structure.

The text "GORGI E FUME" is visible in Italian at the bottom of the poster, which translates to "WHO IS TO BLAME?" in English. This suggests a theme of guilt or responsibility within the narrative of the film. The style of the poster is indicative of mid-20th-century film posters, characterized by its use of dramatic lighting and shadows, along with the inclusion of characters dressed in wartime clothing.

Autore non identificato - "La strada finisce nel fiume" di Luigi Capuano,

#Autore #Lastrada #LuigiCapuano #KorojiFlume #Koroji #photography #Italian #Cinema

https://www.fondazione3m.it/page_scheda.php?id=16724

The image is a black and white photograph depicting a scene of rural life. In the foreground, there's a small cottage with a visible chimney on the left side. A large tree stands to the right of the house, providing shade over what appears to be a makeshift shelter or structure. In front of the house, there is a dirt path leading towards a body of water that is partially obscured by vegetation and the horizon line. The background features a clear sky with no clouds visible.

In the lower right corner of the image, there's text that reads "Koroji Flume." This suggests that the photograph might be related to a location or region named Koroji. There is also a partial view of an individual seated on a chair in the background, facing away from the camera. The style of the clothing and the overall aesthetic of the image indicate it could potentially be from the early to mid-20th century.

Autore non identificato - "La strada finisce nel fiume" di Luigi Capuano,

#Autore #Lastrada #LuigiCapuano #TheStreetEnds #photography #Italian #Cinema

https://www.fondazione3m.it/page_scheda.php?id=16723

The image is a black and white photograph featuring two individuals in an indoor setting that resembles a factory or workshop. In the foreground, there is a person standing with their back to the camera, looking towards the background. This figure appears to be a man dressed in a coat and hat, holding what seems to be a newspaper. Behind him, another individual is seated on a chair and appears to be in a state of distress or concern. This person is looking off to the side, away from the standing figure.

The setting has an old or vintage aesthetic, with wooden beams and machinery visible in the background. There is a sense of rustic charm about the location. The image has text overlaying it that reads "Autore non identificato" and below it is "La strada finisce nel fiume" di Luigi Capuano, which translates to "The Street Ends in the River" by Luigi Capuano.

As for the years when this picture could be taken, without further context or specific details visible within the image, it's not possible to precisely determine the time period. However, given the black and white nature of the photograph and its aesthetic qualities, it is likely that the image could date from the early to mid-20th century.

Autore non identificato - Anthony Quinn in "La strada" di Federico Fellini, 1954

#Autore #AnthonyQuinn #Lastrada #FedericoFellini #photography #Italian #Cinema

https://www.fondazione3m.it/page_scheda.php?id=16710

The image is a black and white photograph. It captures a man in the midst of a historical reenactment. He is dressed as a gladiator, complete with a helmet and sword. His stance is assertive and confident, suggesting he might be participating in a performance or a competition.

The setting appears to be an outdoor venue, possibly a fair or festival, given the presence of spectators in the background. The crowd seems to be engaged in the event, observing the man with interest.

Autore non identificato - Anthony Quinn e Giulietta Masina in "La strada" di Federico Fellini, 1954

#Autore #AnthonyQuinne #GiuliettaMasina #Lastrada #FedericoFellini #photography #Italian #Cinema

https://www.fondazione3m.it/page_scheda.php?id=16709

This is a black and white photograph capturing an intimate moment. In the center, there's a woman holding a small lantern, her focus seemingly on something outside of the frame. To her left stands a man, his attention directed towards the woman. He holds a can of fuel in one hand and appears to be examining it with interest. The background is minimalistic, featuring a simple wall and a window that suggests they might be indoors. A vintage feel pervades the image, hinting at a scene from an earlier era.

Autore non identificato - Anthony Quinn e Giulietta Masina in "La strada" di Federico Fellini, 1954

#Autore #AnthonyQuinne #GiuliettaMasina #Lastrada #FedericoFellini #photography #Italian #Cinema

https://www.fondazione3m.it/page_scheda.php?id=16708

This image depicts a person standing in an indoor room with peeling wall paint. The individual appears to be observing other figures lying on the floor, which are covered by blankets or sheets. There is no text present in the image. The style of the photograph suggests it could be from a bygone era due to its composition and color palette. The presence of what seems to be an older model camera or phone indicates that this photo was likely taken several decades ago.

https://fumettologica.it/2024/01/la-strada-manu-larcenet-cormac-mccarthy-coconino/ #Fumetti #LaStrada #McCarthy

This was the mentioned “method” how Fellini used Hollywood stars like Anthony Quinn and Richard Basehart (or any foreign actors) in his Italian language movies.

#LaStrada #Fellini #CineMastodon

Sound

As was the common practice for Italian films at the time, shooting was done without sound; dialogue was added later along with music and sound effects. As a consequence, cast members generally spoke in their native language during filming: Quinn and Basehart in English, Masina and the others in Italian. Liliana Betti, Fellini's long-time assistant, has described the director's typical procedure regarding dialogue during filming, a technique he called the "number system" or "numerological diction": "Instead of lines, the actor has to count off numbers in their normal order. For instance, a line of fifteen words equals an enumeration of up to thirty. The actor merely counts till thirty: 1-2-3-4-5-6-7. etc."
Biographer John Baxter has commented on the usefulness of such a system: "It helps pinpoint an instant in the speech where he [Fellini] wants a different reaction. 'Go back to 27, he'll tell an
actor, 'but this time, smile.' Since he didn't
need to worry about noise while shooting a scene, Fellini kept up a running commentary during filming, a practice that scandalized more traditional filmmakers, like Elia Kazan: "He talked through each take, in fact yelled at the actors.

Pleasant milestones from the year's journey through music appreciation, 2023.

#LaStrada - "Uživo 1987."

https://youtu.be/R36Vok9dAOA

(Not exactly the link, but the closest I could get.)

#Yugoslavia #Jugoslavija #Serbia #Srbija #NoviSad #NewWave #Punk #SlobodanTisma

La strada https://www.carmillaonline.com/2023/12/14/la-strada/ #ClarenceCooperjr #Recensioni #Lastrada

Lees alles over: "‘La Strada’ in de Cultuurschuur" op Medemblik Praat | Een wanhopige moeder draagt haar dochter (Giulietta Massina) over aan een brute circusman (Athony | #cultuurschuur #wieringerwerf #filmhuis #lastrada

https://bit.ly/3NaQKrl