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Quilici, Folco - Una danza sui trampoli nel villaggio di Divignè nel Medio Congo,

#Quilici #Folco-Una #MedioCongo #Folco #African #undefined

https://www.fondazione3m.it/page_scheda.php?id=4330

The image is a black and white photograph depicting an outdoor night scene. It shows multiple figures in what appears to be traditional or ceremonial attire, possibly engaged in some form of ritualistic activity. One prominent figure stands out, wearing loose-fitting clothing that resembles indigenous garments and adorned with what seems like feathers or other decorations on their head. The background is dark, suggesting a nighttime setting with minimal lighting sources, which could indicate the use of a single light source such as a flash or perhaps dim ambient illumination from distant lights.

The figures are standing in an outdoor environment, possibly a village or rural area, given the context provided by additional information about this image on Quilici and Folco's website. The photograph captures a moment that seems to be steeped in cultural significance, potentially documenting traditional practices of dance or celebration within African communities during the mid-20th century.

This scene is reminiscent of historical documentation where photographers captured moments from diverse cultures around the world for various publications such as newspapers, magazines, and travel journals. The attire of these individuals suggests a connection to indigenous traditions that were often explored in early documentary photography aimed at depicting non-Western societies during colonial times or shortly thereafter.

Quilici, Folco - Una barca orna carica di pesci del Tchad,

#Quilici #Folco-Una #African #undefined

https://www.fondazione3m.it/page_scheda.php?id=4362

The image is a black and white photograph depicting a solitary figure seated on the edge of what appears to be a large raft made from reeds or straw. The individual, likely male based on physical appearance, looks directly towards the camera with an expression that could suggest contemplation or rest. His attire isn't fully visible but suggests minimal clothing typical in warm climates.

The scene is set against a calm body of water which extends to the horizon where it meets a landmass covered in grasses and low-lying vegetation indicative of a savanna ecosystem, possibly hinting at an African locale such as Chad given the caption reference. The sky is clear with no visible clouds, suggesting fair weather conditions.

The photograph's graininess indicates age or perhaps that it was taken using older photographic equipment, adding to its historical feel. There are no discernible modern elements in the picture which reinforces a sense of antiquity and simplicity. Overall, this image evokes themes of rural life, solitude, and connection with nature.

Quilici, Folco - Una bambina tra le capanne di Poto - Poto,

#Quilici #Folco-Una #Poto-Poto #undefined

https://www.fondazione3m.it/page_scheda.php?id=4350

The image depicts a young girl with dark skin standing in front of what appears to be thatched hut walls. She is wearing a patterned headwrap and holding up her sleeve, revealing another piece of clothing underneath or perhaps an item she's carrying. Her expression is contemplative as she gazes off into the distance. The photo has a vintage quality, with high contrast and dramatic lighting typical of black-and-white photography from earlier periods.

The context provided by Quilici, Folco - Una bambina tra le capanne di Poto suggests that this photograph captures an everyday scene in the life of someone living near or within the settlement known as "Poto." The website link indicates a source for more information about this image and potentially others depicting similar subjects.

Quilici, Folco - Un villaggio di pigmei Banzabì,

#Quilici #Banzabì #Africa #Folco-Un #5091247586</box #AVillageofPygmies #Banzaabi #Cameroon #undefined

https://www.fondazione3m.it/page_scheda.php?id=4321

The image depicts a black and white photograph of an old building with rough stone walls. On the side wall, there is a mural painted in simple lines depicting human figures holding spears, a large elephant standing nearby, and another figure lying down on their back. The style of painting suggests it may be indigenous or tribal art, possibly from Africa or Asia given the depiction of elephants which are native to those regions.

The building has an uneven roof with visible thatching materials and appears weathered, indicating age and exposure to natural elements. A fence made of wooden poles is partially seen in front of the wall where the mural resides. In the background, there's a view into what seems like a rural setting with more structures faintly visible.

This photograph likely serves as an illustration for cultural or anthropological study purposes given its inclusion on a webpage by Quilici and Folco - Un villaggio di pigmei Banzabì<box>683 509 1247 586</box>. The website's name suggests it may be related to the documentary film "A Village of Pygmies" about Banzaabi, a tribe in Cameroon known for their pygmy people (Baka).

Quilici, Folco - Un vecchio gaucho di Ayacucho si esibisce davanti alla macchina fotografica,

#Quilici #Folco-Unvecchio #WesternAmerican #undefined

https://www.fondazione3m.it/page_scheda.php?id=4306

The image depicts a monochromatic photograph of an older individual wearing traditional cowboy attire and perched on the back of a horse. The rider holds onto what appears to be reins or a lasso, with their gaze directed upwards towards something out of frame. Both the person and the horse are dressed in clothing consistent with early 20th-century Western American style, including hats and boots typical of cowboy gear.

The background is nondescript, focusing attention on the rider and animal as they dominate the composition. The overall mood conveyed by this image suggests a sense of nostalgia or historical significance related to rural life or western frontier culture during that era.

Quilici, Folco - Un gruppo di pigmei Banzanì, ucciso un elefante , ne seleziona il corpo per dividersene la carne, 1964

#Quilici #undefined

https://www.fondazione3m.it/page_scheda.php?id=4317

The image depicts a group of people in the water with several elephants. The scene is black and white, suggesting it might be historical or taken during an era when color photography was not prevalent. There are at least seven individuals visible, engaged in various activities around the animals; some appear to be guiding or controlling them while others seem to be examining their bodies closely.

The elephants range from large adults to smaller juveniles, all partially submerged in a river or body of water that is quite shallow where they stand. The background shows dense foliage and trees indicative of a tropical climate. It's likely taken during daylight given the clarity and contrast of shadows visible on both people and animals. There are no explicit signs indicating any particular context for why these individuals have gathered with elephants, but it might suggest some form of cultural or ritualistic practice.

Additional information about this image can be found in Quilici, Folco - Un gruppo di pigmei Banzanì, ucciso un elefante , ne seleziona il corpo per dividersene la carne, 1964 which seems to refer to a publication from the Ferrania Film Corporation. The photograph captures a moment of significant interaction between humans and elephants that may be culturally unique or noteworthy in its depiction.

Please note that my description is based on what can be seen in the image itself without making assumptions abo [...]

Quilici, Folco - Un bambino Bateché in una strada di Poto - Poto tra le capanne,

#Quilici #FolcoQuilici #Batéké #CentralAfrica #FolcoQuilicis #undefined

https://www.fondazione3m.it/page_scheda.php?id=4352

The image depicts a young child standing in what appears to be an outdoor setting at night. The photograph is black and white, emphasizing contrasts of light and shadow on the child's body. The child has prominent facial features with wide-open eyes looking off into the distance, possibly conveying curiosity or contemplation.

Their posture suggests they are engaged in some form of activity involving their hands; however, due to limited visibility around those areas, it is difficult to discern what exactly that action might be. Their belly appears large and protruding, which could indicate malnutrition or a state of recovery from illness if the context provided by external information were known.

The background is blurred but suggests an outdoor environment with structures like huts or buildings faintly visible through dark silhouettes against lighter areas in some parts. The overall mood conveyed by this image seems somber and reflective, possibly evoking feelings related to themes of poverty, displacement, or the resilience of human spirit despite adversity.

As for additional context that might be found online as per your provided URL: "Quilici, Folco - Un bambino Bateché in una strada di Poto - Poto tra le capanne" suggests a photograph by Folco Quilici depicting a child from the Batéké people of Central Africa. The mention of 'Poto' implies this photo was taken during a photographic expedition or study, and "tra le [...]

Quilici, Folco - Tenda di nomadi beduini ai margini dello Chott El Djerid,

#Quilici #Folco-Tenda #ChottElDjerid #Folco #Tunisia #undefined

https://www.fondazione3m.it/page_scheda.php?id=4286

The image depicts a black and white scene of an arid landscape with sparse vegetation. In the foreground, there is tall grass or brush that occupies most of the lower part of the frame. The middle ground shows a group of animals, likely horses or camels, gathered near what appears to be a temporary settlement consisting of tents constructed from materials such as fabric and sticks.

There are several people visible in the scene; some appear to be tending to the animals while others may be engaging with each other or moving about. The overall atmosphere is one of simplicity and hardship, suggesting that this could be an image documenting life for nomadic tribes in a desert environment.

In terms of context, based on the caption provided by "Quilici, Folco," it seems like this photograph was taken near Chott El Djerid, which is a large salt lake known as one of the largest natural depressions in Tunisia. This region has been historically significant for nomadic tribes who rely on herding livestock such as horses or camels to sustain their way of life.

The image captures an authentic moment from this historical period and offers insight into how people lived, moved around, and adapted within challenging conditions. The composition effectively conveys the isolation, resilience, and connection with nature that is often associated with nomadic lifestyles in arid regions.

Quilici, Folco - Sud America,

#Quilici #Folco-SudAmerica #undefined

https://www.fondazione3m.it/page_scheda.php?id=4313

The black and white photograph depicts a large gathering of people in an outdoor desert-like environment with cacti visible. The crowd is dense, indicating some form of collective event or ceremony. There are individuals wearing traditional attire among the group, suggesting cultural significance to the occasion. In the background, more groups can be seen ascending what appears to be a hillside path; others stand on higher ground observing the assembly below. Various objects like tarps and plants add texture to the scene. This image captures a moment of communal gathering with an air of solemnity or ritual importance.

Quilici, Folco - Segnale del maltempo da una torre di pesca davanti a Tama,

#Quilici #undefined

https://www.fondazione3m.it/page_scheda.php?id=4374

The image is a black and white photograph depicting a maritime scene under stormy skies. In the foreground, there's an outrigger boat with tall masts where someone stands holding up what appears to be a flag or signal cloth on top of one mast. The main activity in this area seems centered around fishing activities.

Several sailboats are seen sailing across calm waters, their sails fully unfurled and billowing due to the wind conditions indicated by the clouds overhead. These boats have traditional designs with long hulls and outriggers for stability when navigating waves or shallow waters near coastal areas like islands.

The background features a series of large cumulus clouds suggesting an approaching storm as they cast shadows on each other, creating dramatic contrasts in brightness and darkness across the sky. The cloud formations vary greatly in size and shape but all share a common theme of heavy weather conditions which could affect maritime activities below.

Behind these sailboats is another structure resembling a fishing vessel docked near shore; it's an elevated platform with supporting wooden beams suggesting that this might be part of a fish processing area or storage for caught fish. The dark silhouettes in the distance suggest mountains or hills on the horizon, providing depth to the scene and hinting at a coastal landscape.

Overall, there is no human presence visible apart from the individual standing a [...]

Quilici, Folco - Sahara nigeriano,

#Quilici #Folco-Sahara #FolcoQuilicis #SaharaNigeriano #Nigerian #African #Niger #undefined

https://www.fondazione3m.it/page_scheda.php?id=4295

The alt text for this image would be: "A historical black and white photograph depicting a group of four individuals, three men and one woman. The women is smiling broadly with her teeth visible while the others appear contemplative or focused on something out of frame.

Additional information about this photo can be found in Folco Quilici's 'Sahara Nigeriano' (Nigerian Sahara), which shows a snapshot of life from that era, likely during colonial times. The image captures both men and women wearing traditional African attire such as head wraps, hats, and neck accessories.

This photograph provides an insightful look into the daily lives and cultural practices of individuals in what is now known as Niger."

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #Sahara #undefined

https://www.fondazione3m.it/page_scheda.php?id=4355

The image depicts a young individual in mid-air with arms and legs spread wide apart. The person appears to be joyfully leaping or dancing, as suggested by the dynamic posture captured against an overcast sky backdrop. In the background, modest traditional structures can be seen, possibly indicating rural living conditions. Two large spherical objects lie on the ground near the foreground of the composition. This black and white photograph exudes a sense of candidness and captures a moment that conveys pure human emotion in its most raw form. The overall setting suggests this could have been taken during or after historical events related to colonialism, as indicated by the reference "Sahara 1964" within the provided source link.

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #French #NorthAfrica #undefined

https://www.fondazione3m.it/page_scheda.php?id=4323

The image is a black and white photograph depicting an outdoor scene. In the foreground, there's a young man sitting on what appears to be a wooden bench or table with metal legs, in front of a dilapidated building with exposed beams. He wears casual attire suitable for warm weather: shorts, sleeveless shirt, socks pulled up just below his knees, and sandals without straps. His left leg is bent at the knee while his right foot hangs over one side of the bench, resting on its surface.

His body language suggests a relaxed or contemplative demeanor as he gazes off to the distance with an air of thoughtfulness. On his head sits a wide-brimmed hat providing shade from what we can assume would be bright sunlight given the outdoor setting and harsh shadows cast upon him by the sun's angle on this seemingly clear day.

Behind him, there is a large poster affixed to the wall of the building which features an artistic rendering of two figures in an embrace. The words "FILLE D'AMOUR" are prominently displayed above them, suggesting it may be related to French cinema or theater from its style and language used on the signboard.

The environment suggests a hot climate with sandy ground underfoot, typical of desert regions like those found in North Africa. A ladder leans against an adjacent structure adding to the scene's makeshift appearance as if this spot serves more utilitarian purposes than leisurely ones, possibly indicating ru [...]

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #first #undefined

https://www.fondazione3m.it/page_scheda.php?id=4316

The image is a black and white photograph depicting two individuals who appear to be partaking in some sort of outdoor activity or gathering. The person on the left appears to be smiling broadly, with visible teeth, exuding an aura of joy and warmth. They are wearing what looks like traditional attire adorned with floral motifs that suggest cultural significance.

The individual's hair is styled into a loose updo, decorated with flowers, giving them a festive appearance. In their hands, they hold something small and indistinct which might be part of the activity or ritual taking place.

To the right stands another person whose body language suggests engagement in conversation or interaction with the first person. This individual has no visible smile but maintains an attentive posture towards what seems to be happening on their left side.

The background is minimally detailed, focusing primarily on natural elements such as greenery and sunlight that accentuate the outdoor setting of this scene. The overall atmosphere appears convivial, suggesting a relaxed social environment where cultural or communal activities are taking place.

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #Earth #theSaharaDesert #undefined

https://www.fondazione3m.it/page_scheda.php?id=4302

The image appears to be a black and white photograph depicting what looks like an aerial view of a desert landscape with various patterns or formations. The central focus is on a cluster of dark, circular shapes that resemble cells or bubbles in the midst of this arid environment. These clusters are irregularly shaped but seem clustered together, creating a pattern against the otherwise barren terrain.

Surrounding these clusters, there are smaller black specks scattered across the landscape, which could be interpreted as distant objects or possibly shadows cast by other elements not visible within the frame. The overall texture of the image is somewhat grainy and rough, indicative of an older photograph or one taken with a high-contrast film.

This type of imagery may evoke thoughts about exploration, isolation, or even life's resilience in harsh environments due to its resemblance to biological structures found on Earth but scaled up greatly. It could be suggestive of microbial colonies thriving amid the desolation of arid lands like those typically associated with the Sahara Desert during that time period (1964).

Quilici, Folco - Sahara 1964 ,

#Quilici #Folco-Sahara #third #undefined

https://www.fondazione3m.it/page_scheda.php?id=4301

The image is a black and white photograph featuring two men on horseback in what appears to be an outdoor setting. The man in the foreground, dressed in light-colored clothing with a wide-brimmed hat, holds a large camera or filming device, suggesting he might be capturing footage of an event. Behind him sits another individual draped in traditional attire that includes headgear and robes, which could indicate cultural significance or ceremonial importance.

A third person is partially visible on the left side of the frame, wearing similar light-colored clothing, indicating they may also be part of a group or gathering. The background shows additional individuals who are less distinguishable but contribute to an impression of a crowded outdoor scene. There's no clear indication of specific locations in this image.

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #Sahara #NorthAfrica #undefined

https://www.fondazione3m.it/page_scheda.php?id=4297

The image depicts a black and white photograph of an individual riding a horse in what appears to be a savanna or arid landscape. The rider is wearing traditional attire, including a hat, which suggests that they may be engaged in activities related to the rural environment such as herding cattle.

In front of the rider stands a striking natural formation: a tree with large, curved horns attached directly to its branches, resembling those of an ox or similar animal species. The juxtaposition of this unusual and dramatic element against the otherwise barren landscape creates a sense of isolation and resilience in the face of nature's grandeur.

The sky is overcast, adding a somber tone to the scene and emphasizing the stark contrast between light and shadow within the composition. There are sparse trees and shrubs scattered across the background, indicative of a dry climate with limited vegetation growth. The overall atmosphere conveyed by this image evokes themes of adventure, exploration, or perhaps even a documentary-style photograph capturing life in regions where humans interact closely with their environment.

The provided alt text refers to "Sahara 1964" and is sourced from Quilici, Folco - Sahara 1964 on the website mentioned. This suggests that the image may have been taken during or around that time period within the Sahara region of North Africa.

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #Sahara #QuiliciFolcos #FolcoQuilici’s #undefined

https://www.fondazione3m.it/page_scheda.php?id=4296

The image is a black and white photograph of a young child. The child appears to be standing outdoors, with dry grass or dirt visible in the background under a clear sky. He has a stern expression on his face as he looks directly at the camera.

He's wearing what seems like vintage clothing: a dark sweater vest over a lighter-colored long-sleeved shirt and trousers, which are both quite worn out and dirty, suggesting poverty. His right hand is raised to chest level with fingers slightly clenched into a fist or gesture of defiance. He wears a small cap on his head.

There's nothing else in the photo besides this child; no other people can be seen nor any identifiable buildings or objects that provide more context about where exactly he might be from, but it does have an air of historical poverty which could indicate an underprivileged setting possibly during mid-20th century. The quality and graininess suggest age to the photograph.

Additional information states this photo was taken in Sahara 1964 as per Quilici Folco's work referenced with a specific URL indicating its source, but without further context or knowledge of Folco Quilici’s works it is difficult to confirm specifics beyond what we can visually ascertain.

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #WorldWarII #Africa #NorthAfrica #Allied #Germany #Italy #undefined

https://www.fondazione3m.it/page_scheda.php?id=4293

The image depicts a black and white photograph of an off-road vehicle carrying several people. The scene appears to be taking place in a dry, open field with sparse vegetation under a hazy sky. The vehicle is tilted at an angle as if it has been driven over rough terrain or possibly turned sharply. There are visible plumes of dust being kicked up by the tires and surroundings due to the movement.

The people on board seem to be casually dressed, suggesting that they might not have expected to drive through such challenging conditions. The vehicle appears bulky with a high ground clearance, which is typical for off-road or military vehicles used in desert environments like those found during World War II campaigns in Africa or elsewhere where similar terrain was encountered.

Given the source link provided (Quilici, Folco - Sahara 1964), this image likely originates from an earlier time period and could be connected to historical events involving military operations in North Africa. The specific model of vehicle is not immediately identifiable without additional context; however, it might resemble a type used by Allied forces during the desert campaigns against Axis powers like Germany or Italy.

In summary, the photograph captures a moment of vehicular transportation through an arid landscape under challenging conditions, potentially linked to historical military operations in Africa.

Quilici, Folco - Sahara 1964,

#Quilici #Folco-Sahara #fourth #undefined

https://www.fondazione3m.it/page_scheda.php?id=4292

#Quilici

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