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New cabins at Hill House, Mississippi

#HillHouse #Mississippi #theGreatDepression #DorotheaLange’s #America #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017763059/

The black and white photograph depicts a rural setting with several wooden structures. The most prominent structure is a large, single-story building with visible weathering on the wood panels. To its left are smaller cabins or outbuildings also made of timber, suggesting an informal housing arrangement typical for workers' quarters during economic hardship periods such as in the Great Depression.

Several individuals can be seen around these buildings; one appears to be inside a cabin while others stand outside, possibly engaged in various activities that might include working on construction. The ground is unpaved and shows signs of wear with tracks from foot traffic or vehicles, indicating frequent activity in this area. A bare tree line borders the scene, hinting at sparse vegetation which could suggest an agricultural context.

Notably, there's a text overlay reading "3-6187," likely dating to 1937 given the year format and historical photography style associated with Dorothea Lange’s work during that time. The photograph is credited in smaller print as part of New cabins at Hill House, Mississippi by images.loener.nl.

The image conveys a sense of rural hardship, communal living or labor conditions prevalent before modern housing development became widespread. It also serves an educational purpose, potentially illustrating social history and the human condition during economic downturns like those experienced durin [...]

Ox team hauling pulpwood. Mississippi

#Mississippi #DorotheaLanges #American #theGreatDepression #California #undefined #photography #DorotheaLange

This black and white photograph captures a rural scene from the early 20th century, likely in Mississippi. A farmer is leading an ox team that pulls a cart filled with pulpwood along a dirt road surrounded by dense forests. The sky is partly cloudy suggesting a mild day despite overcast conditions.
The photo appears to be part of Dorothea Lange's extensive work on rural American life during the Great Depression, documenting agricultural labor and its effects on families such as the Migrant Family in California (1936), documented by her in another iconic photograph. This image reflects similar themes with a focus on subsistence farming and the impact of economic conditions on small-scale agriculture.
A red stamp at the bottom right reads "PHOTO SOURCE," indicating that this photo was sourced from an archive or collection, possibly for public use under certain licensing terms as suggested by the text in red script.

Mailbox in Dust Bowl. Coldwater District, north of Dalhart, Texas

#DustBowl #ColdwaterDistrict #Dalhart #Texas #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770563/

A black and white photograph depicting a rural landscape with minimal elements. In the center, there's an elevated mailbox on four wooden posts in what appears to be arid terrain, indicative of a Dust Bowl region or similar dry climate area. The ground is uneven and covered with small clumps of earth or dirt. To the left side stands a dilapidated fence structure made from simple poles and horizontal elements, suggesting a once maintained boundary now succumbing to neglect. Above, an overcast sky stretches across without any visible clouds, creating a somber mood in this desolate setting. The overall scene reflects isolation and abandonment common during historical periods of drought or economic hardship such as the Great Depression era's Dust Bowl phenomenon in Texas.

Untitled photo, possibly related to: He brought his family to the west in a homemade trailer from Texas five months ago. Photograph made after supper. Boy sick. Father has work now in potato field. Merrill, Klamath County, Oregon. In mobile unit, FSA (Farm Security Administration) camp

#Texas #Merrill #KlamathCounty #Oregon #DorotheaLange #theGreatDepression #American #Lange #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017774345/

This black and white photograph captures a moment of rest or illness in what appears to be a modest, rustic living space. A child is lying on his side atop a bed covered with patterned quilts, one featuring lace details. The bedding suggests warmth but also shows signs of wear. Hanging clothes above the headboard imply that this room serves multiple functions beyond sleeping, possibly as a makeshift laundry area or general storage.

The setting seems spartan and lived-in, with wooden walls showing visible imperfections like nail holes and knots, indicating either intentional simplicity or economic constraints on construction materials. In one corner hangs what appears to be a dark coat, while the other side reveals more hanging garments, hinting at a close quarters lifestyle where space is maximized.

There's an air of quiet resilience in this snapshot: despite apparent poverty implied by the condition of their surroundings and belongings, there’s also a sense of continuity with family life—implied through objects like clothing. The scene may evoke feelings related to themes such as hardship, displacement, or rural living during challenging times for families.

Details hint at specific conditions—the photograph is credited to Dorothea Lange, known for her work documenting the Great Depression and its impact on American society; it was likely taken in Oregon by a mobile unit of FSA. Lange's images often focused on the dig [...]

Shooting Fashions - Mrs. Robert Me Leau - Philadelphia 1963.
1 photograph : color transparency ; 120 medium format.

Title: Toni Frissell Photograph Collection
Date: 1930s-1940s
Keywords: portrait photography, life in America during the Great Depression and World War II.

Description:
The Toni Frissell photograph collection features photographs of everyday people from all walks of life taken by renowned American photographer Toni Frissell. Born on October 11, 1907, in Portland, Oregon, USA, Frissell (1910-1988) was a celebrated portrait and documentary photographer known for her empathetic and honest depictions of ordinary Americans.

Frissell's photographs often captured the lives of working-class people, migrants, and women, providing a glimpse into their struggles and triumphs during the Great Depression and World War II. Her subjects were frequently photographed in informal settings, such as homes, farms, and factories, revealing intimate moments that humanized the narrative of history.

Locations mentioned include Portland, Oregon, USA (Frissell's birthplace).

#RobertMe #Leau-Philadelphia #America #ToniFrissell #American #Portland #Oregon #Frissell #Americans #ToniFrissell’s #theGreatDepression #Philadelphia #unitedstates #pennsylvania #philadelphia #photography

https://www.loc.gov/pictures/item/2021751167/

The image depicts a person standing in front of a pile of seasonal vegetables and corn, holding an old-fashioned rifle. The individual is dressed in a brown coat, gloves, pants, shoes, which indicate traditional or possibly rural attire suitable for colder weather.

In the background, there's a white brick wall that might suggest an outdoor setting near a farmstead or country home. A blue door can be seen to the left side of the frame adding contrast and depth to the composition. The person is holding the rifle with both hands, positioned as if readying it for use which could imply they are engaged in hunting activities.

The seasonal vegetables include different types of pumpkins, corn on the cob, dried maize ears among others suggesting harvest time. This image evokes a sense of rustic life and simplicity often associated with rural America during certain seasons or holidays such as Thanksgiving. It's worth noting that this photograph is part of Toni Frissell’s collection reflecting her focus on capturing everyday American lives across various conditions including economic hardships like the Great Depression.

This particular shot, titled 'Shooting Fashions - Mrs. Robert Me Leau', was taken in Philadelphia in 1963 and reflects a period when fashion trends were influenced by wartime austerity measures which led to more practical clothing styles for both men and women. It is an example of how photography can be used as h [...]

Furrowing against the wind to check the drift of sand. Dust Bowl, north of Dalhart, Texas

#Furrowing #DustBowl #Dalhart #Texas #DorotheaLanges #theDustBowl #theGreatDepression #Lange #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770617/

The image is a black and white photograph showing an expansive landscape. It features rows of furrowed soil, indicating recent agricultural activity in what appears to be dry conditions with patches of bare earth visible between the tilled lines. The pattern created by these furrows extends across the field into the distance under an overcast sky, suggesting minimal vegetation or a barren environment.

The photograph is framed within another larger frame that contains additional text and metadata indicating it as part of Dorothea Lange's collection from her famous series documenting the Dust Bowl during the Great Depression. The specific reference "Negative No." suggests this image was identified in an archival context, possibly stored for historical record-keeping or research purposes.

The photograph captures a moment where human intervention in agriculture is starkly contrasted against a seemingly unforgiving natural landscape. Lange's work often focused on social issues and the plight of rural workers during difficult times, providing insight into their living conditions through her powerful imagery.

Visit the zoo [1936 or 1937]
1 print (poster) : woodcut, color. | Poster promoting the zoo as a place to visit, showing three penguins.

#Pennsylvania #theGreatDepression #penguins #pennsylvania #color #woodcuts #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/94502931/

The image is an artwork depicting a group of penguins in motion, rendered using woodcut techniques. The scene appears dynamic and playful with the birds interacting playfully together. Prominently displayed at the bottom center of this piece are bold letters that read "VISIT THE ZOO," indicating its purpose as promotional material for zoo visitorship.
The artwork's background is white, which contrasts sharply against a color gradient bar in shades of red, yellow, green, blue, purple, and brown situated below. The upper right corner contains text stating the Federal Art Project from Pennsylvania (P.A.). This indicates that this piece was produced as part of an art initiative during the Great Depression era.
This particular artwork is notable for its stylistic elements and historical significance in promoting zoo visits through a creative visual medium.

The long line of Texas. Near Dallas

#Texas #Dallas #DorotheaLange #American #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017763168/

The black and white photograph depicts a young man standing in the middle of an agricultural field. He is dressed in practical, work-appropriate attire: a light-colored shirt with rolled-up sleeves, dark trousers adorned with vertical stripes, brown shoes, and a wide-brimmed hat that suggests protection from sun exposure. The subject holds a long-handled tool, possibly for soil testing or tilling the ground, indicative of his engagement in farming activities.

The field behind him is densely populated with crops, likely soybeans given their growth pattern, suggesting it's either pre-harvest or post-harvest time. His stance and expression are contemplative; he looks off into the distance rather than directly at the camera, which conveys a sense of reflection or perhaps fatigue.

The image is marked "Dorothea Lange," referencing Dorothea Lange, an iconic American photographer known for her work during the Great Depression, particularly in documenting social issues such as poverty and migration. The photograph likely belongs to that era given its monochrome nature and subject matter. This imagery captures a moment of rural life and laborious agricultural practice with dignity.

Additional information about this image can be found on "The long line of Texas." Near Dallas" webpage, suggesting it is part of an exhibition or collection related to the historical narratives surrounding agriculture in Texas during that period.

Type of house on the American-Mexican border. Rio Grande Valley, near Rio Grande City, Texas

#American #RioGrandeValley #RioGrandeCity #Texas #second #DorotheaLange #theGreatDepression #Mexican #Texan #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017763157/

The image depicts a two-story house with signs of significant wear and decay. The building is painted white but appears to be peeling in several areas, revealing the underlying surface or brickwork. It features wooden railings on both floors around an open balcony on the second floor, which has no roof covering it. There's visible damage like cracks near one corner where a door used to stand and some of these structural issues are consistent with older architecture that may have been neglected over time.

In front of the house is a rustic-looking wooden fence partially enclosing what seems to be an outdoor area or yard. The ground in this vicinity appears dry and uneven, possibly due to lack of maintenance. There's also a cluster of trees on the left side providing some contrast with their dark silhouettes against the sky. Above the building, power lines stretch into the distance under a cloudy sky.

The monochromatic tone suggests that it could be an older photograph or taken in black and white for stylistic reasons to emphasize texture over color. The text at the bottom of the image indicates "Dorothea Lange," which is associated with her work during the Great Depression documenting social issues, including poverty among Mexican-American families on the American-Mexican border.

This specific house appears within a broader context likely related to cultural or historical studies concerning rural Texan communities and t [...]

Visit the zoo [between 1936 and 1941]
1 print on board (poster) : woodblock, color. | Poster promoting the zoo as a place to visit, showing two herons.

#Pennsylvania #theGreatDepression #herons #woodcuts #color #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/92500639/

The image depicts an artistic poster for the zoo featuring a large bird, presumably a stork or heron with a long neck and red beak standing on top of what appears to be a rock. The background is muted shades of blue and grey, providing contrast that highlights the silhouette of two birds in white coloration against it. Beneath this scene reads "VISIT THE ZOO" in bold letters followed by smaller print stating, "Federal Art Project, W.P.A., Pennsylvania." This suggests an association with a government art project during the Great Depression era aimed at employing artists and creating public artworks for cultural enrichment. The use of strong colors like red and brown adds visual interest to the otherwise subdued palette.

The town square of Memphis, Texas

#Memphis #Texas #American #DorotheaLange #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770017/

The black and white photograph depicts a bustling small-town American downtown with several antique cars parked in front of various stores. There are at least seven vintage automobiles from the 1930s era, identifiable by their distinct features such as rounded fenders and large bumpers.

In the foreground, three men sit on steps looking out onto the street; two wear hats while one has a white shirt with dark pants. The architecture suggests early to mid-20th-century design, characterized by flat facades and decorative signage above storefronts advertising goods like groceries, jewelry, body glass, hamburgers, and more.

The sky is clear indicating it might be a sunny day as evidenced by the sharp shadows cast on the pavement. There's no visible traffic signal or pedestrian crossing in sight which was common during that era for safety reasons. The overall mood of the photograph captures everyday life from what appears to be an ordinary town square, reflecting societal norms and urban planning typical of small American towns at the time.

This image is a visual representation captured by Dorothea Lange as part of her extensive work documenting various aspects of American life during the Great Depression.

Abandoned shack of a tenant farmer near Roscoe, Texas

#Roscoe #Texas #DorotheaLange #theGreatDepression #American #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770013/

The image is a black and white photograph depicting the broken window of an old wooden shack. The structure appears to be weathered, with vertical planks showing signs of wear and aging. One particular section around the window shows significant damage; it has crumbled away, leaving jagged edges where glass once was but now lacks any pane or barrier. There's a rough texture visible in the woodwork that indicates neglect over time. The photograph is labeled "Dorothea Lange," hinting at its historical context and possibly referencing her work during the Great Depression era documenting American life, particularly focusing on poverty-stricken rural communities such as Texas' agricultural regions where tenant farmers lived under difficult conditions.

Sharecropper. Hall County, Texas

#HallCounty #Texas #DorotheaLanges #theGreatDepression #Lange #American #Japanese #English #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770079/

The black and white photograph captures a moment of levity or amusement on the porch of what appears to be an old wooden cabin, possibly indicative of rural life. The individual is seated comfortably with legs stretched out along the bench, one hand resting against their cheek while the other hovers in mid-motion as if brushing back hair from their face. They wear a sleeveless shirt and shorts typical for warmer weather or activity-oriented workwear, suggesting practicality over formality. Beside them on the ground is what seems to be an old-fashioned cane with a worn grip, hinting at mobility concerns.

The setting of this photograph carries historical significance, being part of Dorothea Lange's series documenting sharecroppers in Texas during the Great Depression era as detailed by "Sharecropper" and identified further via metadata reference. This context adds layers to interpreting the image; it is not just a casual snapshot but an important social document shedding light on life conditions at that time.

The photograph carries a certain graininess characteristic of film from its period, emphasizing texture over clarity which contributes to evoking nostalgia or historicity. Despite being in grayscale, textures are well-defined — the wood's worn look and the person’s clothing all hinting toward an era long past but captured with enduring relevance through Lange's lens.

This image is a part of Dorothea Lange's extensi [...]

Tractor and operator. Navarro, Texas

#Navarro #Texas #America #TheGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770077/

The photograph captures a black-and-white image of an individual operating a tractor equipped with a primitive seed drill system, commonly used in agriculture for planting seeds. The machinery is attached to the back end and features two large white cylindrical containers presumably holding seeds or fertilizer, positioned on either side of a central frame which seems capable of holding more supplies. A makeshift shelter appears atop part of this apparatus, providing some protection from elements like sun or rain.

The tractor itself has prominent black tires with deep treads, indicating that it is designed for off-road use in potentially rough terrain such as farmlands. The operator sits on the right-hand side and seems to be focused intently on their task, controlling the machinery's movement through what appears to be a field or cultivated land.

The ground shows evidence of plowing, with furrows indicating recent agricultural activity. In front of the tractor lies an iron implement that is used for tilling the soil before planting. The scene suggests historical context and possibly represents early 20th-century farming practices in America. There's visible text at the bottom which seems to be a reversed watermark or signature, likely related to the photographer or archive where this image resides.

Overall, it provides an intimate glimpse into agricultural life from what could be mid-1930s rural Texas during The Great [...]

Dust bowl farmers of west Texas in town

#Texas #second #DustBowl #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770071/

The photograph is a black and white image depicting two men seated inside what appears to be an establishment, possibly a diner or store. The primary subject in the foreground wears glasses, a wide-brimmed hat, suspenders with striped overalls tucked into them, and has his hand resting on a bench seat while holding a pipe close to his mouth as if smoking it. His facial expression is contented and relaxed.

The second man sits beside him, slightly out of focus in the background, wearing a similar wide-brimmed hat indicative of rural or agricultural life, suggesting both individuals are likely farmers given their attire that's practical for manual labor such as farming. Behind them, through what seems to be a window reflecting on another surface, is an establishment with signage partially visible and some interior details like shelves containing bottles.

The image exudes a sense of casual reprieve from work or travel, capturing a moment in the lives of Dust Bowl farmers during their time spent away from fields for social interaction. The setting implies it might be a temporary stop on their journey across Texas as part of migratory farming practices associated with the Great Depression and its aftermath.

Additional context is provided through external resources indicating this photo's connection to "Dust bowl Farmers of West Texas," hinting at economic hardship, movement due to droughts in agriculture communities, and so [...]

Flood refugee family near Memphis, Texas

#Memphis #Texas #ELIPSI17 #America #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770047/

The photo shows a black and white scene with six individuals in an open field. Five of them appear to be part of a family, including three adults—a woman standing on the right wearing a sunhat, another seated on a homemade cart beside her holding two children who are sitting on what looks like straw bales or similar materials for cushioning—and a man at the far left operating a manual seed drill. The ground is cracked and dry with no visible vegetation apart from some distant trees in the background. In front of this family, there's another individual pushing a wheeled cart containing two more children who are looking directly towards the camera. Above them on what seems to be an airship or balloon, text reads "ELIPSI 17". The overall setting suggests rural work and perhaps migration during challenging times for farming communities in America during the Great Depression era.

Flood refugees four miles out of Memphis, Texas

#fourmiles #Memphis #Texas #second #TheGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770031/

The black and white photograph depicts a group of people walking along an open road, pulling loaded vehicles behind them. Two men are leading the way; one man is pushing a cart filled with various items such as clothing and blankets while wearing a dark coat, hat, and gloves, suggesting it might be cold outside or that they may have traveled from another place where temperatures were lower than in Texas.
The second man is pulling what appears to be a baby stroller containing an infant. He wears a light-colored shirt under his jacket, darker pants, and shoes with laces; he also has on a dark hat.
Following them are two more individuals: one walking alongside the cart pushing it while wearing a coat and trousers in muted colors, likely indicating they have traveled significant distances or endured harsh conditions to reach this point. The other person is pulling the stroller carrying what seems like a child wrapped up warmly; both wear coats suitable for cool weather.
In the background are power lines extending into the distance on either side of an empty road that stretches far ahead. Sparse vegetation and open fields suggest a rural setting, possibly in Texas or another arid region with wide-open spaces typical of areas affected by droughts during periods like 1930's depression era depicted here.
The presence of these refugees indicates they might have been displaced due to economic hardships, likely as part of the large [...]

Camp of migratory family originally from Texas in "Ramblers Park." Yakima Valley, Washington

#Texas #RamblersPark #YakimaValley #Washington #DorotheaLange #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017772693/

The image depicts a makeshift campsite with several individuals gathered under and around a large tent. The setting appears to be an outdoor area, possibly in the countryside or rural environment. Various personal belongings are scattered around: blankets on top of what seems like cots for sleeping, bags containing supplies or clothing stacked beside wooden crates holding items that could include foodstuffs, utensils, or other necessities.

A notable feature is a folding chair with someone seated within it; however, their identity remains indistinct. The area surrounding the campsite features trees and shrubbery indicative of an uncultivated landscape. A vehicle's tail end can be seen on the leftmost side of the frame, suggesting that this might have been the family's mode of transportation.

The image is rendered in black and white, which adds a historical or documentary quality to it. The caption provided indicates that this campsite belongs to a migratory Texas family who are currently residing at Ramblers Park in Yakima Valley, Washington as documented by Dorothea Lange around 1938-1940 during the Great Depression era.

The image serves not only as an illustrative representation of temporary living conditions but also underscores the challenges faced by families displaced due to economic hardships or migratory patterns.

Furrowing against the wind to check the drift of sand. Dust Bowl, north of Dalhart, Texas

#Furrowing #DustBowl #Dalhart #Texas #theDustBowl #America #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770619/

The image depicts a desolate landscape marked by barren fields and scattered vegetation. A broken fence post stands prominently in the foreground, leaning towards an old wire fence that cuts across the field diagonally from top left to bottom right. The absence of lush greenery or crops suggests arid conditions typical of droughts or dust storms. This black-and-white photograph captures a stark contrast between the earthy tones and the monochrome sky. It evokes thoughts on agricultural hardships, perhaps in connection with historical events such as the Dust Bowl that affected parts of America during the Great Depression era.

The Great Depression was in full swing in 1931, with banks around the world falling like dominos. ‘Hoovervilles,’ shantytowns for the homeless and jobless who lost their homes due to foreclosure, sprung up all over the nation, named after the president who took his blood-covered axe to the economy.

With the reality of economic hardship now impossible to deny, blues music became a way for Americans to vent their stress and feel their grief for all they had lost in such a short amount of time.

One of the biggest blues hits of 1931 was the great Skip James performing “Hard Time Killing Floor Blues.” You can really feel the pain and sorrow in his voice. Despite the brilliance of his musicianship, the Depression kept Skip’s music career from taking off, and his record company ended up dropping him and many other deserving musicians. (He got rediscovered in 1964, solidifying his rightful place in music history as one of the blues’s greats.)

#HistoricalHits
#music
#blues
#History
#TheGreatDepression

https://m.youtube.com/watch?v=pC60xIWKFGM

#thegreatdepression

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