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Conrad Richter; great authors from the Time Reading Program [1965].
1 print : color ; sheet 44 x 56 cm (poster format)

#ConradRichter #TheSeaOfGrass #America #American #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645898/

The image displays a monochrome photograph of an older gentleman, presumably Conrad Richter. He is wearing a suit with a tie and sports a fedora hat as he leans against a tree trunk on what appears to be a cobbled sidewalk in front of buildings that have storefronts visible at ground level.

On the right side of the image, there's text overlaid which provides information about Conrad Richter: "Great Authors from the Time Reading Program," with his name prominently displayed below. It includes snippets of biographical details such as where he was born and raised, a mention of him working various jobs like farm hand, book seller, newspaper editor among others before becoming an author.

An illustration is present in this section depicting wild grasses or flowers, likely referencing one of Richter's works titled "The Sea Of Grass." The bottom part of the image features his name again along with some additional text that seems to be a publication note about a particular work. Overall, it looks like promotional material for an educational program promoting reading among teenagers during the 1960s era in America.

It is worth noting that this image captures both the portrait and textual elements meant to celebrate or educate young readers on notable authors from American literature's past through "The Time Reading Program."

Swing into books. Book week, November 1-7, 1964 1964.
1 print : color lithograph ; sheet 57 x 43 cm (poster format)

#BOOKWEEK #NationalBookWeek #Australia #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645897/

The image features a vibrant and whimsical illustration of a flamingo with an elongated neck and legs, depicted in bold pink color. The bird is shown standing on one leg, with its other leg elegantly raised as if it's dancing or performing the splits. Hanging from the flamingo's foot is a green swing, where a small child is seated, engrossed in reading a book. Above the flamingo are two stylized butterflies painted in shades of blue and green.

Below the main illustration, there's prominent text that reads "swing into books" followed by smaller print stating "BOOK WEEK, NOVEMBER 1-7, 1964." The overall design has an artistic flair with a touch of playfulness, suggesting it is likely related to promoting reading or celebrating National Book Week in Australia.

The contemporaries [between 1960 and 1970].
1 print : color ; sheet 64 x 18 cm (poster format)

#Contemporary #TheContemporaries #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645894/

The image depicts a stylized and abstract composition featuring various forms that resemble human figures or dancers. These shapes are composed of bold lines, red accents, and black outlines on an ochre background with areas in white creating contrast.

At the top of this artwork is text "The Contemporary," while at the bottom it reads "The Contemporaries." The arrangement suggests movement or performance, possibly representing a modern dance scene. The figures have elongated bodies with dynamic poses, some holding objects that resemble wine glasses.

This print appears to be part of a series related to contemporary art and cultural events from between 1960-1970 as indicated by the reference in "The contemporaries [between 1960 and 1970]." The overall style is expressive with an emphasis on gestural brushwork, typical of mid-century modern abstract expressionism.

Collages, April/Mai 1962 [1968].
1 print : color ; sheet 48 x 49 cm (poster format)

#RobertMotherwell #ROBERTMOTHERWELL #Motherwell #GalerieDerSpiegel #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645893/

The image depicts a piece of artwork created by Robert Motherwell. The composition features large, bold black ink splatters against a cream-colored background, with the edges of the paper bordered in dark brown or burnt sienna hues. The overall shape and pattern suggest an abstract expressionist style, which was prevalent during that period.

At the bottom left corner is text identifying the artist's name as "ROBERT MOTHERWELL," followed by additional information about this specific piece titled 'Collages - April/Mai 1962.' It also lists locations where one can find Motherwell’s work or exhibitions, including Galerie Der Spiegel in Köln and Richardstrasse. This suggests that the image is likely from a promotional poster or publication for an exhibition showcasing his works.

The dimensions of this print are mentioned as "48 x 49 cm (poster format)" which indicates its size relative to standard posters used at exhibitions, typically measuring around A2 or larger in modern context but often smaller like DIN A3. The source reference provided is 'Collages, April/Mai 1962 [1968],' indicating that the image and details of this work may be found within a publication from May 1962.

The overall composition evokes an impressionistic feel with strong emotional resonance through its simplicity in form yet complexity in execution. The stark contrast between black ink splatters and cr [...]

Prints, The Baltimore Museum of Art, December 6 - January 3, 1965 [1965].
1 print : black and white ; sheet 57 x 39 cm (poster format)

#JOHNBLAIRMITCHELL #Mitchell #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645873/

The image depicts a poster with bold, white and black imagery against a dark background. The design is highly stylized and abstract, featuring swirls, lines, dots, and what appear to be portions of human anatomy such as eyes and hair in the central part of the composition.

Prominently displayed at the top center are the words "JOHN BLAIR MITCHELL PRINTS THE BALTIMORE MUSEUM OF ART" printed in capital letters. Below this title is additional information: "December 6-January 3, 1965," indicating the dates of an art exhibition.

The overall design has a dynamic and somewhat chaotic feel due to its use of contrasting colors and shapes that seem to interact with one another without clear definition or context. This suggests movement and perhaps even confusion, which may be intended as a reflection on the nature of Mitchell's printmaking style during this period at The Baltimore Museum of Art.

The dimensions provided in brackets indicate that the poster is relatively large for its time (sheet 57 x 39 cm), suggesting it was meant to make an impact and attract attention.

Maryan, October 13 thru November 7, 1964 1964.
1 print : color ; sheet 45 x 29 cm (poster format)

#Maryan #MARYAN #LACienegaAvenue #LosAngeles #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645792/

The image is a black and white poster for an art exhibition. The title "MARYAN" is prominently displayed at the top in bold red letters, with smaller text underneath indicating dates: from October 13 to November 7, 1964. Below this information are details of where the gallery is located: David Stuart Galleries, address given as LA Cienega Avenue in Los Angeles.

The central focus of the poster is a stylized illustration depicting an individual with exaggerated facial features and a chef's hat. The person appears to be playfully interacting or biting their own chin while holding a fork close to it. This artwork bears a signature that reads "Maryan '63," suggesting that this piece was created by Maryan in 1963.

The overall design of the poster is stark and minimalistic, with high contrast between black ink on white paper. The use of red for the title adds visual emphasis to draw attention initially before delving into details such as dates and gallery location information.

Ladislav Sutnar. A comprehensive exhibition of the international pioneer graphic designer... 1961.
1 print : color ; sheet 61 x 47 cm (poster format)

#LadislavSutnar #TheChampionPaperand #FiberCompany #MichaelOGrady #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645790/

This image is a poster advertising an exhibition of the work of Ladislav Sutnar, who was described as an "international pioneer graphic designer." The design features large arrows pointing upwards and to the right on a dark background. These arrows are accompanied by three exclamation marks in yellow and blue colors at various angles. Below this central graphical element is text providing details about the exhibition, including its title ("Ladislav Sutnar"), description of the content (a comprehensive exhibition), sponsor information (The Champion Paper and Fiber Company sponsored by The Contemporary Arts Center with support from The Cincinnati Art Museum located in the Cincinnati Art Museum), dates it was available at a specific location (April 7 through May 7, 1961), and additional design credits ("Design: Michael O'Grady"). This poster is part of an exhibition that took place between April 7th and May 7th.

Paul Jenkins; opening May 10 1960.
1 print : color ; sheet 55 x 44 cm (poster format)

#PaulJenkins #PaulJenkins #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645787/

The image is a poster for an exhibition at the Martha Jackson Gallery featuring Paul Jenkins' artwork. It displays bold, sweeping lines and abstract forms in black, gold, red, and white on a beige background. The text announces "Paul Jenkins Opening May 10 Through May 31 Thirti-Two East Sixty-Ninth Street." There is an impressionistic figure that appears to be in motion or dancing, with flowing shapes suggesting movement around it. A prominent red line cuts diagonally across the poster from top left to bottom right corner, adding a dynamic element to the composition.

Leo Manso, December 5-31, 1964 1964.
1 print : color ; sheet 48 x 31 cm (poster format)

#LeoManso #GrandCentralModerns #american #posters #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645783/

The image displays a bold and striking poster with predominantly orange hues. It features large, abstract geometric shapes that resemble the silhouettes of chairs or furniture against an even brighter orange background. There are two prominent circles within these shapes, adding to the graphic design's simplicity yet impact.

At the bottom left corner, there is text providing information about a specific event: "December 5-31, 1964" and "Leo Manso," indicating it might be related to an exhibition or presentation. Further details include "Grand Central Moderns" and other dates that suggest when this poster was likely used.

The overall design exudes mid-century modern aesthetic with its clean lines and strong color contrast, which is indicative of the graphic styles prevalent during that era. The use of orange in various shades creates a visually engaging composition while maintaining focus on Leo Manso as possibly being an artist or curator associated with the event mentioned on the poster.

The size specifications provided indicate it's likely intended for large display purposes such as exhibitions or gallery settings, making it easily noticeable from afar and serving its purpose effectively.

Philadelphia Museum of Art, Spring 1966 [1966].
1 print : color ; sheet 55 x 45 cm (poster format)

#posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645778/

This image features a striking abstract portrait created with bold colors and geometric shapes. Dominating the center is a stylized face composed of various shades, including golden yellow for the skin tone, purple around one eye suggesting glasses or sunglasses, green below this area possibly representing lips or foliage, and blue towards the chin hinting at a garment or shadow.
Surrounding the central figure are numerous small black shapes that resemble leaves or feathers. These elements create a sense of depth and texture against a textured light-blue background with visible brushstrokes or scratches adding to its tactile quality. There is text on both sides, likely providing context or attribution related to this artwork's creator, exhibition details, or the museum where it was displayed.
The overall effect is one of playful surrealism, blending human features with abstract elements in a way that invites interpretation and evokes curiosity about the artist’s intentions behind such an unconventional depiction.

Imaginative printing 1962.
1 print : color ; sheet 60 x 43 cm (poster format)

#posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645777/

The image depicts a mixed media artwork that features an abstract figure set against a vibrant blue background. The central element of the composition is a silhouette-like shape with various geometric shapes and lines intersecting it, creating dynamic visual interest.

In the foreground, there's handwritten text providing context to the piece. It includes addresses such as "327 S. Broad street," suggesting locations associated with exhibitions or related events. Other texts include phrases like "imaginative painting" in red cursive script and a date stamped at the bottom right corner: "Kingsley 5-308 Kingsley, May." These annotations indicate that the artwork might be part of an exhibition catalog or promotional material.

The overall composition is visually striking with its use of color contrasts and abstract forms. The image serves as both artistic expression and informational content within a visual context.

Speed, service, and superior printing 1962.
1 print : color ; sheet 60 x 43 cm (poster format)

#Marion #Philadelphia #Pennsylvania #KingsleyStreet #BroadStreet #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645776/

The image is a poster with various geometric shapes and lines in shades of purple, blue, black, yellow, orange, red, and white on a pink background. The shapes include triangles, squares, circles, rectangles, and abstract forms that overlap each other at different angles and orientations. Some shapes are solid colors while others have outlined edges or fill patterns.

The text "Speed Service And Superior Printing" is prominently displayed in large black letters along the top edge of the poster. Below this headline, there's a smaller caption that reads "Marion." followed by what appears to be an identification number: "Kingsley 5-3308."

In the bottom right corner of the image, white text on a black background states additional information including addresses and contact details related to The Kraft Printing Company. It mentions locations in Philadelphia, Pennsylvania; Kingsley Street, Broad Street, and includes a phone number.

The overall design suggests that this poster may be promoting printing services with an emphasis on speed, quality, and service excellence.

Kraft Printing Company [1962].
1 print : color silkscreen ; sheet 60 x 43 cm (poster format)

#Philadelphia #KingsleyStreet #Martin #DeStijl #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645795/

The image depicts a vibrant and geometrically stylized poster featuring abstract shapes, lines, and bold colors. Dominant hues include red, blue, black, white, and touches of yellow, all rendered in silkscreen technique on dark paper or canvas as suggested by the reference to "sheet 60 x 43 cm (poster format)." The composition includes various geometric forms such as rectangles, circles, squares, triangles, and lines arranged asymmetrically. Notable features include a white circle with blue accents at its center, red dots within black shapes resembling droplets or drops, and elongated horizontal stripes in contrasting colors that extend from the bottom left to almost reaching the top right of the piece.

The poster also contains text elements; on one side is a series of numbers (5308), possibly indicating an identification code. Another portion displays what appears as a company's name, "Kraft Printing Company," alongside contact information including an address in Philadelphia and Kingsley Street with coordinates 7-2 PA., which could imply its location or mailing details.

Additionally, the image bears the signature of 'Martin' near the top left corner, suggesting it is attributed to this artist. The overall aesthetic evokes a sense of modernism with clear influences from art movements such as Constructivism and De Stijl, known for their emphasis on abstraction, geometri [...]

Printing with an impact 1962.
1 print : color ; sheet 60 x 43 cm (poster format)

#KenSmedley #BroadSt #Philadelphia #Pennsylvania #SmedleyWinston #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645775/

We imbue everything with spirit, verve and a touch of magic 1962.
1 print : color ; sheet 60 x 43 cm (poster format)

#MAGIC #SouthBroadStreet #Philadelphia #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645774/

The image is a colorful, abstract poster featuring various shapes and figures. It has a dark background with different shades of green, yellow, red, and orange overlapping each other in curved or jagged patterns. In the center stands an anthropomorphic figure with a smiling face composed of what appears to be pieces from broken objects such as buttons for eyes and possibly nails or teeth. The character wears a vibrant yellow shirt, red pants resembling flames, and has horns on its head. Its hands are holding green paintbrushes dipped in color; one brush is red, the other green.

There's text at the top of the poster that reads "WE IMBUE EVERYTHING WITH SPIRIT," followed by smaller phrases like "VERVE" and a touch of MAGIC." The typography varies in size and style. In the bottom right corner are printed details indicating it was designed for Kraft Printing Company, located on South Broad Street in Philadelphia.

The overall aesthetic is playful and whimsical, with an emphasis on vivid colors and non-representational forms that suggest movement or energy through their dynamic arrangement.

The print club 1962.
1 print : color ; sheet 60 x 43 cm (poster format)

#ThePrintClub #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645773/

A chaotic, abstract composition of interlocking and overlapping forms in shades of purple, brown, black, white, yellow, orange, and green. The shapes are reminiscent of human figures or organic structures such as branches or roots but do not form distinct recognizable entities. There's a dense arrangement with little negative space that conveys a sense of movement and complexity within the work. A section at the top contains text in multiple languages; it seems to be an informational label, possibly about an exhibition or event related to this piece. The bottom right corner has additional hand-written notes providing specifics on dimensions, condition, media used ("oil"), artist signature, date created (1962), and collection information from "The Print Club," with reference number 5034.

Attention to detail is an essential of fine printing 1962.
1 print : color ; sheet 23 x 17 cm (poster format) | Poster shows a variety of insects in the grass.

#PHILADELPHIA #KINGSLLEY5-308 #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645772/

This image features an illustrated poster with various stylized representations of insects and animals on a yellow background. The creatures include butterflies, dragonflies, frogs, birds, and other small fauna, all rendered in black ink or dark blue washes against the bright backdrop. The text "ATTENTION TO DETAIL IS AN ESSENTIAL OF FINE PRINTING" is prominently displayed at the top of the poster, emphasizing its educational nature about fine printing techniques.

The lower part of the image lists details such as "At THE KRAFT PRINTING COMPANY 335 S BROAD STREET PHILADELPHIA 7 KINGSLLEY 5-308," indicating locations associated with this work. The overall design is playful yet informative, combining a vivid color palette and whimsical illustrations to convey the importance of precision in printing processes.

Dependability! And important asset of the Kraft Printing Company 1962.
1 print : color ; sheet 23 x 17 cm (poster format) | Poster shows a dog named Brandy.

#Brandy #DanZadra #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645771/

The image features an illustration of a dog with expressive, swirling lines and bold colors predominantly in shades of orange, brown, black, and white. The dog appears to be named "Brandy," as indicated by the tag on its neck that reads "BRANDY." Above the dog's head is text stating "dependability!" suggesting a theme or message related to reliability.

The artwork has an informal, hand-drawn quality with dynamic brushstrokes creating texture and movement. There are also additional graphics at the top right corner featuring geometric shapes in purple tones. The overall style of the illustration aligns with mid-century modern design elements often seen in vintage advertising posters from that era.

Below the main image is a caption providing context about its significance, mentioning it as an "important asset" associated with the Kraft Printing Company and indicating that this particular piece was created by Dan Zadra. The dimensions provided (23 x 17 cm) suggest the size of the poster or print itself.

A royal reception awaits you when your ideas are printed into reality by the Kraft Printing Company... 1962.
1 print : offset ; sheet 23 x 17 cm (poster format)

#DonMarden #ARoyalFamily #posters #american #photopgraphy #LibraryOfCongress

https://www.loc.gov/pictures/item/2015645770/