The Pyte Foundry
2025-06-09

reviving type like a pro

2025-05-08

Father Catich is my Pope.

The Pyte Foundry boosted:
David Shields19cWT@typo.social
2025-04-27

HBD Darius Wells born 26 April 1800 Kingsboro, NY. He invented the router—a lateral revolving cutting tool—to make the first machine cut wood types. 1st specimen catalog in 1828 co. became D. Wells & Co in 1835 & Wells & Webb in 1839.

He was an active abolitionist, and ran a “station” on the underground railroad in Patterson, NJ helping enslaved humans make their way north to Canada to live as free humans.

#WoodType #router #letterforms #typography #design #bibliography #archives #libraries

The Pyte Foundry boosted:
letterspace.amsterdamlttrspc@typo.social
2025-03-28

We’ve got mail 2

Plain Text magazine by @plain_form
Recommended by @underware

The magazine includes work by Ando Borione @daytonamess (who promised at @fontstand to be back on typo.social more often) and an interview with Ellmer Stefan @thepytefoundry about #Asemic Writing.

text.plain-form.com/en/shop/pl

Cover of Plain Text magazineWild works of Anne-Dauphine Borione a.k.a. Ando a.k.a. Daytona MessIntroduction of the interview on asemic writing with Ellmer Stefan in English and French. The whole magazine is bilingual.
The Pyte Foundry boosted:

Type Designers: I am available for freelance work — in particular I am looking to do some more python tool development.
I have been building all sorts of custom extensions for @RoboFont, tooling for optimizing kerning large families, proofing tools, and even PDF invoice tools using DrawBot/Google Sheet/Dropbox.
My website has my GitHub link and more work!

connordavenport.com/

The Pyte Foundry boosted:
2025-02-21

In 2023 we announced that the Richard Sheaff Ephemera Collection had found a home at Letterform Archive: letterformarchive.org/news/ric. The work to process over 26,000 trade cards, visiting cards, labels, tickets, and other ephemera is ongoing.

The Pyte Foundry boosted:
jo lang uste fontsjo@typo.social
2025-02-16

We all know about the Pioneer Plaque and Voyager’s Golden Record but have you seen the ‘Water Words’ on the Europa Clipper. It is a plate made of tantalum and has the waveforms of the sound of the word water in 103 languages engraved on one side.
Its a plate of semiotic beauty and I hope future lifeforms will not listen to it backwards.
europa.nasa.gov/spacecraft/vau

One side of the silver-gray, rounded, triangular 'Water Words' plate with black engraved waveforms arranged in an radial  fashion.
2025-02-14
Happy Karl-Valentins-Day Everybody!
The Pyte Foundry boosted:
Florian Hardwigfhardwig
2025-02-12

Plain Text #1 has arrived and is looking enticing! The first issue of @plain_form’s printed publication for exploratory type design has contributions by Anne-Dauphine Borione (Daytona Mess), Lucas Descroix, Benjamin Dumond @grifi, Kirsten D. Dzwiza, Stefan Ellmer @thepytefoundry, Ayasha Khan, Zuzana Licko, Arman Mohtadji, William Skeen, and Verso Wurm. Texts in English and French ➽
text.plain-form.com/en/shop/pl

Photo showing a detail of the front cover. Text reads:

Plain Form 1 
[EN] exploratory type design 
[FR] typographie exploratoire 
/ 
[PT×01] 
[96P.] 
[14€]”Photo showing a detail of the table of contents. The visible items are:

• “Shape of a Thousand Universes” – Eager Zhang’s poetic outlook on type and languages
• “Asemic What?” – A conversation with Stefan Ellmer about (non-)sense
• “Emomania” → Ayasha Khan explores the border between text and images
• “Type as a Labyrinth” – What Benjamin Dumond means when he says “experimental”
• “Atlas” – Non-verbal links in a well-arranged array of images.
• “Weavings” – Zuzana Licko brings type design mechanisms into other fieldsPhoto of a spread from “Family Business” / “Affaire de famille” by Lucas Descroix. On the right: one-line samples of the various styles of Ready. The typeface by Plain Form is a “collection of display styles [that] explores an asphyxiation of sense under an exuberance of the sign.”Photo of a spread from “Express Exegesis” / “Exégèses express”. The illustration shows a specimen for Falling Script by Masahiro Naruse, 2022.
2025-02-07

writing EULAs like its sheet music

The Pyte Foundry boosted:
The Public Domain Reviewpublicdomainrev
2025-01-09

🥁 Announcing the Public Domain Image Archive! 🥁

We are very excited to share our new sister-project, the Public Domain Image Archive (PDIA), a curated collection of more than 10,000 out-of-copyright historical images, all free to explore and reuse.

Our aim is to offer a platform that will serve both as a practical resource and a place to simply wander — an ever-growing portal to discover more than 2000 years of visual culture.

Start exploring here: pdimagearchive.org/ @pdimagearchive

Webpage showing tiled grid of old images
2024-12-02

@kai Gruß-aus-der-Küche Fonts

2024-12-02

@kai Hors d’Œuvre Fonts

2024-08-20

Music for Airports
Kerning for Passwords

The Pyte Foundry boosted:
2024-06-12

Some glyphs that are somehow valid to use in a PostScript name, according to the spec??

!, ", #, $, &, ', *, ,, -, ., :, ;, ?, @, \, ^, `

I looked at this line a million times and it never clicked that I could have been using calling my font families "`@&$#\" (quotes included!) THIS WHOLE TIME

2024-06-03

@klim @peirantan @kai Foundry concept right there: Concept-Free Font Foundry. CFF only!

The Pyte Foundry boosted:
þēodrīċ🔸(e/ack thbbft)theodric@social.linux.pizza
2024-06-01

Coolest video I've seen today: an electronic scanner-paint plotter from 1970!

The Pyte Foundry boosted:
Florian Hardwigfhardwig
2024-05-23

The Footnotes website has a new section called Stories, offering free access to articles of out of print issues of this unique “periodical bulletin of applied research in type design”.

At the moment, this includes Brigitte Schuster’s history of the Swiss Haas type foundry (Footnotes A+B) and @frankrolf’s introduction to A.V. Hershey and his early vector fonts (Footnotes B): lapolice.ch/stories/

Screenshot of the Stories page at https://lapolice.ch/stories/

The teaser images for the two stories that are already available show the Haas logotype with a hare holding a large metal sort, designed by F.W. Kleukens in 1927, and the Z glyph from Hershey Italian Gothic, designed in c.1967, complete with control points.

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