Lmst

By Dear Hollow

Few albums reveled in existential despair like Sun of Nothing’s The Guilt of Feeling Alive. While punishing in ways that recall Neurosis or Blindead, it settled heavily into tension and despondence beneath the devastation. It always hinted at something without fully grasping it, fluid and powerful heft contrasting with an overwhelming bleakness. Despite its black metal influence, Sun of Nothing did not offer a bleakness like DSBM’s passing glance at a winter landscape, but represented the grey of its troubling cover art: the day-in and day-out of a cold, tired, and worn city, shrouded in smog. For its first album in fourteen years, the Greek quartet has offered something that stands shoulder to shoulder.

Maze is stacked with expectation, and it delivers. Sun of Nothing could have stayed in The Guilt’s lane and played it safe, but they amp up the punishment, hone the dichotomy, and paint a bleaker and more desperate picture than its predecessor could have imagined. Thick sludge riffs are the most noticeable, weighty affairs that recall post-metal’s more vicious moments in Cranial or LLNN, with dissonant leads that don’t necessarily dwell in eeriness and darkness as much as gloom and despondence. Contrasting this droning palette is a black metal-inclined vocal attack whose soul in torment feels like a cry to break through tar-thick monotony. A rusty edge of noisy post-punk graces Maze with a palpable clanking and mammoth repetition that drives the nail deeper, while the songwriting of everything “post-” graces the tired proceedings with a repetitive and nihilistic krautrock approach. Sun of Nothing takes their signature sound deeper with an emphasis on mood and atmosphere. It’s a desperate and hopeless wandering through the human maze, a crooked path we all walk.

The foundation upon which Sun of Nothing builds its songcraft is a simple one, rooted in post-metal. Tension is established with slightly disconcerting minor riffs and a smoky, sludgy distortion, with dissonant plucking and melodic counterbalances. Centerpiece “Ghost Maze” and closer “Buried Endeavors” are great examples of this, Isis-esque rhythms and patient growth balanced by these chords and an uncanny valley approach to melodic transitions. Elsewhere, tracks “Liars in Wait” and “Voidhanger” embrace the vicious side with roiling percussion and blackened tremolo that is funneled through this palette and warped into something disconcerting and gloomy. This is guided by vocalist Ilias Apostolakis’ almost disjointed vocal approach, usually relying on a distant shriek or drawling roar.

The fluid and miasmic movement in the thick string attack of Maze sets the swampy setting, and Sun of Nothing’s variations feel like a soul attempting to break free of this labyrinth. Apostolakis’ vocals take center stage in staggering repetition in “Liars in Wait” and “After the Fall,” his sermonic roars reaching their breaking point in brutality and viciousness across the gloomy and droning guitars, feeling nearly uncomfortable in the nihilistic dichotomy. The chuggy riffs of “Voidhanger” and their nihilistic leads feel like a steel-toed boot kicking open a cheap apartment door, while the closing melodies feel like Sun of Nothing’s only moment of crystalline sadness rather than despondence. “Ghost Maze” offers more blackened influence in rattling blastbeats and simmering tension, as its blackened approach seems to simply add to the gloom rather than attempt to punch through it – a gloom that is capitalized upon in closer “Buried Endeavors” for a sound whose droning is emotional as well as instrumental.

Sun of Nothing’s sound may not be the most unique in its blend of sludgy post-metal, black metal, and noise rock, as acts like Hail Spirit Noir and Praise the Plague bend the definition of “post-black” to include more of the post-metal heft in this way. Maze’s breed of intensity is not always easy to cut through, as every movement points to its emphasis is on despondence and atmosphere, and memorable movements can be often an afterthought; simply put, Maze will not be for everyone. However, the Greek quartet’s ability to warp brutality and meditation to uniquely paint a picture of bleakness stands apart from their counterparts. But for those willing to revel in existential gloom, Sun of Nothing will offer a haze like few others.

Rating: 3.5/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Venerate Industries
Websites: sunofnothing.bandcamp.com | facebook.com/Sun0fNothing
Releases Worldwide: February 16th, 2024

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