#LeftoverCrack

BUFFALO ASK A PUNKrelay@buffalo.askapunk.net
2026-01-14

Leftover Crack, Citizen Fish, MDC, I Object

The Death Trap, Sunday, November 25 at 06:00 PM EST

Originally planned to be at Club Infinity, the venue bailed because they didn’t want to deal with Leftover Crack. Last minute the gig was moved without them to a basement on Custer St.

buffalo.askapunk.net/event/lef

Leftover Crack, Citizen Fish, MDC, I Object

Leftover Crack – White Guilt Atrocity Quilt 7″ (SBÄM)

Things have been a bit quiet lately in a crack rock steady world, but just when you think the old guard might be settling into the shadows, Leftover Crack returns, reminding everyone why they’ve been one of the greatest in the gutter-punk underground for decades. Packing two tracks of pure, undiluted spirit, this red vinyl proves that even with a refreshed lineup, the band hasn’t lost an ounce of the rawness or aggression that made them legends of NYC punk rock underground. If you’ve been following the trajectory of this band, you know they don’t do things by halves. This 7” captures a fascinating moment in their evolution, a new and improved sound that carries every single element that fans have obsessed over since the early 2000s. It’s a tight, focused, and incredibly heavy experience that stays relevant without abandoning the dirt that made you famous.

The A-side features “White Guilt Atrocity Quilt,” a song characterised by a modern anarcho-punk sound. Instead of relying solely on the typical high-speed thrash, the band opts for a powerful, mid-tempo stomp that lends the music a massive, physical presence. There’s this incredible theme delivered on the guitars that feels almost Slayer-alike in its dark, metallic precision. It’s an aggressive, chugging theme that elevates the punk foundation to new heights. The guitars shine throughout, balancing those heavy, bone-crunching riffs with catchy themes and even the occasional progressive leads. It’s a sophisticated approach to songwriting, proving that Leftover Crack are not afraid to flex their technical muscles. It’s nearly mindblowing how those instrumentations cut through the mix with such precision and finesse. The dual vocal impact packs a lot of punch. The interplay between male and female voices adds layers of harmony and raw intensity, perfectly capturing the anarcho-punk message. It feels communal and loud at the same time, making this composition even more aggressive, powerful, and meaningful. The rhythm section sounds absolutely massive. You’ll notice how the basslines deliver a layer of warmth and depth to the mid-tempo stomp. The drums keep the pace with relentless steadiness, providing a powerful anchor and allowing the guitars to experiment with those progressive leads without the song losing dynamics.

Then you flip the record, and you’re hit with “Brad Sabbath.” If the A-side was a look into the band’s modern evolution, the B-side is a glorious tip of the cap to the classic Leftover Crack sound. This is a fine piece of sonic artistry that moves with a dark, brooding intent. The band handles those slow, chuggy, and incredibly heavy segments with a mastery that honestly goes beyond comprehension. This song crawls under your skin, using dark melodic themes to create an atmosphere of heavy, existential dread. “Brad Sabbath” exemplifies how those sludge-infused moments are often their most powerful. The way the guitars transition from those heavy, chugging riffs into haunting melodies immediately blows your ears off. The vocals pair perfectly with the instrumentation, adapting to the slower tempo with a soulful delivery, making this song an instant standout in their massive discography. It’s an emotional and sonic journey packed into just a few minutes of vinyl, proving that the band can be just as effective when they slow things down as they are when they’re screaming at full throttle. This 7” is a mandatory addition to the collection of every true Leftover Crack fan. It represents a band that has been through the wringer and come out the other side with their vision intact and their sound sharper than ever. The production is excellent, allowing the complexity of the bass and the intricacies of the drumming to shine through, even amidst the heavy guitar distortion. As you peel back the layers of the dual vocals and the progressive guitar experiments, this 7” will force you to spin it over and over again.

SBAM Records has done a great job with the presentation, too. It’s a collector’s item that actually has the musical substance to back up its visual appeal. Whether you’re a fan of their old-school crack rock steady days or you’ve been following their more experimental turns over the years, White Guilt Atrocity Quilt offers something for everyone. It’s aggressive, it’s melodic, it’s technically impressive, and most importantly, it’s honest. Leftover Crack has successfully updated their sound without losing their soul, proving that age and experience only make the bite sharper. Do not miss this one. Head over to SBAM Records, grab the red 7” record, and turn it up until the walls shake.

#ANARCHOPUNK #LEFTOVERCRACK #MUSIC #PUNKROCK #REVIEWS #SBAMRECORDS #SKA

Leftover Crack - White Guilt Atrocity Quilt 7" - SBÄM
Nyrdcast Podcastnyrdcast
2025-11-27

Long-running anarcho-punk disruptors  are gearing up for a heavy year on the road, w/ an already-announced Fall tour across the Midwest & Texas alongside , followed by a newly confirmed East Coast New Year Tour w/ . nyrdcast.com/2025/11/leftover-

Leftover CrackRecidivist Bible CampLeftover CrackLeftover Crack
S.L.R. Magazineslrmagazine
2025-11-25

LEFTÖVER CRACK HIT THE ROAD: FALL MIDWEST & TEXAS DATES WITH WORLD’S SCARIEST POLICE CHASES + EAST COAST NEW YEAR RUN WITH POBRESKA ANNOUNCED. @LeftoverCrackOG

slrmagazine.com/2025/11/24/lef

2025-09-06

"[...]
So, you wanna be a cop?
So, you wanna be on the top
Harassin' and shootin' all the kids on the block
Incarcerate the youth of the next generation
And you'll get the high-fives at the police station
[...]"

🎶 So You Wanna Be A Cop? - Crack Rock Steady 7 (2001)

youtube.com/watch?v=b8lm25ZiSes

#CrackRockSteadySeven #LeftoverCrack #fMinus #MorningGlory #Cs137LyricsPicks

2025-07-10

🖤💘💣💥

Kein Tag ohne... LÖC
#Punk #Hardcore #SkaCore #Crustcore

#LeftöverCrack ❤️‍🩹 ‼️

Burn Them Prisons

youtu.be/iol9DzWAWGo?si=Fls82K

Fuck Your Social Mediafysm@fysm.world
2025-05-01

Fuck The Police

It should be no surprise to see Leftover Crack on FYSM. Unless you don’t know who Leftover Crack are. Or FYSM. Which, if that’s you, just read the title and know how appropriate it is.

This night was opened up by local punk hardcore band Hellgrammites. They were the one and only local openers, and they played that role well. They checked all the boxes:

Hometown pride, as one should since you’re playing for a crowd of people who can easily watch you again at the venues down the street.

Excitement for opening for legends, as one should because that’s not an opportunity you get every day! It’d be weird if they weren’t excited!

Ending their set with more excitement than the beginning, which also seems to be a local opener staple. The reality subsides and the show sets in and, before you know it, the lead singer is jumping into the crowd and starting a mosh pit. Which, of course happened with Hellgrammites.

The first black and white photo on FYSM. The horror!

In a well planned show with an appropriate amount of acts, of which this was, the tour openers come up next and are usually alright. But that wasn’t the case with La Pobreska, Leftover Crack’s tour openers.

All 50 of the guys, or however many of them there are, are fucking amazing. They crowded the stage for soundcheck, and the only thing I could think of was, “how the fuck is this going to work? They even have a whole horn section!”

Really fucking well is how it worked. The chaos of metal mixed with the danceability of ska is something that surprisingly works. Like, even their techs were dancing on stage with them. Like, they too jumped in the crowd to mosh with the crowd. Like, literally giving someone the shirt off their back just because. Between everyone on stage, including their crew, dancing; to giving people free merch for no fucking reason; to the ear candy that is their music, the worst part about them is they only take cash.

These guys might not be legend status. Yet.

Don’t get used to it – these are only because black and white is punk! And I also did a terrible job at the taking a photo part

And then, the moment everyone waits for, the headliners. Tonight, that was Leftover Crack.

Enough with the cliches. This show was not cliche. Because I’ve never seen, in the 21st century, with all the shit going on in the world, a band so laissez-faire about letting people come on stage.

And I’ve never seen a crowd so… cordial about that either. One audience member on stage at a time. Don’t touch the band unless permission is granted. Carefully fall into the waiting crowd because the Bluebird isn’t big enough to jump in.

As someone stressed about the state of the world for obvious fucking reasons, there was something very relaxing about seeing such camaraderie. Especially in Denver, I would worry about people getting on stage. I would also worry about people jumping head first into the railings. I would also worry about dumb asses doing whatever it takes to get the spotlight, including violence or more.

It didn’t happen. Leftover Crack did their thing, the audience did their thing, and it melded fantastically into, like, some sort of relaxing dance.

As a local, I can promise you allowing us to do this is stupid and sketchy

It feels like there’s a list hidden in here somewhere, and I love lists so I wish I could find it. But I ain’t gonna stress about it. Why the fuck would I stress about it when there’s police shooting people instead of drugs?

Check out my stupid but also politically relevant merch!

#core #hellgrammites #laPobreska #leftoverCrack #metal #punk

S.L.R. Magazineslrmagazine
2025-04-19

Legendary Anarcho-Punk Band Leftöver Crack Release New Single & Lyric Video "White Guilt Atrocity Quilt"(b/w "Brad Sabbath").

slrmagazine.com/2025/04/19/leg

S.L.R. Magazineslrmagazine
2025-03-30

Leftöver Crack’s “Fuck World Trade” and “Constructs of the State” Getting Fresh Vinyl Reissues on July 25. @LeftoverCrackOG

slrmagazine.com/2025/03/30/lef

2024-11-29

Running into the a-team add earlier on, I was reminded of the intro to the F-Minus/The Crack Rock Steady Seven split cd, what a nice audio collage:

"In 1972, a crack commando unit
A crack commando unit
A crack, crack, crack
Crack commando unit
Was sent to prison by a military court
For a crime they didn't commit
These men promptly escaped
From a maximum-security stockade
[...]"

youtube.com/watch?v=6HwKqyalj0

#CrackRockSteadySeven #LeftoverCrack #fMinus #aTeam #MrT #Cs137LyricsPicks

2024-04-27

🎶 "
One of us will be betrayed it's not enough for you to say
"I'm sorry" or lie about it all yer a meglo-nymph & yer mating call is
Money & religion, segregation & division
Your dirty cash in the pockets of the wicked politicians
Lobbying for slavery in a new and modern way
[...]"

Leftover Crack - Nazi White Trash, 2001

youtu.be/LxMzsWO-lxw

#LeftoverCrack #NaziWhiteTrash #fckAfd #Cs137LyricsPicks

2023-02-17
2023-02-13
2023-01-28
2022-12-20

#NowPlaying Leftöver Crack/Citizen Fish - Deadline Split #Punk #Ska #Vinyl #LeftoverCrack #CitizenFish

Cover of Leftöver Crack/Citizen Fish - Deadline Split sitting on top of a turntable.
2022-11-30

Moins méconnu que d'habitude, moins sage aussi, voici mon morceau du jour:

youtube.com/watch?v=ZGBW18g4sO

#LeftoverCrack #Punk #Skacore #soundcheck

Lewis Dexter Litanziosldexterldesign
2020-04-29

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