Travis Dickerson // #TravisDickerson //
Lonely If You Try
[album The Owl Dives Through The Crescent Moon, 2012]
//via // #TDRSMusic //
#buzzingroom #music #bandcamp #TheOwlDivesThroughTheCrescentMoon #LonelyIfYouTry #DJBonebrake #TravisDickerson #PaulIII #LindyDickerson
link bandcamp: https://travisdickerson.bandcamp.com/track/lonely-if-you-try-2

![[1, left] – 1876, Henry Holiday (engraver: Joseph Swain): The illustration detail on the very left side is from Holiday’s illustration to an 1910 edition of Lewis Carroll’s "The Hunting of the Snark".
[1, right] – Additionally you see a segment from Holiday’s preperatory draft for that illustration. You clearly can see how Henry Holiday intended to give parts of the drapery the shape of breasts (from [3] and/or [4].
[2] – 1850, the young John the Baptist in John Everett Millais‘ "Christ in the House of His Parents" (aka "The Carpenter’s Shop"). The left leg of the boy looks a bit deformed. This is no mistake. Probably Millais referred to [3] and/or to [4].
[3] – "Henry VIII’s bedpost", 16th century, unknown artist: Detail (in mirror view) from "Edward VI and the Pope, an Allegory of Reformation". The pope could be Paul III.
[4] – (bedpost [3] alludes to bedpost [4]): 1564, Redrawn segment of a print "Ahasuerus consulting the records" by Philip Galle (after Maarten van Heemskerck). The resemblance of [3] to the image [4] (the bedpost) was shown by the late Margaret Aston in 1994 in "The King’s Bedpost: Reformation and Iconography in a Tudor Group Portrait" (p. 68). She also compared the bedpost to Heemskerck’s "Esther Crowned by Ahasuerus".](https://files.mastodon.social/cache/media_attachments/files/109/452/363/127/357/570/small/bb9e2fdc09ee9f57.png)